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It’s obviously been a major year for Cynthia Erivo. The star, who portrayed the iconic Elphaba in Jon M. Chu’s Wicked, is in the running for best actress in a leading role at this year’s Oscars ceremony and her inimitable vocal ability has been the inspiration behind many social media users attempting to recreate her otherworldly vocal run at the end of the film’s “Defying Gravity” number.

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But she’s not done just yet. Erivo chatted exclusively with Billboard about her brand new single, “Replay,” which arrived on Friday (Feb. 28) and marks her first solo release since 2021. “I’m sort of leaning into vulnerability these days,” she says with a laugh, and that sentiment is clear on the Justin Tranter co-written track, which delves into the emotional rollercoaster of being human. “I’m a constant work in progress, and I can’t keep fears at bay,” she opens the pop-leaning track with, before proclaiming in the chorus: “My mind is like a record, setup on auto-replay.”

“I’ve always wanted to be a music artist outside of being an actress, and my journey to it has just been different,” Erivo explains. “Some people come to it pretty early and some people come to it when the time is right, and this is the time for me.”

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With that in mind, the 38-year-old artist wants to introduce herself musically on her own terms, as the upbeat pop production of “Replay” leads listeners away from the ballads that they might be used to her belting for films in the past — to hopefully see Erivo as Cynthia, not as some of her famous onscreen roles. “I think people are really used to me singing a particular kind of way and particular kind of songs, but those songs are other people’s songs. Working on this music has been sort of a stream of consciousness that ended up being the page,” she says. “I think sometimes we’ll apply genre to a person, when the person hasn’t actually given you the genre that they are. I just happen to love to sing, but sometimes you don’t want to make big sounds, and you actually just want to tell a story, and that was what ‘Replay’ was about.”

She continues, “The song gives people the opportunity to get to know me a lot better, to get to know what goes on in my head from time to time, to get to know what I’ve thought in the past and sometimes even now, and the things that I have experienced. It’s almost like a personal lullaby that tells people who I am and that I’m human too, just like everybody else.”

Beyond its relatable and clever lyrical content, the production of “Replay” was just as personal to Erivo, inspired by the 90s Brit-pop she grew up with. “As a Brit, I wanted to bring something that felt particularly English, from my time, because I felt like we haven’t heard anything that feels like that in a while,” the London native explains.

“Everything that you hear in there — all the backing vocals, all of the pads, all of the whistling, even some of the percussion — that’s all me,” she adds enthusiastically. “I’m using my nails for what would sound like a clap. The whistle in the background is actually me whistling. The vocal padding and that vocal arrangement, that’s all me. If you listen carefully, you’ll feel the tempos speed up and then slow down again. It’s on purpose. It starts at 89 beats per minute, goes to 94 beats per minute and goes right back to 89 beats per minute, because it feels like what the heart rate does. It speeds up when things are getting a little bit strange, and then it comes back down.”

With her passion about “Replay” so evident, it’s no surprise Erivo is gearing up to release a full-length album, which she began working on in August 2023 and throughout her time filming Wicked. “I have to say that this is probably one of the most valuable experiences I’ve had in my life. I’ve written albums before, and it didn’t feel like this,” she says. “I knew the things I wanted to talk about and I knew the stories I wanted to tell. I knew the colors that I wanted in it — literally and figuratively, because some of the songs literally are based on a color. Like, what color do I want to write? Green! Then, one day I want to write about sex and, one day, I want to write about love or, today, I want to write about heartbreak, or maybe something in the color of blue.”

Overall, Erivo is ready for this next chapter in her career, keeping her heart on her sleeve as she always does and has become beloved for. “I want people to see that I’m a musician, like a person who understands the language of music implicitly and is willing to use it in loads of different ways,” she says. “It would be easy for me to sing a big ballad. Trust me, there’s a ballad on this album. But, more than anything, I love the making of music, the creating of music. I love using the music to tell the story. My story.”

Listen to Erivo’s “Replay” here.

In our Latin Remix of the Week series, we spotlight remixes that the Billboard Latin and Billboard Español editors deem exceptional and distinct. We might not publish a review every week. This is our selection today. Explore Explore See latest videos, charts and news See latest videos, charts and news RaiNao celebrated the first anniversary of her album CAPICÚ by unveiling CAPICÚ […]

Argentine rapper and singer Duki will be the headlining act at the Viña del Mar International Song Festival 2025 on Friday night (Feb. 28). He will perform at the Quinta Vergara amphitheater, the festival’s venue in the coastal city of Viña del Mar, Chile. Explore See latest videos, charts and news See latest videos, charts and news Duki is […]

Neil Young has added a major festival date to his upcoming summer run with new band the Chrome Hearts. Young, 79, will headline a July 11 date at the annual BST Hyde Park summer concert series in London, where he will be joined by “Peace Train” singer Yusuf/Cat Stevens and Van Morrison, with more support acts to be announced later.
American Express U.K. card members can grab tickets now through 9 a.m. on March 5, with a BST Hyde Park pre-sale slated to open at 10 a.m. on Monday (March 3) and a general on-sale kicking off at 10 a.m. on March 5; all times GMT.

The gig will be Young’s first at BST Hyde Park since a 2019 co-headlining gig there with Bob Dylan. Young’s show will join a growing roster of 2025 BST Hyde Park headliners, which also include Sabrina Carpenter, Olivia Rodrigo, Zach Bryan, Noah Kahan and Jeff Lynne’s ELO.

