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12/18/2024

New faces, touring and regional genres propelled Latin music to outpace the market, yet again, with no end in sight.

12/18/2024

Emilia Pérez composers Clément Ducol and Camille, and composer Atticus Ross (Challengers and Shōgun) are the top nominees for the 2025 SCL Awards, which are presented by the Society of Composers & Lyricists.
The sixth annual awards ceremony will be held in Los Angeles on Feb. 12 and will be hosted by singer-songwriter Colin Hay, best known as the leader of 1980s band Men at Work.

Ducol and Camille, composers and songwriters of Netflix’s Emilia Pérez, received three nominations – one for Outstanding Original Score for a Studio Film, and two for Outstanding Original Song for a Comedy or Musical Visual Media Production for “Mi Camino” and “El Mal,” the latter of which they co-wrote with the film’s writer/director Jacques Audiard.

Trending on Billboard

Ross also received three nods – Outstanding Original Song for a Comedy or Musical Visual Media Production for “Compress/Repress” from Challengers, which he composed with Trent Reznor and Luca Guadagnino, and two nods for the original title sequence and original score for Shōgun, which he composed with his brother Leopold Ross, and Nick Chuba.

Diane Warren is nominated for Outstanding Original Song for a Dramatic or Documentary Visual Media Production for “The Journey” (from Netflix’s The Six Triple Eight). Warren has been nominated for an SCL Award every year. In 2023, she won in this same category for “Applause” from Tell It Like a Woman.

Elton John, Brandi Carlile, Bernie Taupin and Andrew Watt also received a nomination for “Never Too Late” from the Disney+ documentary Elton John: Never Too Late.

Composer Harry Gregson-Williams and director Ridley Scott will receive the Spirit of Collaboration Award, which recognizes a composer/director relationship that has created a prodigious body of work. This year’s Gladiator II marks their seventh collaboration. In his previous collaborations with Scott, Gregson-Williams has written the original scores for The Martian, Kingdom of Heaven, The Last Duel, and House of Gucci, as well as themes for Prometheus and Exodus: Gods and Kings.

Last year, Martin Scorsese accepted the 2024 Spirit of Collaboration Award for his work with the late composer Robbie Robertson. Other past award recipients include Thomas Newman & Sam Mendes, Terence Blanchard & Spike Lee, Carter Burwell & the Coen Brothers, and Justin Hurwitz & Damien Chazelle.

Composer Jeff Beal, who has won five Primetime Emmys, will be awarded the SCL Jury Award for his new score for the 1920 Weimar Cinema silent film classic, The Cabinet of Dr. Caligari.

Final voting for the 2025 SCL Awards will open on Jan. 27 and close on Feb. 3.

Here’s the complete list of nominees for the 2025 SCL Awards. 

Outstanding Original Score for a Studio Film

Clement Ducol, Camille – Emilia Perez (Netflix)

Hans Zimmer – Dune: Part Two (Warner Bros. Pictures / Legendary Pictures)

Harry Gregson-Williams – Gladiator II (Paramount Pictures)

John Powell, Stephen Schwartz – Wicked: Part 1 (Universal Pictures)

Kris Bowers – The Wild Robot (DreamWorks Animation)

Volker Bertelmann – Conclave (Focus Features)

Outstanding Original Score for an Independent Film

Chris Bacon – Heretic (A24)

Daniel Blumberg – The Brutalist (A24)

Dara Taylor – Meet Me Next Christmas (Roberts Media)

Fabrizio Mancinelli – Here After (Artina Films, ClaRo Productions, Fenix Entertainment, Hopscotch Pictures)

Heather McIntosh – Winner (Big Beach, One Community, Scythia Films, ShivHans Pictures)

Stephanie Economou – The Book of Jobs (Bull’s Eye Entertainment, Rebellium Films)

Outstanding Original Song for a Dramatic or Documentary Visual Media Production

Andrew Wyatt, Lykke Li, Miley Cyrus – “Beautiful That Way” (from The Last Showgirl) (Utopia Media, High Frequency Entertainment, Pinky Promise, Detour, Digital Ignition Entertainment)

Bear McCreary – “Old Tom Bombadil” (from The Lord of the Rings: The Rings of Power) (Amazon MGM Studios in association with New Line Cinema / Prime Video)

Christopher Lennertz – “Let’s Put the Christ Back in Christmas” (from The Boys) (Prime Video)

Diane Warren – “The Journey” (from The Six Triple Eight) (Netflix)

Elton John, Brandi Carlile, Bernie Taupin, Andrew Watt – “Never Too Late” (from Elton John: Never Too Late) (Disney Branded Television, This Machine Filmworks, Rocket Entertainment)

Nicholas Britell, Steve McQueen, Taura Stinson – “Winter Coat” (from Blitz) (Apple Original Films)

