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Billboard’s Hot Latin Songs sub-genre charts (dated April 12, 2025) have arrived, spotlighting a variety of format stars across the four new rankings.
The surveys — Hot Regional Mexican Songs, Hot Latin Pop Songs, Hot Latin Rhythm Songs and Hot Tropical Songs — celebrate the accomplishments of Latin artists based on the same multimetric methodology (official U.S. audio and video streaming, radio airplay and sales) used for the pan-genre Hot Latin Songs chart and the all-genre Billboard Hot 100, with data provided by Luminate.
Bad Bunny doubles up, dominating Hot Latin Rhythm Songs with “DTMF” and Hot Tropical Songs with “Baile Inolvidable.” Selena Gomez, Benny Blanco and The Marías join forces to rule Hot Latin Pop Songs with “Ojos Tristes,” and Fuerza Regida and Grupo Frontera claim the top spot on Hot Regional Mexican Songs with “Me Jalo.”
Trending on Billboard
Here’s a deeper look at the four charts’ first leaders, which, notably, take the top four spots on Hot Latin Songs.
Bad Bunny Best on Latin Rhythm, Tropical
Bad Bunny’s “DTMF” is No. 1 on the Hot Latin Rhythm Songs chart with 9.6 million official U.S. streams from March 28 to April 3. On the radio front, the song drew 5.4 million audience impressions — up 18% week-over-week.
“DTMF” also tops the Hot Latin Songs chart for a 12th week, having become the superstar’s sweet 16th No. 1. It’s his sixth song to reign for at least a dozen weeks.
Benito’s “Baile Inolvidable,” meanwhile, tops the first Hot Tropical Songs chart, with 8.3 million streams and 6.1 million in radio reach. The track ranks at No. 4 on Hot Latin Songs, after previously reaching No. 2 on the chart.
Gomez, Blanco & Marías Top Latin Pop
Selena Gomez, Benny Blanco and The Marías’ “Ojos Tristes” crowns Hot Latin Pop Songs fueled by strong streaming and airplay gains. The track, a modern reinterpretation of Jeanette’s British-Spanish classic “El Muchacho De Los Ojos Tristes,” drew 8.7 million U.S. official streams, up 5%. It’s also beginning on radio, with 506,000 in audience.
“Ojos Tristes” ascends from No. 4 to No. 3 in its second week on Hot Latin Songs.
Fuerza Regida, Grupo Frontera Rule Regional Mexican
Fuerza Regida and Grupo Frontera’s “Me Jalo” starts atop the Hot Regional Mexican Songs chart, just one week after simultaneously leading both the Latin Airplay and Regional Mexican Airplay charts. The collab collected 8.1 million streams and 7.5 million in radio audience over the last week. It rises 3-2 for a new high on Hot Latin Songs.
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Source: The Washington Post / Getty / Elon Musk
Elon Musk didn’t help convince people he’s good at Path of Exile 2.
Musk, who is reportedly on his way out of the White House, didn’t do much to repair his credibility as a gamer after he admitted to “fraudmaxing” in Path of Exile 2, which is basically paying someone to play the game and level up his character for him.
The billionaire decided to stream himself playing the game while on his private jet during an “airborne continuity test” of his Starlink internet service.
During the stream, Musk was mercilessly trolled by viewers, who attacked the Tesla chief for his “work” with DOGE, laying off government workers in the name of “efficiency” and his wild personal life, making babies, he’s currently at 13 kids.
The stream, which is still on his X profile, lasted about an hour and 45 minutes. Musk rarely said a word, instead staring into the camera while playing the game’s early parts.
Musk died a few times, and he had to create a new character because he played on hardcore (i.e., perma-death) difficulty.
The Trolls Showed Elon Musk No Mercy
It didn’t take long for the trolling to begin. One message said to Musk was, “make it clap for daddy.” Another person claiming to be Ashley St. Clair, one of Musk’s many former partners, and is currently locked into a custody battle over their five-month-old.
Another comment read, “Elon, deep down you will always be cringe no matter how much money or power you have.”
https://x.com/YourAnonCentral/status/1909473669522260134
Elon Musk has been silent as his buddy Trump destroys the global economy with his stupid tariffs. Musk has broken his silence on the matter, saying he hopes for zero tariffs and even called Trump’s top financial advisor a “moron” and “dumber than a sack of bricks.”
You can see reactions to Elon Musk getting trolled in the gallery below.
Danny Hayes is leaving Danny Wimmer Presents, where he has served as chief executive and partner for more than a decade. “When I first started my career as an entertainment lawyer, I never imagined I’d become a festival promoter,” Hayes wrote in email to friends on April 5. “But then I met Danny Wimmer, and […]
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Billy McFarland might need to find a new location for Fyre Fest 2. Mexican officials have said the event is not happening.
