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Donald Trump showcased his signature dance moves during a high-energy pre-inauguration rally in Washington, D.C., on Sunday (Jan. 19).
The 78-year-old businessman-turned-politician, who was sworn in as the 47th U.S. president on Monday, celebrated his victory over Kamala Harris at D.C.’s Capital One Arena. The event featured performances by Kid Rock, Lee Greenwood and the Village People.
As the rally wrapped up, Trump danced and clapped along to the Village People’s 1978 hit “Y.M.C.A.,” a song frequently played at his campaign rallies. Smiling, he stood behind the group, delivering his trademark moves while the crowd cheered.
In the days leading up to the event, the Village People announced on Facebook that they had “accepted an invitation from President Elect Trump’s campaign to participate in inaugural activities, including at least one event with President Elect Trump.” The group added, “We know this wont make some of you happy to hear however we believe that music is to be performed without regard to politics. Our song Y.M.C.A. is a global anthem that hopefully helps bring the country together after a tumultuous and divided campaign where our preferred candidate lost.”
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Trump had previously featured the Village People’s “Macho Man” and “Y.M.C.A.” at his 2020 and 2024 rallies.
In December, Village People’s Victor Willis explained why he ultimately allowed Trump to continue playing “Y.M.C.A.” at rallies and events. Despite initially asking him to stop in 2020, Willis said he “didn’t have the heart” to block its use after realizing the politician “genuinely liked” the song and was “having a lot of fun” with it. Willis also noted that the track has seen a significant boost in chart positions and sales since Trump began using it during his campaign.
Sunday’s rally opened with a performance from Kid Rock, a longtime Trump supporter, before supporters like actor Jon Voight and Tesla CEO Elon Musk, among others, took the stage to offer congratulations.
“We won. We won,” Trump told the excited crowd. “I’m thrilled to be back with so many friends, supporters, and true American patriots on the eve of taking back our country. That’s what we’re going to do. Take back our country.”
He added, “Tomorrow at noon, the curtain closes on four long years of American decline, and we begin a brand-new day of American strength and prosperity, dignity and pride.”
Just weeks after Scorpions drummer Mikkey Dee detailed his near-death experience following a sepsis diagnosis, the band has made the decision to postpone their upcoming Las Vegas residency.
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The residency was originally slated to launch on Feb. 28 and run until March 11 as part of the German band’s 60th anniversary celebration. Performing at PH Live at Planet Hollywood and supported by Buckcherry, the group took to social media late last week to announce their new dates.
“We regret to inform you that due to Mikkey Dee’s ongoing recovery from his recent hospitalization, we have made the decision to postpone our Coming Home to Las Vegas Residency to August 2025,” they wrote. “The health and well-being of our brother is of the utmost importance. We wish Mikkey a full and speedy recovery and look forward to rocking with you all again soon!”
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The new dates will see the Scorpions performing in Las Vegas from Aug. 14 – 23, with all previous tickets honored for the new dates. The group are still scheduled to return to the stage in March, with a Mexico City show set for March 15.
Dee first detailed his health issues in early January, revealing he had been hospitalized following a “very serious” blood infection. He later expanded upon the health scare in an interview with Swedish publication Aftonbladet, explaining that what began as a simple sprain quickly evolved into something far worse on the weekend before Christmas.
“The ankle swelled up like hell, then it took on a weird shape and appearance and looked like an overcooked ham,” Dee said. “I became very ill so I had to go by ambulance to Sahlgrenska and there they found that I had sky-high values, so I became priority one there.
“It was surgery right away, the first of three. They cut away what was dead and infected and badly infested. It was not a good journey I was on… Another day and I’d be playing drums with Lemmy in heaven. I can say that.”
Somewhat coincidentally, his near-death experience took place almost nine years to the day since his Motörhead bandmate Lemmy Kilmister passed away, on Dec. 28, 2015.
Dee has performed with Scorpions since early 2016, joining the band in the wake of Motörhead’s untimely dissolution in late 2016. To date, Dee has only played on one of the band’s albums, providing percussion for their 19th album, 2022’s Rock Believer.
Matty Healy and Taylor Swift‘s musical story still has pages to come, according to a report by U.K. tabloid The Sun. The 1975‘s next album, possibly titled God Has Entered My Body and maybe with a track of the same name, has lyrics that an unnamed “insider” believes to be about the pair’s public romance in 2023.
