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Adin Ross is no stranger to garnering controversy as dictated by the many times he’s gone viral for his explosive takes and his current alignment with DDG, who was recently accused of some heinous acts. During a recent livestream, Adin Ross unleashed a vicious verbal attack against Doechii, calling her a “piece of sh*t” among other choice words.
Adin Ross, 24, is one of the most popular streamers in the business and boasts over a billion views among his various platforms that include Twitch, YouTube, and the Kick platform where he is currently signed. During a stream, someone in the chat mentioned Doechii’s name, sparking Ross to go on a tirade.

“Don’t get me started on that b*tch,” Ross repeatedly said, adding, “Don’t get me started on that industry plant. People say a lot of sh*t about me but one thing I’m not is an industry plant.”
Ross continued to aim barbs at Doechii, angered by what he witnessed during the TDE artist’s Met Gala appearance. The “Anxiety” star was seen on video sharply directing her team to cover her Met Gala outfit from the rain as she traveled to the event. She has since apologized to her team and fans for the outburst.
That wasn’t good enough for Ross, who then called Doechii a “entitled, unintelligent piece of sh*t” and urged his fans to stop listening to her music. He then made a plea to The Weeknd and Playboi Carti, asking why they included Doechii on the “Timeless” remix.
On X, fans are packing up Adin Ross with the swiftness, along with making mention that he was just on air with DDG, who is accused of physically abusing his son’s mother, Halle Bailey.
Check out the reactions below.

Photo: Allen Berezovsky / Getty

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THE BIG STORY: A little under 18 months after sexual abuse allegations against Sean “Diddy” Combs were first made public – and 8 months after he was indicted over them –  the once-powerful rap mogul headed to trial this week on felony charges that could put him behind bars for life.
When things got underway in the courtroom Monday, I was sitting just rows behind the now-gray-haired superstar as prosecutors accused him of years of criminal conduct – centered on claims that he coerced longtime girlfriend Cassie Ventura and other women to take part in drug-fueled, marathon sex sessions with male escorts called “freak offs.”

The start the trial, which is expected to run for eight weeks, was something of a circus. News crews filled the plaza outside the courthouse in Lower Manhattan as a line of spectators wrapped around the block – so many that they eventually filled the entire large courtroom and two overflow rooms. Professional “line sitters” were charging $350 for a spot closer to the door; one person waiting in line, there at the crack of dawn, told me that he didn’t want to miss the “trial of the century.”

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To catch up after the first two days of the trial, go check all of Billboard’s coverage:

–On day one, both sides made their opening statements to the jury. Prosecutors said Combs had used his power for decades to “feed his every desire” — and they almost immediately played an infamous video of him assaulting Cassie in a Los Angeles hotel. Defense attorneys, meanwhile, said the women had consensually partaken in Diddy’s “swinger lifestyle” and that the star cannot be convicted merely based on weird sex, a “toxic relationship,” or even domestic violence: “We take full responsibility that there was domestic violence. Domestic violence is not sex trafficking.”

–On day two, Ventura took the stand. The star witness in the prosecution’s case, Cassie told jurors that participating in “freak off” sex performances “became a job” for her and left her feeling “humiliated.” But she said she felt she had no choice — at times because she was in love with Combs and wanted to please him, but also, later, because she feared blackmail, physical violence or other blowback: “He was a scary person. He would be violent.”

If you need a general catch-up on the Diddy case before the trial goes any further, go read our explainer on everything you need to know – or our deep-dive analysis in which the prosecutors from R. Kelly’s highly-similar case explain how this one might go. You can also read about the many, many lawyers involved in the Diddy debacle.

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.

Other top stories this week…

TAYLOR GETS SUBPOENAED – Taylor Swift was hit with a subpoena formally dragging her into the legal drama between her friend Blake Lively and Lively’s It Ends With Us director and co-star Justin Baldoni. The subpoena, filed by Baldoni’s lawyers, is certain to be opposed by Swift’s lawyers after her reps blasted the filing: “This document subpoena is designed to use Taylor Swift’s name to draw public interest by creating tabloid clickbait instead of focusing on the facts of the case.”

