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Coco Jones achieves her first No. 1 on Billboard’s Adult R&B Airplay chart as “Here We Go (Uh Oh)” crowns the list dated Dec. 14. The single advances from No. 2 after a 9% surge in plays that made it the most-played song on U.S. monitored adult R&B radio stations in the week ending Dec. 5, according to Luminate.
“Here We Go (Uh Oh),” released and promoted through High Standardz/Def Jam/Republic, captures the top slot with the weekly Greatest Gainer honor, given to the song with the largest play increase among the chart’s 30 titles. With the rise, Jones topples fellow Def Jam labelmate Muni Long, whose “Ruined Me,” last week’s leader, slips to No. 2 after two weeks in charge.

Prior to “Here We Go,” Jones’ best showing on Adult R&B Airplay was the No. 2 finish for her breakthrough single, “ICU.” The track peaked in the runner-up spot for two weeks in September 2023, trailing October London’s “Back to Your Place.” In addition to the pair of hits, Jones also has placed a third track on the radio ranking: “Spend the Night,” a collaboration with BJ the Chicago Kid, reached No. 21 in January.

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The coronation also returns an R&B classic to the conversation, thanks to “Here We Go” sampling Lenny Williams’ “’Cause I Love You.” The scorching ballad, released in 1978, has been the backbone of several other hits, perhaps most known in Twista’s “Overnight Celebrity,” which reached No. 6 on the Billboard Hot 100 in 2004.

Elsewhere, “Here We Go” rises 12-11 on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop stations. There, the single returns within two spots of its No. 9 peak after reaching 8.6 million in audience impressions for the week, a 2% gain. Before triumphing at the adult R&B format, “Here We Go” was a hit with mainstream audiences in recent months and climbing to No. 7 on the plays-based Mainstream R&B/Hip-Hop Airplay chart.

Airplay gains, in turn, help “Here We Go” breaks into the top five (6-5) on the multi-metric Hot R&B Songs chart, which blends radio audience with streaming and sales data for its standings. With its climb, it becomes Jones’ highest-charting hit there, surpassing the No. 6 result of “ICU.”

Beyoncé gets ready to perform her NFL halftime show on Christmas Day and releases a teaser for the event, and her & Taylor Swift make Forbes’ 2024 Most Powerful. Keep watching for the full story! Tetris Kelly:  Beyoncé is teasing her Cowboy Carter Christmas performance as she and Taylor Swift land on Forbes’ 2024 Most […]

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Jamie Foxx, Gladys Knight, Andra Day and JoJo are just a few of the performers taking the stage tonight for NBC’s 2024 A Motown Christmas special.

Smokey Robinson and Halle Bailey host tonight’s concert event, which airs at 9 p.m. ET/PT on NBC. Want to watch A Motown Christmas? Here’s what you need to know.

How to Watch A Motown Christmas Online

A Motown Christmas airs this year on NBC, and you can watch the special on TV through your local NBC affiliate. Want to watch A Motown Christmas online without cable? Livestream the show online using DirecTV Stream, which includes a live NBC feed as part of its channel lineup.

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DirecTV Stream has a five-day free trial that you can use to watch the live airing of A Motown Christmas online for free. Continue on with one of their streaming packages or cancel before your free trial is up to avoid being charged. See full details here.

Want to watch A Motown Christmas on-demand? You can stream the TV special beginning Thursday, December 12 on Peacock. The NBCUniversal streaming service will have the full show and all the performances available to stream online for subscribers. Not a subscriber? Sign up for Peacock starting at just $7.99/month here.

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Who Is Performing on A Motown Christmas 2024?

In addition to Knight, Foxx, Day and JoJo, this year’s list of performers on A Motown Christmas includes Ashanti, BeBe Winans, October London, Machine Gun Kelly, Pentatonix, Jordin Sparks and the cast of the Broadway show, MJ The Musical. Hosts Robinson and Bailey will also take the stage, alongside performances from Motown legends Martha Reeves and the Vandellas, and The Temptations.

The artists will pay tribute to Motown stars like Marvin Gaye, The Supremes and Four Tops, while also offering festive holiday hits.

