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Cardi B was in full party mode ahead of Super Bowl LIX, twerking her way through a night of festivities.
In the hours leading up to the highly anticipated matchup between the Kansas City Chiefs and the Philadelphia Eagles at New Orleans’ Caesars Superdome, the 32-year-old rapper celebrated at local clubs.
On Saturday (Feb. 8), Cardi shared a series of videos on her Instagram Story, showing off her moves in a form-fitting beige dress. In the clips, she’s seen bent over, delivering an epic twerk at a mystery spot in the Big Easy.
In another video, Cardi is seen in what looks like a hotel room, preparing to head to her next club destination with a group of friends. “I’m so sleepy and here comes miss meanie P,” she captioned the clip, featuring a friend who impatiently urged, “OK, let’s go!”
The fun didn’t stop there. The next video shows Cardi back at the club, grooving to the White Stripes’ “Seven Nation Army” with a mischievous look. “The thoughts in my head be soo bad,” she wrote over the video.
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Switching up her look, Cardi dons a shiny dark gray dress as she gives fans a peek into her night at Beacher’s Madhouse at Republic NOLA. In the video, she showcases a Michael Jackson impersonator and sprays the crowd with a fog cannon. It looks like the rapper had a late night, with one video timestamped at approximately 4:30 a.m.
Her fun night comes after the release of her highly anticipated new track “Toot It Up,” a collaboration with Pardison Fontaine that dropped on Friday.
The two last teamed up on 2018’s “Backin’ It Up,” which they performed together at the 2018 BET Hip Hop Awards. The song reached No. 40 on the Billboard Hot 100 and cracked the top 20 on Hot R&B/Hip-Hop Songs (No. 18) and Rhythmic Airplay (No. 11).
Pardi has also co-written several of Cardi’s biggest hits, including “Bodak Yellow,” “I Like It” with Bad Bunny and J Balvin, “WAP” with Megan Thee Stallion, and “Up,” as well as much of her Grammy-winning debut album, Invasion of Privacy.
“Toot It Up” is just one of the new tracks Cardi has on the horizon. Earlier this week, a trailer for the upcoming Smurfs movie teased a new track “Higher Love” by Desi Trill, featuring DJ Khaled, Cardi B, Natania and Subhi.
Carl Banks show off New Orleans inspired and NFL themed Starter jackets for Super Bowl weekend. Carl BanksHi it’s Carl Banks, two time Super Bowl champion and I am here with Billboard. The interesting thing about my relationship with Starter, is I was one of the first athletes to wear the brand when they introduced […]
The Weeknd lands his fifth No. 1 on the Billboard 200 albums chart with the debut of Hurry Up Tomorrow atop the tally (dated Feb. 15). The set earned 490,500 equivalent album units in the U.S. in the week ending Feb. 6, according to Luminate. That marks the largest week for any album since Taylor Swift’s The Tortured Poets Department debuted at No. 1 on the May 4, 2024-dated chart with 2.61 million. Hurry Up Tomorrow logs the biggest week for an R&B/hip-hop album since Travis Scott’s Utopia debuted at No. 1 on the Aug. 12, 2023, chart with 496,000.
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The Weeknd previously topped the chart with After Hours (2020), My Dear Melancholy (2018), Starboy (2016) and Beauty Behind the Madness (2015).
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Also in the latest top 10, Chappell Roan’s The Rise and Fall of a Midwest Princess surges 14-6 following her best new artist win at the Grammy Awards (Feb. 2), while Billie Eilish’s Hit Me Hard and Soft (10-5) also climbs in the wake of Grammy exposure.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 15, 2025-dated chart will be posted in full on Billboard‘s website on Feb. 11. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Hurry Up Tomorrow’s 490,500 first-week equivalent album units, album sales comprise 359,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 130,500 (equaling 171.5 million on-demand official streams of the songs on the streaming edition of the album; it debuts at No. 1 on Top Streaming Albums) and TEA units comprise 1,000.
Hurry Up Tomorrow’s launch of 490,500 units marks The Weeknd’s biggest week by units earned (since the chart began measuring in units in December 2014). The set’s sales of 359,000 claim The Weeknd’s largest sales week ever.