HER LAWYERS, TOO – Speaking of Taylor’s lawyers: Her longtime outside law firm, Venable, was also hit with a subpoena from Baldoni’s attorney. The filing specifically name-drops Douglas Baldridge, a Venable partner who’s worked with Swift since 2013 and recently returned to the firm after a stint as her general counsel. In legal filings this week, the firm formally opposed a filing that it described as a “fishing expedition” by Baldoni and his lawyers: “Venable had nothing to do with the film at issue or any of the claims or defenses asserted in the underlying lawsuit.”

LIL DURK DENIED BAIL – Days after federal prosecutors dropped Lil Durk’s rap lyrics from his murder-for-hire case, his lawyers argued that the new “watered-down” charges dramatically weakened the case against him and supported his push to be released from jail ahead of trial. But a federal judge then refused to release him, citing a report that Durk has been using other inmates’ jailhouse phone calls, thereby showing a “disrespect for the rules.”

HALLE RESTRAINING ORDER – A Los Angeles judge granted a restraining order to Halle Bailey against DDG, her ex-boyfriend and the father of her 1-year-old son, after she claimed that he had attacked her multiple times. In legal filings seeking the order, Bailey alleged that in one incident, her ex (Darryl Dwayne Granberry Jr.) pulled her hair, slammed her face on the steering wheel and chipped her tooth.

DRAKE v. UMG UPDATE – Weeks after Drake updated his libel lawsuit against UMG to add gripes about Kendrick Lamar’s Super Bowl performance of “Not Like Us,” the music giant again asked a judge to dismiss the entire case. In doing so, UMG’s lawyers said the new claims about the halftime show are what the case is really about: “Drake’s attack on the commercial and creative success of the rap artist who defeated him, rather than the content of Lamar’s lyrics.”

SMOKEY ROBINSON ALLEGATIONS – The legendary Motown singer and his wife were hit with an explosive new lawsuit, seeking $50 million in damages over claims that he repeatedly raped four housekeepers over nearly two decades. Robinson’s lawyers strenuously denied the claims, calling them “vile, false allegations” and “an ugly method of trying to extract money from an 85-year-old American icon.”

BAD BUNNY COPYRIGHT CASE – The reggaeton superstar was sued for infringement over allegations that a track from his chart-topping Un Verano Sin Ti (“Enséñame a Bailar”) featured an unlicensed sample from a song called “Empty My Pocket” by a Nigerian artist named Dera. The lawsuit claims the issue was raised with Bunny’s reps, but that they’ve “turned a blind eye” and “stonewalled” efforts to properly clear the sample.

ANOTHER SAMPLE DISPUTE – British singer-songwriter Bakar and his viral track “Hell N Back” – featured in millions of TikTok videos – were hit with a messy new lawsuit over the song’s prominent use of a sample from Robert Parker’s 1967 R&B track “I Caught You In A Lie.” The case claims Bakar and Sony Music cleared the sample, but did so with the wrong rightsholders who have been making “false claim of ownership” to Parker’s song.

DATA BREACH AT iHEART – iHeartMedia was hit with a proposed class action from subscribers after publicly disclosing that several of its radio stations were hacked months ago, exposing Social Security numbers, financial information and other personal details. The company says it “immediately implemented our response protocols” to contain the hack, but attorneys for the subscribers say iHeart waited four months to tell subscribers about it.

LIVE NATION AT SCOTUS – Live Nation asked the U.S. Supreme Court to overturn a ruling last year that said the concert giant couldn’t enforce “opaque and unfair” arbitration agreements against ticketbuyers. That ruling – a scathing critique of Live Nation’s approach – showed improper “judicial hostility,” Live Nation warned the justices, and will create “massive uncertainty” over how such clauses can be used and enforced.