In a new interview with Billboard, Robinson promises fans a “great night featuring legendary Motown artists and contemporary artists singing music and having a good time together.”

Watch A Motown Christmas tonight at 9 p.m. on NBC or stream it live online with DirecTV Stream here.

Johnny Ramone’s widow, Linda Cummings-Ramone, has won a legal victory over Joey Ramone‘s brother, Mickey Leigh, in their never-ending feud over control of the pioneering punk band’s legacy.
In a decision made public on Tuesday (Dec. 10), an arbitrator ruled that Leigh’s manager, David Frey, must be terminated as a director on the board of Ramones Productions Inc., the corporate entity that controls the Ramones’ music and other assets.

Ruling that Frey had breached his fiduciary duty to the company, the arbitrator said Leigh’s manager had “fostered a dysfunctional and disruptive relationship” with Cummings-Ramone and had engaged “in conduct that harms the Ramone brand, rather than promoting that brand.”

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“Mr. Frey has repeatedly engaged in disruptive and negative conduct that has been detrimental to RPI and promoting the legacy of the Ramones,” wrote Shira Scheindlin, a former federal district judge, in a ruling privately issued Dec. 5. “Undoubtedly this conduct has prevented RPI from achieving greater financial success. Mr. Frey’s conduct has harmed RPI.”

One of the major missteps cited by the arbitrator was Frey’s failure to seek Cummings-Ramone’s approval for a planned movie based on Leigh’s memoir, I Slept with Joey Ramone — a film project that Netflix announced in 2021 with actor Pete Davidson attached to star in the title role.

Scheindlin said Frey was “well-aware” of his obligation to obtain Cummings-Ramone’s consent “before agreeing to this project” since the movie would almost certainly feature the band’s music — the rights to which are owned by Ramones Productions. The judge also cited an email from Netflix that described the planned movie as not just a Joey biopic, but “the story of the Ramones.”

“Based on the preponderance of the credible evidence, Mr. Frey breached his duty of care, honesty and loyalty, in failing to present the [Netflix] deal to Ms. Cummings-Ramone and/or the Board of RPI for their approval,” the judge wrote.

In a statement to Billboard on Wednesday (Dec. 11), Cummings-Ramone said she was “thrilled” that they “will now finally be able to move forward and create and expand the legacy of the best band ever.”

“Preserving this legacy is not just a responsibility but a deeply personal mission for me,” she said. “I have dedicated my life to honoring and safeguarding the extraordinary contributions my husband and his band have made to music, culture, and the lives of millions around the world.”

An attorney representing both Hyman and Frey did not immediately return a request for comment on Wednesday.

Joey Ramone (real name Jeffrey Ross Hyman) and Johnny Ramone (John William Cummings) were not actually brothers, and they had a notoriously chilly relationship during their decades as bandmates. In the years since the two died in the 2000s, that feud has seemingly continued between Leigh and Cummings-Ramone.

As the executors of Joey’s and Johnny’s respective estates, Leigh and Cummings-Ramone each own half of Ramones Productions. But that partnership has not gone smoothly, with multiple lawsuits and arbitrations over the past decade.

The latest scuffle began in January, when Cummings-Ramone sued Leigh in New York state court, including allegations that he and Frey had “covertly” developed the “unauthorized” biopic. In the lawsuit, Cummings-Ramone said that any “authoritative story of the Ramones” would require her sign-off: “To permit defendants alone to tell the authoritative story of the Ramones would be an injustice to the band and its legacy.”

As one key part of that case, Cummings-Ramone demanded the removal of Frey as a director on the board of Ramones Productions — arguing that his “continued involvement and obfuscation remains a significant hurdle toward resolving even the most straightforward of operational issues.” In May, the judge overseeing the case ordered that issue to be resolved in arbitration before Scheindlin.

In her ruling granting that request, the arbitrator cited statements from Marky Ramone (Marc Bell) that Frey had been “extremely disruptive” and from C. J. Ramone (Christopher Joseph Ward) that “I do not believe he was ever working in the best interest of the Ramones’ legacy.” Scheindlin also cited an email from the company’s former accountant telling Frey: “You have made it impossible to do what needs to be done.”