The set was released as a nine-song standard album, widely available through digital download retailers. It was alternatively available as an 11-song edition across all of its physical formats (CD, vinyl and cassette) and a 22-track digital download and streaming edition. It was also available in two further digital download editions, both exclusively sold via The Weeknd’s HurryUpTomorrow.Club site. Each sold for $4.99, boasted alternative cover art and had the 22 tracks available on the deluxe digital/streaming edition, but each had at least one additional track. One included “Closing Night,” with Swedish House Mafia. The other included “Runaway” and “Society,” which were also included on all of the physical formats, but not any of the other digital or streaming editions.
In total, the album generated 183,000 in digital album sales; 99,000 in CD sales; 77,000 in vinyl sales (The Weeknd’s best week on vinyl) and 1,000 in cassette sales.
Hurry Up Tomorrow’s first-week sales were aided by its availability across eight vinyl variants (including a signed edition), eight CD variants (including multiple signed editions), a cassette tape, and nine deluxe boxed sets containing a branded piece of clothing and a CD.
The album was preceded by the Billboard Hot 100-charting songs “Timeless” (with Playboi Carti, No. 3 peak last October) and “Sao Paulo” (with Anitta, No. 77 last November).
Bad Bunny’s Debí Tirar Más Fotos falls 1-2 on the Billboard 200 with 94,000 equivalent album units earned (down 20%). SZA’s chart-topping SOS slips 2-3 with 82,000 (down 6%), Kendrick Lamar’s GNX dips 3-4 with 65,000 (though up 9%) and Billie Eilish’s Hit Me Hard and Soft jumps 10-5 with 53,000 (up 47%).
Eilish was the first performer on the Feb. 2 Grammy Awards broadcast (on CBS), singing the album’s “Birds of a Feather.” Also on the show: The Weeknd performed (singing his new album’s “Cry for Me” and “Timeless,” with Playboi Carti), while SZA presented the best pop duo/group performance, and Lamar won two on-air trophies (for record of the year, and song of the year, both for “Not Like Us”).
Chappell Roan’s The Rise and Fall of a Midwest Princess surges 14-6 with a 56% gain — to 49,000 equivalent album units earned. The album vaults up the tally following Roan’s win for best new artist at the Grammys, along with her performance of the album’s “Pink Pony Club” on the show (and her buzzy acceptance speech which generated headlines).
Sabrina Carpenter’s former No. 1 Short n’ Sweet gaind 20% (up to 48,000 equivalent album units) but is pushed down a spot to No. 7. On the Grammy Awards, Carpenter won the best pop vocal album award, while also performing a medley of the album’s “Espresso” and “Please Please Please.” (She also won best pop solo performance for “Espresso,” but that category was presented before the television broadcast began.)
Morgan Wallen’s chart-topping One Thing at a Time drops 5-8 on the Billboard 200, despite an 11% gain (to 45,000 equivalent album units). Taylor Swift’s former No. 1 The Tortured Poets Department ascends 11-9 with 38,000 equivalent album units (up 8%) — also likely basking in some glow from the Grammy Awards, where the album and its “Fortnight” single were up for six awards (though did not win). Swift was a visible presence throughout the ceremony, cheering on winners and performers, and presented the best country album trophy to Beyoncé (for Cowboy Carter).
Rounding out the latest top 10 on the Billboard 200 is Gracie Abrams’ The Secret of Us, falling 8-10 with 36,000 equivalent album units earned (down 5%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
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Remember when you had to watch the Super Bowl just to see the actual Super Bowl commercials? Not anymore.
Being that brands are paying millions for their spots during the Big Game, many have said “later” for any anticipation and have been touting their commercials before players have even stepped on the field for practice.
The spots have plenty of range, too. For example, you have Meg Ryan and Billie Crystal reuniting to make magic based on a movie that dropped 35 years ago, and then you have Lil Wayne basically announcing his new album via a commercial for lotion. One throughline we do appreciate, when done well, is the use of Hip-Hop music (see Pfize with LL Cool J and Michelob Ultra with Rick Ross).
