News
Page: 163
This year’s Stagecoach Country Music Festival will feature an eclectic slate of acts leading its Palomino Stage lineup this year, when the festival returns to the Empire Polo Club in Indio, Calif., on April 25-27.
Explore
See latest videos, charts and news
See latest videos, charts and news
Lana Del Rey, Nelly and Sammy Hagar will headline the stage over the course of the three nights, with Rey heading up the Friday (April 25) lineup, followed by Nelly on Saturday and Rock n’ Roll Hall of Famer Hagar on Sunday.
A promo poster for the fest notes that Del Rey’s Friday night performance will be “a very special country set,” while Nelly’s Saturday performance will celebrate 25 years since the release of his signature song “Country Grammar.”
Trending on Billboard
Also on the Friday night bill are Whiskey Myers, Sierra Ferrell, Nikki Lane, Drake Milligan, Tanner Usrey and Noeline Hofmann.
Del Rey is set to release the country-influenced project The Right Person Will Stay in May. Ferrell picked up four wins at this year’s Grammys, taking home four trophies: best Americana album (Trail of Flowers), best American roots song (“American Dreaming”), best Americana performance (“American Dreaming”) and best American roots performance (“Lighthouse”). Hofmann recently teamed up with Zach Bryan for the song “Purple Gas,” which reached No. 69 on the Billboard Hot 100 last year. Meanwhile, Whiskey Myers recently announced they will team with Tedeschi Trucks Band for a co-headlining tour this year.
Alongside Nelly, Saturday night’s lineup will feature Koe Wetzel, Dylan Gossett, Tommy James & the Shondells, Crystal Gayle, Myles Kennedy and Kashus Culpepper. Wetzel recently notched a multiweek Billboard Country Airplay No. 1 with the Jessie Murph collaboration “High Road’ while the Big Loud Texas/Mercury Records-signed Dylan Gossett is known for songs including “Coal.” Meanwhile, Gayle has earned more than a dozen Hot Country Songs chart-toppers over the years, including signature songs such as 1977’s “Don’t It Make My Brown Eyes Blue” and 1978’s “Talking in Your Sleep.”
The three-day Palomino stage lineup will conclude on Sunday with Hagar as well as performances from “Slide” hitmakers Goo Goo Dolls, as well as eight-time Country Airplay No. 1 hitmaker Tracy Lawrence, and performances from Treaty Oak Revival, The Bacon Brothers, Angel White and Waylon Wyatt.
This year’s main stage headliners will be Jelly Roll, Luke Combs and Zach Bryan, who made his own Palomino Stage debut in 2022. Other artists who have played the Palomino Stage over the years include Merle Haggard, Willie Nelson, George Jones, John Prine, Jerry Lee Lewis, Smokey Robinson, Emmylou Harris, Glen Campbell, Kenny Rogers and Charley Pride.
See the full lineup poster for Stagecoach’s Palomino Stage below:
Palomino Lineup Poster
Courtesy Photo
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. Have you ever wanted to smell like a Disney princess? Thanks to a new collaboration between Disney and Bath & Body […]

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
To help launch the Powerbeats Pro 2 earbuds, Beats assembled the infinity stones of sports icons — LeBron James, Lionel Messi and Shohei Ohtani — for a motivational new campaign titled “Listen to Your Heart.” If that wasn’t enough star power to convince you to grab these impressive fitness-focused headphones and immediately go on a three-mile run, the video also features rap legend RZA as “the heart” narrating throughout.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Move over, Morgan Freeman: Wu-Tang Clan leader RZA delivers a powerful voice-over highlighting the powerful connection between passion, performance and heart as the video explores the respective journeys of each superstar athlete.
Trending on Billboard
In a statement launched with the campaign, Messi reveals, “Even though we come from different sports, what connects us is our shared passion to perform at the highest level. This campaign reflects how true power comes from the heart—how we’ve all used that inner drive to fuel our journeys and push ourselves throughout our careers.”
