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Jeff Goldblum Re-Teams With ‘Wicked’ Co-Stars Ariana Grande & Cynthia Erivo on Upcoming ‘Still Blooming’ LP

Something Wicked this way comes on Jeff Goldblum‘s upcoming album, Still Blooming. The singer/actor’s latest jazzy LP with the Mildred Snitzer Orchestra is due out on April 25 and it will feature duets with both of his Wicked co-stars, Ariana Grande and Cynthia Erivo.

The always-charming double-threat star previewed the collection on Thursday (Jan. 30) with a taste of the first single, a slinky cover of “The Best Is Yet to Come” featuring vocals from Scarlet Johansson. The song co-written by Cy Coleman and Carolyn Leigh is best known for Frank Sinatra’s 1964 version with the Count Basie Orchestra from his It Might as Well Be Swing album; it was first recorded by Tony Bennett for his I Left My Heart in San Francisco album (1962), and has also been taken on by Michael Bublé, Bob Dylan, Chaka Khan and Ella Fitzgerald over the years.

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“Out of the tree of life, I just picked me a plum/ You came along and everything started to hum,” Johansson breathily sings over a subtle, bossa nova arrangement.

Grande helps Goldblum kick things off on his fourth album with her take on the 1931 standard “I Don’t Know Why (I Just Do),” another song recorded by Sinatra, with Erivo pulling up for the sentimental “We’ll Meet Again.” According to the track list for the 9-song album that a release said features the actor along with “his talented friends, all veterans of the stage and screen, with collaboration that underscore the delicious link between jazz and pop culture,” it will also feature vocals from Maiya Sykes on “Stella By Starlight” and Goldblum himself on “Ev’ry Time We Say Goodbye.”

Other tracks on the album from Verve Records described as a “tasteful curation of beloved jazz standards from both the Golden Era of Broadway and the Great American Songbook” include: “The Grease Patrol,” “Blue Minor,” “Bye-Ya” and “Bouncing with Bud.”

Listen to “The Best Is Yet to Come” below.

Inside FireAid: Stevie Nicks, Dr. Dre, A Nirvana All-Star Jam & More Best Moments From The Forum

Ahead of the monumental FireAid benefit concert on Thursday night (Jan. 30) across two venues – the Kia Forum and Intuit Dome – more than $60 million had already been raised from sponsorships and ticket sales. And just as the evening kicked off – with the Forum lineup starting promptly at 7 p.m. – another $2 million was raised, thanks to a $1 million donation from U2 and a dollar-for-dollar match commitment from Clippers and Intuit Dome owner Steve Ballmer and his wife Connie.

As the audience filled in to a DJ set from D-Nice, they were greeted by a wall of screens occupying the front end of the venue. Given the back-to-back performances from one superstar after another, the screens served two functions: quick staging switch-ups and easy viewing of the Intuit performances, which eventually overlapped with the Forum show, with performers at each venue taking turns. (As Earth, Wind & Fire performed at Intuit, fans at the Forum were especially into the livestream, singing and dancing along enthusiastically to “September.”)

And to further aid with the quick onstage turnaround times, the stage was essentially a massive Lazy Susan, allowing one act to be performing while the crew backstage prepped the other half of the stage for whomever was up next.

Following the first performance of the night – from Green Day featuring a special, unannounced guest – Billy Crystal introduced the show and gave a sense of what to expect from the five-plus-hour event. “You’ll be hearing from a number of people who were affected, myself included,” he said. “These are the same clothes I wore when I evacuated.”

He thanked the countless firefighters and first responders, many of whom were in attendance, for their tireless work, and spoke of his own home in the Palisades, which he had lost after living there for 46 years. But, above all else, his sentiment was one that many echoed throughout the night: The benefit concert was all about love. And while many artists busted out sonic love letters to L.A. – from songs like Dawes’ “Time Spent in Los Angeles” to the Red Hot Chili Peppers’ “Dani California” – some simply brought their biggest, most beloved hits, proving the healing power of music across the spectrum. 

As Billy Crystal said: “L.A. Strong.”

Read on for the best moments from the Forum.