“While I agree that there are two sides to every story, the overwhelming weight of the evidence establishes that Mr. Frey has fostered a dysfunctional and disruptive relationship with Ms. Cummings-Ramone, former band members, and RPI’s vendors and partners,” Scheindlin wrote in her decision. “This conduct has harmed RPI and its shareholders.”

In one particularly colorful passage, the judge described an incident this past summer in which the New York Mets had offered to let the Queens-based band celebrate its 50th anniversary by having Cummings-Ramone throw out a ceremonial first pitch at an August game. But Frey ultimately refused to grant approval for her to take part under the simpler name “Linda Ramone” — a key point of contention in their various legal wranglings over the years.

In her decision, Scheindlin said Frey had had “no credible basis to refuse to agree to Ms. Cummings-Ramone throwing out the first pitch using the name Linda Ramone” and had cost the band a valuable chance to boost its public profile.

“This was obviously a very high-profile opportunity to celebrate the band’s 50th Anniversary,” the arbitrator wrote in her ruling. “There was no reason to lose this opportunity other than to continue the animosity and dysfunction between the two shareholders and their representatives.”

The ruling, which must be confirmed by a New York judge, resolves only a single issue in the larger lawsuit and leaves other issues to be resolved in court. Leigh has also sued Cummings-Ramone in a separate lawsuit in federal court, accusing her of trademark infringement and other violations; that case also remains pending.

Paul Mescal is seemingly joining the Lonely Hearts Club Band! During a conversation with Christopher Nolan after a screening of Gladiator II at the Directors Guild of America in Los Angeles on Tuesday (Dec. 10), the film’s director Ridley Scott discussed his next project, a thriller titled The Dog Stars. When asked if Mescal will star in the […]

Tyler, The Creator has never been shy about voicing his opinion. The rapper and producer recently sat down with with Billboard for The No. 1s Issue cover story, where he talked about a variety of topics with writer Rembert Browne — including podcasters. As a leader of a generation that has grown up with social […]

50 cent went on ‘Big Boy TV’ and trolled Drake’s supposed opps list. Keep watching to see what he said. Tetris Kelly: 50 Cent shows off Drake’s opps list. The “God Gave Me Style” rapper sat down for an interview with legendary radio host Big Boy on ‘Big Boy TV.’ Known for speaking whatever’s on […]

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Ashanti’s post-pregnancy body is no joke. Of course, she was a stallion before she had her little man, but Mama Ashanti is on a whole other level with this slaying thing. The “Foolish” singer recently served hips, legs, and everything else in a sleek black designer dress that seemed to be made just for her.

Whatever Ashanti is doing in her life right now, she must keep it up. The New York native is glowing and looking better than ever whenever she pops out on the scene. Lately, she donned a HELSA long-sleeve maxi dress from Revolve (styled by Tim B.) that accentuated her curves, putting her femininity on full display. The dress draped off her shoulders and featured a sheer material that exposed a sweetheart neckline. It hit at her ankles, displaying her black Jennifer Le boots. The author accessorized her look with Balmain earrings and long, straight hair.
Ashanti is Back, and Better

Ashanti has been slowly returning to her regular duties since birthing her and Nelly’s son, Kareem Kenkaide Haynes, whom she recently gushed over how amazing he was in an exclusive interview alongside her beau with Entertainment Tonight. “He’s a happy baby, and he recently just found his toes,” Ashanti revealed. “So now he grabs his feet whenever he can, like when he’s laying down, and he smiles all the time.” Nelly added that Ashanti is doing a great job as a mom, and he loves witnessing it. “To watch someone care about someone else so much and give their all and is willing to give their all. She’s an awesome mom,” he boasted.
We are here for Ashanti’s new chapter and can’t wait to see what other slays she has in store.
DON’T MISS…
Ashanti and Nelly Gush Over Their Baby Boy’s Latest Discovery: ‘He’s A Happy Baby’
Nelly & Ashanti Turn Up For Nelly’s 50th Birthday In Over-The-Top Style, Western Magic, & Golden Glamour
Ashanti’s Faux Fur Obsession In 10 Fashion Photos

