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The 98th annual Macy’s Thanksgiving Day Parade has added a number of major new acts to this year’s event. On Thursday (Nov. 14), organizers announced that Kylie Minogue, Jennifer Hudson and Billy Porter will perform in front of Macy’s iconic Herald Square flagship store on Nov. 28 during the annual tradition that will air live on NBC beginning at 8:30 a.m. ET and be simulstreamed on Peacock.
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Loud Luxury, Wicked star Cynthia Erivo and Cole Escola have also been added to the lineup of acts that will lip synch their hits on elaborate floats alongside marching bands, giant inflatables, Santa and Tom Turkey. According to a release announcing this year’s entertainment, for the first time, in-demand choreographer Shay Latukolan (Stormzy, Ed Sheeran, Tinashe) will choreograph dance routines and three performances on floats.
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In addition to nearly two dozen balloons — including Snoopy, Bluey, Minnie Mouse, Marshall from Paw Patrol, Ronald McDonald, Pikachu and new additions Gabby, Goku and Spider-Man — other performers on this year’s roster include: Alex Warren, Ariana Madix, Bishop Briggs, Charli D’Amelio, Chlöe, Coco Jones, Dan + Shay, Dasha, Idina Menzel, Jimmy Fallon & the Roots, New Kids on the Block’s Joey McEntire, Natti Natasha, Rachel Platten, Sebastián Yatra, T-Pain, Walker Hayes and beloved New York Liberty mascot Ellie the Elephant.
Those acts will join 34 floats, 11 marching bands, seven “balloonicles” and 28 clown crews during the yearly classic that will wrap up at noon ET. Click here for the full lineup. An encore telecast will begin an 2 p.m. ET/PT, with a Spanish-language simulcast on Telemundo to be hosted by the network’s Carlos Adyan and Andrea Meza.
Tate McRae has two major pieces of news that’ll satiate even the greediest of her fans. In addition to announcing her third studio album, So Close to What, the 21-year-old pop star revealed Thursday (Nov. 14) that she’s going on tour in 2025 — all just hours before her new single “2 Hands” drops. Posting […]
Moses “Shyne” Barrow is gearing up for the release of his candid The Honorable Shyne documentary, which will land on Hulu on Nov. 18.
The former Bad Boy rapper-turned-politician stopped by the Tamron Hall Show on Wednesday (Nov. 13), where he discussed overcoming hardships, Belize and his turbulent relationship with his embattled ex-boss Sean “Diddy” Combs.
Hall pressed Shyne about reuniting with Diddy to perform “Bad Boyz” with him at the 2022 BET Awards, which he labeled a “legacy moment” and a chance to honor hip-hop as well as Belize, where he serves as the the Leader of the Opposition in the Belize House of Representatives. “I didn’t want to do it, but he said, ‘Listen, this is about Belize. Imagine this platform,’” Shyne explained.
She then cited a time on stage when Diddy — who is currently behind bars awaiting trial after being indicted on charges for sex trafficking and racketeering — referred to Shyne as his “brother” after all they went through.
“I wish I was his brother in 2000 when we were on trial,” Shyne quipped in reference to their fallout after the 1999 NYC nightclub shooting which saw him charged and Diddy walking away scot-free. “I wish I was his brother for the last 26 years when my mom, who is here with me, never got any assistance. He never helped to dry her tears.”
Shyne was sentenced in 2001 to a decade behind bars on first-degree assault, gun possession and reckless endangerment charges, while Diddy was acquitted on gun possession and bribery in the case.
“I keep having to put into context without spitting on someone’s grave that this is the person that destroyed my life,” he declared to Hall. “You hear my mom, she’ll probably start crying when she comes on this couch. People ask, ‘Do you think that he did those things?’ Well, I know what he did to my family so the potential is there.”
After serving eight years in prison, Shyne was released in 2009, but was immediately deported to Belize, where he began his redemption arc and pivoted to a career in politics.
“I moved on and I healed,” he reflected. “I didn’t see him shooting, but I know that he made me take the fall. I know that he called witnesses to testify against me. We sat here and I said, ‘Please, don’t call that witness. That witness is going to destroy me and the witness is lying.’ So I had to tell that truth.”
