News
Page: 12
Trending on Billboard Charlie Puth is standing strong in the face of online backlash to the announcement of his upcoming national anthem performance at next year’s Super Bowl LX (Feb. 8, 2026). “I’ll never claim to be as good of a singer as Whitney Houston ever was,” the four-time Grammy nominee wrote on X on […]
Source: Paras Griffin / Getty
T-Pain recently reflected on one of the most important lessons from his career.
During a sitdown with Shannon Sharpe, the Tallahassee superstar found out industry peers were never his friends. The only name mentioned had Day One Teddy Pain fans pulling their hair. The name mentioned is no other than DJ Khaled, which is someone who has cooked up many classic songs with Pain as “I’m So Hood“, “All I Do Is Win“, & “Go Hard.”
The conversation went left when the Bartender singer says that nobody in the industry is his friend, including Khaled, “Nobody is your f*cking brother. F*cking DJ Khaled. Everybody done told me I’m your brother. Do not believe that sh*t.”
Also adding that he has no problem with Khaled, he just knows he moves:
“When I say sh*t like DJ Khaled, it’s very apparent. DJ Khaled knows how to move; he knows how to do different things with people and sh*t like that. It’s not a DJ Khaled type of thing, that’s the first person I can think of.”
Fans online misinterpreted the quote and thought he was saying “F*ck DJ Khaled,” but he clarified that is not what he was saying:
“Well, I definitely didn’t say f*ck @DJKhaled, but I’m from Florida, and n*ggas apparently can’t understand how fast I talk. I said f*cking DJ Khaled because I was about to start a list, but decided to just move on. It’s still love, I just learned how to move around n*ggas now.”
The Major Key Alert artist has not responded to any of T-Pain’s comments as of yet.
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Trending on Billboard
Ready to get into the holiday spirit? Disney is here to help.
On Monday, Dec. 1, 2025, Disney will be hosting The Wonderful World of Disney: Holiday Spectacular at 8:00 p.m. EST/PST on ABC. This marks the show’s 10th anniversary. The seasonal celebration will feature new musical performances from Walt Disney World Resort in Florida, Disneyland Resort in California and Aulani and a Disney Resort & Spa in Ko Olina, Hawaii. Notable performers that you’ll want to catch live will include Bebe Rexha, Derek Hough, Gwen Stefani, Trisha Yearwood and Nicole Scherzinger, among others.
The event first began back in 2016 and has featured some major musical guests in the past, including Kelly Clarkson, Garth Brooks, Trisha Yearwood, OneRepublic, Alessia Cara, Ciara, Darius Rucker, Fifth Harmony, Jason Derulo and Lea Michele.
Explore
See latest videos, charts and news
Where to Watch The Wonderful World of Disney: Holiday Spectacular 2025
The Wonderful World of Disney: Holiday Spectacular 2025 will go premiere Monday (Dec. 1) on ABC. You can tune in to the special via your local affiliate channel, which can be found using the on-screen guide for DirecTV.
Right now, the service’s Entertainment package is available for $49.99 a month, a package which includes access to ABC. Along with you your subscription to this package, you’ll have access to 90+ local channels ESPEN Unlimited and Disney+ and Hulu bundle with ads and 130+ MyFree DIRECTV channels.
If you don’t have time to tune in live, you can stream the show the next day with a Hulu with Disney+ bundle for just $12.99/month. These Disney+ bundles save users on average 44% per month. Think of it this way. A standalone subscription to Hulu and or Disney+ with ads is 11.99/month, which is basically the cost of the aforementioned bundle. You’re getting more bang for your buck by bundling because it gives you access to a wider variety of streaming services all in one place. Stick with us. Your wallet will thank you.
Bundle subscribers will have access to a vast range of Disney+ and Hulu titles, including movies and series from Disney, Pixar, Marvel, Star Wars and National Geographic along with Hulu Originals. Some of our favorites currently, perfect for getting you into the Christmas mood, include A Very Jonas Christmas Movie, Elf, Die Hard and The Polar Express. If you’re not ready to jingle your bells, you can always tap into other cheerful content including The Fantastic Four: First Steps, The Roses, Elio, Dancing with the Stars and the Glen Powell football comedy Chad Powers.
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
With Cyber Monday in full swing, there’s only a limited time before all of these deep discounts expire. If you want to take advantage before it’s too late, we spotted mark downs from Danish high-end audio company Bang & Olufsen that are set to go away at the end of the Cyber Monday shopping savings event.