Outstanding Original Song for a Comedy or Musical Visual Media Production

Abigail Barlow, Emily Bear – “Beyond” (from Moana 2) (Disney)

Clement Ducol, Camille – “Mi Camino” (from Emilia Perez) (Why Not Productions, Page 114, Pathé, France 2 Cinéma, Saint Laurent Productions)

Clement Ducol, Camille, Jacques Audiard – “El Mal” (from Emilia Perez) (Why Not Productions, Page 114, Pathé, France 2 Cinéma, Saint Laurent Productions)

Lainey Wilson, Luke Dick, Shane McAnally – “Out of Oklahoma” (from Twisters) (Universal Pictures)

Robbie Williams, Freddy Wexler, Sacha Skarbek – “Forbidden Road” (from Better Man) (Paramount Pictures)

Trent Reznor, Atticus Ross & Luca Guadagnino – “Compress/Repress” (from Challengers) (Amazon MGM Studios)

Outstanding Original Title Sequence for a Television Production

Atticus Ross, Leopold Ross, Nick Chuba – Shōgun (FX Network)

Blake Neely – ‘Masters Of The Air’ (Apple TV+)

Carlos Rafael Rivera – Griselda (Netflix)

Danielle Ponder – Manhunt (Apple TV+)

Jeff Toyne – Palm Royale (Apple TV+)

Nami Melumad – Dream Productions (Pixar Animation Studios / Disney+)

Outstanding Original Score for a Television Production

Atticus Ross, Leopold Ross, Nick Chuba – Shōgun (FX Network)

Bear McCreary – The Lord of the Rings: The Rings of Power (Amazon MGM Studios in association with New Line Cinema / Prime Video)

Blake Neely – Masters of the Air (Apple TV+)

David Fleming – Mr. and Mrs. Smith (Amazon MGM Studios)

Finneas O’Connell – Disclaimer (Apple TV+)

Jeff Toyne – Palm Royale (Apple TV+)

Outstanding Original Score for Interactive Media

Gordy Haab – Indiana Jones and the Great Circle (Machine Games, Bethesda Studios, Lucasfilm Games)

Nainita Desai – Tales of Kenzera: Zau (Surgent Studios, EA)

Wilbert Roget, II – Star Wars: Outlaws (Massive Entertainment, Ubisoft)

Winifred Phillips – Wizardry: Proving Grounds of the Mad Overlord (Digital Eclipse)

David Raksin Award for Emerging Talent

Andrea Datzman – Inside Out 2 (Disney/Pixar Animation Studios)

Emily Rice – Broken Bird (Catalyst Studios, Mitchell-Brunt Films)

Katya Richardson – Motorcycle Mary (Breakwater Studios)

Nikhil Koparkar – Dead Whisper (Howlin’ Hounds Pictures, Brothers Gran Productions)

Robin Carolan – Nosferatu (Focus Features)

Wei-San Hsu – Invisible Nation (100 Chapters Productions, Double Hope Films, Seine Pictures)

Geolier is a gift to Billboard Italy in 2024 as he’s chosen to be their No. 1 artist of the year for Billboard’s ‘Global No. 1s’ series. Geolier talks about his pride of being Neapolitan, performing three sold-out shows and more! Billboard is launching its inaugural ‘Global No. 1s’ series, an initiative to spotlight top-charting […]

12/18/2024

Conan Gray, JADE, Remi Wolf and many more served up pop tracks that should have crossed over this year. 

12/18/2024

The most listened-to artist in Italy in 2024 (according to Luminate) does not, exactly, rap in Italian. Naples’ own Geolier raps in his native dialect — the very musical language spoken on the streets of his neighborhood, Rione Gescal, and now spoken by kids in every corner of Italy who, through Geolier, have learned it.
For the 24-year-old artist born Emanuele Palumbo, that devotion has added up, in the past year alone, to three consecutive sold-out shows at Naples’ Maradona Stadium; a historic appearance bringing the Neapolitan dialect for the first time to the Sanremo Festival, the most important music event in Italy; and triple-platinum certification for his song “Dio Lo Sa,” released in June. Five years after his debut album, Emanuele, Geolier is clearly still taking in this success — as is evident in the way he pauses to reflect on his words in conversation, in his broad smiles in response to compliments and in his lyrics portraying a young man who takes everything (except himself) seriously. He spoke to Billboard Italia about how he arrived here.

Geolier

Vittorio Cioffi

Geolier

Vittorio Cioffi

Did you always know you would be a rapper?