After almost five years since the launch of their original Pro earbuds, Beats have finally released the highly-anticipated Powerbeats Pro 2. The upgraded headphones are more fitness-focused, with a sleeker build and tons of enhanced fitness tech including a heart rate sensor, advanced active noise cancellation, IPX4 water and dirt resistant, 45 hours of battery life, and Apple’s impressive H2 chip, which is also included in the brand’s AirPods line.
Listening to music is still at the heart of these Beats earbuds. The Powerbeats Pro 2 has a redesigned acoustic architecture and upgraded venting to enhance your sound and comfort, alongside personalized spatial audio with dynamic head tracking to fully immerse you in your music. They also feature adaptive EQ that continuously scans your specific ear shape to optimize your listening experience in real time.
“I’ve been a huge fan of the Powerbeats line since it first launched, and seeing it evolve into the new Powerbeats Pro 2 is incredible,” LeBron James says in a statement. “Music has always been a key motivator in my training, and these earphones take an already iconic product to the next level.”
The Powerbeats Pro 2 come in a variety of colors, including jet black, quick sand, hyper purple and our favorite, electric orange. Releasing for $249.99, grab a pair of the new Powerbeats Pro 2 on Apple’s site now.
Beats Powerbeats Pro 2 Wireless Earbuds
$249.99
$249.99
Check out the motivational “Listen to Your Heart” campaign video starring LeBron James, Lionel Messi, Shohei Ohtani and RZA below.

As he nears the end of his run in Broadway‘s Cabaret at the Kit Kat Club, singer Adam Lambert celebrated his run with a stunning performance on The Tonight Show Starring Jimmy Fallon on Monday night (Feb. 10).
Dressed in all-black and wearing some glossy black lipstick and eyeshadow, Lambert performed “I Don’t Care Much,” the melancholy act II ballad sung by his character in the show, the Emcee. Dropping his character’s German accent, the American Idol alum sauntered through the jazzy number, placing particular emphasis on its harsh lyrics.
“Words sound false when your coat’s too thin/ Feet don’t waltz when the roof caves in,” he belted. “So if you kiss me, if we touch/ Warning’s fair; I don’t care very much.”
Trending on Billboard
Lambert released his rendition of the song as a single back in December, and in an interview with radio presenter Elvis Duran, explained the track’s painful meaning in the larger context of the show. “It’s like a torch song,” he said. “It’s really beautiful, and this is in the second act when things are sad, and it’s a song about indifference, and kind of just saying ‘I give up.’”
Cabaret takes place in Berlin during the late 1920s and early 1930s, as the Nazi party rose to power. In “I Don’t Care Much,” Lambert’s Emcee sings about Germany’s apathy in the face of the Nazis’ fascist, antisemitic rhetoric. While he was recording the song, Lambert says he couldn’t help but think about the parallels between that story and today’s politics.
“The day after the [2024 U.S.] election, I know we all felt some kind of way. We recorded this right around election week,” he explained. “I kept going back to how I felt, how a lot of the people that I know in my community felt [after the election], and it was this feeling of … ‘I don’t know what else to do, except to say that I guess I don’t care now as a coping mechanism.’”
Lambert currently stars in the production alongside Auli’i Cravalho (as Sally Bowles), with both of their last performances slated for March 29. Starting on March 31, the roles of the Emcee and Sally will be taken over by country singer-songwriter Orville Peck and Tony-nominated actress Eva Noblezada.
Watch Lambert’s full performance of “I Don’t Care Much” above.
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Kendrick Lamar plays “Not Like Us” during his Super Bowl halftime show despite Drake’s defamation lawsuit; an appeals court sends a case over Jimi Hendrix’s music to trial; the estate of Notorious B.I.G. sues over a famed photo; and much more.
THE BIG STORY: Say, Drake…
If a team of lawyers tried to dissuade Kendrick Lamar from performing “Not Like Us” during Sunday night’s Super Bowl halftime show, they didn’t do a great job.
Trending on Billboard
After much speculation about whether or not the rapper would play his chart-topping, Grammy-sweeping hit at the Superdome – a performance that came weeks after Drake sued Universal Music Group over allegations that the song defamed him by calling him a pedophile — Kendrick really didn’t hold back much.