Just one alleged line was published in the report Saturday night (Jan. 18): “Keep your head up, princess, your tiara is falling.”
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The Sun quotes its source as saying “everyone at the studio,” presumably during a 1975 recording session, thought “God Has Entered My Body” addresses Healy and Swift’s relationship and how it fared amid fame. The purported insider tells the publication, “Matty will never publicly comment on his relationships, but he lets his deepest feelings out in his songs and gets everything off his chest.”
Healy is not doing press at this time and is not currently active on social media, but he does have a verified account on Reddit from which he occasionally interacts with fans of The 1975.
In a discussion on The 1975 subreddit on Sunday showing an article that cites The Sun‘s initial report, Healy chimed in among the murmurs about his supposedly Swift-inspired song.
“Huge if true,” wrote Healy.
As fans point out, The 1975 frontman captioned an unarchived Instagram post from 2021 with “Keep your head up, princess, your tiara is falling.” It’s one of only four posts presently on his Instagram grid. Another studio snapshot from 2024 has the caption “GHEMB,” an acronym for “God Has Entered My Body” that Healy’s used before.
In November, Healy shared what looked to be a working track list in a now-deleted post on X (formerly Twitter). While he made a joke there (“This is my ‘names for our children’ folder”), in a Reddit thread he commented, “Nah it’s real tracklist.” Among the song titles listed were “Alone Together,” “Give Us Back Our Present,” “Commercials in a Hotel Room,” “EVERYTHINGAMAZINGNOBODYHAPPY,” “Pepsi-Cola Addict” and “Naked When You Found Her.” “God Has Entered My Body” was not on that particular list.
The 1975’s next full-length release will be their sixth studio album, and the follow-up to 2022’s Being Funny in a Foreign Language, which was co-produced by Jack Antonoff with Healy and bandmate George Daniel. Being Funny debuted in the top 10 of the Billboard 200 albums chart, at No. 7, and reached No. 2 on three others: Top Rock Albums, Top Alternative Albums and Independent Albums.
In 2024, Healy was featured on his friend (and George Daniel’s fiancée) Charli XCX‘s Brat companion album, Brat and It’s Completely Different But Also Still Brat, on the moving song “I Might Say Something Stupid.”
Swift’s The Tortured Poets Department album, for which Healy was an assumed muse, was released in 2024 and finished the year as the most popular album in the U.S., based on music data tracking from Luminate. It earned 6.955 million equivalent album units in 2024 in the U.S. and spent 17 nonconsecutive weeks at No. 1 on the Billboard 200.
A longtime friend to Healy, Swift surprised fans at The 1975’s concert at the O2 Arena in London in January 2023 when she covered the band’s “The City” and debuted her Midnights single “Anti-Hero” live. They’d known each other since at least 2014, when Swift attended The 1975’s concerts in Los Angeles and New York.
Speculation that they were dating in 2023 came in early May that year. Healy was seen smiling and singing along to her hits from the VIP tent at several shows on The Eras Tour — and even unexpectedly took the Eras stage in a skeleton suit to play guitar with friend/opener Phoebe Bridgers.
Healy and Swift were spotted holding hands at a dinner and leaving the studio together in New York that month, which was as close to a “confirmation” of a relationship as they gave. In the middle of a rainstorm at Gillette Stadium in Foxborough, Mass., on May 20, Swift shared with the crowd, “I’ve just never been this happy in my life, in all aspects of my life, ever, and I just want to thank you for being a part of that. It’s not just the tour. I just sort of feel like my life finally feels like it makes sense.” She then said, “So I thought I’d play this song which brings me a lot of happy memories,” and played Midnights track “Question…?” for the first time.
They reportedly split in June 2023.
Healy, who recently said he isn’t interested in making an album about “stuff that was said about me or my casual romantic liaisons,” is now engaged to model Gabbriette Bechtel. Swift is dating Kansas City Chiefs tight end Travis Kelce.
Almost 60 years to the day since it was first recorded, the original lyrics to Bob Dylan‘s “Mr. Tambourine Man” have sold at auction for a total of $508,000.