Explore
See latest videos, charts and news
For Cyber Monday, you can save up to 33% off list prices on B&O Bluetooth speakers and top-of-the-line noise-canceling headphones with prices starting at $199. We rounded up some of the best deals during Bang & Olufsen’s sale, such as on the top-rated Bang & Olufsen Beoplay H95 Headphones.
However, these B&O deals are only reserved for Amazon Prime members only.
Not a member? Sign up for a 30-day free trial to take advantage of all that Amazon Prime has to offer, including access to Prime Video, Prime Gaming and Amazon Photos; fast free shipping in less than two days with Prime Delivery; in-store discounts at Whole Foods Market; access to exclusive shopping events — such as Black Friday and Cyber Monday — and much more. Learn more about Amazon Prime and its benefits here.
Scroll down and check out our recommendations for the best B&O deals during Cyber Monday.
Bang & Olufsen
Cyber MOnday Deals
Bang & Olufsen Beosound Explore
$199
$299
33% off
Premium Bluetooth speaker
Made for outdoor use, the Bang & Olufsen Beosound Explore is a tough and durable Bluetooth speaker, while it pumps out rich and clear audio. It comes in five colors, including bonfire orange, black anthracite, green and others.
Bang & Olufsen
Cyber MOnday Deals
Bang & Olufsen Beolit 20
$499
$749
33% off
Bluetooth speaker with built-in wireless charger
The Bang & Olufsen Beolit 20 is a power Bluetooth speaker that doubles as a wireless charger for your smartphone.
Bang & Olufsen
Cyber MOnday Deals
Bang & Olufsen Beoplay HX
$499
$599
17% off
Premium Bluetooth headphones
On sale for 25% off their list price, the Bang & Olufsen Beoplay HX are a pair of high-performance wireless headphones with a comfortable design and robust audio clarity. They come in three colors, such as gold tone, timber and black anthracite.
Bang & Olufsen
Cyber MOnday Deals
Bang & Olufsen Beoplay H95
$875
$1,250
30% off
High-end wireless noise-canceling headphones
The Bang & Olufsen Beoplay H95 are on sale for 30% off their list price, while they feature premium audio with noise-cancelation features to block out the world around you to really focus in on your favorite music and podcasts. The headphones come in four colors, like black, gold tone, chestnut and navy.
Bang & Olufsen
Cyber MOnday Deals
Bang & Olufsen Beosound Emerge
$999
$1,500
33% off
Wi-Fi audio home speaker
Don’t let its small size fool you. The Bang & Olufsen Beosound Emerge is a mighty Wi-Fi home speaker that pumps out full and rich audio that’s big enough to fill a room. It’s designed to seamlessly fit into your home décor.
Want more? Shop more deals, speakers, headphones and other audio devices at Bang & Olufsen, below:
For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.
Trending on Billboard
The U.S. Supreme Court on Monday (Dec. 1) wrestled with a billion-dollar music piracy lawsuit filed by the major labels against telecom giant Cox Communications, grilling lawyers for both sides over the “extremes” of their arguments.
During a hearing at the nation’s highest court, justices sharply questioned Cox’s lawyer over whether a victory would give the internet service provider (ISP) carte blanche to ignore illegal conduct by its subscribers: “What incentive would you have to do anything if you won?” asked Justice Amy Coney Barrett.
Related
But the justices also interrogated an attorney representing Sony Music Entertainment, Warner Music Group (WMG) and Universal Music Group (UMG), echoing concerns from Cox and free speech advocates that the case could force ISPs to terminate service en masse. “I don’t see how it’s workable at all,” Justice Samuel Alito said.
“We are being put to two extremes here,” said Justice Sonia Sotomayor. “How do we announce a rule that deals with those two extremes?”
UMG, Sony and WMG teamed up to sue Cox in 2018, claiming the internet provider itself should be held legally responsible for enabling the sins of its users. The labels claimed Cox had received hundreds of thousands of notices about piracy, but had never permanently terminated a single subscriber accused of stealing music.
In December 2019, a jury issued a verdict holding Cox liable for helping users infringe more than 10,000 songs, awarding the labels more than $99,000 per song — adding up to a whopping $1 billion fine.
Related
With that case now before the Supreme Court, Cox has argued that a victory for the labels “jeopardizes internet access for millions of users” because ISPs will be forced to terminate users rather than risk billions in legal damages. The labels say such warnings are overblown and designed to distract from the facts of the case: “Cox made a deliberate and egregious decision to elevate its own profits over compliance with the law.”