With a trolling grin, he looked directly into camera and made eye contact with 120 million viewers when he rapped “Say, Drake, I hear you like ’em young” – a lyric he then followed up with lines like “You better not ever go to cell block one” and “Just make sure you hide your lil’ sister from him.” If anyone was expecting him to avoid the controversy entirely, think again.
Lamar did avoid saying the actual word “pedophile,” but that hardly made a difference when thousands in the crowd sang it for him — and millions more at home knew exactly what was missing. And no such omission spared Drake from the song’s comedic punchline: “Tryna strike a chord and it’s probably A minnnnorrrrr.”
The very structure of Kendrick’s set seemed designed to mock the idea that a lawsuit might stop him. Early in the show, he explicitly referenced the case, saying “I wanna do their favorite song, but they love to sue” before teasing the song’s infectious four-note riff. When Lamar quickly moved on to another song, it seemed like he wanted the fans to think that might be it. Maybe it was a happy compromise? A quick nod that wouldn’t give the lawyers heartburn?
Lol, nope: Minutes later, Kendrick launched into a full-blown rendition of “Not Like Us” on the world’s biggest stage. “They tried to rig the game,” he said right before he started, “but you can’t fake influence.” For good measure, Lamar brought out Serena Williams – rumored to be a one-time romantic partner of Drake – to crip walk on his metaphorical grave.
What does it all mean for the lawsuit? For Kendrick, probably not much. Don’t forget: he isn’t actually named as a defendant, and Drake’s lawyers have taken great pains to stress that their client is only suing a malevolent record label that boosted a defamatory song, not the rival rapper who created it: “UMG may spin this complaint as a rap beef gone legal,” they wrote in the original complaint, “but this lawsuit is not about a war of words between artists.”That stance doesn’t appear to be changing. Just hours before Kendrick took the stage in New Orleans, Drake’s lawyers released a new statement on the case that harshly attacked UMG – but they never mentioned the man himself. It would be hard to reverse course now, even after that stare into the camera.
Perhaps Drake’s legal team will try to add Fox or the NFL or even Apple (the show’s sponsor) as defendants, claiming they gave Kendrick a platform to republish lyrics they knew were defamatory. Or maybe they’ll cite the performance as more ammo against UMG — the latest example of how the popularity of the “Not Like Us” is harming Drake’s reputation. As CNN wrote after the game, in which the Philadelphia Eagles thrashed the Kansas City Chiefs: “Drake lost worse than the Chiefs at the Super Bowl.”
At the end of the day, those secondary moves won’t matter much unless a federal judge eventually rules that “Not Like Us” is actually defamatory in the first place. And as I wrote last week, legal experts are skeptical that’s going to happen.
Stay tuned at Billboard for more as Drake’s case moves forward – we’ll keep you updated on any major (or minnnnorrrrr) developments.
Other top stories this week…
JIMI HENDRIX TRIAL – A long-running legal battle over the rights to Jimi Hendrix’s music is headed to trial after a U.K. appeals court ruled against Sony Music. The case was filed by the estates of his two Jimi Hendrix Experience bandmates (bassist Noel Redding and drummer Mitch Mitchell), who say they own part of the copyrights to the trio’s albums and that Sony owes them millions. After the appeals court refused Sony’s renewed bid to dismiss the case, a trial is tentatively set for December in London.
BIGGIE BIGGIE BIGGIE – The estate of legendary rapper Notorious B.I.G. filed an infringement lawsuit against Target, Home Depot and others over allegations that they sold unauthorized canvas prints of a famed photo called the “King of New York.” Joined by the photographer who snapped the image, the estate accused a company called iCanvas of showing a “disdain for intellectual property law” by creating the prints sold by the big box stores: “Defendants specifically chose to use Mr. Wallace’s persona, name, image, likeness … in an attempt to capitalize on their fame and extraordinary financial value.”
