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12/10/2024
Our favorite albums from a year filled with country crossovers, traditional country-tilted albums and projects that highlighted the songwriting talents of both artists and songwriters.
12/10/2024
12/10/2024
Between the the majors suing Suno and Udio, the ELVIS Act protecting voices against deepfakes and “BBL Drizzy” setting legal precedent, it’s been a big year for AI music.
12/10/2024
The fallout from the Drake and Kendrick Lamar war continues. Mustard called out longtime OVO producer Boi-1da for allegedly trashing West Coast music, and the Cali native posted receipts of their alleged past conversations to his Instagram Story on Monday (Dec. 9). “West Coast music is a–,” the Toronto producer allegedly wrote in a DM […]
Motown Records icon Smokey Robinson remembers that at one of the storied label’s holiday parties in the late ‘60s, he received a very special gift.
“Stevie Wonder came,” Robinson recalls to Billboard, “and gave me a cassette tape with the music for [the No. 1 R&B/pop hit] ‘The Tears of a Clown.’ But he couldn’t think of a song to go with it and wanted me to write a song for that music. And so I did. And ‘Tears’ became one of the biggest songs I’ve ever been associated with around the world.”
Now, as NBC gets set to premiere its holiday special A Motown Christmas, Robinson is promising music fans a “great night featuring legendary Motown artists and contemporary artists singing music and having a good time together.” The two-hour special bows Wednesday (Dec. 11) at 9 p.m. ET/PT on NBC and will stream the next day on Peacock.
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Halle Bailey and Smokey Robinson in ‘A Motown Christmas.’
Carell Augustus/NBC
Hosts Robinson and Halle Bailey will be welcoming a diverse cast of performers that includes Gladys Knight, Martha Reeves and the Vandellas and the Temptations as well as Ashanti, Andra Day, BeBe Winans, Jamie Foxx, JoJo, Jordin Sparks, MGK, October London, Pentatonix and the hosts themselves. More than 25 Motown gems and other songs will be performed via a tuneful array of solos, duets and group medleys.
Among the highlights: London’s medley of Marvin Gaye songs (including “What’s Going On”); Knight (“Midnight Train to Georgia”); Pentatonix’s Four Tops medley (including “I Can’t Help Myself”); Foxx (“Little Drummer Boy”); Bailey and The Supremes’ medley (including “Stop in the Name of Love”); a Temptations medley (including “My Girl”); Andra Day (“Higher Ground”), Ashanti (“Santa Baby”) and Robinson performing his and the Miracles’ classics including the aforementioned “The Tears of a Clown.” Rounding out the show will be a world exclusive performance from the Broadway company of MJ the Musical.
Gladys Knight in ‘A Motown Christmas.’
Justin Lubin/NBC
Calling fellow host Bailey “a wonderful young woman and a great talent,” Robinson also talked about working with the executive producers of A Motown Christmas, Debbie Allen and Motown alumnus Suzanne de Passe. “Debbie and Suzanne are my sisters,” he says. “I’ve known them forever and ever, so it’s always great to work with them. Debbie is one of the best choreographers and dancers that you’d ever want to meet. And Suzanne is a Motown mainstay. At one point she was our A&R director for music and now she’s a top movie and television producer.”
Asked about Motown founder Berry Gordy’s reaction to the holiday special, Robinson notes, “I think he’s going to love it because, you know, he is the reason for the season. On the very first day at Motown, he sat us down — it was four people there other than him — and said, ‘I’m going to start my own record company, and we’re not just going to make Black music. We’re going to make beats for everybody, make music for the world; quality music.’ So we set out to do that and, thank God, I think we accomplished it. If it hadn’t been for Berry, we wouldn’t be having a Motown special.”
Jamie Foxx and Halle Bailey in ‘A Motown Christmas.’
Todd Williamson/NBC
Despite two Oscars and nine Grammy Awards, sold-out shows around the world and the adoration of a generation, Billie Eilish still gets anxious about whether she’ll ever be able to write another song.
CBS Morning‘s Interviewer Anthony Mason caught up with Eilish on tour at the United Center in Chicago to talk about intense writer’s block she and brother/producer Finneas were paralyzed by last year, as well as whether she cares about winning any more Grammys; the singer is up for seven Grammys at next year’s show, including record of the year and song of the year for “Birds of a Feather” and album of the year for Hit Me Hard and Soft.
Letting out a huge laugh, Eilish said the continued accolades from the Recording Academy are “the craziest thing in the world,” leaving her “blown away and excited and honored and humbled all at the same time.”