Trending on Billboard

I didn’t always know this because as kids you can’t predict the future. Obviously I hoped so and imagining myself onstage was the only thing possible, because I didn’t know how to do anything else and I did poorly at school. But I would never have bet on myself. I started working in a factory at a very young age, I continued to rap in my free time, but I saw that [acceptance for the genre was] really far away in Italy. Only pop songs were on the radio back then. I loved rap because I looked up to America, but the maximum that was played in Italy was “In Da Club” on MTV. I admired 50 Cent; I felt close to him.

What did you think you had in common with him?

I saw the film about his life [the semi-autobiographical Get Rich or Die Tryin’], where it is clear that he had taken all the responsibility of the family on his shoulders. He sold crack on the streets of Queens; I never did it, but I started working very young. I found an extraordinary maturity in him and this fascinated me.

When did your own personal turning point come, realizing this could potentially be your career?

I realized I could do this job when they paid me for my first live show. It was about 250 euros but for me it was a lot of money — I was 18 years old. However, I couldn’t say when I reached what can be defined as a milestone.

Geolier

Vittorio Cioffi

Why is this incredible boom in Neapolitan rap happening today?

I come from the ghetto of the ghetto. I think there is a unique realness here; perhaps it’s only possible to find it [elsewhere] in the United States. I think rappers in this city put what they see into their lyrics. The culture of Southern Italy is more known internationally than that of Italy as a whole, also, thanks to TV series such as The Sopranos.

2024 was an incredible year for you, but you experienced some tougher moments as well. At the Sanremo Festival you won the covers night, but the live audience booed you and your guests.

We were there and just tried to defend ourselves. That same night they immediately told me to be careful of potential criticism. I believe that the Sanremo Festival was not ready for rap music; we brought an iconic song for Italy, “Brivido” by Guè featuring Marracash, and the audience booed. Incredible.

Your mother was also in the audience. Did this make it especially painful?

It made me smile, actually. She was furious because she couldn’t do anything, and she wouldn’t even talk to me about it. Even today, when we talk about Sanremo, she has bad memories — but my mother is a normal person and absolutely doesn’t want to be part of the star system.

Were those three sold-out concerts at Maradona Stadium the peak of 2024 for you, or was it something else?

Sure, but I’d say a moment in particular [was] when before the first [of those shows], in the afternoon, I looked through a crack and saw the stadium full. At that moment I thought: “What am I doing?” It was neither a positive nor negative emotion, I had simply never felt it. And I can’t explain it.

Geolier

Vittorio Cioffi

Geolier

Vittorio Cioffi

How do you still stay connected to your roots in your old neighborhood?

I think I do simply because I tell what I see in Naples. I’ll continue to do so even if I have to move away from the city, which is very unlikely. I don’t live that differently now: I continue to see my friends and talk to people. I feel the need also because I want to [be true] with my lyrics. Do you know what normal people tell me the most? Not to take selfies but to remain myself.

If you could choose an American artist to collaborate with, who would they be?

50 Cent. I started making music because of him. But right now I’m also listening to Kendrick Lamar’s new album and I like it a lot.

What do you have coming in 2025?

I just want to do the arena tour, which will start in March, and the two dates at Ippodromo di Agnano in Naples. I don’t think I’ll release new music, apart from some collaborations. I would like to slow down a bit. I think I’ve done a lot, [and] I want to experience this as a game. Because with all the numbers and deadlines, sometimes it seems to have become a routine job. And I surely don’t want that.

Earlier this week, Billboard revealed its year-end Boxscore charts, ranking the top tours, venues, and promoters of 2024. We’re breaking it down further, looking at the biggest live acts, genre by genre. Today, we continue with K-pop. Less than 10 years since the first K-pop group landed on the all-genre Top Tours chart (BigBang in […]

HipHopWired Featured Video

Source: Dragos Condrea / Getty
Year-end album lists are a gift and a curse for a Hip-Hop and music journalist because we’re never going to hear all of the hundreds of projects that dropped over the past 365 days. However, Hip-Hop Wired is attempting the impossible to deliver our favorite Hip-Hop projects of 2024.

Breaking the wall here, I want it known that I might be a man of a certain age but I never turned my back on the music and culture that, quite frankly, has given me so much as a writer and participant. Just like some people grew out of loving Hip-Hop, that has never happened with me. Each year, I’m discovering more and more acts that release music that speaks to me and I enjoy the hunt of digging in the crates, even if it’s digitally.