As per Complex, the controversial entrepreneur is trying his best to resurrect the biggest music festival that never happened. Since being released from prison in 2022, Billy McFarland has publicized his aspirations to bring the Fyre Fest back to life. On March 25, the brand announced that the Fyre Fest 2 would be hosted in Playa Del Carmen, Mexico, from May 30 to June 2. While the news was met with much skepticism online, Billy continued his promotional efforts with daily posts expressing his excitement.
On April 3, Mexican officials posted an announcement to X, formerly known as Twitter, saying that the event will not be hosted there. “The municipal government of Playa del Carmen informs that no event of that name will be held in our city,” a statement read, shared by Playa del Carmen’s city hall on social media this week. “After a responsible review of the situation, it is confirmed that there are no records, plans, or conditions that indicate the holding of such an event in the municipality.”
As expected, Billy McFarland has commented on the matter and tried to dispel what Mexican authorities shared on social media. “FYRE has been working directly with the government of Playa del Carmen (PDC) and their officials since March 5, 2025 to ensure a safe and successful event. All media reports suggesting our team has not been working with the government of PDC are simply inaccurate and based on misinformation.”
According to TMZ, Fyre Fest event producer Nick Botero says that the Mexican government is “lying completely” and added “we’re not doing any event there and we plan on making it very public and showing all of the evidence.”
The government of Playa Del Carmen has yet to respond.
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Tee Grizzley, a die-hard Detroit Lions fan, just dropped a bomb on the internet when a video surfaced of him shooting a music video in enemy territory, the Philadelphia Eagles’ locker room.
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The Detroit native was seen holding the Eagles’ Lombardi Trophy and rapping in front of Super Bowl MVP Jalen Hurts’ locker. Fans were straight-up confused.
In the video, Tee Grizzley posed with the trophy and dropped a motivational caption: “If you ever felt invisible, overlooked, or hopeless look at me. This your sign to keep going. The win gone feel different when you had to survive to earn it. Philly we locked in.” Now, a lot of Lions fans—and even some of his own followers—were shook because Grizzley’s always repped for Detroit hard. So seeing him in the Eagles’ locker room had everyone wondering what was really good.
The Eagles had just won the Super Bowl, beating the Kansas City Chiefs in an epic showdown. Jalen Hurts balled out and took home the MVP trophy, leading Philly to one of the best seasons in their history. With their dominant offense and defense, they proved they’re a squad to be feared. While Tee Grizzley will always have love for the Lions, it’s clear he’s showing respect to the Eagles for that big win.
In celebration of Cypress Hill‘s seminal sophomore effort Black Sunday, the rap group announced it’ll be launching a new graphic novel titled CYPRESS Hill: BLACK SUNDAY. On Tuesday (April 8), the news broke that the band had been hard at working crafting the comic alongside Z2 Comics and writers Noah Callahan-Bever and Gabriel Alvarez. The […]
Rubby Pérez has been hospitalized following the deadly roof collapse at the Jet Set nightclub in the Dominican Republic, where he was performing early on Tuesday (April 8). The 69-year-old Dominican merengue singer — known for Billboard hits such as “Tu Vas a Volar,” “Enamorado de Ella” and “15,500 Noches” in collaboration with Romeo Santos, […]
Arcade Fire‘s seventh studio album is on its way, with the band announcing that new LP Pink Elephant is set to arrive this spring and dropping lead single “Year of the Snake” Tuesday (April 8).
Featuring 10 tracks recorded at married bandmates Win Butler and Régine Chassagne’s Good News Recording Studio in New Orleans, the project is described as a “cinematic, mystical punk” offering that “invites the listener on a sonic odyssey” exploring themes of light, darkness, inner beauty and “the perception of the individual.” The album’s title apparently refers to the paradox of actively trying to suppress a certain thought, and in doing so, making that thought impossible not to think about.
As shared in a post on Arcade Fire’s Instagram, Pink Elephant will arrive May 9. The band also unveiled its cover art: a photo of a small elephant-shaped candle burning against a hot pink backdrop.
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Fans’ first taste of the album via “Year of the Snake” is chill, contemplative alt-rock, with Butler and Chassagne singing together over a thrumming bass line and anthemic glimmers, “It’s the season of change, and if you you feel strange, it’s probably good.” The song comes third on a tracklist that also includes the titles “Open Your Heart or Die Trying,” “Pink Elephant,” “Circle of Trust,” “Alien Nation,” “Beyond Salvation,” “Ride or Die,” “I Love Her Shadow,” “She Cries Diamond Rain” and “Stuck in My Head.”