Arguing for Cox at Monday’s hearing, attorney Joshua Rosencranz said a ruling for the labels would have “cataclysmic” consequences for the internet, and could “wreak havoc with the essential medium through which modern public engages in commerce and speech.”
“There is no surefire way for an ISP to avoid liability,” Rosencranz warned. “The only way it can is to cut off the internet, not just for the accused infringer but for anyone else who happens to use the same connection.”
Rosencranz repeatedly cited recent Supreme Court rulings to support that hands-off approach. One said Twitter did not aid a terrorist attack simply because ISIS used the social media site; another said a foreign government could not sue American gun makers for aiding drug cartels that had used their weapons.
Related
But several justices seemed troubled by that argument. Justice Elena Kagan suggested Cox’s knowledge about specific users was likely more detailed than in the Twitter case. Justice Barrett asked if an ISP would be required to act if it was alerted to child trafficking by its subscribers. Justice Sotomayor repeatedly asked what motive ISPs would have to tackle infringement if the court sides with Cox.
“You know that a particular location is infringing, and most of the time you’re doing nothing,” Sotomayor said. “Why aren’t you contributing to that infringement?”
Representing the labels, attorney Paul D. Clement told the justices that Cox had held copyright law “in contempt. He said it was “beyond dispute” that Cox had provided continued internet access to subscribers that it knew would continue to steal music.
“That reality … is what requires Cox to insist on the extreme position that they can continue to provide service to habitual abusers in perpetuity without consequences,” Clement said. “Why bother cooperating with copyright holders?”
Related
But that argument, too, faced strong scrutiny. Justice Kagan said the labels’ argument “fails” under the recent Twitter and guns rulings. Justice Samuel Alito echoed Cox’s fears about mass terminations, asking Clement how to deal with a college that provides internet to tens of thousands of students. “I really don’t see how your position works in that context,” Alito said.
Though both sides faced difficult questioning, Cox had a powerful ally at Monday’s hearing in the form of the U.S. Solicitor General’s Office, which has urged the justices to overturn the ruling against Cox. At the arguments, Deputy Solicitor General Malcolm Stewart said the labels had simply not met the standard to hold Cox liable — and that the stakes of the case were huge.
“Terminating all access to the internet based on infringement seems extremely overbroad given he centrality of the internet to modern life and given the First Amendment,” Stewart told the justices near the end of his argument.
Following Monday’s hearing, the case is fully ready for a ruling by the Supreme Court. The justices will now deliberate and issue a written ruling in the next few months.
Trending on Billboard
The second edition of Billboard Italia Women in Music took place on Nov. 25, 26 and 28 in Milan, at the new cultural hub called UFO, home to Billboard Italy’s headquarters, which for the occasion transformed into the Women in Music House.
Following the inaugural 2024 edition, which highlighted women’s contributions to Italian music and culture, the 2025 event offered an even richer and more comprehensive program, including exhibitions, workshops, panels, showcases and DJ sets, confirming its vocation as a space dedicated to creativity, plurality of artistic voices, and construction of new cultural perspectives.
Federico Durante and Silvia Danielli, editor-in-chief and co-editor-in-chief of Billboard Italy, said: “This edition, the main theme of which was “Intersections,” gave even more space to the honorees by connecting them with other personalities from other fields of contemporary culture. It put new talent in the spotlight, highlighting new ideas that increasingly emphasize the women who work behind the scenes of the music industry.”
The big star of Billboard Italia Women in Music 2025 was Giorgia, awarded as Woman of the Year, who met with TV host and writer Serena Dandini. With a career spanning several generations of fans with authenticity and depth, Giorgia was the symbolic centerpiece of the 2025 edition. The other awards were:
Global Icon – Laura Pausini
Powerhouse – Serena Brancale
DJ of the Year – Deborah De Luca
Rising Star – Sarah Toscano
Songwriter of the Year – Joan Thiele
Performer of the Year – Emma Nolde
Breakthrough – Ele A
Manager of the Year – Paola Zukar
Over the course of three days, the honorees participated in a series of conversations with leading figures in contemporary culture, from sports to social media, resulting in a series of events that will be published on YouTube and on Billboard Italy’s Instagram and TikTok profiles.
Aperol, Amazon Music and AW LAB were Official Partners of Billboard Italia Women in Music 2025. Ticketmaster was the Ticketing Partner, and SAE Institute was the Educational Partner. The event was supported by SIAE – Società Italiana degli Autori ed Editori.