Lady Gaga Closes FireAid by Debuting New Song Written With Fiancé: ‘It’s Just for Tonight’

As the final artist to take the stage at Thursday night’s (Jan. 30) FireAid benefit concert, Lady Gaga left her mark by debuting a brand-new song written with her fiancé, Michael Polansky, for the victims of the Los Angeles wildfires.

“Me and my friend Michael — my fiancé, my love — we wrote this song for you,” Gaga said to introduce her final song of the night. “It’s just for tonight. It’s just for you. I think we all need a lot of things right now, but I think something we may also need is time. Time is a healer.”

The intro matched the lyrics of the unexpectedly jaunty song, whose chorus repeats the line “All I need is time.” By the end of the performance, she led the crowd in a cathartic sing-along of the memorable refrain.

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For her first two songs, Gaga channeled her A Star Is Born character Ally by performing the film’s Billboard Hot 100-topping smash hit “Shallow” (sans duet partner Bradley Cooper) as well as solo standout “Always Remember Us This Way.” The latter spoke to the themes of loss that reverberated throughout the night — loss of lives, loss of homes, loss of cherished mementos — with the lines: “So when I’m all choked up and I can’t find the words/ Every time we say goodbye, baby, it hurts.”

Lady Gaga will reportedly have more new music arriving this weekend, when she unveils a new song from her forthcoming March release Mayhem on Sunday timed with that night’s Grammy Awards, where she’s up for song of the year and best pop duo/group performance alongside Bruno Mars for their duet “Die With a Smile.”

Gaga was one of dozens of performers who performed across the Kia Forum and the Intuit Dome in Inglewood, California, on Thursday night to raise funds for wildfire relief as well as rebuilding efforts in the effected communities.

Those wanting to donate to Los Angeles wildfire relief funds are encouraged to visit fireaidla.org. For every donation pledge made during the concert, Connie and Steve Ballmer — owner of the NBA’s Los Angeles Clippers and the Intuit Dome — will match it.

Teddy Swims Rides the Wave to No. 1 on the ARIA Charts

Teddy Swims has officially taken over the ARIA Albums Chart, landing at No. 1 with I’ve Tried Everything But Therapy (Part 2).

The Atlanta-born singer, whose mix of R&B, country, and soul has earned him a devoted fanbase, continues his upward trajectory following the success of I’ve Tried Everything But Therapy (Part 1) last year. Swims’ breakout hit “Lose Control” became a global phenomenon, reaching No. 1 on the Billboard Hot 100.

Melbourne band Slowly Slowly continues their steady rise, scoring their third Top 10 album as Forgiving Spree debuts at No. 8. It follows Race Car Blues (No. 7 in 2020) and Daisy Chain (No. 5 in 2022), showing their continued momentum in the Australian rock scene. They also made a splash on the Vinyl Albums Chart, landing at No. 2.

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UK rapper Central Cee makes a strong entrance at No. 2 with his debut studio album, Can’t Rush Greatness.

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It’s his highest-charting release in Australia, surpassing his 2022 mixtape 23, which peaked at No. 6. Central Cee has already had massive success on the ARIA Singles Chart, spending seven weeks at No. 1 in 2023 with “Sprinter,” his collaboration with Dave.

Luke Combs is proving his staying power as his Australian tour boosts This One’s For You to a new career peak at No. 6. The 2017 album had previously topped out at No. 7 in both 2019 and 2022, but with country music’s popularity growing, Combs’ influence in Australia only continues to expand. Kane Brown, who performed at the ARIA Awards last year, also makes his mark this week, debuting at No. 41 with The High Road.

On the ARIA Singles Chart, English singer Lola Young claims her first solo No. 1 with “Messy,” jumping up from No. 3 last week. The track, which has gained serious traction on TikTok, has also gone to No. 1 in the UK, marking a breakout moment for the rising star.

Tate McRae makes her presence felt with “Sports Car,” debuting at No. 10. The track, co-written with Julia Michaels and produced by Ryan Tedder, is the third single from her upcoming album So Close To What. This marks McRae’s ninth Top 50 single, with her biggest chart success to date being “Greedy,” which peaked at No. 2 in 2023.

For the full ARIA Charts, visit ARIA.com.au.