The lyrics were sold via Julien’s Auctions alongside a number of other Dylan items – including a signed oil painting and numerous pieces of original art – which were originally part of the personal collection of late American journalist Al Aronowitz. Famed for introducing Dylan to The Beatles in 1964 and for being the first manager of The Velvet Underground, Aronowitz spoke about his unique connection to “Mr. Tambourine Man” in a 1973 article – of which an original version was included in the sale.
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Explained Aronowitz: “Bob Dylan wrote ‘Mr. Tambourine Man’ one night in my house in Berkeley Heights, N.J., sitting with my portable typewriter at my white formica breakfast bar in a swirl of chain-lit cigaret [sic] smoke, his bony, long-nailed fingers tapping the words out on my stolen, canary-colored Saturday Evening Post copy paper while the whole time, over and over again, Marvin Gaye sang ‘Can I Get a Witness?’ from the 6-foot speakers of my hi-fi in the room next to where he was, with Bob getting up from the typewriter each time the record finished in order to put the needle back at the start.”
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“At the breakfast bar I found a waste basket full of crumpled false starts,” added Aronowitz. “I took it out the side door to empty it into the trash can when a whispering emotion caught me, like a breeze that sometimes gently stops you cold just because of its own ghostly power to make you notice it. I took the crumpled sheets, smoothed them out, read the crazy leaping lines, smiled to myself at the leaps that never landed and then put the sheets into a file folder. I still have them somewhere.”
The lyrics as sold made up two pages of yellow paper which contained three progressive drafts of the lyrics, typewritten and providing an insight into Dylan’s writing process. The lyrics are believed to date back to March of 1964, based upon the information available.
Dylan first began performing “Mr. Tambourine Man” privately in 1964, eventually recording the track as part of a number of takes on Jan. 15, 1965. The song was later included as the first song on the acoustic side to Dylan’s fifth album, Bringing It All Back Home, in April 1965.
Though “Subterranean Homesick Blues” from the same album was Dylan’s first single to chart on the Billboard Hot 100, “Mr. Tambourine Man” would become his first to top the chart, albeit when The Byrds released a cover as their debut single that same month.
The sale of the lyrics is just another Dylan-related happening in recent months, with the venerated artist’s profile and legacy being thrust into the public eye as a result of James Mangold’s A Complete Unknown biopic. The wider response to the biopic has been widespread and immense, with Dylan seeing his catalog earn 11.6 million U.S. on-demand streams in the week ending Dec. 26.
Following its first full week of activity, Bad Bunny’s Debí Tirar Más Fotos climbs 2-1 on the Billboard 200 albums chart (dated Jan. 25), scoring the superstar his fourth leader on the list. Bunny’s album was released on an off-cycle Sunday (Jan. 5), and, thus, it arrived on the chart a week ago with only five days of activity (as the chart’s tracking week runs Friday through Thursday).
In the tracking week ending Jan. 16, Debí Tirar Más Fotos earned 203,500 equivalent album units (up 67%) in the U.S., according to Luminate — largely driven by streaming activity. The set was only available as a standard 17-song streaming album, and as a digital download for purchase (widely through all digital retailers, as well as Bunny’s official webstore). Traditional album sales drove just under 8,000 of the album’s activity for the week.
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Bunny previously led the Billboard 200 with Nadie Sabe Lo Que Va a Pasar Mañana (in 2023), Un Verano Sin Ti (2022) and El Último Tour del Mundo (2020).
At No. 2 on the Billboard 200, Taylor Swift’s 2023 album Lover: Live From Paris reenters, with 202,500 equivalent album units earned, all from album sales, following its reissue on vinyl (161,000 sold for the week), as well as its first release as a digital download album. The album was exclusively available only to purchase as either a vinyl LP or download in Swift’s webstore. It marks the 18th top 10-charting effort for Swift and the highest-charting live album in over five years. It’s the top-selling album of the week, and also scores the single-largest sales week for a live album on vinyl since Luminate began tracking sales in 1991.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 25, 2025-dated chart will be posted in full on Billboard‘s website on Jan. 22 (one day later than usual, owed to the Martin Luther King Jr. Day holiday in the U.S. on Jan. 20). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Debí Tirar Más Fotos’ 203,500 equivalent album units earned in the week ending Jan. 16, SEA units comprise 195,000 (up 72%, equaling 264.03 million on-demand official streams of the set’s songs; it holds at No. 1 on the Top Streaming Albums chart for a second week), traditional album sales comprise 7,500 (down 3%, falling 6-8 on Top Album Sales) and TEA units comprise 1,000 (up 123%).