For this list, I only listed albums or mixtapes (whatever that means in 2024) that have 10 songs or more. This means that a lot of the nine-song releases that are listed as albums on DSPs are not mentioned here but that doesn’t mean they weren’t dope. I just believe wholeheartedly that there should be at least 10 songs on a project before we call it a full-length release. Further, if I added EPs to this list, it’d be even longer than it already is.
As I’ve done with past lists, the Hip-Hop albums and mixtapes listed below are in alphabetical order by artist name, not rank or preference. I don’t believe in segregating the music because it doesn’t fit some mysterious aesthetic. What I’ve listed below are albums I routinely played, reviewed, and believe stood out among all I’ve heard. If I missed something, don’t flame me. You will see a lot of West Coast artists on this list along with acts from the South, East Coast, and all points in between.
For now, enjoy this massive listing of Hip-Hop Wired’s top projects of 2024 below.
Top Hip-Hop LPs/Mixtapes of 2024
Ab-Soul – Soul Burger

Although not immediately introspective as his previous album HERBERT, Ab-Soul shows and proves his formidable ability as a lyricist while paying homage to his dear brother, Doeburger.

Action Bronson – Johann Sebastian Bachlava the Doctor

Action Bronson is at his best when he’s delivering one of his usual one-take verses that take the shape of whenever he’s feeling in the moment. Another reliable drop from Queens native.
Apollo Brown & Crimeapple – This, Is Not That

Crimeapple, a rapper out of New Jersey by way of Colombia, raps with bone-chilling precision and conviction. This pairing with Apollo Brown is a standout among his other releases this year.
Benny The Butcher – Everybody Can’t Go

Benny The Butcher’s debut album with Def Jam Records doesn’t mute or clean up the grit and grime he’s known to deliver. The Black Soprano boss gets production from Hit-Boy and The Alchemist while running the operation expertly.
BigXthaPlug – Take Care

Dallas rapper BigXthaPlug had a busy 2024 but the cherry on top was his second studio album, Take Care. Yes, the album dives into BigX’s time in the street but also the importance of leveling up.
Boldy James & Conductor Williams – Across The Tracks

Boldy James dropped four albums this year and we could’ve gone with any of them. We decided on his collaboration with Conductor Willams and their potent Across The Tracks drop.
Blu & Exile – Love (the) Ominous World

Among the four studio albums, Blu dropped this year, his project with Exile, Love (the) Ominous World, is the one we couldn’t stop rocking.
Common & Pete Rock – The Auditorium Vol. 1

Age ain’t nothing but a number and the pairing of Common and Pete Rock proved that concept all across their enjoyable album, The Auditorium Vol. 1.
Conway The Machine – Slant Face Killah

Conway The Machine doesn’t get the recognition he deserves as a rapper and his versatility is unmatched. Slant Face Killah is a proper showcase for the Drumwork Music Group honcho.
Cordae – The Crossroads

Cordae came into the game with plenty of promise and his latest studio album takes all of his strongest points while adding that major label sheen.
Chuck Strangers – A Forsaken Lover’s Plea

Chuck Strangers got his first look as a producer as part of the sprawling Pro Era collective but has since emerged as his own man. His second studio album, A Forsaken Lover’s Plea, stamps Chuck Strangers as a standout voice among the producer-rapper set.
Curren$y & DJ Fresh – The Tonite Show The Sequel

Curren$y drops so much consistent heat that we had a hard time picking an album but his past work with DJ Fresh drew us to The Tonite Show The Sequel and we’re better for it.
Denzel Curry – King of the Mischievous South Vol. 2

Denzel Curry is an enigma of an artist who is capable of dropping brilliant bars but also can turn up. King of the Mischievous South Vol. 2, billed as a mixtape, feels just like that but in the best of ways.
Dizzy Wright, Demrick & Mike & Keys – Blaze With Us 3

Dizzy Wright was active in 2024 along with maintaining his various business interests. Reconnecting with Demrick, also an entrepreneur, the pair’s Blaze With Us 3 boasts fantastic production from Mike & Keys and yes, it’s perfect to pair with your favorite strains. (Also, Demrick’s “Watch This” is still dope.)
Doechii – Alligator Bites Never Heal

Doechii’s breakout year was capped by the soulful Tiny Desk concert that recently dropped. Much of that performance featured songs from her latest mixtape, Alligator Bites Never Heal, which makes us wonder what the album will sound like.
EARTHGANG – PERFECT FANTASY

EARTHGANG keeps our attention every time they drop new music and the duo of Olu and WowGr8 are still adept at finding new flows, sounds, and themes. There is a tendency to compare them to another duo out of Georgia but they own their unique sound solely.

