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Music streaming company LiveOne saw its revenue drop 6% to $29.4 million in its fiscal third quarter ended Dec. 31, the company announced Thursday (Feb. 13). Revenue in the audio division fell 1% to $27.1 million. The drop led LiveOne’s operating loss to widen to $5.1 million from $800,000 in the prior-year period.
In the nine-month period, LiveOne’s revenue of $95.1 million was up 8.7% from the prior-year period. Operating loss in the period more than doubled, however, to $7.3 million from $3.5 million.
LiveOne, which has both a Slacker-branded music streaming service and numerous business-to-business relationships, ended the quarter with 800,000 Tesla “subscribers” — 475,000 of which are ad-supported. The company used to have preferred status with Tesla, powering the in-auto music streaming app that was free to Tesla owners, but that relationship changed in 2024. Now, LiveOne is no longer free to Tesla owners, although the electric vehicle manufacturer will continue to pay grandfathered LiveOne accounts in perpetuity.
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Now, LiveOne sells discounted packages to Tesla owners. “The conversion opportunity has enormous upside by offering Tesla owners an opportunity to upgrade and have access on all devices at discounted priority pricing,” LiveOne CEO Robert Ellin said in a statement in October. “We’ll drive growth, unlock new revenue streams, own our data, and increase ARPU [average revenue per user].”
But the third-quarter decline caused LiveOne to lower its expectations for the full year. While announcing earnings, the company updated its guidance for full-year revenue and adjusted earnings before interest, taxes, depreciation and amortization. LiveOne now expects revenue for the full fiscal year ending March 31 to be $112 million to $120 million, down from $120 million to $135 million. Adjusted EBITDA is expected to be $6 million to $10 million compared to previous guidance of $8 million to $15 million.
The revised guidance caused LiveOne shares to fall 18.6% to $0.96 on Thursday. That put LiveOne’s share price 55% below its 52-week high of $2.15.
On Wednesday (Feb. 12), PodcastOne –which LiveOne spun off in 2023 while retaining approximately 72% of its outstanding shares — announced that quarterly revenue increased 22% to $12.7 million and net loss narrowed to $1.6 million from $2.6 million.
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Issa Rae has canceled her sold-out show at the Kennedy Center following Donald Trump’s board takeover, with the actress calling the president’s actions an “infringement on the values” of the cultural organization.
In a statement posted to Instagram Stories on Thursday (Feb. 13), Rae thanked fans for buying tickets to her event titled “An Evening With Issa Rae” before writing, “Unfortunately, due to what I believe to be an infringement on the values of an institution that has faithfully celebrated artists of all backgrounds through all mediums, I’ve decided to cancel my appearance at this venue.”
Noting that all tickets would be refunded, the producer added, “Thank you so much for understanding, and I hope to see you soon.”
Rae’s announcement comes shortly after Trump gutted much of the Kennedy Center’s historically nonpartisan board of trustees and appointed his own supporters in their places. Naming himself chairman, the twice-impeached POTUS also fired the institution’s longtime president, Deborah F. Rutter; the board has replaced her with interim president Richard Grenell, who served as ambassador to Germany during Trump’s first term in the White House.
The Barbie actress is just one of multiple people in the entertainment industry distancing themselves from the Kennedy Center amid the changes. Ben Folds has left his position as adviser to the National Symphony Orchestra, while Shonda Rhimes has resigned as treasurer of the center’s board.
Philadelphia rock band Low Cut Connie has also followed Rae’s lead, with frontman Adam Weiner announcing Wednesday that the group would be pulling out of its scheduled March 19 concert at the iconic Washington, D.C., venue. “Our little rock n roll act stands for diversity, inclusion and truth-telling,” the musician wrote in a message announcing the cancelation on Instagram. “Maybe my career will suffer from this decision, but my soul will be the better for it.”
Trump first announced his plans to overhaul the Kennedy Center leadership team last Friday (Feb. 7), writing on Truth Social, “I have decided to immediately terminate multiple individuals from the Board of Trustees, including the Chairman, who do not share our Vision for a Golden Age in Arts and Culture.”