(DIDN’T) GET THEM TO THE GREEK – The Grammy-winning band The Kingston Trio sued a Los Angeles music attorney for fraud, claiming that he lied about having an “inside track” to book the folk group at the Greek Theatre last summer. The group says the lawyer, David A. Helfant, charged them high fees but didn’t actually have any secret mojo to get them booked at the legendary venue. Helfant denied the allegations, saying they were “completely without merit.”

FLORIDA DRAG LAW ICED – A federal appeals court has upheld an injunction blocking the state of Florida from enforcing a law signed by Governor Ron DeSantis that would restrict drag shows in the state, ruling that the statute likely violates the First Amendment’s protection of free speech: “The act wields a shotgun when the First Amendment allows a scalpel at most,” the court wrote.

WEEZER WIFE CHARGED – Author Jillian Lauren, the wife of Weezer bassist Scott Shriner, was officially charged with two felony counts following a bizarre shootout with police at her Los Angeles home last month. The charges are serious (discharge of a firearm with gross negligence and assault with a semiautomatic firearm) but less than she initially faced when booked on suspicion of attempted murder following the April 8 altercation.

Nine Inch Nails mastermind Trent Reznor has announced the lineup for his first-ever Future Ruins Festival, a one-day event on Nov. 8 at the Los Angeles Equestrian Center that will feature an impressive lineup of film and TV score composers.

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According to a release, the event that will have some of the “world’s most influential film and television composers step[ping] out from behind the screen and onto the stage” will take place on three stages and feature performances from Danny Elfman (Batman, Pee-Wee’s Big Adventure), John Carpenter (Halloween, The Thing), Kyle Dixon & Michael Stein (Stranger Things, Spheres), Devo’s Mark Mothersbaugh (The Royal Tennenbaums, Cocaine Bear) and the Roots’ Questlove, who will perform the score compositions of late soul icon Curtis Mayfield.

Future Ruins “is designed to feel thoughtful and immersive, bringing this music to light in an environment where it has never been heard before,” according to the release. “Every artist is a headliner, each with their own specially curated moment. Each artist is encouraged to take big swings and reimagine their work for a live audience. Ranging from electronic sets and live bands to orchestral performances, fans have the chance to experience live debuts from composers who rarely appear onstage.”

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It’s a fitting side quest for Reznor, who has created an award-winning side hustle as a film composer along wit his NIN bandmate Atticus Ross (The Social Network, Challengers), who co-created and co-curated the lineup with Reznor. “It’s about giving people who are, literally, the best in the world at taking audiences on an emotional ride via music the opportunity to tell new stories in an interesting live setting,” said Reznor in a press release about the one-time gathering.

“There’s no headliner. There’s no hierarchy. This is a stacked lineup of visionaries doing something you might not see again,” Reznor and Ross added.

Among the other acts on the bill are: Cristobal Tapia de Veer (Babygirl, The White Lotus), Ben Salisbury and Geoff Barrow (Ex Machina, Black Mirror), Claudio Simonetti’s Goblin (Suspiria, Dawn of the Dead), Hildur Guðnadóttir (Joker, Women Talking), a performance of Howard Shore’s score for David Cronenberg’s Crash, Isobel Waller-Bridge (Fleabag, Sweetpea), Robert Aiki Aubrey Lowe (Candyman, Seeds), Tamar-Kali (Mudbound, Shirley), Terence Blanchard (Malcolm X, Inside Man) and Volker Bertelman (aka Hauschka) (All Quiet on the Western Front, Conclave).

Reznor and Ross will also perform selections from their expansive catalog of TV and movie compositions, including Watchmen, The Girl With the Dragon Tattoo, Empire of Light, Waves, Mank, The Killer and more. Tickets for the festival will go on sale on May 21 at 12 p.m. PT.; click here for ticketing information.