The 264.03 million streams of the album’s songs mark the largest streaming week for any album since Kendrick Lamar’s GNX arrived with 379.72 million (Dec. 7, 2024 chart), and the largest for any Latin music album since Bunny’s own Un Verano Sin Ti debuted with 356.55 million (May 21, 2022 chart).
Like in its opening chart week, Debí Tirar Más Fotos was sale priced for $4.99 in the iTunes Store, as well as in Bunny’s webstore.
As Debí Tirar Más Fotos is mostly in the Spanish language, it is the 28th mostly non-English-language album to hit No. 1, and the first of 2025. Four mostly non-English titles topped the list in 2024, and all were Korean-language efforts. Of the 28 mostly non-English-language albums to reach No. 1, 18 are mostly Korean, six mostly (or all) Spanish, one mostly Italian, one entirely French and two mostly a blend of Spanish, Italian and French.
Taylor Swift’s Lover: Live From Paris returns to the Billboard 200, reentering at No. 2 with 202,500 equivalent album units earned (up from nothing the week previous). The eight-song set was recorded in 2019 and had a limited release on vinyl in 2023 (exclusively through Swift’s webstore), and spent one week on the Billboard 200 that March, at No. 58.
Lover: Live From Paris is the highest-charting live album on the Billboard 200 in over five years, since Lionel Richie’s Hello From Las Vegas debuted and peaked at No. 2 on the Aug. 31, 2019-dated chart. Further, as Lover: Live From Paris marks Swift’s 18th top 10-charting set, she ties with Mariah Carey for the third-most top 10s among women in the history of the Billboard 200. Only Madonna (with 23) and Barbra Streisand (34) have more among women. (Meanwhile, all 20 of Swift’s Billboard 200 chart entries, dating to her 2006 debut, have now peaked in the top 20.)
Lover: Live From Paris is Swift’s second top 10-charting live set, following Folklore: The Long Pond Studio Sessions (No. 3 in May 2023).
Of Lover: Live From Paris’ 202,500 units earned in the tracking week ending Jan. 16, album sales comprise the entire number (it reenters at No. 1 on Top Album Sales), with vinyl sales accounting for 161,000 (the largest sales week for a live album on vinyl since Luminate began tracking sales in 1991) and digital download sales accounting for the remaining sales. The set has no SEA or TEA units powering its reentry, since the album was not available on streaming services (thus, customers could not stream songs from the album directly), or through digital retailers such as iTunes, so customers couldn’t purchase songs from the album directly.
The Lover: Live From Paris album commemorates Swift’s The City of Lover live show on Sept. 9, 2019, at the Olympia in Paris. It was the only concert that Swift held to promote the 2019 album Lover, after her planned 2020 Lover Fest trek was cancelled due to COVID-19. Swift didn’t return to live shows until the career-spanning The Eras Tour kicked off in March 2023.
The City of Lover live gig was turned into an ABC-TV special on May 17, 2020 (titled Taylor Swift: City of Lover), and included only the eight songs that are also on the Lover: Live From Paris album. The album was initially released as a double-vinyl set, on heart-shaped color vinyl, in early 2023, exclusively through Swift’s webstore. The limited-pressing sold 13,500 copies in its one and only week of availability, and debuted and then-peaked at No. 58 on the Billboard 200 (March 4, 2023-dated chart).
Earlier in January 2025, Lover: Live From Paris was restocked on Swift’s webstore, for a limited time, on the same double-vinyl set, on heart-shaped color vinyl. At the time, customers were informed that the set would ship on or before Jan. 20.
In addition to the vinyl release, Lover: Live From Paris saw its debut as a digital download album, exclusively through Swift’s webstore, for a limited time. On Jan. 16, the final day of the latest chart’s tracking week, the set was made available in Swift’s store across four variants for six hours only, each priced at $4.99. One was the standard eight-song album, and the other three each contained the standard eight songs plus one unique live bonus track of a Lover album cut performed during The Eras Tour (“False God,” “I Think He Knows” and “Paper Rings”).
