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Coco Jones announced Thursday (Feb. 20) that she’ll be dropping her debut album Why Not More on April 25 via Def Jam Recordings. “It’s FINALLY here,” she wrote on X with a crying emoji. “My DEBUT album ‘Why Not More’ is dropping 4/25 and will be available for pre-order tonight 9pm PST.” Jones released a […]
Tiny Desk Concerts have become a rite of passage for artists, and Leon Thomas checked off another box in his ascension on Thursday (Feb. 20) as the R&B star made his debut on the NPR office stage. Explore Explore See latest videos, charts and news See latest videos, charts and news Rocking a Satoshi Nakamoto […]

Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip.
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This week: Drake’s new album with PartyNextDoor has a mid-week breakout hit, Charli XCX has a pre-Brat viral bump, Riley Green’s song (and video) for the lovers sees seasonal gains, and more.
Drake’s “Nokia” Is Buzzing, Aaron Hall Embraced on Streaming After “Gimme a Hug” Sample
In its first couple days of release, the early leader on streaming from PartyNextDoor & Drake’s new R&B collaborative album $ome $exy $ongs 4 U was Drake’s more rap-driven solo number “Gimme a Hug,” with the song topping the Apple Music real-time chart and reaching the top 10 on Spotify’s Daily Top Songs USA listing. But over the week, another song from even deeper in the 21-track album has taken over as its top performer: the pop hook-driven, two-part banger “Nokia.”
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With backing vocals and a beat helmed by U.K. producer Elkan, “Nokia” – also credited solely to Drake – had the usual big streaming drop following its first day of release, but has been climbing throughout the week. On Tuesday, it posted 2.9 million official on-demand U.S. streams, according to initial data provided by Luminate – its best streaming performance since that Friday of release, and its first time passing “Hug” as the set’s most-streamed song. Meanwhile, the song has also been one of the week’s best sellers, topping the iTunes real-time chart and moving a combined 13,000 copies over its first five days of availability.
Meanwhile, “Hug” continues to offer warmth on streaming to its original sample source. Aaron Hall’s “I Miss You,” which Drake heavily lifts from towards the end of his $exy $ongs ¢enterpiece, garnered over 700,000 streams during the first five days of this tracking week (Feb. 14-18), after combining for under 100,000 streams the equivalent period the prior week, a gain of 694% for the 1993 Billboard Hot 100 top 20 hit. – ANDREW UNTERBERGER
‘How I’m Feeling Now’ Winter? An Old Charli XCX Track Is Going Viral
Charli XCX’s enormous 2024 — which included the critical and commercial success of her Brat album and its accompanying Sweat tour alongside Troye Sivan — has already pushed into 2025, thanks to a fruitful Grammys night and more arena headlining dates. Now, a song that’s years older than her comeback album is going viral: the tender, ethereal “Party 4 U,” from her 2020 lockdown album How I’m Feeling Now, has been exploding on TikTok in recent weeks, with a series of lip synch performances from longtime Charli fans ready to prove their pre-Brat bona fides.
A month ago, “Party 4 U” was earning 278,000 official on-demand U.S. streams (for the chart week ending Jan. 23), according to Luminate; that number more than doubled to 573,000 streams for the week ending Feb. 13, and will once again surpass that high-water mark after earning 830,000 streams from Feb. 14-18, according to initial Luminate reports. Charli herself acknowledged the viral explosion on Wednesday (Feb. 19): “it’s p crazy that this song is suddenly getting love in this kinda way,” she wrote. “I know this song means so much to so many angels. she’s a cutie
A busy year in high-margin amphitheaters and arenas pushed concert promoter Live Nation to a record $2.15 billion in adjusted operating income (AOI) in 2024, up 14%, on record revenue of $23.16 billion, up 2%.
In the concerts division, full-year revenue rose 2% to $19.02 billion. Despite having 30% fewer stadium shows in 2024, the total number of fans grew to a record 151 million from more than 50,000 Live Nation events. A heavy slate of concerts at arenas and amphitheaters, where Live Nation can offer VIP experiences and capture more revenue from food and beverage sales, helped AOI climb 65% to $529.7 million and AOI margin — AOI as a percentage of revenue — reach a record 2.8%.
Ticketing revenue for the full year increased 1% to $2.99 billion while AOI dropped 1% to $1.12 billion. Ticketmaster had 23 million net new enterprise tickets that were signed in 2024, with two-thirds coming from international markets.
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Sponsorships and advertising revenue grew 9% to $1.2 billion and AOI rose 13% to $763.8 million. Led by festivals in Latin America and Europe, international markets were up double digits. The number of new clients increased 20%.