In the meantime, NIN will be on the road for their 2025 Peel It Back arena tour, which is slated to launch on kick off on June 15 in Dublin and hit Manchester, London, Germany, Belgium, Milan and 10 more European cities before hopping over to North America for shows in Oakland (August 6), as well as Vancouver, Denver, Chicago, Detroit, Baltimore, Boston, New York, Nashville and Phonenix before winding down on Sept. 19 in Los Angeles.

Check out the Future Ruins lineup poster below.

Save this storySaveSave this storySaveGeordie Greep will tour the United States this September, extending his dates behind The New Sound to include cities not previously visited. Greep described it in a press release as “the greatest American tour yet and the next of many, many more to come…” Check out the itinerary below.Greep will be joined by a band of Charlie Schefft, Ethan Marsh, Dave Strawn, Cameron Campbell, and Santiago Moyano.All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.Geordie Greep U.S. TourBuy Now at TicketmasterGeordie Greep:09-06 Athens, GA – Georgia Theatre09-07 Birmingham, AL – Saturn09-09 Nashville, TN – The Basement East09-10 Louisville, KY – Headliners Music Hall09-12 Lawrence, KS – Liberty Hall09-13 St. Louis, MO – Delmar Hall09-14 Chicago, IL – Metro09-15 Detroit, MI – St. Andrews Hall09-17 Lakewood, OH – The Roxy09-18 Columbus, OH – The Athenaeum Theatre09-19 Pittsburgh, PA – Thunderbird Music Hall09-20 Washington, DC – Black Cat09-22 Norwalk, CT – District Music Hall09-23 Portsmouth, NH – 3S Artspace09-24 Pawtucket, RI – The Met09-26 Jersey City, NJ – White Eagle Hall09-27 Allentown, PA – Arrow at Archer Music Hall09-28 Philadelphia, PA – Mummers Museum

The Doors’ story, strange days and otherwise, has been told many times to date — by writers, by filmmakers, by the band members themselves in their respective memoirs. But the new Night Divides The Day: The Doors Anthology book puts all of their accounts (and more) alongside each other for the first time ever.

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The opulent, coffee-table sized 344-page book was created by England’s Genesis Publications, in partnership with the Doors camp, as part of the group’s 60th anniversary celebration. Featuring about 800 photos and other illustrations (many never before seen), the tome includes new interviews with surviving members Robby Krieger and John Densmore, along with material from the autobiographies and archival comments from Krieger, Densmore and late members Jim Morrison and Ray Manzarek. Nirvana’s Krist Novoselic wrote the foreword, while Van Morrison, Alice Cooper, Patti Smith and others join members of the Doors’ camp in offering commentary throughout the book.

Key events in the band’s history are recounted in depth — including the making of each album, the legendary Hollywood Bowl concert in July 1968 and the March 1, 1969, Dinner Key Auditorium show in Miami, after which Morrison was arrested for profanity and indecent exposure. And for gear aficionados, Night Divides The Day is awash in images of guitars, keyboards, drums and even Morrison’s microphones and harmonicas.

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“It really shows you a lot of the hidden Doors stuff that a lot of people don’t know about,” Krieger, who published Set the Night on Fire: Living, Dying, and Playing Guitar With the Doors in 2021, tells Billboard. “Just seeing the old pictures — a lot of pictures I’ve never seen, which is pretty cool. And reading a lot of interviews, stuff that I’ve forgotten all about…To go back in time and read the original stuff that you might have forgotten about or had the wrong idea of, it is nice to have everything in one (book) like this. I think it’s really done well.”

Krieger is also happy that in addition to the limited edition — 2,000 copies signed by the guitarist and Densmore, with a 7-inch vinyl single featuring rare demo versions of “Hello, I Love You” and “Moonlight Drive” and other memorabilia for $495 — there’s also a standard book store edition, which weighs in at $75.