Ashanti Flaunts Her Post-Pregnancy Curves In This All Black Get-Up 
was originally published on
hellobeautiful.com

Rising Puerto Rican rapper Clarent has signed a global recording deal with Warner Music Latina, the company tells Billboard.
The signing comes on the heels of Clarent’s success with the single “IA” alongside Puerto Rican urban artist Mora. The track has amassed more than 40 million streams on Spotify alone and topped Spotify’s Top 200 chart in Spain.

Born in Caparra Terrace, San Juan, Clarent (real name Fabián Cartagena Torres) began putting out music independently just last year. Since then, he’s amassed millions of streams thanks to tracks that sound raw and real and connected to life on the streets. His song “Traqueto” alongside iZaak has nearly 26 million streams on Spotify, while his solo track “Enzacio” has nearly 14 million.

“Ready for this new season — big thanks to the Warner fam for keeping it real. This is where boys become men,” said Clarent in a statement.

“We are thrilled to partner with Clarent and his team to help build on his unique vision and take his career to new heights,” said Alejandro Duque, president of Warner Music Latin America. “Clarent is a perfect example of how genres get disrupted and authentic sounds emerge and pave new roads in music.”

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Signing Clarent was a months-long process for Warner, added Roberto Andrade, MD of Warner Music Latina. “This isn’t just another record deal — this is an alliance,” he said in a statement. “We crafted a partnership out of months of mutual understanding, collaboration, and shared vision.”

Andrade and Duque worked closely with Clarent and his manager, Jonniel (Jadiel Nuñez Olivera) of Rythmz51, on the deal. On Dec. 13, Clarent is releasing a new track under Warner titled “Babayaga,” a moody trap song.

“Shoutout to the team at Warner Music Latina for believing in this vision and backing us all the way,” said Jonniel. “This is just the kickoff to something amazing. Clarent’s got that raw, undeniable talent, and I’m stoked to be on this journey with him.”

Clipse are apparently making their triumphant return as Pusha T confirmed that they finished recording their fourth studio album.
While sitting down with journalist Ari Melber for Saint & Citizen’s Saint Sessions Live at Art Basel in Miami, King Push seemed confident that the 15-year gap between albums will be worth the wait.

“It’s been 15 years since we dropped an album, and we’ve been at it since ’98-’99 whatever it was, but I think people are just gonna witness greatness, man. This is a chemistry, this is a brotherhood. And when I say that, I mean Pharrell as well, he produced it from top to bottom.”

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T added that he and his Clipse partner No Malice were “very precious” and “very, very meticulous” about their music, saying that the new project will be worth the wait. “We take long,” he said. We always take, people be mad, but it’s okay. ‘Cause it’s done and I’m tellin’ y’all it’s done. I promise you, I have it in my phone.”

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During that same talk with Ari Melber, Push commented on the Drake vs. Kendrick beef, saying the Compton rapper “1,000 percent” won the battle and that “suing is crazy” in reference to the legal actions the Toronto rapper is currently trying to pursue.

There’s no official release date yet for the tentatively titled Let God Sort Em Out, but both members talked about the forthcoming project with Vulture back in June where they both equated their rhyme style to a veteran athlete utilizing fundamentals. “This is a high taste-level piece of work,” Push told the outlet. “You can only have that level of taste when you have the fundamentals down to a science. I think it’s been definitely missing. Then there’s the competitive aspect.”

His brother No Malice echoed that sentiment, while adding that authenticity is the recipe for the group’s standing in rap music. “It’s what rap should look like if you’re real about your craft, real about your experience, real about your storytelling,” he said. “It’s bringing the fans along to see the growth, not trying to fit in or fabricate.”

They also premiered a new song that has yet to be released on the runway during Paris Fashion Week during Pharrell’s unveiling of the Spring/Summer 2025 Men’s Collection for Louis Vuitton.

Check out a clip from his talk with Ari Melber below: