State Champ Radio Music
Page: 95
Trending on Billboard Taylor Swift fans are a powerful bunch. And in a situation where millions of Americans risked going hungry with the potential halt of the Supplemental Nutrition Assistance Program (SNAP), the group is using that power for good. On Friday (Oct. 31), the Swifties for Hope account on X shared an announcement encouraging […]
Trending on Billboard NLE Choppa, who’s now going by NLE the Great, came out guns blazing on Halloween with his bristling “KO” diss track, and it appears he’s looking to make things spooky for NBA YoungBoy. Explore See latest videos, charts and news Choppa released an accompanying video that’s equally inspired by 2Pac and Michael […]
Trending on Billboard
Coco Jones and Paris Hilton may have drawn inspiration from iconic music videos and Broadway musicals for their costumes this year, but Halloween weekend 2025 is also about new music.
Florence + The Machine returned with its first new album in three years, the aptly titled Everybody Scream, which features production from Aaron Dessner and Mark Bowen. Offset also shared his surprise new spooky season-themed Haunted by Fame project, while Mass Appeal unveiled its highly anticipated posthumous Big L album.
Hailing from Harlem, the late rapper, who was fatally shot in a drive-by shooting in 1999, released only one album during his lifetime, but his impact and influence still live on in hip-hop today. A part of Mass Appeal’s Legend Has It… album series, Big L’s Harlem’s Finest: Return of the King features unreleased remastered tracks and rare freestyles, including collaborations with Jay-Z, Nas and Joe Budden.
This year, Halloweekend also brought a new OutKast re-release. The ATL rap duo shared a 25th anniversary edition of their classic Stankonia album, complete with previously unreleased tracks and new remixes. The world of hip-hop also spun out new projects from Westside Gunn (Heels Have Eyes 3), Armani White (There’s A Ghost In My House), Kodak Black (Just Getting Started), Saba (Coffee!) and Icewear Vezzo (Purple Passion).
New singles also arrived from Brent Faiyaz (“Have To”), Tyler, The Creator (“Mother”), Omarion (“For War”), Rosalía (“Berghain”), Russell Dickerson and Jonas Brothers (“Happen to Me”), and Lee Brice (“Killed the Man”). In addition to Taylor Swift‘s new “Alone In My Tower” version of “The Fate of Ophelia,” we also got new Halloweekend singles from Jai’Len Josey, Lola Brooke, Lil Baby, The Chainsmokers, and Jessie J.
London indie pop singer Cat Burns also released her How to Be Human LP, and Pentatonix shared their latest holiday album, Christmas in the City, which features collaborations with Jojo and Frank Sinatra.
There’s a lot of new music to squeeze into your Halloween playlists, but Billboard still wants to know which new release you can’t take off repeat. Tell us by casting your vote in the poll below.
Trending on Billboard
To open its career on Billboard’s Mainstream Rock Airplay chart, The Pretty Reckless rattled off four No. 1s in a row. Nearly a decade later, the Taylor Momsen-led band has done it again.
Explore
See latest videos, charts and news
“For I Am Death,” The Pretty Reckless’ first new music since its 2021 album Death by Rock and Roll, climbs to No. 1 on the ranking dated Nov. 8. It’s the band’s eighth leader and fourth straight, a streak that dates to 2020, when “Death by Rock and Roll” led for three weeks, followed by reigns for “And So It Went” and “Only Love Can Save Me Now” in 2021.
In 2013, The Pretty Reckless made its maiden appearance on the tally with “Heaven Knows,” a song that ended up reigning for four weeks beginning in March 2014. That kicked off a streak of four consecutive No. 1s, with “Heaven Knows” followed by “Messed Up World” (2014), “Follow Me Down” (2015) and “Take Me Down” (2016).
In fact, 80% of the band’s charted titles have reached No. 1, while 90% have been in the top two. Easy math there, as The Pretty Reckless has charted 10 entries on Mainstream Rock Airplay; its non-No. 1s are the No. 2-peaking “Oh My God” and the band’s only song to peak outside the top two, “Back to the River,” a No. 12 hit, both in 2017.
With eight No. 1s, The Pretty Reckless solely boasts the most by a woman-fronted group (or, for that matter, women soloists) in the Mainstream Rock Airplay chart’s 44-year history. Previously, the band was tied with Halestorm, which notched its seventh in 2024. (Of note: Linkin Park, currently co-led by Emily Armstrong, has 13 No. 1s, but only three since she joined.)
Concurrently, “For I Am Death” ranks at No. 7 on the all-rock-format, audience-based Rock & Alternative Airplay chart with 3.2 million in audience in the week ending Oct. 30, up 12%, according to Luminate. That’s a new weekly high in impressions for the song, although its chart-position best so far remains No. 5, achieved on the Nov. 1 tally. It’s The Pretty Reckless’ top-performing song on the survey, surpassing a pair of No. 6 peaks via “Death by Rock and Roll” and “Only Love Can Save Me Now.”
On the most recently published, multimetric Hot Hard Rock Songs chart (dated Nov. 1, reflecting data Oct. 17-23), “For I Am Death” debuted at No. 23. In addition to its radio airplay, the tune drew 240,000 official U.S. streams.
Although The Pretty Reckless hasn’t yet announced a proper follow-up to 2021’s Death by Rock and Roll, Oct. 31 brings the release of a new holiday EP, Taylor Momsen’s Pretty Reckless Christmas, with Momsen reprising her vocal on “Where Are You Christmas?” from the 2000 film How the Grinch Stole Christmas, in which she portrayed Cindy Lou Who. The Mariah Carey co-write has become a perennial holiday hit for Faith Hill since 2000.
All Billboard charts dated Nov. 8 will update Tuesday, Nov. 4, on Billboard.com.
Simply the best new dance tracks of the week.
10/31/2025
Trending on Billboard
New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard and Billboard Español editors. Check out this week’s picks below.
Explore
See latest videos, charts and news
ROSALÍA feat. Björk & Yves Tumor, “Berghain” (Columbia Records)
Music for musicians and food for thinkers — that’s the best way to describe “Berghain”, the first single from Spanish superstar ROSALÍA’s upcoming album, LUX, featuring Björk and Yves Tumor. Laden with symbolism both in its lyrics and accompanying video, the piece — structured in operatic movements —surprises with Rosalía’s lyrical performance, gliding seamlessly between English, German, and her native Spanish. “Berghain,” possibly a nod to the exclusive Berlin nightclub, is steeped in a gothic mystique that frames its central theme: a woman tormented by a toxic relationship, portrayed most vividly in the video, where Rosalía embodies a Snow White straight out of the Brothers Grimm.
Surrounding her, the London Symphony Orchestra, appearing as she performs domestic chores like ironing, seem to personify the thoughts that haunt her, in a mise-en-scène rich with religious symbolism. In the end, Rosalía breaks free, transforming into a dove that takes flight. As a preview, the single leaves a lasting impression and builds anticipation for the full album, set to be released on November 7. Just watch it above. — LUISA CALLE
Maria Becerra & XROSS, “JOJO” (Warner Music Latina)
Through her latest release “JOJO,” co-produced and co-written with XROSS (real name: Xavier Rosero), Maria Becerra introduces her new alter ego. Sensuality, dominance, and fiery power embody Becerra’s new chapter that sonically, is a hard-hitting dancehall fused with R&B elements, and lyrically, it’s about a girl named Jojo, who has a magnetic force and has no competition. “She knows she’s a badass/ And that no one can match her/ She’s always like this/ Jojo wants dembow,” Becerra chants with confidence. “JOJO” marks the first single off of Becerra’s forthcoming studio album, QUIMERA, set for Nov. 20. — JESSICA ROIZ
GALE, Lo Que Puede Pasar (Sony Music Latin)
On her second studio album, Puerto Rican singer-songwriter GALE delivers a sharp, shimmering pop across 13 tracks that explore heartbreak, new beginnings, and the nostalgia of first times. The LP, which includes the previously released singles “Ciao!“, “Ysilandia” featuring ROBI, “Skittles,” and “Por Si Las Dudas” with LAGOS, also features collaborations with Danny Ocean on “Pa’ Qué Te Quedas” and Abraham Mateo on “No Quería Quererte” — both similar in rhythm (mid-tempo pop songs that explode into a powerful EDM beat) but with distinct vibes and messages.