“I think over the past sort of 10 years Genesis has been doing this more and more with selected titles,” the company’s Nick Roylance explains. “With the amount of work that goes into a book like this it’s nice to share it with a broader audience and…share their story more widely. It’s really lovely to do the limited edition that’s so special for those fans that can afford it; it’s a different experience of the book. But it’s genuinely meaningful to make it more widely available.”

The Doors

Genesis was introduced to the Doors’ world via A Guide to the Labyrinth: The Collected Works of Jim Morrison, featuring poetry, lyrics, essays and unpublished notes that the company published in May 2022. “We started there and got to know the archives and what we were working with photo-wise,” recalls Night Divides The Day editor Megan Lily Large. “So we had an idea of what we wanted with the design, and then it was just what (the Doors) wanted to tell with the text…We wanted to present their stories as authentically as we could, through their own words, through their own archives and give readers an insight they might not have been afforded until now.”

Lily Large considers the gear photos to be among the book’s holy grail content; some of the instruments had to be tracked down in private collections. And getting Van Morrison’s fresh remembrance of Jim Morrison joining him and his band Them during the last night of a 1966 stand at the Whisky A Go Go for “Gloria” and “The Midnight Hour,” filled with praise for Morrison’s performing chops, was a particularly rare get.

“I think he was quite excited to see the photos” from the performance by Whisky photographer George Rodriguez, Roylance says. Lily Large adds that, “We had these great photos of both of them, so we reached out to Van — ‘Have you seen these? We would love to get a couple of words from you, if we can, even a quote.’ And he came back with a full piece. My favorite part is when he describes Jim as ‘a brother from another mother.’ Which is quite a shock.”

Night Divides The Day is one of a number of projects for the Doors’ 60th celebration, which began last November with Rhino’s High Fidelity audiophile vinyl The Doors 1967-1971 and a Record Store Black Friday vinyl edition of The Doors — Live in Detroit. That show is also part of a series of concert releases from the Doors’ own Bright Midnight label from 1967-1970 streaming for the first time. The group acquired a recently discovered two-channel stereo recording of the final show with Jim Morrison — albeit a disappointing night on Dec. 12, 1970, at the Warehouse in New Orleans — that it’s working to turn into an official release.

“That’s gonna be coming out one of these days,” says Krieger, who was joined by Densmore on stage May 3 at during his monthly Doors album show at the Whisky. “We’re trying to get that together. We know there’s a tape that exists; that’s half the battle right there. I haven’t actually heard it, but I heard it’s pretty damn good, quality-wise.”

Krieger is staying busy with his own work as well these days. He’s planning a second album by the Soul Savages to follow up its 2024 debut, and he’s already recorded a rock-reggae album, featuring the late Phil Chen on bass, that he hopes to release this year. Krieger also guests on “Black Mamba,” the first single from The Revenge of Alice Cooper — a reunion of original band members who became tight with Krieger and the Doors during the late ‘60s in Los Angeles. “That was fun,” he says. “We would hang out together quite a bit back in the day. That (song) was right up my alley.”

Meanwhile, Krieger says he plans to keep enjoying the Doors anniversary celebration – and see what may transpire in the future.

“It’s amazing,” he says. “Even 20 years ago, the 40th anniversary, I was telling people I couldn’t imagine this happening. The only ones that have beaten us are the Stones and the Beatles, pretty much. There’s plenty of groups out there who were formed around the same time as we did, and they don’t have the (continuing) interest that we do. It’s definitely (because of) the songs, the words and the music. It was just an amazing combination of people, the four of us, who came together, and it probably happens once every 60 years. We don’t take it for granted.”

Travis Scott and thousands of others’ lives changed on the night of Nov. 5, 2021, at the rapper’s Astroworld Festival in his hometown of Houston. The event left 10 festivalgoers dead and hundreds more injured following a lethal crowd surge.
Billboard can report that the events surrounding the tragic festival at NRG Park will be featured in the first episode of Netflix’s upcoming anthology series Trainwreck.