El Costeau – Merci, Non Merci

El Costeau first appeared on our radar by way of MIKE’s excellent Burning Desire album. The Washington, D.C. rapper’s loose, heady verses showcase the varying creativity and interests of the Northeast native.
Erick the Architect – I’ve Never Been Here Before

As a member of the Flatbush Zombies, Erick the Architect proved he is a rapper worth noting. With his solo album, I’ve Never Been Here Before, Arc delivers a varied and personal project that rewards the listener several times over.
Flo Milli – Fine Ho, Stay

Flo Milli’s second studio project continues the “Ho” theme from her previous drops and is the strongest of the three. The 24-year-old starlet and expecting Mom is no slouch and we’re ready to hear what’s next.
Freddie Gibbs – You Only Die 1nce

Freddie Gibbs is growing up, or at least that’s the message we’re getting from You Only Die 1nce. The Gary, Ind. rapper sounds remarkable on an album that fans didn’t see coming.
Freeway & Jake One – The Stimulus Package 2

Philadelphia rapper Freeway and Seattle producer Jake One made magic in 2010 with The Stimulus Package. 14 years later, The Stimulus Package 2 is just as strong as its predecessor and maybe better in some aspects.
Future & Metro Boomin – We Don’t Trust You

Yes, we know that “Like That” is the highlight for many but Future and Metro Boomin showed their chemistry all across We Don’t Trust You.
Gangrene (Oh No & The Alchemist) – Heads I Win, Tails You Lose

Gangrene, the duo of Oh No and The Alchemist may very well be the best producers on the mic. Heads I Win, Tails You Lose is the duo’s fourth studio album and it’s all bars, beats, and boasts, just as it should be.

GloRilla – Glorious

Memphis rapper GloRilla came into the game with plenty of motion, culminating in her crowd-pleasing debut studio album, Glorious. Big Glo covers all the bases on the release, and we know it’s only up from here.
Gunna – One of Wun

Gunna kept his head down and continued to work despite all the smut people attempted to throw on his name and delivered a stellar album in One of Wun.
Heems & Lapgam – LAFANDAR

Heems, who some might remember from Das Racist, dropped two albums this year, the first of which, LAFANDAR, was done with Lapgam, a fellow Indian-American.
J. Cole – Might Delete Later

J. Cole got a lot of heat for deleting his Kendrick Lamar diss, “7 Minute Drill” from his fourth mixtape, Might Delete Later, but it’s a touch unfair. The rest of the project is one of the strongest sets of bars we’ve heard from the North Carolina MC and producer.
JasonMartin & DJ Quik – Chupacabra

JasonMartin, formerly known as Problem, connected with the legendary DJ Quik for the funky, sun-soaked Chupacabra. Even if you’re not from the West Coast, it still goes.
Jay Worthy & DāM-FunK – Magic Hour

Jay Worthy is always dropping new music and this year was no different. Nailing down our favorite record was difficult. However, Magic Hour, made alongside DāM-FunK, was the one that kept cropping up.
JPEGMAFIA – I Lay Down My Life for You

JPEGMAFIA is a difficult artist to explain to the unfamiliar but what we can say is that if you’re able to capture anything about Peggy is that he’s all over the map and that’s fine with us.

Ka – The Thief Next To Jesus

Ka unfortunately passed away this year and his loss is still sending waves of shock among his devoted fans. Music lives on and the Brownsville lyricist’s album, The Thief Next To Jesus, is another in a long list of projects that should be studied in colleges.
Kendrick Lamar – GNX
Read our review here
Let The Dirt Say Amen – I Love You, I’m Not Sorry

Let The Dirt Say Amen, a rapper, and producer out of Washington, D.C., dropped one of our favorite albums in 2021, God Hates Gucci. I Love You, I’m Not Sorry is more of Dirt’s strong production, relentless verses, and some of the best sh*t-talking we’ve heard all year.
LL COOL J – The FORCE

LL COOL J shocked a lot of fans with The FORCE, a departure in sound for the Queens veteran. Produced by Q-Tip of A Tribe Called Quest fame, there are some interesting curveballs within the project but that’s why we enjoyed it so much.

Logic – Ultra 85

Logic is polarizing among Hip-Hop fans for reasons beyond the music, which has generally been good to great. Ultra 85 definitely leans to the great side of the Maryland rapper’s discography and despite its length, Bobby Tarantino is the reason to tune in.
Mach-Hommy – #RichAxxHaitian

Mach-Hommy doesn’t reveal much about himself despite several dozen releases acclaimed by critics and listeners alike. The Haitian-American New Jersey native shakes up things on #RichAxxHaitian with interesting features but the main character remains Mach-Hommy.
Marv Won – I’m Fine, Thanks For Asking

Marv Won is one of the most gifted rappers out of Detroit, a city that seems to produce rappers who can flow over anything. I’m Fine, Thanks For Asking gets into Marv Won’s thoughts in a way that almost feels intrusive but we appreciate him for letting us in.
MAVI – shadowbox

MAVI burst onto the scene with his debut album Let The Sun Talk in 2019. The Charlotte, N.C. rapper’s third album, shadowbox, is an emotional, soul-stirring collection of thoughts that finds the 25-year-old rapper wrestling with the weight of the world.
MIKE & Tony Seltzer – Pinball