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That said, the process of recording he third album, Hit Me Hard and Soft, was tortuous, with Eilish, 22, saying that at some point the siblings were “pretty stuck,” a feeling she said you never get used to. “It happens and you’re like, ‘what the hell?! I’m never going to create again,’” she said. After months of dead ends, Eilish and Finneas said that things got unstuck precisely on May 25, 2023, when they stumbled on the beginnings of the song “Wildflower.”
“And then ‘The Greatest,’ and it started to become clear that we were telling the truth,” Finneas said of the period when things began to flow again. Eilish, who said she never considered herself a singer until recently, has begun taking vocal lessons, something she’d resisted because of her insecurity about not feeling like she was a “big singer,” or having a teacher tell her she wasn’t. “When you’re a girl and you’re bad at something once, then all the boys think you’re bad at that forever,” Eilish explained about her insecurities as a female athlete growing up.
Eilish also took Mason on a tour of the traveling recording studio she sets up in her green room at every venue — which also includes a piano — explaining that she jams with friends at night after shows. She then cued up a two-second snippets of a pair of new songs she’s been working on, including one that was just her voice and a jaunty piano line and another with her signature breathy vocals over a subdued beat.
“It’s not even serious, it’s just… we’ve been making music and crocheting,” she said. Eilish will play the SAP Center in San Jose, CA on Tuesday night (Dec. 10) as part of Hit Me Hard and Soft The Tour.
Watch Eilish on CBS Mornings below.
The Grammy Museum announced today that on Jan. 25, it will begin offering free general admission for all visitors ages 17 and under. The new policy is expected to more than double the number of youths who visit the museum’s galleries each year.
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The new free-admission policy was made possible by the Stengaard Gross Family Education Initiative through a donation made to the Campaign for Music Education, a fundraising campaign launched in 2022. The Campaign for Music Education has recently surpassed its fundraising goal of $5 million. With this initial milestone now achieved, the Grammy Museum has doubled its fundraising goal to $10 million, which it hopes to reach in 2026.
“The Grammy Museum has always been committed to increase access to music education by reaching underserved communities where access to our museum and programming could make a huge impact,” Michael Sticka, Grammy Museum president and CEO, said in a statement. “Waiving admission for kids 17 and under will go a long way towards achieving that goal.”
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(Sticka, who has been leading the Museum since 2018, just renewed his contract to serve in this role until 2029.)
Additional funds raised through the Campaign for Music Education will expand the museum’s education and community programs, which have served more than 550,000 students through programs such as Grammy Camp, Grammy in the Schools and the Quinn Coleman Scholarship Fund. The Campaign for Music Education is co-chaired by such stars as Billie Eilish, Dua Lipa, Bruno Mars, Shawn Mendes, and Rosalía.
Additionally, as a result of the Campaign for Music Education, the Museum will unveil Sonic Playground, a new hands-on, permanent exhibit opening next month. Featuring 17 music-making interactives, Sonic Playground allows visitors to play different roles in the music industry, from rapper, singer, and producer to performer, music supervisor, and voice actor, and discover the myriad ways they could pursue a career in the music industry. Sonic Playground is made possible by a donation from Deborah DeBerry Long, dedicated to the legacy of Jim Long.
Additional donors to the Campaign for Music Education include the Ray Charles Foundation, Deborah DeBerry Long, the Living Legacy Foundation, the Natalie Cole Foundation, and BeatHeadz.
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
With the 45th anniversary of Pac-Man only a few months away, Walmart has Arcade1Up Pac-Man Plus Deluxe available for retro gamers, or the retro gaming fan in your life as a gift for the holidays.
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Priced at $379.99, the Arcade1Up Pac-Man Plus Deluxe Arcade Machine is a five-foot tall arcade cabinet replica that has an old-school gaming style with the original Pac-Man, as well as modern features such as a 17-inch LCD display, a RGB (Red Green Blue) light-up marquee and built-in Wi-Fi for global leaderboards for the ultimate in-gaming bragging rights.
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And since the Arcade1Up Pac-Man Plus Deluxe is from Walmart, you’ll get it shipped to you for free if you’re a Walmart+ member. Otherwise, your cart has to be more than $35 to get free shipping.
If you’re not a member, then you’re in luck. You can sign up for a 30-day free trial to take advantage of everything the retailer’s rewards program has to offer with perks such as free, fast delivery; fuel discounts’ streaming access to Paramount+ to watch hit originals; additional savings with early access deals and much more.