Specifically condemning the center’s inclusion of drag shows in its past programming, the politician added that performances “targeting our children” will come to an end under his supervision. “The Kennedy Center is an American Jewel, and must reflect the brightest STARS on its stage from all across our Nation,” he concluded. “For the Kennedy Center, THE BEST IS YET TO COME!”
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Source: Sony / PlayStation 5
According to recent sales numbers, Sony isn’t having a problem moving PlayStation 5 consoles.
During its earnings release, Sony announced that it had its best holiday season yet with PlayStation 5 sales, moving 9.5 million consoles over the last three months (2024 Q3), selling 1.3 million more than it sold in the same quarter the previous year, raising all-time PS5 sales to 74.9 million.
The latest addition to the PS5 console family, the PS5 Pro, could have helped boost those numbers. Sony did not provide sales numbers for that console.
With that record quarter in the books, the PS5 is 1.5 million units behind the PS4 during its sales lifecycle. Sony also posted a profit of 469.3 billion yen ($3.05 billion), which was higher than expected.
Game sales were also up, reaching 95.9 million units sold in Q3 2024 compared to 89.7 million in the previous quarter despite a decline in first-party sales.
Sony’s game software revenue rose to 784 billion yen ($5.1 billion) in Q3 2023, compared to 733 billion yen in Q3 2023.
The company also acknowledged the success of Astro Bot, which took the video game award season by storm, and Helldivers 2, noting it intends to expand its live service offerings despite canceling several projects and Concord flopping before it even hit shelves.
Sony is very optimistic about the future. Death Stranding 2: On The Beach, Ghost of Yotei, and allegedly Grand Theft Auto 6 will all come in 2025, which could help more consoles fly off shelves.
While Sony reports console sales, it hasn’t been the same for Xbox. Although Xbox’s hardware sales have taken a hit and are down 29% since switching the company model, Game Pass has experienced record growth.

Ariana Grande has long been an ally to the LGBTQ community, and the feeling appears to be mutual.
At the 2025 Dorian Awards, presented by GALECA, the Society of LGBTQ Entertainment Critics, the pop superstar won the award for supporting film performance of the year. She beat, among others, Zoe Saldaña for Emilia Pérez, who appears to be her main rival for the Oscar for best supporting actress.
Grande’s Wicked co-stars Cynthia Erivo and Jonathan Bailey won awards too. Erivo (who is also Oscar-nominated, but in the best actress category) won here for GALECA LGBTQIA+ film trailblazer. Bailey won the “we’re wilde about you!” rising star award.
The body-horror movie The Substance won a leading five trophies, including two that almost never go together at award shows: film of the year and campiest flick. The film’s other awards were film performance of the year for Demi Moore, director of the year for Coralie Fargeat and genre film of the year (science fiction/fantasy/horror). In addition, Moore received the timeless star award, a non-competitive career achievement prize. Previous timeless star honorees include Jodie Foster, Jane Fonda, Nathan Lane, John Waters, Rita Moreno, Jane Fonda, George Takei and Ian McKellen.
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There were three double winners: I Saw the TV Glow (LGBTQ film of the year and LGBTQ screenplay of the year for Jane Schoenbrun), Will & Harper (documentary of the year and LGBTQ documentary of the year), and Challengers (screenplay of the year for Justin Kuritzkes and film music of the year for Trent Reznor and Atticus Ross). Reznor and Ross’ score was passed over for an Oscar nod, but has received numerous other awards, including a Golden Globe and a Critics Choice Award. Here, it beat three scores that did receive Oscar nods: The Brutalist (Daniel Blumberg), Emilia Pérez (Clément Ducol and Camille) and Wicked (John Powell and Stephen Schwartz).
Founded in 2009, GALECA annually honors the best in film, television and stage, with an eye on the LGBTQIA+ community. Its goal is to “remind bigots, bullies, and our own beleaguered communities that the world looks to the informed Q+ eye on entertainment.”