No version of the Lover: Live From Paris album was available during the tracking week on streaming services, nor through any digital retailer outside of Swift’s webstore. The album’s core eight songs were released as stand-alone tracks in May 2020 (the same week as the premiere of Taylor Swift: City of Lover TV special) widely through digital retailers and streamers.
As for the rest of the top 10 on the latest Billboard 200 chart, four former No. 1s are at Nos. 3-6. SZA’s SOS is steady at No. 3 (102,000 equivalent album units earned; down 10%), Kendrick Lamar’s GNX is a non-mover at No. 4 (64,000; down 4%), Lil Baby’s WHAM falls 1-5 in its second week (55,000; down 60%) and Sabrina Carpenter’s Short n’ Sweet slips 5-6 (48,000; down 6%).
Billie Eilish’s Hit Me Hard and Soft is stationary at No. 7 (40,000 equivalent album units earned; down 7%), the Wicked film soundtrack falls 6-8 (39,000; down 15%), Morgan Wallen’s chart-topping One Thing at a Time dips 8-9 (nearly 39,000; down 4%) and Gracie Abrams’ The Secret of Us descends 9-10 (36,000; down 4%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Lucy Dacus‘ “Ankles” has been crowned the winner of this week’s new music poll, which features a diverse range of artists and genres. The new track received nearly 66% of the vote in a poll published Friday (Jan. 17) on Billboard, outpacing other notable new releases like Hailey Whitters’ “Casseroles,” Mac Miller’s Balloonerism, Mumford & […]
Police in New York City have arrested a man in connection with the beating death of a pioneering rock musician in the Bronx.
Sharief Bodden, 29, was charged Friday (Jan. 17) in the killing of Peter Forrest, a 64-year-old Bronx resident, who under the stage name P. Fluid had been a frontman for 24/7 Spyz.
The Bronx band was part of a wave of Black-led rock groups, including Living Colour and Fishbone, that emerged in the 1980s, melding elements of heavy metal, funk, R&B, punk and other genres.
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Among the band’s signature songs was was a remake of Kool & the Gang’s “Jungle Boogie.” Forrest quit the band during its 1990 tour with Jane’s Addiction, according to Rolling Stone.
The Black Rock Coalition, a New York-based artists’ collective, remembered Forrest as an “essential chapter to an essential band” in the history of the group, which was formed by Vernon Reid of Living Colour and other Black musicians.
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“Fluid was one of the most creative, charismatic, energetic and powerful frontmen in the business,” the organization wrote on its Facebook page. “His stage presence and dynamic personality were matched only by a rare few.”
Police say Forrest was found unconscious and beaten inside the private ambulette bus he drove on Monday. He was pronounced dead at the scene, and the medical examiner’s office determined he had blunt force injuries to his head and torso.
Surveillance video obtained by News 12 Bronx showed a man exit the bus around 9 a.m. and get into a separate car with a woman. About an hour later, another worker for the ambulette company arrived and discovered Forrest’s body inside the van.
Bodden faces murder, manslaughter, criminal possession of a controlled substance and criminal possession of a weapon charges.
No lawyer was listed for him in the state’s online court database. The Bronx’s district attorney’s office didn’t respond to an email seeking comment Saturday (Jan. 18).
Nelly will be performing at president-elect Donald Trump’s inaugural ball on Monday (Jan. 20), an inside source has confirmed to Billboard.
The 50-year-old “Hot in Herre” rapper joins a lineup of previously announced inauguration performers that includes Carrie Underwood, Kid Rock, Village People, Billy Ray Cyrus, Jason Aldean, Rascal Flatts, Parker McCollum, Lee Greenwood and Gavin DeGraw.
In an interview on Willie D Live, posted to YouTube on Saturday (Jan. 18), Nelly explained the reasons behind his decision to perform. He said in part, “I apologize. I didn’t know that I had to agree with your political choices, and I thought it was the things that you do not the things that you say should be done if you follow what I do. This shouldn’t even be an argument. He’s the president. He won. This isn’t a campaign. This isn’t the RNC. I’m not on the political campaign.”