Billboard has reached out to Diddy’s reps for comment.
Watch the video below. Stream The Honorable Shyne on Hulu on Nov. 18.
BLINKs are counting down the days until BLACKPINK reunites in 2025 — and so is LISA.
In her Billboard cover story published Thursday (Nov. 14), the 27-year-old K-pop superstar gushed about her plans with groupmates ROSÉ, JENNIE and JISOO to launch back into full-band activities next year after spending the past year and a half focusing on solo projects. “I can’t wait,” she excitedly told writer Nolan Feeney of the planned comeback.
“We know each other so well and know how much energy we have to put into every single project,” she continued. “So we want to support and say, ‘You did really well!’ Like, JENNIE and Rosie just released their own songs, and we’re on texts, we’re on FaceTime. They’re like family. I’m just so happy that they’re releasing something. This is what we all wanted to do, so I just wanted to say that I really do love their songs.”
Following the July 2023 conclusion of the group’s Born Pink World Tour — which supported Billboard 200-topping album Born Pink — LISA has spent the past couple of months releasing independent singles such as Billboard Hot 100 hits “Rockstar” and “New Woman” with Rosalía. Meanwhile, ROSÉ has been gearing up to release a solo album, rosie; JENNIE filmed The Weeknd’s The Idol last year and dropped a new single titled “Mantra” in October; and JISOO has been focusing on acting in Korean TV and film projects.
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Their individual paths, however, will once again intertwine at some point in 2025, with YG Entertainment announcing as much earlier this year. The company also promised that the comeback would be paired with another world tour — but that’s where they might’ve lost LISA, who seemed a bit uncertain while speaking to Billboard.
“That’s what they say?” she said — appearing slightly skeptical — of YG’s tour news. LLOUD’s Alice Kang added, “I don’t know … We’ll have to wait and see what YG confirms.”
LISA’s cover story comes a little more than a month since her last single, “New Woman,” dropped in October. On Tuesday (Nov. 12), she posted a mysterious teaser video set to “Rockstar,” with a cryptic countdown appearing on her website around the same time.
Fans were immediately hopeful that the latter was ticking down to an announcement related to her upcoming album, about which the Thai singer-rapper tells Billboard, “I’m trying to figure it out, the tracklist and everything, what I can change in there.”
“Everything’s there,” she adds. “I think they’re going to be shocked at how capable I am [at] doing so many things.”
Yeah Yeah Yeahs’ “Maps” ties Mitski’s “My Love Mine All Mine” for the second-longest rule in the history of the TikTok Billboard Top 50 chart, while the lower half of the top 10 dated Nov. 16 features new blood, paced by Beyoncé‘s “Diva.”
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The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity from Nov. 4-10. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.
With its sixth week at No. 1 (all consecutive), “Maps” takes over sole possession of the second-longest streak at No. 1 since the chart began in September 2023 (“My Love Mine All Mine,” which also led for six weeks overall, reigned for a pair of three-week periods). Tommy Richman’s “Million Dollar Baby,” with its 10-weeks-in-a-row streak, holds the all-time mark.
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“Maps,” released on Yeah Yeah Yeahs’ 2003 debut album Fever to Tell, remains driven by a pair of TikTok trends, one a dance challenge and the other using a filter where the user’s facial features are removed and then cascade back down onto their face. One of the utilized sounds is a sped-up version of the song.
For the fourth week in a row, “Maps,” Alphaville’s “Forever Young” and Akon’s “Akon’s Beautiful Day” rank as the chart’s top three, in that order. While No. 3 remains the latter’s peak, “Forever Young” reached No. 1 for a week in October.
From there, the ranking’s top 10 is far less static. Tyler, the Creator’s “Like Him,” featuring Lola Young,” breaks into the top five for the first time, lifting 6-4 in its second week. The song from the rapper’s new album Chromakopia (which tops the Billboard 200 for a second week, as previously reported) rises thanks to another week of the “do I look like him” trend, with creators using the clip to showcase complicated father-child relationships (fictional or real), comparisons to athletes and people past and present, and more.