Sting Returns to Stage for Resonant Three-Song Set at FireAid Benefit Concert

Freshly back onstage after postponing three dates for what he termed a “temporary throat infection” via an Instagram post, Sting sounded in full voice during his three-song set at the FireAid benefit concert on Thursday night (Jan. 30).

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Playing in his stripped-down Sting 3.0 trio formation with drummer Chris Maas and guitarist Dominic Miller, Sting — like many of the 27 artists on the bill — chose songs specifically designed to resonate with victims of the horrific fires that spread through Los Angeles County throughout January, destroying more than 22,000 homes.

He also let his music do the talking and chose not to address the audience, unlike many of the other performers. Sting opened with The Police’s early hit, 1979’s “Message in a Bottle,” and sustained a long note toward the end, leaving no doubt that he was restored to full health. He then segued into “Driven to Tears,” from The Police’s 1980 album’s Zenyatta Mondatta. Though initially written about political issues, the song’s themes of loss fit in perfectly with the evening.

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Sting then traded his bass for a guitar for his closing song, a lovely rendition of “Fragile,” from his second solo album, 1987’s Nothing Like the Sun. Between his gorgeous, delicate playing and his emotional delivery, the song felt like a reminder of both our fragility and strength.

Sting was one of more than two dozen performers, including Red Hot Chili Peppers, Stevie Nicks, Olivia Rodrigo, Rod Stewart, Lady Gaga, P!nk, Billie Eilish, John Mayer and No Doubt, who took over Los Angeles’ Intuit Dome and Kia Forum for the more than five-hour benefit, which is raising money for victims of the fires and for future fire prevention.

Billie Eilish Performs ‘Birds of a Feather’ & Pays Tribute to Her ‘Only Home’ of LA at FireAid Benefit Concert

After joining Green Day for their FireAid-opening set at the Kia Forum earlier Thursday night (Jan. 30), Billie Eilish took the stage again at the neighboring Intuit Dome for the benefit concert, this time with her brother Finneas.

Introduced by Sting, who named himself a “devotee” of the singer’s “exquisite voice,” Eilish and Finneas encouraged fans to sit down if they were tired — which they immediately refused — before delivering a three-song set of stripped-back, acoustic tracks from Hit Me Hard and Soft, including “Wildflower,” “The Greatest” and “Birds of a Feather.”

“Birds of a Feather” reached No. 2 on the Billboard Hot 100 and is nominated for song of the year, record of the year and best pop solo performance at Sunday’s Grammy Awards.

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“L.A. is my favorite place in the world and my only home. My brother and I live here and grew up here. It’s my favorite place in the world, and it’s so devastating what’s going on,” Eilish told the crowd of her hometown. “To everyone who’s going through this, I love you and I got you. I will not forget about you and we will keep doing this for you.”

The duo’s fellow performers at Inglewood, California’s Intuit Dome included Earth, Wind & Fire, Gracie Abrams, Jelly Roll, Katy Perry, Lady Gaga, Lil Baby, Olivia Rodrigo, Peso Pluma, Rod Stewart, Stevie Wonder, Sting and Tate McRae. Next door at the Kia Forum, the show kicked off with performances by Stevie Nicks, Anderson. Paak, Alanis Morissette, John Mayer, Dawes, Graham Nash, Green Day, John Fogerty, Joni Mitchell, No Doubt, P!nk, Stephen Stills and The Black Crowes, as well as a surprise reunion of the living members of Nirvana with a revolving door of female vocalists.

Those wanting to donate to Los Angeles wildfire relief funds are encouraged to visit fireaidla.org. For every donation pledge made during the concert, Connie and Steve Ballmer — owner of the NBA’s Los Angeles Clippers and the Intuit Dome — will match it.

The Weeknd Delivers a Haunting Rendition of ‘Open Hearts’ on ‘Kimmel’

The Weeknd doesn’t just perform—he curates experiences.

Hours before the release of Hurry Up Tomorrow, the Canadian artist made a striking appearance on Jimmy Kimmel Live!, delivering a cinematic rendition of “Open Hearts” that blurred the line between live television and a full-scale production.

The performance opened in stark black and white, with Tesfaye cloaked in a shadowy robe, his glowing eyes creating an almost otherworldly presence. The stripped-back visuals felt deliberately unsettling, as if pulled from the surreal worlds of David Lynch, setting the tone for what was to come.