Here is the complete 2025 Dorian Awards winners list:
Film of the year
Anora (Neon)
Challengers (Amazon MGM Studios)
I Saw the TV Glow (A24)
Nickel Boys (Orion Pictures/Amazon MGM Studios)
WINNER: The Substance (Mubi)
LGBTQ film of the year
Challengers (Amazon MGM Studios)
Emilia Pérez (Netflix)
WINNER: I Saw the TV Glow (A24)
Love Lies Bleeding (A24)
Queer (A24)
Film performance of the year
Adrien Brody, The Brutalist (A24)
Daniel Craig, Queer (A24)
Colman Domingo, Sing Sing (A24)
Karla Sofía Gascón, Emilia Pérez (Netflix)
Cynthia Erivo, Wicked (Universal)
Marianne Jean-Baptiste, Hard Truths (Bleecker Street)
Nicole Kidman, Babygirl (A24)
Mikey Madison, Anora (Neon)
WINNER: Demi Moore, The Substance (Mubi)
Justice Smith, I Saw the TV Glow (A24)
Supporting film performance of the year
Michele Austin, Hard Truths (Bleecker Street)
Yura Borisov, Anora (Neon)
Kieran Culkin, A Real Pain (Searchlight Pictures)
WINNER: Ariana Grande, Wicked (Universal)
Aunjanue Ellis-Taylor, Nickel Boys (Orion Pictures/Amazon MGM Studios)
Jack Haven, I Saw the TV Glow (A24)
Clarence Maclin, Sing Sing (A24)
Guy Pearce, The Brutalist (A24)
Margaret Qualley, The Substance (Mubi)
Zoe Saldaña, Emilia Pérez (Netflix)
Director of the year
Brady Corbet, The Brutalist (A24)
WINNER: Coralie Fargeat, The Substance (Mubi)
Luca Guadagnino, Challengers (Amazon MGM Studios)
RaMell Ross, Nickel Boys (Orion Pictures/Amazon MGM Studios)
Jane Schoenbrun, I Saw the TV Glow (A24)
Screenplay of the year
Sean Baker, Anora (Neon)
Coralie Fargeat, The Substance (Mubi)
WINNER: Justin Kuritzkes, Challengers (Amazon MGM Studios)
Jane Schoenbrun, I Saw the TV Glow (A24)
Peter Straughan, Conclave (Focus Features)
LGBTQ screenplay of the year
Rose Glass and Weronika Tofilska, Love Lies Bleeding (A24)
Justin Kuritzkes, Challengers (Amazon MGM Studios)
Justin Kuritzkes, Queer (A24)
WINNER: Jane Schoenbrun, I Saw the TV Glow (A24)
Julio Torres, Problemista (A24)
Film music of the year
The Brutalist (A24) — Daniel Blumberg
WINNER: Challengers (Amazon MGM Studios) — Trent Reznor and Atticus Ross
Emilia Pérez (Netflix) — Clément Ducol and Camille
I Saw the TV Glow (A24) — Alex G
Wicked (Universal) — John Powell and Stephen Schwartz, et al.
Non-English language film of the year
All We Imagine as Light (Sideshow / Janus Films)
Emilia Pérez (Netflix)
Flow (Sideshow / Janus Films)
WINNER: I’m Still Here (Sony Pictures Classics)
The Seed of the Sacred Fig (Neon)
LGBTQ non-English film of the year
Crossing (Mubi)
WINNER: Emilia Pérez (Netflix)
Queendom (Greenwich Entertainment)
Vermiglio (Sideshow / Janus Films)
All Shall Be Well (Strand Releasing)
Unsung film of the year
Didi (Focus Features)
Hundreds of Beavers (Cineverse, Vinegar Syndrome)
My Old Ass (Amazon MGM Studios)
WINNER: Problemista (A24)
Thelma (Magnolia)
Unsung LGBTQ film of the year
Femme (Utopia)
My Old Ass (Amazon MGM Studios)
National Anthem (Variance, LD Entertainment)
WINNER: The People’s Joker (Altered Innocence)
Problemista (A24)
Documentary of the year
Dahomey (Mubi)
Daughters (Netflix)
The Remarkable Life of Ibelin (Netflix)
Sugarcane (National Geographic)
WINNER: Will & Harper (Netflix)
LGBTQ documentary of the year
Chasing Chasing Amy (Level 33)
Frida (Amazon MGM Studios)
Merchant Ivory (Cohen Media Group)
Queendom (Greenwich Entertainment)
WINNER: Will & Harper (Netflix)
Animated film of the year
WINNER: Flow (Sideshow / Janus Films)
Inside Out 2 (Disney)
Memoir of a Snail (IFC Films)
Wallace & Gromit: Vengeance Most Fowl (Netflix)
The Wild Robot (Universal, DreamWorks)
Genre film of the year (science fiction, fantasy and horror)
Dune: Part Two (Warner Bros.)