In addition, Walmart+ comes with access to SiriusXM for all sorts of talk radio and music — including popular channels, like “The Coffee House” for stripped-down songs from Noah Kahan, Kacey Musgraves, The Lumineers, Phoebe Bridgers and others.
The Arcade1Up Pac-Man Plus Deluxe is also available on Amazon for the same price.
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Arcade1Up Pac-Man Plus Deluxe Arcade Machine
Meanwhile, not only does the Arcade1Up Pac-Man Plus Deluxe come with Pac-Man, but it also comes with 13 other classic video games, including Dig Dug, Super Pac-Man, Pac-Man Plus, Galaga, Rompers, Rolling Thunder and others.
The retro arcade cabinet also features a full-size joystick, one-and-two-player buttons, a Wi-Fi live button, power and volume switches, three action buttons (depending on the game being played) and coin slots and doors. But don’t worry: You don’t need to pump this arcade machine with quarters. You just keep playing as much as you want.
It even features the original (and iconic) Pac-Man music and theme from Namco music director Toshio Kai and hardware engineer Shigeichi Ishimura. This arcade cabinet is the very essence of old school.
The Arcade1Up Pac-Man Plus Deluxe retails for $379.99 at Walmart and Amazon. It’s ideal for a game room, garage, or basement man cave at home.
For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.
Attorneys for Jay-Z are claiming in new court filings that Tony Buzbee – the attorney behind a bombshell lawsuit accusing the superstar of raping a 13-year-old girl alongside Sean “Diddy” Combs – pressured a different alleged sex trafficking victim to falsely tie her case to Combs.
In court papers filed Tuesday, lawyers for Jay-Z (Shawn Carter) from the law firm Quinn Emanuel tell a federal judge they were approached on Monday by an unnamed woman who had “unsolicited” info to share about Buzbee’s firm.
The woman allegedly told Quinn Emanuel that after she contacted Buzbee’s firm in October about an unrelated celebrity sex abuse case, she was “pressed for a connection to Mr. Combs.” She also allegedly felt “directed and coached by Mr. Buzbee’s firm” to include “false” claims, including that she had been drugged and physically assaulted: “She felt forced to lie.”
“When the woman made clear she was unwilling to adapt to the narrative Mr. Buzbee’s firm laid out and wanted only to speak her truth, she was dropped as a client,” writes Mari Henderson, an attorney at Quinn who says she spoke to the alleged victim, in a sworn declaration. “This woman shared this information because she felt the conduct by Mr. Buzbee’s firm — specifically, to encourage lies — discredits those who are legitimate victims.”
The new filings did not reveal the woman’s name. Though the Quinn Emanuel attorneys say the woman disclosed her name to the firm, they says she currently “wishes to remain unnamed at this time for fear of retaliation by the Buzbee firm.”
In a statement to Billboard on Tuesday, Buzbee called the new accusations “ridiculous” and said the firm was pursuing “hundreds of cases” against people other than Combs. Though he said he could not comment on the specific case without the woman’s name, he strongly denied the allegations.
“We get a lot of calls from people who believe they are aggrieved but we just can’t help,” Buzbee said. “We certainly don’t need to ‘pressure’ anyone to pursue a case. We have plenty of cases. What we won’t do is pursue a case we perceive to be weak or insupportable.”
The new filings are the latest salvo from Jay-Z’s legal team in response to a bombshell lawsuit, filed by Buzbee’s firm late on Sunday, that alleges the rapper joined Combs in drugging and assaulting a 13-year-old girl in 2000 during an after-party following the MTV Video Music Awards.
Weeks ago, Jay-Z filed a preemptive lawsuit against Buzbee, accusing him of extortion over his threats to sue over “wildly false” claims. Then on Monday, they filed a scathing response to the new rape lawsuit, denying the allegations as “patently false” and arguing they were part of a “scheme” by Buzbee to extract settlements from innocent celebrities by falsely tying them to Diddy.
Buzbee has denied all such allegations, calling them a “coordinated and desperate effort” to avoid his client’s accusations: “We will not be bullied or intimidated by these shenanigans. And our clients won’t be silenced.” Buzbee has also filed his own lawsuit in Texas against Quinn Emanuel, accusing the firm of seeking to “intimidate” him and asking for a restraining order blocking their investigation; that request was denied by a Houston judge on Friday.
Over the past year, Combs has faced a flood of abuse accusations — starting with civil lawsuits and followed by a sweepingfederal indictment in September, in which prosecutors allege he ran a sprawling criminal operation for years aimed at satisfying his need for “sexual gratification.”