We’ll keep tabs on any commercials that actually debut during the Super Bowl and will add here accordingly. But for the right now, here are all the best Super Bowl 25 commercials. And some “meh,” too—for archival purposes.
1. Pfizer
Props for the usage of LL Cool J’s “Mama Said Knock You Out.” F*ck cancer, infinitely.
2. Michelob ULTRA – The ULTRA Hustle
Rick Ross is getting a check, and Willem Dafoe and Catherine O’Hara are basically scammers—watch out for Sabrina Ionescu, Randy Moss, and Ryan Crouser.
3. Bud Light – Big Men on Cul-de-Sac
Feauturing Shane Gillis, Post Malone, and Peyton Manning, we respect it due to the clutch use of Huey Lewis & The News music.
4. Google Pixel – Dream Job
Love what you do, you’ll never work a day in your life.
5. Hellmann’s – When Harry Met Sally Reunion
The fact that Meg Ryan and Billy Crystal reunited to push Hellmann’s mayonnaise in homage to When Harry Met Sally is textbook example of the jokes write themselves.
6. Häagen-Dazs – Not So Fast, Not So Furious
Apparently Häagen-Daz has a budget for Ludacris, Michelle Rodriguez and Vin Diesel to parody The Fast & The Furious. What a time.
7. Cetaphil – We’re all a Lil Sensitive
You gotta give Lil Wayne props for being able to laugh at himself after the whole Why Kendrick and not met at the Super Bowl brouhaha. And he managed to sneak in a Carter VI announcement.
8. STōK Cold Brew Coffee | Hollywood Magic
Channing Tatum getting his dance on to C+C Music Factory for cold brew coffee, and to inspire soccer celebration, wasn’t on anyone’s bingo card.
Charli XCX and Noah Kahan are joining Chappell Roan in supporting artists facing healthcare challenges.
On Saturday (Feb. 8), the 32-year-old British pop star shared on her Instagram Story that, like Kahan, she is matching Roan’s pledge to donate $25,000 to help artists who are struggling to afford healthcare after being dropped by their record labels.
“hey @chappellroan i am going to match your 25k to support artists’ access to healthcare. i saw @noahkahanmusic say that he would do the same and so i thought i’d follow suit,” Charli wrote, alongside a photo of the word “money” with an arrow pointing to her mouth. “your speech at the grammys was inspiring and thoughtful and from a genuine place of care. happy to help get the ball rolling too. money where mouth is xx.”
Charli’s donation was inspired by Kahan, who also shared on his Instagram Story that he would match the financial donation. “Hey @chappellroan, I’m going to match your 25K to support artist’s access to healthcare,” the “Stick Season” singer wrote. “I’m inspired by you. Happy to help get the ball rolling. Money where mouth is!”
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During her best new artist acceptance speech at the 2025 Grammy Awards on Feb. 2, Roan called out record labels for failing to provide livable wages or healthcare coverage to their artists, citing her own experience after being dropped by Atlantic Records in 2020.
“If my label would have prioritized artists’ health, I could have been provided care by a company I was giving everything to,” she told the audience.
In the days that followed, Roan’s comments sparked criticism from former A&R executive Jeff Rabhan, who wrote a guest column for The Hollywood Reporter, calling her speech “wildly misinformed.”
Roan responded to Rabhan on social media, challenging him to contribute to the cause. “@jeffrabhan wanna match me $25K to donate to struggling dropped artists?” she wrote on her Instagram Story. “My publicist is @biz3publicity let’s talk.”
The 26-year-old pop star assured her fans that she would keep them “updated on the much awaited @jeffrabhan response,” sharing receipts of any donations, and even directing a final message to the former executive: “Mr. Rabhan, I love how in the article you said ‘put your money where your mouth is,’” Roan wrote. “Genius !!! Let’s link and build together and see if you can do the same.”
Some industry executives and advocates responded positively to Roan’s speech at the Grammys. In an interview with Billboard, the Music Healthcare Alliance’s founder and CEO, Tatum Allsep, said he was “jumping on my couch” when he heard her remarks.