Titled “The Astroworld Tragedy,” the episode will explore the concert’s failures from the perspective of those in the middle of the chaos, with input from survivors, mourning family members, paramedics and security guards.

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Look for the premiere episode of the series to arrive on June 10. Yemi Bamiro is on board as director of “The Astroworld Tragedy,” while Hannah Poulter will serve as co-director and producer.

Eight individuals were pronounced dead at the scene in November 2021, and Harris County medical examiners confirmed that two more people died as a result of their injuries days later. The official cause of death was listed as compression asphyxia; the victims ranged in age from 9 to 27 years old. There were about 50,000 people who attended the festival in total.

Trainwreck: The Astroworld Tragedy

Netflix

Scott and Live Nation became the subject of aplethora of wrongful death lawsuits in the wake of the tragedy, all of which were settled by the parties by May 2024.

“I always think about it, those fans were like my family. You know, I love my fans to the utmost,” Scott told GQ in 2023. “It has its moments where it gets rough and, yeah. You just feel for those people. And their families.”

The rest of the Trainwreck series is set to delve into other disasters, including “political scandals, media hoaxes, cult-like corporations and reality TV” debacles, according to the press release. Episodes after “The Astrworld Tragedy” will be released by Netflix each of the following seven weeks, wrapping up on July 29.

Watch a trailer for Trainwreck below.

Elizabeth Hurley has anything but an achy breaky heart when it comes to Billy Ray Cyrus, with whom she said she’s “very happy” in a new interview.
While walking the red carpet for the Breast Cancer Research Foundation’s 2025 Hot Pink Party Tuesday (May 13), the actress looked slightly caught off guard when Entertainment Tonight asked about her connection with the country star — but that didn’t stop her from gushing about her new sweetheart.

“Billy’s a very, very fabulous person,” she told the outlet. “He’s a very gentle man, very nice.”

Smiling, Hurley added, “We’re very happy.”

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The comments come nearly a month after the British model and Cyrus debuted their romance on Instagram, celebrating Easter by posting a photo of a sweet kiss they shared outdoors. Both parties have since shared more PDA-filled snaps with each other on the app, and two days prior to the BCRF event, the Hannah Montana actor praised Hurley’s performance in Bryan Adams’ new “Never Ever Let You Go” music video.

“I should be jealous, but WOW !!!!!!” he wrote on Instagram. “Congratulations @bryanadams for your great new video with my beautiful girlfriend @elizabethhurley1.”

Of getting Cyrus’ seal of approval on the video, Hurley told ET, “It’s fabulous.”

“It’s very nice when people close around you are happy for you when you do well,” she added.

The couple’s romance comes about three years after they filmed Netflix’s Christmas in Paradise together. The two stars reconnected this year when Hurley reached out to Cyrus via text, something he recounted on Apple Music’s The Ty Bentli Show in April.

“She’s so impressively brilliant,” he said of Hurley at the time. “She reminds me a lot of Dolly Parton. She’s a very smart businesswoman. If you can laugh together, you can make it through everything.”

Watch Hurley gush about Cyrus below.

Just five months after delivering his Missionary album with Dr. Dre, Snoop Dogg has announced plans for his Iz It a Crime? album, which will arrive on Thursday (May 15).
The project boasts 21 tracks in total, with features sprinkled across the effort from Pharrell Williams, Sexyy Red, Wiz Khalifa, Charlie Bereal, Jane Handcock, October London and more. The title track also fittingly heavily samples Sade’s “Is It a Crime.”

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“Just some of the things that I do, that I’ve done, that have been speculation, and I just want to ask the question, ‘Is it a crime? Is it a crime for me to do the things that I do,” Snoop told Access Hollywood of the project on Tuesday (May 13). “Is it a crime for me to take care of people, to love people, to be there for people? Is it a crime for me to be me?”