Pink Elephant will mark Arcade Fire’s first LP since 2022’s We, which reached No. 6 on the Billboard 200 and climbed to the summit of the Top Rock Albums chart. It’ll also be the band’s first release since Butler was accused by multiple former fans of sexual misconduct, after which the frontman released a statement denying that any part of his relationships with those women was nonconsensual — though he did also apologize to “anyone who I have hurt with my behavior.”
A few days prior to the album announcement, Arcade Fire also rolled out a new app called Circle of Trust, where fans can now access special content including music, videos, early access to tickets, exclusive merch and more. This week, the band shared exclusive song “Cars and Telephones” — billed as the first composition Butler ever played for Chassagne — on the app.
See the Pink Elephant album cover and listen to “Year of the Snake” below.
A year ago, Dasha seemingly came out of nowhere riding an almost Western melody atop a stomp-clap groove with “Austin (Boots Stop Workin’),” earning a top five country single, platinum certification and several awards nominations as a new artist.
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All great. But what comes next? No one understood that question better than she did.
“My team was kind of breathing down my throat being like, ‘Dash, we need a follow-up. We need a follow-up,’ ” she remembers. “I was stressing out because, holy s–t. How do you follow up your first hit single?”
An artist’s sophomore single has some built-in challenges. In most instances, it needs to have some elements that help the listener connect both songs in their mind, creating a foundational sonic brand. But if it’s too close to the first hit, it makes the act seem a bit limited. Fortunately, the sophomore single’s creative tightrope is not a secret.
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“That’s my main thing in the room with an artist like that,” says songwriter Ashley Gorley (“I Am Not Okay,” “Love Somebody”). “I want to help her get that follow-up hit, show some different colors, but also kind of be a cousin to the song that drew everybody into your music.”
Gorley had that in mind when he met Dasha for the first time on May 8, 2024, as he hosted a writing session that included Ben Johnson (“Truck Bed,” “Liar”) at his Nashville-area home. Dasha was aware of Gorley’s record-setting reputation as a songwriter, but she wasn’t intimidated. Instead, she was intent on impressing him. Respect was OK; deference was not.
“I feel like what makes an artist’s music special is really relying on their taste and what they find appealing about music and words and cadences and melodies,” she says. “I was just like, ‘I’m really going to lean on Ashley Gorley and Ben Johnson. But I’m also going to really pull the artist card because I need this to feel like me or else it’s not going to do well.’”
Early in the process, Dasha handed Gorley her cellphone and told him to pick an idea from her titles list.“I already liked all of them,” she reasons. “Obviously. I wrote them down.”
“Not at This Party” jumped out at him. Gorley was unaware that the phrase was derived from her early experiences as an artist in the national spotlight. Just weeks prior, she had reluctantly gone to a gathering when she wasn’t feeling particularly social. Her budding fame made her interesting to a few people who didn’t read her mood well.
“So many people trying to small-talk me,” she notes. “I remember thinking to myself, ‘I’m just not at this party. I’m so mentally checked out.’ And then I was like, ‘That is such a cool song idea.’ And so I take my phone out and I write the title down.”
Once Gorley settled on that title, Dasha specifically envisioned a banjo at the center of the track, and Johnson had just what she needed.
“I came up with that banjo riff pretty quickly,” he says. “I definitely was conscious of trying to make something that fit in her world — and obviously, you know, ‘Austin’ was one of the first songs to really do the stomp-clap thing. My background is so much in bluegrass, and bluegrass is all about that choppy kind of backbeat thing with the mandolin. But in this instance, you kind of replace the mandolin with the claps.”
The claps and stomps were authentically Dasha. “I held my iPhone up and had her stomp and clap into my iPhone,” Johnson recalls. “Most of the stomps and claps on the record are all from that day, just her stomping and clapping in the room.”
They fashioned “Party” in chronological order, placing the female protagonist in the bathroom at a club, staring into the mirror and attempting to hype herself into a good time. Dasha led the melodic charge with short phrases that captured the character’s hesitance.
“It seemed like you’re hyperventilating in the bathroom,” she says. “You’re reminding yourself how to small-talk, how to be normal at a party.”
By the chorus, the melody explodes as the character takes over the dancefloor, publicly exuding a good time while she flashes back internally to an intimate moment in a car with a guy who has backed away from her. The chorus used a repetitive melodic phrase for the first three lines before breaking into a couple of longer, anthemic lines, then returning to the primary theme.
In all, they invested about 90 minutes into writing “Not at This Party,” then another 90 minutes into cutting a demo that used the stomp-clap percussive backbone, the banjo, guitar, plus a fiddle part that Johnson’s wife, Lauren Conklin, remotely whipped up. Dasha knocked out her vocal in just two takes with a handheld SM7 mic. That performance became the centerpiece of the final recording.