“Like Him” jumps 10% to 13.7 million official U.S. streams in the week ending Nov. 7, according to Luminate. Concurrently, it vaults 45-29 on the multimetric Billboard Hot 100.
Aphex Twin’s “QKThr” rounds out the top five of the TikTok Billboard Top 50 (up 10-5, one spot away from its No. 4 best), while Beyoncé’s “Diva” follows at No. 6, its first time in the top 10. “Diva,” from the 2008 album I Am…Sasha Fierce, reached No. 19 on the Hot 100 back in 2009.
“Diva” has found new life on TikTok in 2024 via a trend where creators show off their diva-like behavior. It jumps 17% to 2.3 million streams in the Nov. 1-7 tracking week.
Two other songs appear in the TikTok Billboard Top 50’s top 10 for the first time: Gracie Abrams’ “That’s So True” at No. 8, and the live version of Michael Prince’s “Finesse,” featuring Koncept P, at No. 9.
Abrams’ “That’s So True,” released Oct. 18 on the deluxe version of her The Secret of Us album, has gone viral since, paced by lip-synching trends. It zooms to 18.9 million streams, up 26%, in the latest tracking week, good for a 25-13 rise on the Hot 100.
“Finesse,” meanwhile, was released in May on Prince’s Limitless – A Trap Symphony, with its recent gains tied to a trend using the song’s “do you not get the concept?” lyric, generally a two-person dance trend with one person mimicking playing a violin. It earned 437,000 streams in the tracking week ending Nov. 7, up 67%.
And returning to the top 10 after an 11-month respite is Mariah Carey’s “All I Want for Christmas Is You,” which shoots 17-7. It spend eight weeks in the top 10 during last holiday season, from the charts dated Nov. 18, 2023, to Jan. 6, 2024, sitting at No. 1 those final two frames.
“All I Want for Christmas Is You” paces holiday-related content on the latest tally, ahead of Wham!’s “Last Christmas” (No. 13, up from No. 48) and Brenda Lee’s “Rockin’ Around the Christmas Tree” (a re-entry at No. 22).
See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.
Ice Spice is now a playable character in Fortnite as part of Battle Royale’s Chapter 2 Remix. The Bronx rapper turned Shark Island into Ice Isle on Thursday (Nov. 14) as the abandoned shopping mall map takes on a nostalgic Y2K! theme. Explore Explore See latest videos, charts and news See latest videos, charts and […]
Bluesky smiling at Lizzo, nothing but Bluesky does she see. As countless former X users have been flocking to the alternative social media platform following the results of the 2024 election, the “About Damn Time” hitmaker revealed Wednesday (Nov. 13) that she’s also made the switch — and shared why. Posting a mirror selfie showing […]
Celine Dion continued her slow re-emergence after a nearly two-year break from the public eye due to her battle with the debilitating Stiff-Person Syndrome to perform a dazzling two-song set on Wednesday (Nov. 13) at the “1001 Seasons of ELIE SAAB” event in Riyadh, Saudi Arabia.
The celebration of the Lebanese designer’s 45-year fashion career found Dion, 56, taking the stage among a parade of statuesque models while wearing a flowing pale pink floor-length sequined gown with a billowing cape and her hair pulled back in a bun. Dion walked slowly down a set of winding stairs at the back of the stage as a series of veiled models wearing similarly floor-sweeping glittery dresses paved her way.
After the models slow-sashayed out of her way, Dion commanded the stage, performing her titanic 1994 Billboard Hot 100 No. 1 hit “The Power of Love” as the stage behind her flashed with digital waves of golden light. Her signature power vocals sounding undiminished, Dion belted out the tune to the accompaniment of a piano and an orchestral track, punctuating the soaring lines with her trademark dramatic hand gestures in a performance that left no doubt that, despite her health struggles, the singer is still in full command of her unparalleled instrument.
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As if further proof were needed, Dion hit a series of extended notes with such force at the end that even she seemed pleasantly surprised and pleased, striking a defiant, forceful pose before bringing her hands up over her heart as the room burst into applause. Dion didn’t take much time to linger in the moment, as a polyrhythmic beat quickly bubbled up, accented by sprightly horns to set up the night’s big finale.