Here are some of the best photos from Billboard Italia Women in Music 2025.
Trending on Billboard
Aerosmith and Yungblud’s collaborative EP One More Time debuts at No. 1 across four Billboard album charts, all dated Dec. 6.
In the week ending Nov. 27, One More Time earned 39,000 equivalent album units in the U.S., of which 37,000 was via album sales, according to Luminate.
Among the many chart the album topped is the Top Rock & Alternative Albums chart, marking Yungblud’s first ruler in his career and Aerosmith’s first chart-topper in over a decade. Aerosmith previously topped the ranking, which began in 2006, in 2012 via the one-week rule of Music From Another Dimension!, which had been Aerosmith’s most recent collection of new music prior to One More Time. Yungblud’s previous best, meanwhile, had been the No. 8 debut and peak of his self-titled album in 2022.
Explore
See latest videos, charts and news
The set also rules Top Hard Rock Albums, Aerosmith’s third ruler (following Music From Another Dimension! and the band’s 2023 Greatest Hits package) and Yungblud’s first appearance on the survey. The album also bows at No. 1 on Top Rock Albums and Indie Store Album Sales.
As previously reported, One More Time also debuts at No. 9 on the all-genre Billboard 200, giving Aerosmith top 10s in each of the last six decades (1970s-2020s), something only Paul McCartney, The Rolling Stones, Bruce Springsteen and James Taylor have also accomplished.
Concurrently, music from One More Time appears twice on the Dec. 6-dated Hot Hard Rock Songs chart, led by lead single “My Only Angel” at No. 11. The song, which bowed at No. 1 on the tally dated Oct. 4, earned 2.7 million radio audience impressions, 723,000 official U.S. streams and sold 1,000 downloads in the week ending Nov. 27. It lifts 7-6 on Mainstream Rock Airplay, having previously become Aerosmith’s first top 10 on the ranking in 21 years.
One More Time is also represented on Hot Hard Rock Songs by “Wild Woman” (No. 14; 853,000 streams, 1,000 downloads), with the latter count good enough for a No. 6 debut on Hard Rock Digital Song Sales.
All Billboard charts dated Dec. 6 will update tomorrow, Dec. 2, on Billboard.com.
50 Cent has said Diddy‘s publicist is accusing the G-Unit leader of being an “adversary” against Puff because of his new Netflix documentary. 50 Cent and Diddy have been going back and forth all day in the wake of the former’s new four part Netflix documentary Sean Combs: The Reckoning, which is set to hit […]
Trending on Billboard
What’s better than one iconic Michelle? Two!
On Sunday night (Nov. 30), fresh off Thanksgiving festivities, former First Lady Michelle Obama and Grammy-winning music and Broadway star Michelle Williams attended Brandy & Monica‘s much-buzzed-about The Boy Is Mine Tour at Capital One Arena in Washington, D.C.
“A special night!” read the caption of a backstage montage shared by Black Promoters Collective, the production company behind the 32-date trek, to its official Instagram page on Monday morning (Dec. 1). “We were truly honored to have former First Lady [Michelle Obama] in the building for [The Boy Is Mine Tour] stop in DC.”
In the video, the former First Lady can be seen walking backstage and posing for pictures with Brandy, Monica and Kelly Rowland, who performs a 40-minute set as a special guest on each night of the tour. In one clip, Mrs. Obama smiles for a group photo alongside one of Rowland’s former bandmates, Michelle Williams, who was also in attendance.
Last month, Williams earned her first career Grammy nomination outside of Destiny’s Child thanks to her standout work on the 2024 original Broadway cast recording of Death Becomes Her. Nominated for best musical theater album, Williams will face off against Tony-winning heavyweights like Audra McDonald (Gypsy), Jonathan Groff (Just In Time) and Darren Criss (Maybe Happy Ending). In 2024, she performed her signature Death Becomes Her number, “If You Want Perfection,” at the Macy’s Thanksgiving Day Parade.
Like Williams, Mrs. Obama has also had a busy winter. On Nov. 4, she published her third book, The Look, which compiles over 200 photographs chronicling her style evolution inside and beyond the White House. Earlier this year, the former First Lady joined Tina Knowles in conversation for an in-depth look at Knowles’ Matriarch memoir, continuing her decade-plus-long relationship with the Knowles-Carter clan. During a June Las Culturistas podcast episode, the former First Lady raved about Blue Ivy’s growth on Beyoncé’s blockbuster Cowboy Carter Tour, which also included a surprise Destiny’s Child reunion at its final stop.