Despite his mature sound and thematic aims, MIKE is still very much a young man in his 20s. Instead of taking over the beats, Big MIKE connects with producer Tony Seltzer for the youthful and frenetic Pinball. Don’t get it twisted, MIKE is still going in but it’s a lot lighter than his usual fare.
Nappy Nina & Swarvy – Nothing Is My Favorite Thing
https://open.spotify.com/track/7LzCHlDZnG3AfrqJo7paob?si=745795dd6746450e
Nappy Nina’s 2023 album Mourning Due was one of our favorites and instead of coasting on that excellent body of work, the Oakland. rapper’s Nothing Is My Favorite Thing with producer Swarvy took us on a marvelous audio journey.
Navy Blue – Memoirs In Armour

Navy Blue’s 2023 Def Jam Records debut, Ways Of Knowing, gripped us by the ears from the first second. Now fully independent once more, Memoirs In Armour finds Navy Blue once more centering spirituality and his connection to his family, all of which is delivered in an almost melancholic but reflective tone.

Nickelus F – MMCHT

Nickelus F is another example of an artist with immense ability who seems content with rapping for those who get it and unbothered with chasing fame. The Richmond, Va. MC and producer’s MMCHT is one of his most personal releases and one where he doesn’t rap in character.
NxWorries (Anderson .Paak & Knxledge) – Why Lawd?

NxWorries, the duo of singer, rapper, and drummer Anderson .Paak and producer knxledge, return with their second full-length, Why Lawd? With his sing-rap style, .Paak is in top form and Knxledge has been a beast on the boards for years.
Planet Asia & Local Astronauts – No Retirement

Planet Asia will always have a fresh platter of heat for his legion of fans and among the drops from this year, No Retirement with production team Local Astronauts was our top choice.
Previous Industries (Open Mike Eagle, Still Rift & Video Dave) – Service Merchandise

Previous Industries finds Open Mike Eagle, STILL RIFT, and Video Dave collectively working out the realities of aging along with still having a lot more to say. The longtime Chicago associates’ fantastic Service Merchandise album is full of moments of clarity along with comical revelations. It’s sharp work.
Rapsody – Please Don’t Cry

Rapsody should be mentioned among the greats and it is no fault of her own that she is often misunderstood. On Please Don’t Cry, Rap is more plainspoken than ever and there isn’t a wasted bar on the project.
Raz Fresco & DJ Muggs – The Eternal Now

Raz Fresco, an incredibly prolific Canadian producer and MC, dropped joints this year that could be in place of our pick, The Eternal Now. That said, Raz and his “marvelous right wrist” style and Five Percent Nation teachings work well with DJ Muggs’ production.
Roc Marciano – Marciology

It could be argued whether or not Marciology is the best album in Roc Marciano’s catalog but instead of needlessly pitting the Long Island rapper-producer’s music against each other, we’d rather state the fact that Roc Marci’s vision was fully realized on this release.

Roc Marciano & The Alchemist – The Skeleton Key

Yes, we know Roc Marci is on this list twice and this 11th-hour drop from Roc and The Alchemist shows and proves the pair know how to bring the best qualities out of each other. This is definitely an album for the wintertime grind.
ScHoolboy Q – Blue Lips

Read our review here.
Sideshow – F.U.N.T.O.Y.

Sideshow, a Washington, D.C. rapper who now resides in Los Angeles, doesn’t grant interviews so much of what we know about him is in his music. The Ethiopian-American rapper’s music is replete with street tales and hazy production best suited for a smoke session or running a mission.
Slum Village – F.U.N.

Slum Village, now a duo with original member T3 and producer-rapper Young RJ, has kept the SV flag flying over the years. F.U.N. continues the tradition and finds them both having a lot of fun on the microphone per the album’s title.

Smoke DZA – THC3 (Kushedgod Bitch)

Smoke DZA is severely underrated and it’s kind of frustrating for us who are fans of The Kushedgod. On THC3 (KushedGod Bitch), George Kush aka Smoke DZA shows off his effortless cool once again.
Tha Dogg Pound – W.A.W.G.

With the West Coast sound fully rocking the radio nationwide, it was a perfect time for Tha Dogg Pound to reintroduce themselves with W.AW.G. aka We All We Got, which features stellar production from Mike & Keys.
Thurz – Yannick Koffi: In Time

Fans of the rap group U-N-I should be familiar with Thurz, formerly Thurzday. His latest album, Yannick Koffi: In Time gets into the story of the Inglewood native as we’ve never heard before before.
Tierra Whack – WORLD WIDE WHACK

It’s hard to believe that Tierra Whack’s WORLD WIDE WHACK is her debut studio album, but it does serve as a great introduction to those who haven’t heard the dynamic Philadelphia star.
Tyler, The Creator – Chromakopia

Tyler, The Creator is now a legitimate superstar, and the interest surrounding his latest album, Chromakopia, proves that fact. The album dives into themes of fame and the pressure that comes along with it but there are also classic moments of T talking his talk.
Vince Staples – Dark Times

Vince Staples’ sixth album, Dark Times, is his final album on Def Jam Records but, as is his penchant, the Long Beach rapper doesn’t dial it in. This is another excellent collection of Vince Staples’ thoughts.
Westside Gunn – Still Praying

Westside Gunn is possibly Hip-Hop’s greatest self-promoter but thankfully, he backs up his boasts more times than not. Still Praying finds the Griselda mastermind rapping about a lifestyle few can afford and proving that the lane he occupies is firmly his own.