“If I had time to overthink it, I might have sung it differently and it wouldn’t have hit as hard,” Dasha says. “I’m so grateful that that happened the way it happened.”
Johnson enlisted Johnny Reno to co-produce, with both of them playing additional instruments on top of the existing track. They also brought in drummer Aaron Sterling and multi-instrumentalist Jonny Fung, blending acoustic melodic pieces with disco-like percussion.
“I remember them making little tweaks for months to get this thing just to be perfect,” Gorley says.Johnson and Reno passed the track between them, each working separately, adding and subtracting small pieces. Reno piled more than 40 clap tracks onto the production, though the volume of parts involved isn’t necessarily evident in the final cut.
“That is an interesting thing about production,” Reno says. “If you have something not doing a lot, then you can fit a lot of things that aren’t doing a lot. But if you have one thing that’s doing a lot, it’s kind of hard to fit things around it.”
One unique thing Reno fit into it is a short sound around the 1:35 mark that sounds like a car screeching to a halt. “That’s just a big ‘hey’ sample,” Reno says. “It’s just a bunch of yelling, ‘Hey!’”
When “Not at This Party” became the choice for a single, a line about “s–tty beer” became a problem. Dasha discussed it with syndicated personality B-Dub when she took part in a Feb. 21 panel at Country Radio Seminar. He looked on ChatGPT for a synonym, and the best option was “pity beer.” She sang it into her phone in a closet at the host hotel, then emailed it to Johnson for the radio edit. Warner shipped it to broadcasters via PlayMPE on March 10.
“It’s similar enough to ‘Austin,’ ” she says. “It lives in the same world, but it’s so different. It adds this new sonic flavor to my repertoire, and it just felt like the biggest, and the realest, and the most eye-catching song out of this new album cycle.”
The roof of the renowned Jet Set nightclub in the Dominican Republic collapsed early Tuesday (April 8), killing dozens and injuring more than 100 attendees, according to local authorities. The deadly incident occurred during a Rubby Pérez live performance, where more than 300 people gathered to see the merengue singer perform.
Located in Santo Domingo’s National District, the beloved live music venue — a go-to destination for locals and tourists alike — was celebrating its 50th anniversary, according to its Instagram account. “Dominican discotheque in charge of making its audience dance for more than 50 years,” an official description reads.
Hours after the collapse, the nightclub posted its statement: “Last night a tragedy occurred that has deeply touched the hearts of all of us at Jet Set and all Dominicans. At this difficult time, our prayers are with each of the families affected. We share their pain as if it were our own, because we are also in mourning. We are collaborating fully and transparently with the competent authorities to help the victims and clarify what happened. The loss of human lives leaves us in a state of deep pain and consternation. We join the expressions of solidarity from all over the country in this unexpectedly painful situation.”
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According to Enrique Paulino, Pérez’s manager, who spoke to reporters at the scene, the roof collapsed about an hour after the show’s midnight start time. The singer was transferred to the Plaza de la Salud Hospital, according to medical director Nepomuceno Mejía. Pérez’s saxophone player was killed in the incident, according to Paulino. It’s not clear what caused the roof to collapse.
Below are fo ur things to know about the emblematic Jet Set nightclub.
Location
Right in Santo Domingo, the capital of the Dominican Republic, the nightclub was located in the city’s National District, which hosts various nightlife activities, including chic discotheques, hotels and upscale restaurants and bars.
Who Has Performed There?
Powerhouses such as Los Hermanos Rosario, Sergio Vargas, Omega and Fernando Villalon, to name a few, had performed at the Jet Set. Notably, El Gran Combo de Puerto Rico performed there for the first time in 2008, in celebration of the nightclub’s 35th anniversary. Mondays were particularly busy for the live music venue.
Cultural Significance
Billboard Español contributor Franchesca Guim, who is from the Dominican Republic but is currently based in Spain, shares the importance of Jet Set. “The Jet Set has been part of the nightlife culture and entertainment in Santo Domingo. I would dare to say that it is a place of reference in the Dominican Republic, where locals and tourists attend to enjoy live orchestras,” she explains. “Christmas and New Year’s parties have been memorable, and part of the Dominican tradition. Any week lends itself to go to the Jet Set, because there is always a good atmosphere and above all live orchestras and music. My mom remembers that Jet Set Mondays became a tradition. Every Monday there was a party with a live orchestra.”
Background
Owned by businessman Antonio Espaillat, the Jet Set Club had a capacity of 700 seated and 1,000 standing room only. According to local reports, it had been remodeled several times to update its dance floor, ambiance, lights and sound. It is reported that in 2015 it underwent its last remodeling. In 2023, a fire affected the facilities after lightning struck its power plant.