The set opens with “Perspectiva,” a catchy track about beginning to fall for someone, and closes with “Domingo,” a moving reflection on the passage of time with a soothing vocal and guitar arrangements. The title track stands out for its infectious rhythm and lyrics about the excitement of “anything that can happen” on that first date with that special someone. Beautifully produced from beginning to end, Lo Que Puede Pasar showcases an evolution in the sound of GALE, one of the most sought-after songwriters in Latin music, whose credits include hits for superstars like Shakira, Christina Aguilera, and Juanes. — SIGAL RATNER-ARIAS
Banda El Recodo, “Solo Tú” (FONO/El Recodo Enterprises)
One of Camilo Sesto’s greatest classics is given new life in the Sinaloan banda style with this new cover by Banda El Recodo. The trumpets lend a romantic, even sensual touch to this anthem of desperate love, complemented by the vocals of Ricardo Yocupicio and Geovanni Mondragón and the rest of the instrumentation, which includes the essential tuba, clarinets, and horns. Originally released in 1976, “Solo Tú” speaks of a love for which one gives and sacrifices everything. The song is the first single from the upcoming album by “the mother of all bands,” and its video features the band members in black and white tuxedos, giving this work the elegance it deserves. — TERE AGUILERA
Majo Aguilar, “Chilo” (Universal Music México)
In her latest single, the young star of the Aguilar dynasty shows how to transform the pain of a breakup into a feeling of freedom and peace. She does so with great style, to the rhythm of a classic ranchera, but adding sierreño guitars for a contemporary touch. This empowering anthem, which emboldens and motivates her to move forward with dignity after a heartbreak, borrows a popular colloquial expression from the northern Mexican states of Sonora and Sinaloa, where people often use the word “chilo” to refer to something “nice,” “amazing,” or “great.”
“Chilo, I’m doing great/ Don’t worry, I won’t seek your affection anymore/ Chilo, I’m here at 100%/ I wish you the good and the bad you did to me,” goes the chorus, which highlights Aguilar’s melodic and powerful voice. The track is accompanied by a music video directed by QUIÉN, which features Majo on a recording set, with a vibrant orange desert and skies filled with lightning, creating a dramatic and powerful tone. — NATALIA CANO
Check out more Latin recommendations this week below:
Trending on Billboard
Megan Thee Stallion and Jennifer Hudson said they often get mistaken for each other, and that once Hudson’s security even tried to protect the Texas rapper instead of her.
Explore
See latest videos, charts and news
Meg stopped by The Jennifer Hudson Show for the episode airing Friday (Oct. 31) to talk about her new single, “Lover Girl,” and at one point revealed she’s often mistaken for the talk-show host. It turns out, Hudson could also relate, and admitted Meg’s fans sometimes mistake her for the rapper too.
“Remember that time we was in Italy for the Dolce thing?” Meg asked. “Jennifer’s security kept snatchin’ me up! They was like, ‘C’mon, we gotta move, we gotta move.’ I’m like, ‘I’m not with you! It’s not me, I’m not her, I promise! But I’ll go with you if you really want me to.’ Your security kept snatchin’ me up, and I was like, ‘Where is my security?’ … Jennifer’s security wanted me to be her real bad that day.”
Hudson replied, “It’s really bizarre cause we were at the Super Bowl. I was leaving the event, guys, and they was like, ‘Megan!’ I was like, ‘Are you serious?’”
Hudson clarified that she’s flattered to be mistaken for the Houston rapper.
Meg’s appearance comes after Queen Latifah stopped by the talk show to praise the rapper earlier this week, calling her the future of hip-hop.
“She’s so cool, she’s so fun, she’s so very talented and strong in her spot,” she told her The Secret Life of Bees co-star about Meg. “I love that energy carrying hip-hop into the future, of course.”
Check out a clip of Meg’s interview with Jennifer Hudson below.
Trending on Billboard
Cardi B hopped on Spaces early Friday morning (Oct. 31) to address the “hate coming from different angles” in her life.
The Bronx native rehashed the “dark energy” she was feeling being sent her way throughout the pregnancy, and while she’s been laying relatively low and says she’s “at peace,” Cardi had some words for the haters on Halloween.
“Remember when I said at the meet-and-greet that I felt like a lot of dark energy and weird things coming on my pregnancy,” she recalled. “I felt a lot of hate coming. I felt like there was a lot of hate coming from different angles, and today, I see that I’m still proving that.”
Cardi continued: “And there’s hate that was coming from bloggers. There’s hate that was coming from women that my baby dad dealt [with] in the past. There was hate that’s coming from f–king enemies that I have, rappers wishing all type of f–king STDs on me while I’m pregnant, and clearly partners that I dealt with.”
The “partners” she’s referencing could possibly be tied to her ex Offset, who appeared to blast Cardi and her boyfriend, Stefon Diggs, on his Haunted by Fame project, which arrived on Halloween.