Nelly went on to add, “I’m not doing this for money. I’m doing this because it’s an honor. I respect the office. It don’t matter who is in office, the same way that our men and women, our brothers and sisters who protect this country, have to go to war and have to put their life on the line for whoever’s in office. So if they can put their life on the line for whoever in office, I can damn sure perform for whoever … Nobody’s allowed to change, right? … If my past was once going to prevent me from winning today, I wouldn’t be here. I’m not saying that that he ain’t got some fucked up ways. That’s not what I’m saying at all. That’s why I’m not telling you who to vote for. But what I’m saying is that he’s the president of the United States…”
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During the interview, Nelly also addressed whether he was invited to participate in the Kamala Harris campaign. The rapper said he wasn’t invited, noting, “I didn’t get none of that 1.5 to try to help somebody get voted.”
Nelly isn’t the only rapper to participate in Trump’s inauguration festivities. Earlier this weekend, it was widely reported that Snoop Dogg, Rick Ross and Soulja Boy performed at the president-elect’s Crypto Ball pre-inaugural soiree in Washington, D.C., at the Andrew W. Mellon Auditorium on Friday (Jan. 17).
Snoop and his fellow rappers faced backlash for their performance at the event. In the comments section of a video from the show shared on the Shade Room’s Instagram, users criticized the artists for their participation. “This is culturally embarrassing and disrespectful as hell,” one commenter wrote. Another added, “Not a check in the world is worth selling my soul to the Devil…”
Former CNN anchor Don Lemon also covered the performance during his livestream, Lemon LIVE at 5, questioning whether Snoop and the artists were “sellouts” or “grifters who only care about a dollar.”
Snoop hadn’t publicly addressed the backlash at press time, but he did share an Instagram Story featuring himself and Ross at the event.
Dave Chappelle took aim at Sean “Diddy” Combs‘ alleged freak-off parties during Saturday Night Live‘s first episode of 2025.
The veteran comedian, returning to SNL for his fourth time as host on Jan. 18, opened his 17-minute monologue with a mix of humor and sharp commentary. He touched on topics like the Los Angeles wildfires and Donald Trump’s bizarre comments about eating cats and dogs in Ohio, before turning his attention to the embattled hip-hop mogul, who is currently facing multiple charges, including sex trafficking.
“I’ve been in a lot of trouble in my day but this guy Puffy, oh buddy, this guy is in an enormous amount of trouble; I don’t think I’ve ever seen anything like this,” Chappelle said, sitting on a stool and smoking a cigarette.
Chappelle, who was joined by musical guest GloRilla, continued to riff on Diddy’s alleged behavior, sharing that friends had asked him why he wasn’t involved in Diddy’s so-called “freak-off” parties.
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“They’d be like, ‘Well how were all these people you know at the freak-off and you were the only one who wasn’t at the freak-off?’ And I thought about it for a minute and I said, ‘Oh my God — I’m ugly,’” he joked. “That was a tough way to find that out. Can you imagine if you were me reading the newspaper and found out everyone in Hollywood had an orgy behind your back? None of y’all called me?”
The comedian also touched on the federal raid of Diddy’s homes in Miami and Los Angeles in March 2024, where agents reportedly seized more than 1,000 bottles of baby oil and lubricant as evidence.
“I’m 51 and I don’t think I’ve ever finished a bottle of baby oil in my life,” Chappelle remarked. “Clearly, Puff is committed to the lifestyle. A thousand bottles? Thank God they caught him before those fires — can you imagine the mushroom cloud over his house?” he added, referring to the L.A. wildfires.
Chappelle shared the stage with SNL‘s musical guest, GloRilla, who made her musical guest debut with a performance of “Yeah Glo!” from her 2024 mixtape Ehhthang Ehhthang. She also performed a medley of “Whatchu Kno About Me” and “Let Her Cook” from her solo debut, Glorious.
SNL is currently in its 50th season, with a special anniversary episode scheduled for Feb. 16. This season has featured high-profile hosts like Ariana Grande, Charli XCX, John Mulaney and Chris Rock, while musical guests have included Hozier, Gracie Abrams and Stevie Nicks.
SNL returns on Jan. 25 with Timothée Chalamet pulling double duty as both host and musical guest. Chalamet recently portrayed Bob Dylan in A Complete Unknown, the biopic directed by James Mangold, and performed all of his own vocals in the film.
Watch Chappelle’s full SNL monologue below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.