I Saw the TV Glow (A24)
Nosferatu (Focus Features)
WINNER: The Substance (Mubi)
Wicked (Universal)
Visually striking film of the year
The Brutalist (A24)
Dune: Part Two (Warner Bros.)
Nosferatu (Focus Features)
WINNER: Nickel Boys (Orion Pictures/Amazon MGM Studios)
The Substance (Mubi)
Campiest flick
Hundreds of Beavers (Cineverse, Vinegar Syndrome)
Madame Web (Sony)
Megalopolis (Lionsgate)
WINNER: The Substance (Mubi)
Trap (Warner Bros.)
“We’re wilde about you!” rising star award
WINNER: Jonathan Bailey
Vera Drew
Karla Sofía Gascón
Jack Haven
Mikey Madison
Katy O’Brian
Drew Starkey
Wilde artist award
WINNER: Colman Domingo
Luca Guadagnino
Coralie Fargeat
Jane Schoenbrun
Tilda Swinton
GALECA LGBTQIA+ film trailblazer
Vera Drew
WINNER: Cynthia Erivo
Luca Guadagnino
Jane Schoenbrun
Julio Torres
Timeless star (career achievement award)
WINNER: Demi Moore
Jimmy Kimmel is calling out Kanye West after the rappers string of hate speech over the past week. During the monologue kicking off his late night talk show on Wednesday night (Feb. 12), Kimmel called Ye a “Nazi.” He added, “In the wake of his antisemitic spinout this weekend, Adolf Twitler was cut by his […]
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Drivers, start your engines — this year’s Daytona 500 is serving as the opening race of the NASCAR Cup Series to see who will win this year’s coveted NASCAR Cup Trophy. To watch the 67th Daytona 500 online, the best streaming service for all of the action is Sling TV.
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The NASCAR Cup Series 2025: Daytona 500 takes place at Daytona International Speedway in Daytona Beach, Florida, on Sunday, Feb. 16.
When Does Daytona 500 Start?
The Daytona 500 broadcasts live, with a start time of at 2:30 p.m. ET/11:30 a.m. PT. It broadcasts on Fox, which is available on Sling TV.
Where to Watch Daytona 500 Online
The Daytona 500 airs on Fox, and it’s also livestreaming on Sling Blue. Keep reading for more details on how cord-cutters can watch the NASCAR race online with Sling.
How to Watch Daytona 500 with Sling TV
A subscription to Sling Blue — which comes with Fox — gets you access to live TV from local and cable channels, starting at $25.50 for the first month of service and $50.99 per month afterwards.
You can watch local networks like ABC and NBC, while you can also watch many cable networks, including FS1, Lifetime, FX, AMC, A&E, Bravo, BET, Cartoon Network, Fuse, CNN, Food Network, MSNBC and many others.
In addition, you can get a free month of AMC+ upon sign up. AMC+ is the home to original programming, like Gangs of London, Interview with the Vampire, Deadstream and more.
Please note: Prices and channel availability depends on your local TV market. You can learn more about Sling TV here.
Who Is Performing During Daytona 500?
Ahead of the race, Grammy Award-winning rapper Pitbull is set to perform. Born Armando Christian Pérez, he’s also the co-owner of NASCAR’s Trackhouse Racing Team.
Starting at 2:30 p.m. ET/11:30 a.m. PT, the Daytona 500 airs on Fox, while it’s also available to livestream on Sling TV on Sunday, Feb. 16.
Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.
With the highly anticipated SNL 50: The Homecoming Concert just a day away, NBC has added a string of A-list performers to the lineup. Cher, Dave Grohl, Ms. Lauryn Hill, Snoop Dogg, St. Vincent and Wyclef Jean will all be joining the fun at New York City’s Radio City Music Hall on Friday night (Feb. 14).