“How the f—k you leave Jordan for Rodman/ You a fool if you think that I’m hurt/ You ain’t happy, I know how it work/ How you married and still giving birth/ Get some help, b—h, you going berserk,” he raps on the Coupe-produced “No Sweat.”
While Cardi kept Friday’s response more general and didn’t address Offset by name, she had a message for those praying on her downfall. Cardi believes she’ll be the one having the last laugh, as she’s convinced God typically punishes those who hate on her.
“However, one thing I notice, I swear to God, and it’s so real … anybody that messes with me while I’m at my most vulnerable — and my most vulnerable is always when I’m pregnant — God always punishes them,” she shared. “Two three years might pass … and God goes and punish them the worst way.”
Cardi B’s heading into the final months of pregnancy before giving birth to baby No. 4, which will be her first child with her NFL player boyfriend. She’ll then hit the road for the Little Miss Drama Tour in February.
Trending on Billboard
Riley Green and featured artist Ella Langley enter the top 10 on Billboard’s Country Airplay chart dated Nov. 8 with “Don’t Mind If I Do.” The collaboration climbs 12-10, up 20% to 17.8 million in audience Oct. 24-30, according to Luminate. It’s Green’s seventh visit to the tier and Langley’s third — and their second as a tandem, after Langley’s “You Look Like You Love Me,” featuring Green, led for one week last December.
Langley and Green make for the first pair of soloists with multiple shared Country Airplay top 10s in five years: In 2020, Blake Shelton and Gwen Stefani teamed up for two No. 1s: “Nobody But You” that May, and “Happy Anywhere” that December.
Elsewhere, Langley’s current solo chart entry, “Choosin’ Texas,” bounds 59-41 (2.5 million, up 203%).
Megan 2.0
Megan Moroney continues her career ascent with two tracks due on her upcoming third studio album. Ballad “Beautiful Things,” released Oct. 24, debuts at No. 37 on Country Airplay (3.7 million), marking her highest entrance on her own; overall, she has started at a No. 23 best with “You Had to Be There” with Kenny Chesney in May.
Plus, Moroney’s fellow current single, “6 Months Later,” rises 14-12 on Country Airplay (15.9 million, up 20%).
Shaboozey ‘News’
Also notably, Shaboozey’s “Good News” departs Country Airplay following a standout stretch, including two weeks at No. 1 in September. He has logged 49 total weeks in the top 10, the fourth-most of any artist since his crossover breakout, “A Bar Song (Tipsy)” reached the region and became a juggernaut — it holds the all-time record for the most weeks in the top 10 (33), seven of those at No. 1.
Additionally, the singer-songwriter’s latest single, “Amen” with Jelly Roll, surges 37-29 on Country Airplay (5.3 million, up 55%). For an artist who entered as an outlier, Shaboozey has quickly become a fixture.
If Zohran Mamdani were to assemble a soundtrack for his race to become New York City’s next mayor, it would feature tracks by Taylor Swift, Lil Wayne, Drake and more.
While speaking to Pop Base at a recent voter event, the mayoral candidate was all smiles when asked which three songs he’d choose to represent his ongoing campaign. “OK,” he began in a video posted Thursday (Oct. 30), preparing himself to give the best answer possible.
The Queens, N.Y., representative went on to name “Hate It or Love It” by The Game featuring 50 Cent — “gotta put that one in there,” he emphasized — as well as “Right Above It” by Lil Wayne featuring Drake.
Lastly, Mamdani said, “Shout-out to Taylor Swift, ‘Only the Young.’”
The latter choice premiered in the pop superstar’s 2020 Netflix documentary, Miss Americana, which chronicled Swift’s decision to begin speaking out about politics following several years of silence on the matter. The song’s lyrics describe the power of young people to make positive political change with the hook, “Only the young can run.”
Mamdani’s music picks come with just a few days left to go in the NYC mayoral race, which will conclude on Election Day on Nov. 4. The democratic socialist as been the face of one of the largest grassroots campaigns in history, running on a platform of decreasing the cost of living for New Yorkers through lowered rent prices, free public transit and affordable groceries and childcare.
One of his biggest supporters has been Rep. Alexandria Ocasio-Cortez, who also attended the voter event with Pop Base. When asked for her holy trinity of pop albums, AOC — at first declaring, “This is sooo hard!” — named The Miseducation of Lauryn Hill, Britney Spears’ Blackout and Beyoncé’s Renaissance.
Watch Zohran Mamdani share his campaign soundtrack below.