A “WILD” COPYCAT? – MTV owner Viacom filed a lawsuit claiming that Nick Cannon’s new comedy battle rap game show (Bad vs. Wild) is a “flagrant” copycat of his long-running series Wild ’N Out. Notably, the lawsuit targeted only the streaming service that produces the show, Zeus Network, and not Cannon himself – claiming that the streamer effectively poached the star and is now “cosplaying” as successor to MTV’s Wild: “Zeus has chosen the path of least resistance: stealing the fruits of Viacom’s goodwill and decades of labor and innovation, and pawning it off as its own original idea.”
SUCH A LOVELY MESS – A year after the spectacular implosion of a criminal trial over the Eagles legendary 1976 album Hotel California, one of the accused men filed a civil lawsuit against Don Henley and longtime manager Irving Azoff over accusations they engaged in a “malicious prosecution.” The new case, filed by rare-books dealer Glenn Horowitz, says Henley knew the handwritten notes at the center of the trial were not stolen but misled authorities into bringing the charges. The trial ended abruptly last spring after new evidence cast doubt on whether Henley’s materials were stolen in the first place, prompting a judge to suggest prosecutors had been “manipulated” into filing the case.
MEGAN THEE PLAINTIFF – A federal judge ruled that Megan Thee Stallion can proceed with a defamation lawsuit accusing social media personality Milagro Gramz of waging a “campaign of harassment” against the star on behalf of Tory Lanez, who was convicted in 2022 of shooting the star rapper during an argument. The judge said Megan had made a “compelling case” that the blogger had defamed her with her posts, including those that suggested the star lied in her testimony during Lanez’s trial: “Plaintiff’s claims extend far beyond mere negligence — they paint a picture of an intentional campaign to destroy her reputation.”
OZZY SUED OVER OZZY PIC – Ozzy Osbourne was hit with a copyright lawsuit for allegedly posting images of himself to Instagram and other social media platforms, filed by a veteran rock photographer who snapped the pictures. The legendary rocker is just the latest to celeb to face that kind of bizarre-sounding lawsuit, joining the ranks of Miley Cyrus, Dua Lipa, Justin Bieber and many others. Once again for those in the back: the copyrights to a photo are almost always retained by the person who took it, and simply appearing in an image does not give a celebrity the right to repost it.
POP SMOKE PLEA DEAL – Corey Walker, a man charged with murder over the killing of Pop Smoke (Bashar Jackson), reached a deal with prosecutors to avoid a looming trial, pleading guilty to lesser charges of voluntary manslaughter and home invasion robbery that will see him serve 29 years in prison. The actual triggerman in the 2020 shooting, an unnamed 15 year old, admitted to the killing in 2023 and was sentenced as a juvenile to detention until is 25.
The 64th annual Viña del Mar International Song Festival, taking place Feb. 23-28, has announced a panel of nine distinguished judges across music, journalism and entertainment. This eclectic group, renowned in their respective fields, is set to evaluate the international and folk competition entries, determining the winners of the coveted Gaviota de Plata awards.
Leading the panel is Megamedia journalist Rodrigo Sepúlveda, known for his presence on Meganoticias Alerta and the daily radio program Alerta en Romántica. Joining him will be the Grammy-winning duo Bacilos, comprised of Jorge Villamizar from Colombia and André López from Brazil, who are also scheduled to take the stage on Feb. 23. They are known for their hits such as “Pasos De Gigante” and “Caraluna” which charted on Hot Latin Songs at No. 8 and 16, respectively.
Emilia Dides, a singer and Miss Chile 2024 who made significant strides at the Miss Universe pageant last year, brings her musicality to the jury. The jury also includes Catalina Edwards, a journalist, TV and radio host from Megamedia and Radio Infinita. Chilean artist and member of the group 4F (Los Cuatro Fantásticos de la Música) Kidd Voodoo joins as judge and will also take the mic on Friday, Feb. 28. The panel will also feature Chilean actor Jorge López, known for his roles in telenovelas such as Soy Luna and Élite.
Trending on Billboard
Claudio Narea, an iconic figure in Latin American rock music and a co-founder of the legendary Chilean band Los Prisioneros, brings a wealth of musical history and influence. His deep roots in rock music, and timeless hits such as “Tren Al Sur” and “Estrechez de Corazón” will make him a key judge. Adding a classical touch to the jury is Paolo Bortolameolli, an acclaimed conductor linked with the Los Angeles Philharmonic and a prominent figure in Chile’s and global classical music scenes.
Finally, Nicolás Oyarzún, an actor from Megamedia known for his roles in Chilean series, will bring the drama and emotive power of acting to the jury.
Superstars including Carlos Vives, Marc Anthony, Duki, Carín León and more will be gracing the stage at the 2025 Viña del Mar Festiva.
Ye’s — formerly known as Kanye West — Yeezy website has been taken down following backlash to the sale of his swastika T-shirt in recent days.
The rapper’s website used Shopify to make e-commerce transactions. Variety reported on Tuesday (Feb. 11) that Shopify said Ye had violated the company’s terms in recent days.
“All merchants are responsible for following the rules of our platform,” a spokesperson for Shopify relayed to Variety. “This merchant did not engage in authentic commerce practices and violated our terms, so we removed them from Shopify.”
In place of the Yeezy website is now an error message that reads, “Something went wrong. What happened? This store is unavailable.”
Billboard has reached out to reps for West and Shopify.
Just prior to the website’s shutdown, Ye paid for a Super Bowl commercial promoting Yeezy and encouraging fans to shop the marketplace. He shot the spot on an iPhone while sitting in a chair at the dentist. Variety reports the ad was shown on three Fox stations, including KTTV Los Angeles.
“What’s up, guys? I spent all the money for the commercial on these new teeth,” he says in the clip while showing off his diamond-encrusted teeth. “So, once again, I had to shoot it on the iPhone. Um … go to Yeezy.com.”
Before deactivating his X account on Monday (Feb. 10), the rapper spent the weekend going on several X tirades filled with antisemitic, misogynistic and homophobic remarks, which also included him calling for the freedom of Diddy and praising Hitler.
Ye’s latest string of hate speech has been rebuked by the Anti-Defamation League, Friends star David Schwimmer and Charlie Puth, who took to his Instagram Story to beg the Chicago native to stop posting.
“@ye The message you are sending out to the world is incredibly dangerous,” wrote Puth. “Please man, I beg you to stop. You are selling a T-shirt with a Swastika on it, and MILLIONS of people are influenced by you. Please I BEG you to stop, PLEASE.”
HipHopWired Featured Video
Source: Sony / PlayStation Plus / PSN
PSN subscribers are still awaiting the compensation PlayStation promised them following a global service outage that left them staring at the PS5 and PS4 consoles instead of doing some intense weekend gaming.
Following last weekend’s global service outage, caused by an “operational issue” that took down PSN for about 24 hours, PlayStation broke its deafening silence and told gamers they would extend the PS Plus subscriptions by five days.
Those same gamers, many of whom thought PlayStation’s offer was weak, are still waiting for those five free days after their subscriptions expired.
Damn.
PlayStation’s favorability has taken a serious hit this past weekend due to what many believe is the company’s perceived lack of transparency about what happened.
It took almost a day following the initial interruption of service for them to get on X, formerly Twitter, to say that the global outage that made multiplayer games useless, took the PSN store down, and made some games in folks’ digital libraries inaccessible was the result of an “operational issue.”
Was PSN Hacked? Many Gamers Think So
Many gamers think there is more to this situation and believe PSN was hacked. PlayStation is doing a disservice to its subscribers by revealing this to them.
Some users even tell current subscribers to change their “passwords on everything” out of fear that this is more than just an “operational issue.”
“If you are a Playstation user make sure to change your passwords on everything. This is looking more and more like a giant hack by their lack of transparency,” one post on X read.
We hope it was just an “operational issue” and not a severe hack, as many people feel. We don’t need the ghosts of 2011’s massive attack on the PSN to return.