Your Old Droog – Movie

While we wait for the long-teased collaboration with Madlib, Your Old Droog’s Movie is more than a mere holdover. Droog’s ear for beats and his humorous reflections keep the album a light but raucous listen.

Photo: Getty

12/18/2024

Another year of calm, cool and sexy in the R&B department.

12/18/2024

HipHopWired Featured Video

Source: Nike / NIke
Nike Yardrunners returns with a new collection that once again bigs up the influence of Historically Black Colleges and Universities (HBCUs) on culture.
The Yardrunners collection was started to highlight the deep history and heritage of (HBCUs), and their alumni, on the worlds of cultures and sports. 2024 is the 5th collection after its 2020 debut. That’s why the 2024 edition revisits the inaugural drop and features collaborations with Kahlana Barfield Brown and Dex Robinson on a new pair of AF1 Low styles.

Kahlana Barfield Brown is an influential fashion and beauty editor, and Howard alum, and the design of her Yardrunners “Ice Cream” Nike Air Force 1 is an ode to HBCU’s.
Per Nike:
The shoe’s deep brown colorway represents the shades of melanin and beauty that connect every student to their school, their roots, and the generations of Black excellence that came before them.
Its vintage cream leather upper is a nod to the rich history and heritage of HBCUs, starting with the first built in 1837. 
Inspired by the timeless buildings that stand tall on HBCU campuses across the country, the brick sock liner reflects a strong foundation.
Latitude and longitude marks on the toe symbolize the coordinates of the heartbeat of each university, “The Yard,” a place where students connect with each other, as well as their shared culture and legacy.
Kahlana chose crimson red as an accent color to honor her alma mater and sorority in Washington D.C. and her late grandmother who was a lifelong member.
Capping off the design is Kahlana’s personal signature on the heel, embodying her pride in being a part of this legacy.
As for Dex Robinson, the fashion stylist and designer of menswear brand DIALLO, salutes his Virginia Union University alma mater with his AF1 ’07 Low VUU.
Inspired by the resilience and strength of VUU’s Panther mascot, the sneaker’s upper features a unique pony hair finish, embodying power and elegance.
Paying homage to VUU’s iconic colors, the sneaker features a maroon lace option and a subtle steel outline around the Nike Swoosh to accentuate the design.
The left heel tab reads “Dear Union,” a nod to Dex’s alma mater, while the right heel tab bears “With Love, Dex Rob” as a heartfelt gift to the university that shaped his journey.
Interchangeable pins, including the VUU logo, the Panther mascot, and the DIALLO feather icon, offer customizable elements for proud VUU representation.
The insole contains a personal letter from Dex, written on a silhouette background featuring an image of the university sign that highlights the colleges that merged to form Virginia Union University, symbolizing the unity and legacy VUU represents in his life.

The new Yardrunners 5.0 kicks will be available at select retailers starting December 18 and will hit the SNKRS App beginning December 20. Check out detailed photos below.

Source: Nike / NIke
Source: Nike / NIke
Source: Nike / NIke
Source: Nike / NIke

Jody Gerson, chairman/CEO of Universal Music Publishing Group (UMPG), is set to receive the 2025 Grammy Salute to Industry Icons honor at The Recording Academy and Clive Davis‘ annual Pre-Grammy Gala, which will be held on Saturday, Feb. 1, the night before the 67th Annual Grammy Awards. This is the 50th anniversary of the high-profile event.
Gerson is just the third woman to receive the honor, following Debra L. Lee (2017), then-chairman/CEO of BET Networks, and Julie Greenwald (2023), then-Atlantic Music Group chairman/CEO, who received the award in tandem with Craig Kallman, Atlantic Records chairman/CEO.

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“Jody is an inspirational leader who champions integrity and inclusivity in everything she does and is a revolutionary executive,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “She has opened doors for and propelled the careers of many of the world’s greatest songwriters, while simultaneously serving as one of the biggest advocates for women in music. We are thrilled to host an extraordinary evening that not only celebrates her remarkable impact but also marks the gala’s incredible 50-year milestone.”