Clapping and bouncing in place as she encouraged the crowd to put their hands together, Dion then busted another fan favorite, 2002’s “I’m Alive,” as the final group of models walked by, with some extending their hands to greet the pop superstar. Moving around with ease and smiling broadly, Dion seemed energized by the group of white-clad dancers who joined her, shimmying her hips near the end and spreading her arms wide as a gospel choir rose up behind her singing the song’s inspiring chorus.
The singer put her hand over her heart, turned her back to the audience and then slowly spun around for a final hip-swiveling dance and a dramatic flourish, shooting her right hand over her head before accepting a pair of cheek kisses from the night’s honoree.
The night also featured sets from Jennifer Lopez (performing Gloria Gaynor’s “I Will Survive” and her hits “Waiting For Tonight,” “On the Floor” and “Let’s Get Loud”) Camila Cabello, Nancy Arjam and Amr Diab.
The Wednesday mini-set was just Dion’s second performance since her lauded comeback at the opening ceremony of this summer’s 2024 Summer Olympics in Paris, followed by a surprise set at the City of Hope’s 2024 Spirit of Life Gala in Los Angeles in October. Dion has largely been out of the public eye since Dec. 2022, when she revealed her Stiff-Person Syndrome diagnosis; the rare neurological disorder can cause uncontrolled muscle spasms that make it hard to move, with Dion saying that sometimes they were so intense that they caused broken ribs.
The singer was forced to postpone all of her 2023 and 2024 tour dates as a result, a painful decision she chronicled in this year’s Prime Video documentary I Am: Celine Dion.
Watch Dion’s performance below.
Nearly a decade after the release of his 2016 album Swimmin’ Pools, Movie Stars, and four decades after he turned the Nashville establishment on its head with his distinct brand of West coast honky-tonk, punk and rockabilly, Dwight Yoakam isn’t erecting creative boundaries anytime soon.
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His new album Brighter Days, out Friday (Nov. 15), was forged by years of life shifts, both personal and professional, and finds him moving ahead musically with a new set of inspirations. In March 2020, he wed photographer Emily Joyce and in August of that year, the couple welcomed their first child, son Dalton Loren. Meanwhile, like the rest of the world, Yoakam and his family weathered the height of the COVID-19 pandemic.
His devotion to family is threaded through songs on the album, including the realistically romantic “I Spell Love,” and the title track “Brighter Days,” which developed from a tender moment with his son Dalton, whom Yoakam gave a co-writing credit on the song.
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“He had a little Fender Telecaster-shaped ukulele he would wear,” Yoakam recalls. “He came bouncing in the room one day and said, ‘Get your guitar.’ I picked it up and he would attempt to answer what I would play and I looked at him and said, ‘You know what? The future is you,’ and I started singing ‘Brighter Days,’ and he kind of sang it back to me. I came up with the first verse just watching him and singing and having him sing back to me.”
The new album also comes after Yoakam parted ways with Warner Records, instead releasing the album on his own label Via Records, in partnership with Thirty Tigers.
“Everything had changed at Warner Brothers where I’d been the last couple of studio albums and we were kind of in flux,” Yoakam tells Billboard. “I left and wasn’t sure where we were going to do the next record. After the chaos of 2020 and 2021, David [Macias] at Thirty Tigers approached me and said, ‘Would you be interested in doing a record here?’ And I said yes.”
Brighter Days also finds Yoakam with more co-writing credits on the project, unlike many previous albums which have featured mostly his solo writes. As the world was still reeling from the pandemic, Yoakam found himself collaborating with California native and fellow hit country songwriter Jeffrey Steele (“What Hurts the Most,” “These Days”) on Zoom co-writes, ultimately crafting six of the album’s songs together, including “California Sky” and “I’ll Pay the Price.”