With Snoop back at the helm of Death Row Records, he stopped by The Breakfast Club Wednesday (May 14) to open up about feeling inspired to continue rapping even as an elder statesman in hip-hop.

“I’m an MC and I love to rap and I love to make music, and people love my voice and they love when I make great records,” he said. “When I don’t make great records, people let me know that as well.”

Snoop continued: “I hear all of that and it makes me say to myself, ‘I should treat myself like a musician and not like a rapper.’ If you a musician, you can make music until you die, but when you’re a rapper they try to put a cap on you.”

An accompanying Iz It a Crime? short film is also set to serve as a visual companion to the music project. The flick was previewed during a private screening in NYC on Tuesday night.

Iz It a Crime? is set to be Snoop Dogg’s 21st studio album. He’s been busy in 2025, as Snoop contributed to Death Row’s Altar Call compilation gospel album in April, which is a tribute to the Long Beach legend’s late mother.

Find the Iz It a Crime? cover art and tracklist below.

Source: Supreme / Supreme

Supreme will have to defend their name and authenticity to skate culture in a court of law. Tyshawn Jones is suing the brand for $26 million dollars in a defamation lawsuit.

As per High Snobiety, the pro skater alleges that the popular streetwear label wrongfully terminated his endorsement contract and more. On Monday (May 12), he filed a 41-page claim with the Manhattan Supreme Court. The documentation says that he had been a paid brand ambassador since the age of 11. His contract was abruptly ended in September 2024 because he posed for a Marc Jacobs photoshoot in August 2024. Jones says that not only was he “transparent and open” about his other modeling gigs but that Supreme leadership “did not express any objections” to him lending his likeness to other brands.

Additionally, the skate legend also says Supreme hurt his good name after they severed ties with him. “Doubling down on their bad faith and willful breach Supreme, through several statements both impermissible and false, has widely disparaged Tyshawn as a liability, a risk — someone no brand would want to affiliate or work with,” the filing reads. In an exclusive interview with the New York Post, Jones further detailed his reasons for the lawsuit. “I am saddened it has come to this, but I have a duty to myself and my career, and feel a responsibility to the next generation of skateboarders to stand up for what is right. Supreme’s success has been shaped in large part by the contributions of young talent, and I believe those contributions deserve to be respected.”

Supreme has yet to formally comment on the matter.

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Save this storySaveSave this storySaveNo Joy, the shoegaze project of Montreal’s Jasamine White-Gluz, has announced a new album, Bugland, which is out August 8. White-Gluz produced the follow-up to 2020’s Motherhood with Angel Marcloid, the experimental Chicago artist better known as Fire-Toolz. Leading the new album is the title song, which comes with a music video directed by Jeremy Dabrowski. Check that out below, and scroll down to see No Joy’s upcoming tour dates.Read more about Fire-Toolz in Philip Sherburne’s column “How Chicago Label Hausu Mountain Became a Home for Oddball Experimentalism.”All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.No Joy: Bugland$35 at Rough TradeBugland:01 Garbage Dream House02 Bugland03 Bits04 Save the Lobsters05 My Crud Princess06 Bather in the Bloodcells07 I Hate That I Forget What You Look Like08 Jelly Meadow Bright [ft. Fire-Toolz]No Joy:09-06 Elizabethtown, NY – Otis Mountain Getdown Festival10-15 Manchester, England – Yes Basement10-17 London, England – Moth Club10-18 Chelmsford, England – Hot Box10-19 Coventry, England – Just Dropped In10-20 Glasgow, Scotland – Glad Cafe10-21 Leeds, England – Headrow House10-23-24 Rotterdam, Netherlands – Left of the Dial Festival10-25 Paris, France – Supersonic10-28 Berlin, Germany – 8MMNo Joy: United Kingdom & Europe 2025 TourBuy Now at Ticketmaster