“Jody Gerson is one of the music industry’s most illustrious leaders and I am thrilled that she will be this year’s Salute to Industry Icons honoree,” added Davis. “Jody’s longtime trailblazing commitment to supporting songwriters across the music spectrum as well as her tireless dedication to advocacy, diversity and equality in the music business are exemplary. Artists and the industry at large are fortunate to have a leader with such tremendous insight and passion at the helm.”

Davis originated the pre-Grammy Gala in 1976 when he was looking for a way to celebrate the success of Barry Manilow’s “Mandy,” Arista Records’ first No. 1 hit on the Billboard Hot 100 (and its first Grammy record of the year nominee).

Since joining UMPG in 2015, Gerson has transformed the company into a global powerhouse that owns and administers more than five million copyrights. She leads a global company with 48 offices in 40 countries and more than 850 employees. She made history as the first female chairman of a global music company and the first woman to be named CEO of a major music publisher.

Gerson is a member of Universal Music Group’s (UMG’s) executive management board.

Gerson ranked No. 14 on Billboard’s 2024 Power 100 list. Kristin Robinson, Billboard’s senior writer (publishing), led her essay about Gerson by saying, “As UMPG’s CEO, a National Music Publishers’ Association board member and co-founder of She Is the Music, an organization committed to empowering female creators, Gerson is one of the most trusted voices in music publishing.”

That was backed up with hard facts. From 2013 to 2023, UMPG’s U.S. revenue grew from $900 million to more than $1.9 billion. In that same time frame, the company narrowed the revenue gap between it and market leader Sony Music Publishing from $400 million to $188.5 million.

Gerson received a Primetime Emmy nod in 2021 as an executive producer of HBO’s The Bee Gees: How Can You Mend a Broken Heart, which was nominated for outstanding documentary or nonfiction special. A year ago, she received a Grammy nod as one of the video producers for 2Pac’s Dear Mama, which was nominated for best music film.

Gerson has signed and works with many of the world’s biggest music stars, including Adele, Bee Gees, Bad Bunny, Justin Bieber, Sabrina Carpenter, Lana Del Rey, Ariana Grande, Coldplay, Drake, Billie Eilish, H.E.R., Elton John, Alicia Keys, Steve Lacy, Kendrick Lamar, Post Malone, Maren Morris, the Prince estate, Rosalia, Harry Styles, Taylor Swift, SZA and The Weeknd. She also led UMPG’s acquisitions of the hit-studded catalogs of Bob Dylan, Neil Diamond and Sting, among others.

As a champion for women in music and an advocate for education, Gerson co-founded the global nonprofit She Is The Music. She also serves on boards for the USC Annenberg Inclusion Initiative, The Rock & Roll Hall of Fame, the National Music Publishers Association, New Roads School and Project Healthy Minds.

Gerson jointly oversees Polygram Entertainment, a film and TV development and production division of UMG that produces feature-length films and music-centric series. In 2024 alone, she served as executive producer on a broad array of projects, including Music Box: Yacht Rock: A DOCKumentary; The Beach Boys; STAX: Soulsville, U.S.A.; and Billy Preston: That’s The Way God Planned It. Other recent projects that Gerson executive produced include the aforementioned The Bee Gees: How to Mend a Broken Heart and HBO’s Music Box series. Among her and Polygram’s many projects in development are documentaries on Bernie Taupin and Prince.

In January 2020, Gerson became the first woman and first music publishing executive to be named Billboard’s executive of the year on its annual Power 100 list. She is the recipient of numerous other honors, including Billboard‘s Power Players’ Choice Award; Variety’s Hitmakers Executive of the Year; Billboard‘s 2015 Executive of the Year for its Women in Music issue; Rolling Stone’s “Future 25”; Variety’s Power of Women L.A.; and the 2016 March of Dimes Inspiring Woman of the Year.

The invitation-only Pre-Grammy Gala is sponsored by Hilton, Mastercard and IBM.

Jon Platt, Sony Music Publishing chairman/CEO, was last year’s Grammy Salute to Industry Icons honoree.

Here’s a complete list of previous honorees at the pre-Grammy Gala.

2005: Ahmet Ertegun

2006: Mo Ostin

2007: Herb Alpert & Jerry Moss

2008: Berry Gordy

2009: Clive Davis

2010: David Geffen

2011: Doug Morris

2012: Sir Richard Branson

2013: Antonio “L.A.” Reid

2014: Sir Lucian Grainge

2015: Martin Bandier

2016: Irving Azoff

2017: Debra L. Lee

2018: Shawn “JAY-Z” Carter

2019: Clarence Avant

2020: Sean “Diddy” Combs

2022: Rob Stringer

2023: Julie Greenwald & Craig Kallman

2024: Jon Platt