“I was like, ‘Gosh, thank you for bringing this up.’ The conversation was started,” Allsep said. “What’s really important to know for all the young artists who are listening is you don’t have to go without if you are making a living within our industry.”
David Schwimmer is calling for Ye’s removal from X after the rapper posted a series of controversial and antisemitic remarks.
On Saturday (Feb. 8), the Friends star took to social media to address Elon Musk, urging the X owner to ban Ye — formerly known as Kanye West –from the platform.
“This is so 2022. We can’t stop a deranged bigot from spewing hate filled, ignorant bile… but we CAN stop giving him a megaphone, Mr. Musk,” the Jewish actor, 58, wrote on Instagram. “Kanye West has 32.7 million followers on your platform, X. That’s twice as many people than the number of Jews in existence. His sick hate speech results in REAL LIFE violence against Jews.”
In recent days, Ye has gone on a tweet spree filled with hate, once again praising Nazis and Adolf Hitler while targeting the LGBTQ+ community and people with disabilities. In addition to embracing antisemitic stereotypes and hate speech, the 47-year-old rapper also tweeted support for Diddy, who is currently in jail awaiting trial on sex trafficking charges.
Schwimmer continued, “I don’t know what’s worse, the fact that he identifies as a Nazi (which implies he wants to exterminate ALL marginalized communities including his own) or the fact that there is not sufficient OUTRAGE to remove and ban him from all social media at this point. Silence is complicity.”
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In his posts, Ye also referenced Musk’s repeated use of a Nazi-like salute at a Donald Trump inauguration event in January, which was widely criticized. Musk responded to the backlash, telling critics they “need better dirty tricks.” “Elon stole my Nazi swag at the inauguration… yooo my guy get your own third rale,” Ye wrote, adding, “I can say Jew as much as I want. I can say Hitler as much as I want.”
Ye was initially banned from X (formerly Twitter) in October 2022 for antisemitic posts, briefly reinstated in November, then re-suspended later that month after he posted an image of a swastika intertwined with a Star of David. Eight months later, Musk reinstated West’s account once again.
Claiming he has no interest in “adjusting nothing I do or say for anybody,” West promised to “normalize talking about Hitler they [sic] way talking about killing ni–as has been normalized,” followed by “Hitler was sooooo fresh” and “call me Yaydolf Yitler.”
Amid Ye’s earlier embrace of Hitler and Nazi propaganda, experts spoke to Billboard about the dangers of someone with such a vast social media following promoting antisemitic tropes, especially at a time when hate crimes against Jews and Jewish institutions had reached alarming levels.
“At a time when the community is dealing with this level of hatred to have one of the most well-known entertainers in our culture making statements like ‘I like Hitler’ and showing up on [Jones’] InfoWars is not just vile and offensive, but it’s also endangering Jews by giving people permission to express that kind of prejudice,” Jonathan A. Greenblatt, CEO of the Anti-Defamation League, said at the time. “People in the mainstream did not make such overtly awful, inflammatory comments before like this.”
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Adan Manzano, a Kansas City reporter with Telemundo, was found dead in his hotel room in New Orleans over the weekend. Police have arrested a suspect in the case, who had a history of drugging men and robbing them.
NBC Sports reports that Adan Manzano, 27, was in New Orleans on behalf of Telemundo in Kansas City to cover Super Bowl LIX. The outlet adds that Manzano was seen on surveillance video from the hotel camera feeds from Feb. 5 that showed him walking into his room early on the morning of his death with the suspect, with the video showing the suspect leaving Manzano’s room unaccompanied.
Area police announced the arrest of Danette Colbert, 48, and a resident of Sidell, La. Colbert was arrested for attempting to use Manzano’s credit cards at several stores, and a subsequent search of Colbert’s home turned up Manzano’s phone, other credit cards, and drugs.