Weeks after Combs was arrested, Buzbee held a press conference in which he claimed to represent 120 individuals who had been victimized by Combs and threatened a flood of litigation. He has since filed more than 20 such civil lawsuits, all on behalf of unnamed Does.
In an updated complaint on Sunday, Buzbee added Jay-Z to one of those lawsuits. Calling the rapper a “longtime friend and collaborator” of Diddy, the case alleges that the victim was driven to the party and forced to sign a non-disclosure agreement before being given a drink that made her feel “woozy” and “lightheaded.” When she went to a bedroom to lie down, the lawsuit claims, she was assaulted by the two stars while an unnamed female celebrity looked on.
In Tuesday’s new filing, Jay-Z’s attorneys they say they were contacted on Monday by a Texas woman who had submitted a claim to Buzbee’s firm after seeing his October press conference. Though her allegations involved sex trafficking by different celebrities who were “entirely unrelated” to Combs or Carter, she allegedly told Quinn Emanuel that she felt pressured to tie them to Combs.
“After detailing her experiences to an attorney at Mr. Buzbee’s firm, he pressed for a connection to Mr. Combs, asking ‘at what point did you meet Diddy,’ even though she made clear that her case was unrelated to Mr. Combs,” writes Henderson in the affidavit, relaying her phone call with the alleged victim.
In addition to claiming she was press to link her case to Combs, the new filing says the woman also claimed Buzbee’s firm pressured her to pursue the claims anonymously as a “Jane Doe,” and to bring them as a civil lawsuit seeking damages rather than by contacting law enforcement over potential criminal charges.
In technical terms, the new filings came as added support for Monday’s initial response from Jay-Z’s team. In that motion, his attorneys had asked the judge to force his accuser to litigate the lawsuit under her real name, arguing it was necessary to mount a thorough defense of her claims.
“This information, which came to Quinn Emanuel unsolicited, is further evidence in support of Mr. Carter’s right to thoroughly investigate, test, and respond to the spurious allegations that have been leveled against him,” writes Jay-Z’s lead attorney Alex Spiro in Tuesday’s filings.
Sabrina Carpenter‘s blockbuster sixth studio album Short n’ Sweet is continuing to stack up accolades, with a few of its singles earning new multi-platinum certifications Monday (Dec. 9). As announced by the Recording Industry Association of America, the 25-year-old pop star’s smash hit “Espresso” — the lead single from Short n’ Sweet — is now […]
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Jay-Z was named in a civil lawsuit brought against Sean “Diddy” Combs and was accused of raping a 13-year-old girl while attending a music industry afterparty back in 2000. Jay-Z has since filed to have the lawsuit case dismissed, citing that the attorney representing Jane Doe in the matter is attempting a financial shakedown and is asking that the identity of Doe be revealed.
In a new report from Page Six, Jay-Z, 55, has filed documents in court that took aim at Texas-based attorney Tony Buzbee and levies a claim of his own that the lawsuit was an attempt to force the rapper and entrepreneur to pay a large sum of cash to make it all go away.
“That campaign was cynical and calculated to force payment of an exorbitant sum of money—Defendant would have to pay X millions of dollars irrespective of the truth, or else,” a portion of the doc said, which was obtained by the outlet.
“When Defendant refused to pay and instead took measures to establish his innocence, this unnamed Plaintiff and her self-promoting counsel (whose name has been splashed across headlines and press conferences under auspices of representing her) went to extraordinary lengths to shut down fair defense,” the doc continues.
“These claims are not about justice for victims. Nor are they about giving victims of sexual violence a voice. Instead, they are merely the next chapter in Attorney [Tony] Buzbee’s sprawling extortion saga—a saga whose aim is base and measured in dollars,” the doc also adds.
Jay-Z’s side wants the judge in the matter to reveal the name of Jane Doe to the public, stating that the accuser’s legal team has not provided sufficient evidence to justify the anonymity.
Buzbee, Doe’s attorney, gave a statement to Page Six regarding the matter.
“Sending a basic litigation demand letter and then filing a lawsuit isn’t extortion or blackmail. That’s the legal practice.
Buzbee added that his side “won’t get bogged down in a silly sideshow that tries to make the lawyers the focus of what are very serious allegations brought by a courageous woman.”
In the court of public opinion, reactions to the lawsuit claims have grown legs, with some already announcing Jay-Z is guilty as charged before the matter has been heard. Others, such as 50 Cent, have taken to social media to take shots. Others are saying that as more details emerge, the truth will be revealed in an attempt to show grace.
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