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The Jimmy Fallon-hosted live homecoming concert will also feature performances by Arcade Fire, Backstreet Boys, Bad Bunny, Bonnie Raitt, Brandi Carlile, Brittany Howard, Chris Martin, David Byrne, DEVO, Eddie Vedder, Jack White, Jelly Roll, Lady Gaga, Miley Cyrus, Mumford & Sons, Post Malone, Preservation Hall Jazz Band, Robyn, The B-52s, and The Roots.
Additionally, the event celebrating 50 years of Saturday Night Live will include special appearances by Ana Gasteyer, Andy Samberg, Maya Rudolph, Paul Shaffer, Tracy Morgan, Will Ferrell and more. SNL 50: The Homecoming Concert is executive produced by Lorne Michaels and Mark Ronson.
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The show will take place at 8 p.m. ET, and will also stream live on Peacock for viewers at home, with fan screening events scheduled for several Regal Cinemas theaters.
Two days later, on Feb. 16, a three-hour telecast will air from Studio 8H in Rockefeller Center. The SNL50: The Anniversary Special will feature appearances by Sabrina Carpenter, Paul McCartney, Adam Driver, Ayo Edebiri, Bad Bunny, Dave Chappelle, John Mulaney, Kim Kardashian, Martin Short, Miley Cyrus, Paul Simon, Pedro Pascal, Peyton Manning, Quinta Brunson, Robert De Niro, Scarlett Johansson, Steve Martin, Tom Hanks and Woody Harrelson, with additional names to be announced.
The special will air on Sunday (Feb. 16) at 8 p.m. ET/5 p.m. PT on NBC and simulcast on Peacock.
Cardi B entered the year single for the first time in a long time and she’s embracing her new sense of freedom. Not only for herself, but the Grammy-winning rapper wants the Bardi Gang back outside and maintaining their single status with her. Explore Explore See latest videos, charts and news See latest videos, charts […]
Coincidence or not, it was a full moon Tuesday (Feb. 11) in Rio de Janeiro. The sky was clear, without stars, as the biggest star got ready to shine at the Nilton Santos Stadium, also known as Engenhão. Accompanied by her army — correction: her pack — She-Wolf Shakira marched toward the stage, focused on performing the greatest show of her life for the kickoff of her Las Mujeres Ya No Lloran World Tour. She delivered, showing once again why she’s considered one of the greatest Latin artists in history.
Even with technical problems — including faulty monitors and a problem with screens — Shak remained calm and in good spirits.
“This is the first show, of course, something had to happen,” she said, laughing. With everything resolved, Shakira began the concert with “La Fuerte” from her latest album, Las Mujeres Ya No Lloran, which gives its name to the tour.
The Colombian artist performed for more than two hours, playing a setlist that included the biggest hits from her 30-year-plus career. With the help of highly realistic projections made with AI, the singer brought visuals that told key moments of her personal and artistic journey.
In addition, the competent band and dancers put on a show of their own. Shakira made sure to thank each member of her team and introduced each one by name on stage. The she-wolf seemed to be overflowing with joy, like a child. At the end of each act — difficult to say which was the best — she had a huge smile on her face.
“This is a true encounter between a little she-wolf and her pack,” Shakira said.
Proving that women cash in — and how! — Shakira made a heavy investment in this tour. She was accompanied by cameras that showed every step of the show on a giant screen. Her speed in changing outfits was impressive: I counted eight, but there were definitely more. In some of her acts, she recreated scenes from music videos like “Te Felicito” (with Rauw Alejandro), and also recreated the atmosphere of the “Chantaje” video (with Maluma), where she sang from her dressing room — and the audience followed everything, including the costume changes.
Adjectives fall short to explain the magnitude of the singer’s performance; she seemed like a force of nature on stage. According to her: “Falls are not the end, but the beginning of the highest flight.” And after her turbulent period, today she shines with tranquility — with each passing day, time is becoming her ally, just like a fine wine.
Below, see Shakira’s 10 best moments at the first concert of her Las Mujeres No Ya Lloran World Tour.
The opening