Source: Kenner Police Department / Kenner Police Department
Colbert was listed by authorities as a “career criminal” and was involved in what they also framed as “fraud schemes” in recent times. In 2022, Colbert was twice arrested in separate matters on felony charges of grand larceny and administering a drug to aid in a felony crime. The pattern explained by the outlet was that Colbert would target and drug men and then steal their personal items. In both cases, the men did not want to go on record and testify against her. It isn’t known if those cases occurred in New Orleans proper.
Telemundo KC took to their Facebook page and wrote a moving tribute in honor of Manzano.
“[Adan] was an exceptional professional and a rising star whose dedication and talent reflected excellence in his work. We will deeply miss Adam, his passion for sports and the contributions he made to the local community,” a portion of the post read.
Adan Manzano was a widower and single father, raising a 2-year-old daughter.
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Photo: Getty/Telemundo KC/Kenner Police
Less than a week after stealing the show at the Grammy Awards and winning the best rap album trophy, Doechii brought her magnetic stage presence to the Big Easy with a late night performance at the House of Verizon activation during Super Bowl weekend in New Orleans on Saturday night (Feb. 8). Explore Explore See […]
Anora appears to be the front-runner to win the Oscar for best picture. On Friday (Feb. 7) the film won the top award at the Critics Choice Awards. On Saturday (Feb. 8) it won the top prizes at both the Directors Guild of America Awards and the Producers Guild of America Awards.
The PGA Awards recognize the year’s best-produced features, documentaries, series and specials, as voted on by the PGA, which has more than 8,400 members. The 36th annual PGA Awards were held at the Fairmont Century Plaza in Los Angeles.
Since its inception in 1990, the PGA Award for best theatrical motion picture has gone to the subsequent Oscar winner for best picture on all but 10 occasions.
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The correlation between the two awards has become even stronger since 2009, when both the PGA and the Academy Awards began using ranked-choice voting (sometimes called a preferential ballot). Since 2009, the PGA winner and the subsequent Oscar winner have agreed in all but three years. The last time the two award bodies diverged was in 2020, when the PGA award went to 1917, but the Oscars favored Parasite.
The PGA expanded the number of nominees for its top award from five to 10 in 2010, the same year the Oscars made a similar expansion.
The Greatest Night in Pop, a Netflix film about the 1985 “We Are the World” recording session, won outstanding producer of televised or streamed motion pictures. The film was nominated for three Primetime Emmys last year, including outstanding documentary or nonfiction special, and was nominated for a Grammy for best music film.
Saturday Night Live, now in its 50th season on NBC, won Outstanding Producer of Live Entertainment, Variety, Sketch, Standup & Talk Television, a remarkable feat for a show this deep into its run. It beat Ali Wong: Single Lady, The Daily Show, Last Week Tonight With John Oliver and The Late Show With Stephen Colbert
The Wild Robot won Outstanding Producer of Animated Theatrical Motion Pictures. It has won in the animated film category at most film awards shows and is considered the front-runner to win the Oscar for best animated feature.
Special awards were also presented to Chris Meledandri (David O. Selznick Achievement Award in Theatrical Motion Pictures – presented by Steve Carell), Dana Walden (Milestone Award – presented by Bob Iger), Taika Waititi (Norman Lear Achievement Award in Television – presented by Jon Favreau), and Lynda Obst & Paula Weinstein (Trailblazer Award – presented by Jane Fonda and Kate Hudson).
The 2025 Producers Guild Awards event chairs are Mike Farah and Joe Farrell. The 2025 Producers Guild Awards were produced by Anchor Street Collective and written by Lauren Cortizo, Jody Lambert and Matt Oberg for the guild. Branden Chapman served as executive producer, and Carleen Cappelletti was co-executive producer.
Here’s the complete list of 2025 nominees by the Producers Guild of America, with winners marked.