The Boy Is Mine Tour runs for just seven more shows before wrapping at VyStar Veterans Memorial Arena in Jacksonville, Fla. on Dec. 14. Over the weekend, Muni Long, who was a part of the initial show lineup, took to Instagram to announce her permanent departure from the tour, writing, “my doctors have made it clear that it’s not safe for me to continue with the remaining dates of the tour.” Grammy-winning “Case of the Ex” singer Mýa will replace Long for the remaining dates.
Trending on Billboard
For decades, the live music business has relied on a workforce built on gig labor — workers subject to long stretches away from home without the support found in traditional industries. That’s exactly the gap ECCHO Live — formerly known as Touring Career Workshop — is trying to close. And one of the people helping shape that shift is Chuck Hull, the retired tour manager whose 50-year career spans performers from Elvis Presley to Keith Urban.
Hull, who joined the organization’s expanded advisory board after retiring in 2023, says ECCHO Live is addressing a fundamental truth about the touring economy: “We’re essentially an industry with no real HR department, no safety net, and no guaranteed path for sustainability.”
Related
Last month, ECCHO Live held its largest workshop to date, attracting nearly 500 live event professionals to the Soundcheck Annex in Nashville, including keynote speaker Sarah Trahern, CEO of the Country Music Association. Hull says the large attendance and interest are indicative of an industry in need of support.
ECCHO Live began more than a decade ago as a modest career workshop led by lighting designer and production manager Chris Lyle, who wanted to help newcomers navigate the opaque, freelance-heavy touring world. The early focus was basic but essential, providing guidance in finding work, building a résumé, and handling the financial and personal challenges of life on the road.
One of ECCHO Live’s most influential initiatives is All Access, a first-of-its-kind mental-health program for touring professionals. The program provides four free counseling sessions to anyone working in live entertainment — an initiative that was recently expanded to include spouses. The expansion, Hull says, was an overdue acknowledgment of how touring affects entire families.
“When you’re gone for weeks or months, that stress isn’t just yours — it hits your partner, your kids, your home life,” he explains. “Extending support to spouses was a no-brainer.”
Related
During the pandemic, ECCHO Live saw a surge in demand for mental-wellness support, and those requests didn’t disappear once touring returned. To meet the growing need, the organization launched All Access On-Site, a roaming mental-health tent that appears backstage at major festivals. Crew members can discreetly sign up for same-day sessions with licensed counselors — a resource that was booked solid at many events.
“Festivals started calling us asking if they could get the activation,” Hull says. “That tells you everything about how needed this is.”
ECCHO Live also provides programming that addresses other weak points in touring employment and helps with financial guidance, including retirement planning for workers who rarely have access to 401(k)s. There are also career development workshops for entry-level and mid-career workers and department-specific training for roles in production, audio, lighting, video and crew management.
Hull describes these programs as “the kinds of resources every corporate employee takes for granted — but that simply don’t exist in live entertainment unless we create them ourselves.”
Related
ECCHO Live’s mission is supported by funding from a broad coalition of industry organizations, including the Country Music Association, the Academy of Country Music Awards, record labels, promoters, vendors and other stakeholders who rely on the touring labor pipeline.
Hull’s involvement with ECCHO Live comes after one of the longest continuous careers in modern touring. But while his résumé includes Elvis, Fleetwood Mac, Paul McCartney and a 20-year run managing Keith Urban, he says ECCHO Live isn’t about legacy — it’s about ensuring that the next generation of touring personnel have the resources he never had.
“I spent 50 years without a 401(k), without a health plan, without a safety net,” Hull says. “You survived by hustling. That shouldn’t be the only model we offer the people who keep this business running.”
From his advisory role, he sees ECCHO Live as a responsibility — and an overdue shift in an industry that historically expected workers to tough it out. “The old-school roadie mentality was ‘Bury it, don’t talk about it,’” he says. “But times have changed. People are finally willing to say when they need help. ECCHO Live is creating the space for that.”
Related
With a growing slate of sponsorships and a board that spans touring, vendor ops, production, festivals and corporate live events, ECCHO Live is positioning itself as the first true support network for the touring workforce.
“We’re building structure where there was none,” Hull said. “We’re supporting the people the entire live-entertainment economy is built on. And we’re finally acknowledging that taking care of crews isn’t a luxury — it’s essential.”
State Champ Radio