HipHopWired Featured Video
CLOSE
Kendrick Lamar and his current status in the industry is no longer a mystery after taking home several Grammy Awards trophies on the back of his smash “Not Like Us” single. While performing the hit at the halftime show during Super Bowl LIX, Kendrick Lamar’s grin and stare during the “Say Drake” line is currently getting the meme treatment on X.
The grand spectacle of the Super Bowl LIX halftime show is still front of mind for many some two days later. Featuring Samuel L. Jackson in the role of Uncle Sam, a C-walking Serena Williams, and vocal features from SZA, the production was amazing and Kendrick Lamar sounded in tip-top shape. During the set, Lamar teased “Not Like Us” and even mentioned Drake’s reported legal moves in getting the song shut down alleging baked numbers and other unfavorable maneuvers by UMG.
The next to last song in his set, “Not Like Us” got the requisite reaction from the crowd after it appeared it wouldn’t happen. With the crowd rapping almost in unison, Lamar rapped into the camera the lyrics that started the latest meme trend on X.
From “Not Like Us”:
Say, Drake, I hear you like ’em young
You better not ever go to cell block one
To any b*tch that talk to him and they in love
Just make sure you hide your lil sister from him
With the moment now frozen in time, fans on X are sharing gifs and memes captioned “Say Drake” along with taking other shots at the Canadian superstar, who is currently on his Anita Max tour in Australia and New Zealand.
During the tour, Drizzy seemingly acknowledged the aftermath of the beef, donning a hoodie riddled with bullet holes and engineered smoke coming from said holes to signify all the damage he took during the battle with Kendrick Lamar.
On X, Drake’s name is trending mentioning Kendrick Lamar’s Super Bowl jab and more. Check out those reactions below.
—
Photo: Getty
Warner Music Group announced changes to its division overseeing Argentina and Chile on Tuesday (Feb. 11), bringing in Tomás Talarico as the new managing director of Warner Music Southern Cone (née Cono Sur), effective immediately. He succeeds Guillermo Castellani, who will stay on as a consultant during the transition. Talarico will report to Alejandro Duque, president of Warner Music Latin America.
Talarico brings extensive industry experience, having founded MOJO, an independent record label and digital distributor, in 2014. Under his leadership, MOJO expanded across Argentina, Chile and Peru, becoming a key player in the tropical and urban music markets. The company has collaborated with approximately 150 artists and labels, managing audiovisual production and music publishing. According to the hiring announcement, MOJO’s success includes more than 50 Gold and Platinum certified singles and multiple industry awards, including eight Gardel Awards and two Pulsar Awards.
Throughout his career, Talarico has played a significant role in developing emerging artists such as ECKO, Grupo Zumbale Primo, Kaleb Di Masi, Papichamp and Uriel Lozano, among others. He was also a key contributor to the collaborative project Un Poco de Ruido. He’s also a musician, having released five rock and pop albums as a guitarist and singer-songwriter.
Trending on Billboard
Before founding MOJO, Talarico was a pioneer in digital music distribution, working with companies focused on MP3 and ringtone sales. His early career included a role as a supervisor at Tower Records.
Duque praised Talarico’s entrepreneurial mindset and ability to bridge music and technology “to the service of artists,” also praising Castellani role in developing the careers of major Warner artists such as Maria Becerra and Tiago PZK.
Talarico expressed excitement about joining WMG, highlighting the opportunity to utilize the resources of an international label to support the region.
“To be able to tap into the resources of a major label to superserve the exceptional talent in this region is an incredible opportunity,” he said. “I also want to pay tribute to the remarkable Guillermo Castellani who has nurtured such a strong team and played a huge role in the wider music industry. He leaves big shoes to fill, and I’m looking forward to building on his legacy!”
Castellani reflected on his time at Warner Music, which dates back to early 2002, and lauded the support of Duque and the Warner Music Southern Cone team.
“I am grateful to the family of Warner Music Southern Cone for allowing me to enjoy my work every day: without them it would have been impossible to reach the goals we achieved,” he said. “I wish Tomás success in writing the following chapter in the Southern Cone. I am sure that he will lead Warner Music in its continuous growth so that it will remain a magnet for new music talent in this part of the world.”