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As the song progressed, the atmosphere began to shift. The stage dissolved into an animated, stop-motion dreamscape, with jagged transitions and uncanny imagery. The performance balanced minimalism and surrealism, offering a glimpse into the darker, more introspective aesthetic underpinning Hurry Up Tomorrow.

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The surreal aesthetic has only heightened speculation that the upcoming Hurry Up Tomorrow film—arriving in theaters May 16—will explore similarly haunting and imaginative territory.

With Hurry Up Tomorrow now out via XO/Republic Records, the performance stands as a gateway into The Weeknd’s latest (and potentially final) chapter under his longtime moniker.

The album, which serves as the closing installment in his trilogy following After Hours (2020) and Dawn FM (2022), carries a deeply introspective tone. While it boasts high-profile collaborations like Playboi Carti (“Timeless”) (which debuted at No. 3 on the Billboard Hot 100) and Anitta (“São Paulo”), the most talked-about moment is Lana Del Rey’s uncredited feature on “The Abyss.”

Meanwhile, “Dancing in the Flames,” which was previously teased, was left off the final tracklist entirely, leaving fans speculating about its fate.

Originally scheduled for release on Jan. 24, the album was delayed as The Weeknd pledged $1 million to LA wildfire relief efforts, canceling a planned Rose Bowl album release concert in the process. Proceeds from the track “Take Me Back to LA” will also be donated to the LA Regional Food Bank, providing further aid to those affected.

As The Weeknd pivots toward his feature film debut in Hurry Up Tomorrow, directed by Trey Edward Shults and starring Jenna Ortega and Barry Keoghan, performances like his Jimmy Kimmel Live! appearance suggest that his storytelling is only becoming more ambitious.

Whether or not this truly marks the end of The Weeknd, his ability to merge music and visual spectacle continues to evolve, making Hurry Up Tomorrow a fitting conclusion to this phase of his career.

In tandem with his live performance, The Weeknd has launched a series of events to further immerse fans in the world of Hurry Up Tomorrow.

In partnership with Spotify, the Hurry Up Tomorrow Pop-Up Experience will take place in New York City from Friday, Jan. 31, through Sunday, Feb. 2. This interactive art installation will transport fans into Tesfaye’s creative world, offering a glimpse into the final act of his acclaimed trilogy.

Meanwhile, specialty retailer Hot Topic is showcasing an expansive Hurry Up Tomorrow merchandise collection, including tees, hoodies, posters, and the highly anticipated The Weeknd x Frank Miller Hurry Up Tomorrow apparel capsule – available only in Las Vegas at the “takeover”.

From Jan. 31 to Feb. 2, the Downtown Summerlin Hot Topic store in Las Vegas will host a Hurry Up Tomorrow “takeover,” transforming the space into an exclusive retail experience.

Watch his performance on Jimmy Kimmel below.

Olivia Rodrigo Rocks Out ‘Drivers License,’ ‘Deja Vu’ at FireAid LA Benefit Concert

When Olivia Rodrigo hit the stage at Intuit Dome on Thursday (Jan. 30) night, the FireAid LA Benefit Concert had already been going for four-and-a-half hours between two venues. But based on the crowd’s ecstatic response to the Grammy winner and Billboard Hot 100 topper, you wouldn’t have known it. From the opening lines of her breakout smash “Drivers License,” Rodrigo had the audience eating out of the palm of her hand. It’s a devastating breakup tune, but Rodrigo seemed to be enjoying herself, waving and pointing at fans throughout the verses and rocking out on the chorus.

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“It has been so heartbreaking to witness the devastation in this incredible city,” Rodrigo told the crowd after her first song. “I love L.A. so much. I’ve lived here my whole life. I find this place so beautiful and so inspiring.”

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Talking about her love for Los Angeles, Rodrigo cited the city as one of her lyrical and musical muses before treating fans to “Déjà Vu,” another hit that she says was inspired by her life in the City of Angels.

Split between the Kia Forum and the Intuit Dome, FireAid also featured appearances and performances from Lady Gaga, Stevie Nicks, Lil Baby, Jelly Roll, Olivia Rodrigo, Katy Perry, Stevie Wonder, Alanis Morissette, Joni Mitchell and many others. All proceeds from the event will go toward rebuilding efforts in Los Angeles and offer aid to displaced families.