Live Nation is expecting 2025 will top its record-setting 2024. Through mid-February, stadium shows are up 60% from the prior-year period and 65 million tickets have been sold for Live Nation concerts, a double-digit annual increase. Ticketmaster’s transacted ticketing revenue for 2025 shows is up 3% to 106 million tickets, due mainly to an increase in concert demand.
The current year “is shaping up to be even bigger thanks to a deep global concert pipeline, with more stadium shows on the books than ever before,” CEO Michael Rapino said in a statement. Currently, Live Nation’s stadium tours for 2025 include Beyoncé’s Cowboy Carter tour, Morgan Wallen’s I’m The Problem Tour, Kendrick Lamar and SZA’s Grand National Tour, and Post Malone and Jelly Roll’s Big Ass Stadium Tour.
Consolidation fourth-quarter revenue dropped 2% to $5.68 billion as concerts revenue dipped 6% to $4.58 billion and ticketing and sponsorships and advertising grew 14% and 10%, respectively. Fourth-quarter AOI fared better, however, rising 35% to $157.3 million despite concerts AOI falling 16%.

Dolly Parton has stepped into the Wiggles‘ world for the children’s group’s upcoming country album, Wiggle Up, Giddy Up. Album track “Friends!” — penned by Parton, and featuring the country icon on lead vocals — was released on Thursday (Feb. 20), as well as “Counting 1 to 5,” which has the Wiggles reimagining a Parton classic.
“Friends! Everybody shout it/ Friends! No doubt about it/ Friends! Make the world go round/ We can depend on friends! / Someone to lean on, friends!/ Everybody needs one/ Be my friend!” Parton jubilantly sings on the feel-good chorus.
The Wiggles reference Parton’s “9 to 5” on “Counting 1 to 5,” interpolating the melody of the country star’s hit that was originally released in 1980, and reached No. 1 on the Billboard Hot 100 in 1981: “Counting 1 to 5/ Yes, today that’s what you’re learning,” the Wiggles sing to the familiar tune.
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Music videos for both “Friends!” and “Counting 1 to 5” were also released on Thursday, with the double single made available on streaming services including Spotify and Apple Music.
“We Will Always Be Friends,” another single with (and written by) Parton, will be released on March 7 with the full Wiggle Up, Giddy Up collection, which can be pre-saved here. The Wiggles also recorded a cover of Parton’s “Love Is Like a Butterfly” for the album.
“Well, I just wiggled my way out into the Wiggles’ world! I had so much fun being a part of this project, and I hope you enjoy it as much as we have,” says Parton in a press release statement.
The collab is particularly meaningful for Red Wiggle (Caterina Mete), who has a tattoo inspired by Parton and even named one of her twin daughters Dolly. She shares, “Getting to work with my absolute musical hero is beyond surreal. Dolly has inspired me in so many ways, and I know these songs will bring so much happiness to families everywhere.”
“Dolly’s music is pure magic,” Blue Wiggle (Anthony Field) chimes in. “Getting to work with her on these songs is a dream come true. We can’t wait for families everywhere to sing along and share in the joy.”
Lainey Wilson, Orville Peck, Dasha, Morgan Evans, Jackson Dean, Kaylee Bell, MacKenzie Porter, Troy Cassar-Daley, The Wolfe Brothers, Travis Collins, Lucky Oceans and Slim Dusty are all featured on the Wiggles’ Wiggle Up, Giddy Up.
The Wiggles will be touring the U.S. and Canada in June. Dates and ticket information for the group’s Bouncing Balls Tour are available here.
Check out the joyous “Friends!” video, and the educational “Counting 1 to 5” video — which not only teaches little ones about counting, but also features a fun country line dance — with your kids below.
Several actors from music-connected films and TV shows will present on the 2025 Screen Actors Guild Awards, which will air live on Netflix on Sunday, Feb. 23 at 8 p.m. ET / 5 p.m. PT from the Shrine Auditorium & Expo Hall in Los Angeles. The ranks of presenters include Ariana Grande, Cynthia Erivo and […]
HarbourView Equity Partners is buying Grammy award-winning rapper-producer T-Pain‘s publishing catalog and certain master recording rights, the company announced on Thursday (Feb. 20). The Tallahassee, Fla.-born artist known for late-2000s party music hits like “Buy U a Drank (Shawty Snappin’),” “Bartender (featuring Akon)” and “I’m N Luv (Wit a Stripper) (featuring Mike Jones),” has been […]
LISA may have delivered some serious drama for her “Born Again” music video featuring RAYE and Doja Cat, but a new behind-the-scenes clip released on Thursday (Feb. 19) shows a fun and smile-filled day of filming. In the two-minute clip, the 27-year-old K-pop superstar is glowing as she gets glam for the music video, visibly […]
Here’s a lede I never thought I’d write: On Tuesday, Feb. 11, I tried to buy a swastika t-shirt from a hip-hop artist.