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
WINNER: Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
A Real Pain
September 5
The Substance
Wicked
Outstanding Producer of Animated Theatrical Motion Pictures
Flow
Inside Out 2
Moana 2
Wallace & Gromit: Vengeance Most Fowl
WINNER: The Wild Robot
Norman Felton Award for Outstanding Producer of Episodic Television – Drama
Bad Sisters
The Diplomat
Fallout
WINNER: Shōgun
Slow Horses
Danny Thomas Award for Outstanding Producer of Episodic Television – Comedy
Abbott Elementary
The Bear
Curb Your Enthusiasm
WINNER: Hacks
Only Murders in the Building
David L. Wolper Award for Outstanding Producer of Limited or Anthology Series Television
WINNER: Baby Reindeer
FEUD: Capote Vs. The Swans
The Penguin
Ripley
True Detective: Night Country
Outstanding Producer of Televised or Streamed Motion Pictures
Carry On
WINNER: The Greatest Night in Pop
The Killer
Rebel Ridge
Unfrosted
Outstanding Producer of Non-Fiction Television
30 for 30
Conan O’Brien Must Go
The Jinx – Part Two
WINNER: STEVE! (martin) a documentary in 2 pieces
Welcome to Wrexham
Outstanding Producer of Live Entertainment, Variety, Sketch, Standup & Talk Television
Ali Wong: Single Lady
The Daily Show
Last Week Tonight With John Oliver
The Late Show With Stephen Colbert
WINNER: Saturday Night Live
Outstanding Producer of Game & Competition Television
The Amazing Race
RuPaul’s Drag Race
Top Chef
WINNER: The Traitors
The Voice
The following nominees were previously announced.
Outstanding Producer of Documentary Motion Picture
Gaucho Gaucho
Mediha
Mountain Queen: The Summits of Lhakpa Sherpa
Porcelain War
WINNER: Super/Man: The Christopher Reeve Story
We Will Dance Again
Outstanding Children’s Program
Avatar: The Last Airbender
Fraggle Rock: Back to the Rock
Percy Jackson and the Olympians
WINNER: Sesame Street
SpongeBob SquarePants
Outstanding Short-Form Program
The Crown: Farewell To a Royal Epic
Hacks: Bit By Bit
The Penguin: Inside Gotham
Real Time with Bill Maher: Overtime
WINNER: Shōgun – The Making of Shōgun
Outstanding Sports Program
Formula 1: Drive to Survive
Hard Knocks: Offseason with the New York Giants
Messi’s World Cup: The Rise of a Legend
WINNER: Simone Biles Rising
Triumph: Jesse Owens and the Berlin Olympics
PGA Innovation Award
Critterz
Emperor
Impulse: Playing with Reality
WINNER: Orbital
The Pirate Queen with Lucy Liu
What If…? – An Immersive Story
Sabrina Carpenter, who took home her first Grammy awards last weekend, has given fans a glimpse at her celebratory night — on film. Featured in her photographs are industry peers Taylor Swift, Jack Antonoff, Chappell Roan and Beyoncé, among others.
The Short n’ Sweet singer seemingly went to a Grammys after party also attended by Swift, Antonoff, Margaret Qualley and Amber Mark. She shared a snapshot of herself getting cozy with the group on a couch, and another in which Swift, wearing the jacket that she caught from Janelle Monáe during Sunday’s (Feb. 3) ceremony, embraces her with a big hug.
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Carpenter posted her pictures on Instagram on Friday (Feb. 7), captioning the collection “film from Sunday,” with a smiley face.
In the slideshow of 15 pictures is a shot of Carpenter with Roan, both with wide, ecstatic grins. Another special moment captured on film is the “Espresso” star getting a hug from album of the year winner Beyoncé.
Carpenter’s photos also document her glamorous Grammy Awards look: that backless, baby blue gown.
She left the 2025 Grammy Awards as a winner in the best pop vocal album and best pop solo performance categories.
Post-Grammys, Carpenter announced a deluxe edition of breakthrough album Short n’ Sweet, with Dolly Parton on a remix of “Please Please Please.” The deluxe release also features bonus tracks “15 Minutes,” “Couldn’t Make It Any Harder,” “Busy Woman” and “Bad Reviews.” It’ll be out on Feb. 14.
The original Short n’ Sweet debuted at No. 1 on the Billboard 200 albums chart in August. Three singles from the album charted on the Hot 100, led by “Please Please Please,” which reached No. 1.