“I don’t co-write a lot. The first one was a very auspicious beginning, with Roger Miller in 1990. Most albums, probably 70% or 80% is my own solo writing,” Yoakam says, adding, “We had such fun discussing [Steele’s] relationship to all things California music. He was raised in the Valley and his dad owned a garage blocks away from the famous Palomino Club, so he grew up in the shadow of that. ’I’ll Pay the Price’ was a bit of an homage to the late ‘60s, early ‘70s when Linda Ronstadt put her first band together.”
The project wraps in covers of Cake’s “Bound Away,” “Time Between” from the Byrds, and The Carter Family staple “Keep on the Sunny Side.”
“If you think about what brought California’s version of country music, it was the Dust Bowl. It was another mass event in the 1930s and it drove hundreds of thousands, if not millions of people to relocate to California from the Great Plains. And the Great Depression, so you had two events, driving this displacement of large segments of our society to California and they brought their version of their colloquial musical expressions…It’s a winding story, but all of these tracks are connected in various ways,” he says.
His willingness to filter a range of sounds and inspirations through his own musical lens is what led Yoakam to his breakthrough in the mid-1980s. He first tried his luck in Nashville, coming up against roadblocks due to his retro-progressive musical style. He decamped to California, refining his music and further soaking in the influence of Bakersfield and Buck Owens. In 1984, Yoakam independent project Guitars, Cadillacs, Etc., Etc. caught the attention of label execs, and he signed with Reprise Records. He re-released the project, earning acclaim with songs including a super-charged version of Johnny Horton’s “Honky-Tonk Man,” as well as the project’s title track.
Subsequent albums would yield success including top 10 Billboard Hot Country Songs hits with “Little Sister,” and “Please, Please Baby.” Three of his albums, 1986’s Guitars, Cadillacs, Etc., Etc., 1987’s Hillbilly Deluxe and 1988’s Buenas Noches From a Lonely Room, reached No. 1 on Billboard’s Top Country Albums chart. The two-time Grammy Award winner was inducted into the Nashville Songwriters Hall of Fame in 2019.
Yoakam finished recording Brighter Days in 2023. Just as he and his team were gearing up for its release, Yoakam got an unexpected invitation from Teas native Post Malone, known for his swirl of pop songs such as 2019’s “Circles” and “Sunflower,” to collaborate.
When they were planning their collaboration performance of Yoakam’s “Little Ways” during the Stagecoach country music festival earlier this year, Post Malone asked if he could join Yoakam on his album. Yoakam and Post Malone’s friendship stretches back to 2018, when Post Malone joined Yoakam for an episode of Yoakam’s SiriusXM Greater Bakersfield show, where they performed songs including Merle Haggard’s “The Bottle Let Me Down.”
“I had literally just finished the album a week and a half earlier, and I was unaware that he had done the F-1 Trillion album at that time,” Yoakam says. “I knew he was doing stage shows and I knew something was afoot about duets he was doing, but I didn’t know how extensively what it was all about.”
Yoakam had already been toying with a song idea, and quickly wrote the Western swing- soaked “I Don’t Know How to Say Goodbye (Bang Bang Boom Boom),” and adjusted the album’s releases schedule to accommodate the Posty collaboration. It turns out Post Malone was working on not only his country-leaning F-1 Trillion, but collaborating with another superstar.
“We delayed the release of the album by about six months,” Yoakam says. “I didn’t realize Post came in [to record his vocal] between days of shooting the video he did with Taylor Swift [“Fortnight”] . We rescheduled the album release because we decided it was something we wanted to put on the album.”
Outside of music, Yoakam is known for a plethora of creative pursuits, notably his film and television career, which has included roles in Sling Blade and Wedding Crashers. His Sling Blade co-star Billy Bob Thornton “has agreed to work on a series I wrote, called ‘A Thousand Miles From Nowhere’ — it’s not about the song, though it sort of is. It’s a period piece that takes place in the 1870s. So that’s afoot, and there are a couple of film roles I’ve been approached about that we are seeing if they make sense to do.”
But currently, as evidenced by Brighter Days, Yoakam has set about crafting an album for those seeking an emotional uplift, as he was when he wrote the title track.
“I thought, ‘When the fog of all this rises, brightness is what we’re hoping for — the brighter days,” Yoakam says.
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