The artist was Ye, of course, and my interest was purely journalistic. I live in Berlin, where there’s a law against the use or distribution of symbols of “unconstitutional organizations,” including those of the Nazi party, and I wanted to see if West might be enabling the breaking of it by shipping to Germany. It took me a day to make sure I wouldn’t be breaking the law as well, since potential penalties include jail time. By then, the e-commerce giant Shopify had taken down Yeezy.com — which seems like a very reasonable solution.
How seriously does Germany take this law? In 2006, a Stuttgart court fined a company selling anti-Nazi merchandise, with images of a swastika with a red line through it. It’s not clear if the law would apply to a company selling swastika t-shirts from another country, as Ye was, but ordering or wearing such a shirt would be a criminal offense. Nazi symbols are also banned in France, Italy, Poland and more than a dozen other countries, and although Ye performed in Italy last year, it’s hard to believe that he could find a promoter or venue willing to book him in these places anytime soon. If human decency fails, Ye’s unpredictability brings with it too much legal risk.
Over the last few decades, few popular musicians have behaved so badly, so publicly, and so unapologetically for so long without facing serious consequences. (Plenty have done one of these, and a few less popular musicians have done all.) And Ye doesn’t seem to be playing with Nazi iconography just for shock value the way, say, Sex Pistols bassist Sid Vicious did. (This is not okay either, obviously, but Ye’s assurances that he means this makes him far worse.) And although discussion of the Nazi regime tends to focus on its murderous antisemitism, it also persecuted and murdered people because they were gay, Roma, or Black. This is a regime under which Ye’s marriage to Bianca Censori would have been illegal under racial purity laws. And Ye is endorsing it. (It should be noted that, on Feb. 19, he walked it back “after further reflection.”)
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So far, Ye has avoided serious consequences, partly because he apologized to “the Jewish community,” rather lamely, in December 2023 and perhaps partly because he clearly seems to struggle with mental health issues. (He recently said he was autistic.) There’s also a tendency to see his behavior as so completely absurd that no one could possibly take him seriously. Him saying he wants to be called “Yedolf Yitler” sounds more like something out of a Dave Chappelle sketch than any kind of fascist advocacy.
So then why does this matter so much?
Partly because, in a country without hate-speech laws, like the U.S., it’s important to define the boundaries of acceptable discourse and impose some kind of consequences on those who cross them. And partly because doing so is a good way to start a more serious public discussion about where those boundaries ought to be. So far, Ye’s agent dropped him after he started selling the swastika shirts, and while it’s not clear when he might release another album, no company ought to go into business with him now.
I think it would be foolish to take offline music that Ye released years ago — his rhetoric is hateful but most of that music is great. Obviously, companies make money on that music — Universal Music Group owns the recordings from the early part of his career, and Sony Music Publishing administers his publishing rights — and they have an obligation to pay him. (Sony’s administration of his publishing will end in less than a year, after which the company will no longer have an interest in his catalog.) Both companies made statements that Ye’s behavior is unacceptable.
Since Ye started selling the shirts, the only big executive who has made a major statement is YouTube global head of music Lyor Cohen, in the form of an open letter. That’s important, since it will help make sure other companies take the issue seriously. The day after Ye started selling the swastika shirts, I joked that if he isn’t careful, he’s going to end up as a tenured professor at Columbia University. Of course, Columbia would never tolerate the way he spoke about having “dominion” over his wife. When it comes to antisemitism, however, it seems to be a bit more open-minded. The truth is that some of the tropes Ye espouses about Jewish money and power are not as far from respectable society as we might want to think.
Just look at the new video for the Macklemore song “fucked up,” which has the look of quick-cut propaganda. Macklemore is certainly free to advocate for his politics — I don’t like war, Trump, or Netanyahu, either! But his ideas about how the conflict in the Middle East is driven by the hidden agendas of powerful people — some of whom are in the media! — are creepy. Then there’s his juxtaposition of the Israeli flag and a $100 bill, which seems about as subtle as Elon Musk’s arm movements (which he attacks in the song). Plenty of people don’t seem bothered by the video, and plenty of people move their arms that way. But it’s hard to have a serious discussion about any of this while we’re tolerating outright Naziism. Obviously, Ye’s behavior is cartoonishly extreme. But it’s worth remembering that the symbols of Hamas, which have started to show up at the kind of on-campus anti-Israel protests that Macklemore seems to love so much, are also banned in Germany — just like the swastika.
Primary Wave Music has signed a marketing and administration agreement with legendary songwriter Jimmy Webb to represent a major portion of his music publishing catalog, including such classic songs as “Wichita Lineman,” “The Worst That Could Happen,” “Galveston,” “By the Time I Get To Phoenix,” the Grammy-winning “MacArthur Park” and “Up, Up and Away.” Moreover, […]