Red Hot Chili Peppers Close Out Kia Forum Portion of FireAid Benefit Show With Hit-Filled Medley

Red Hot Chili Peppers were the last to take the stage at the Kia Forum at the FireAid benefit show for Los Angeles wildfire relief on Thursday night (Jan. 30), and the L.A. natives made sure to end the show on a high note.

Introduced by Stevie Nicks, RHCP fittingly opened their hit-filled set with 2006’s “Dani California,” before delving into another Golden State-themed track, 1999’s “Californication,” complete with a bass line from a near-naked Flea.

The Chili Peppers wrapped their four-song set with 1992’s “Under the Bridge” as well as a more recent song, 2022’s “Black Summer” off 12th studio album Unlimited Love. “Black Summer” marked the band’s 14th No. 1 track on Billboard‘s Alternative Airplay chart. They’ve since notched a 15th chart-topper with “Tippa My Tongue.”

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The rest of the Kia Forum performers included Nicks, Anderson. Paak, Alanis Morissette, Dave Matthews and John Mayer, Dawes, Graham Nash, Green Day (with an Eilish duet), John Fogerty, Joni Mitchell, No Doubt, P!nk, Stephen Stills and The Black Crowes. Just across the street at the Intuit Dome, the FireAid show featured performances by Billie Eilish, Earth, Wind & Fire, Gracie Abrams, Jelly Roll, Katy Perry, Lady Gaga, Lil Baby, Olivia Rodrigo, Peso Pluma, Rod Stewart, Stevie Wonder, Sting and Tate McRae.

Those wanting to donate to Los Angeles wildfire relief funds are encouraged to visit fireaidla.org. For every donation pledge made during the concert, Connie and Steve Ballmer — owner of the NBA’s Los Angeles Clippers and the Intuit Dome — will match it.

Nirvana Reunites With St. Vincent, Kim Gordon, Joan Jett & Violet Grohl on Vocals

In 2014, when Nirvana was being inducted into the Rock & Roll Hall of Fame, surviving members Dave Grohl, Krist Novoselic and Pat Smear reunited onstage to perform a raucous selection of the culture-shifting grunge band’s beloved songs. With Kurt Cobain gone, lead vocals fell to an assortment of guest singers – St. Vincent, Joan Jett, Kim Gordon and Lorde. Dubbed “Hervana,” the musical collective delivered what turned out to be one of the most legendary Rock Hall performances of all time.

On Thursday (Jan. 30) night, Hervana rode again. During the FireAid LA Benefit Concert – which is raising money to rebuild communities and assist people affected by the devastating Los Angeles wildfires – Nirvana once again reunited with three of the aforementioned four vocalists.

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The unannounced performance at the Kia Forum ripped open with St. Vincent snarling through the bratty, punky Nevermind classic “Breed,” absolutely ripping it up on her guitar alongside Smear while Grohl pounded on the drums. After that, Kim Gordon – a friend of the band’s during Cobain’s lifetime – shuffled on stage to growl through an uncompromising “School” from the band’s debut album, Bleach. After the former Sonic Youth member’s appearance, Joan Jett took the stage to thunderous applause, singing Nevermind’s “Territorial Pissings” while a sweaty Grohl banged away in the background. (She missed a couple of lyrics, but who cares? If you’re expecting perfection from a Nirvana cover, you’re missing the point.)

Then came what was perhaps the biggest surprise: Violet Grohl, Dave’s 18-year-old daughter, singing lead vocals on Nirvana’s In Utero highlight “All Apologies.” Her vocals were strong and well-suited for the song, and while the magnitude of the Kia Forum’s crowd wasn’t lost on her, she was remarkably comfortable in front of the massive crowd.

Aside from demonstrating promising musical chops, that performance (not to mention the song title) was noteworthy for another reason. Just last fall, Dave Grohl announced that he had fathered a child outside of his marriage and he would do his best to be a father to that baby while simultaneously working to repair his marriage. “I love my wife and my children, and I am doing everything I can to regain their trust and earn their forgiveness,” he wrote on Instagram in September. This performance with Violet Grohl marks his first high-profile public appearance since then.