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The addition of the Hyde Park show expands the Rock and Roll Hall of Famer’s burgeoning 2025 road roster, after this week’s announcement of the dates for the first leg of the European/North American Love Earth tour, which is slated to kick off in Europe on June 18 at Dalhalla in Rättvik, Sweden before moving on to gigs in Norway, Denmark, Ireland, Belgium, the Netherlands and Germany.

The tour will then hit the U.S., beginning with an August 8 show at PNC Music Pavilion in Charlotte, N.C., before moving on to Detroit, Cleveland, Toronto, New York, Chicago, Denver and Vancouver, with the last currently scheduled date set for Sept. 15 at the Hollywood Bowl in Los Angeles; a spokesperson said more date will be added to the run later.

Young will be accompanied on all the shows by the Chrome Hearts band, featuring his longtime collaborator keyboardist/organist Spooner Oldham, as well as Promise of the Real members Micah Nelson (guitar/vocals), Corey McCormick (bass) and Anthony LoGerfo (drums). The group released the grungy anthem “Big Change” in January. Young debuted the Chrome Hearts band last year and has said an album from the group is tentatively slated for release in April.

Check out the poster for Neil Young at BST Hyde Park below.

Lizzo‘s fun night out turns into a nightmare (and then gets fun again) in the high-energy video for her comeback single “Love in Real Life.” Two years after her last solo single, the singer was back in our ears and our eyes on Friday (Feb. 28) with the release of the rollicking, uptempo pop rock […]

BLACKPINK will be hanging around in your area a bit longer this summer. The K-pop girl group announced the addition of five more dates for their anticipated world tour on Thursday (Feb. 27). After initially rolling out 10 stops on the outing earlier this month, JENNIE, ROSÉ, JISOO and LISA have doubled down, adding second nights […]

Tate McRae has officially hit a new career high in Australia. The Canadian singer-songwriter has secured her first No. 1 album on the ARIA Albums Chart with So Close To What, marking her third top 10 placement Down Under.

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It follows I Used To Think I Could Fly, which peaked at No. 10 in 2022, and Think Later, which climbed to No. 2 in 2023.

In addition to her album topping the charts, McRae is making waves on the ARIA Singles Chart. “Sports Car,” which previously peaked at No. 10 earlier this month, has rebounded from No. 25 to No. 9, while “It’s OK I’m OK” re-enters at No. 37 and “2 Hands” returns at No. 40.

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McRae also lands a new hit with “I Know Love,” her duet with boyfriend, The Kid LAROI, debuting at No. 17. It marks The Kid LAROI’s 11th top 20 hit in Australia and adds another major moment to McRae’s chart success. In total, she has nine tracks in the ARIA Top 50 this week.

Elsewhere on the Albums Chart, Australian indie outfit Rum Jungle makes a strong debut at No. 9 with Recency Bias, the Newcastle band’s first full-length release. The album arrives following sold-out tours across the U.K., Europe, and Australia.

British singer-songwriter Sam Fender also achieves his highest Australian chart entry yet with People Watching landing at No. 17. His previous best came with Hypersonic Missiles (No. 62 in 2019) and Seventeen Going Under (No. 46 in 2021), both of which topped the U.K. chart.

On the ARIA Singles Chart, Rosé and Bruno Mars reclaim the No. 1 spot with “APT.,” which now boasts 12 non-consecutive weeks at the top. The track has bounced back to No. 1 four times since October 2024, temporarily losing the crown to songs from Gracie Abrams, Mariah Carey, Lola Young, and Kendrick Lamar.

McRae also dominates the Vinyl Albums Chart, with So Close To What debuting at No. 1 ahead of Hit Me Hard And Soft by Billie Eilish and New Love by Ziggy Alberts.

With a No. 1 album, multiple singles in the top 50, and a strong vinyl debut, McRae continues her rapid rise in Australia.

Chris Stapleton isn’t taking part in one of Australia’s most infamous concert traditions.
The 10-time Grammy winner, who is currently on his first-ever tour of the country, has made it clear that he won’t be doing a shoey—drinking beer from a shoe—despite the custom being a fan favorite at major performances.

“I’ve heard about this. I asked somebody before I went on for the first night, ‘Is there anything that I should be prepared for?’” Stapleton said according to news.com.au.

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“And then they’re like, ‘Yes, a shoey. They’ll want you to drink beer out of a shoe’. And I said I will graciously decline to do that. But no one has asked me to do that yet and maybe this interview will make someone want to do that. I don’t know. But I’m probably going to decline that request.

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“I mean is there some kind of penalty if I don’t do it? Are they going to throw things at me?”

The country star joins a growing list of artists who have opted out of the tradition, which has been embraced by performers like Luke Combs, Lainey Wilson, and Morgan Wallen. While Stapleton remains appreciative of his Australian fans, he’s keeping the focus on his music rather than sideline antics.

Stapleton’s tour has been a massive success, with tickets selling out in minutes. His impact on the country music scene has been undeniable, with five No.1 albums and collaborations with Adele, Justin Timberlake, Pink, Dolly Parton, and Taylor Swift. His latest single, “Think I’m In Love With You”, saw renewed success after he performed a special version with Dua Lipa at the Country Music Awards in Texas.

In between sold-out shows, Stapleton has been making time to promote his Traveller Whiskey, which has just launched in Australia.

Partnering with Kentucky distillery Buffalo Trace, he emphasized that this isn’t just a celebrity-branded product, but a passion project.

“I don’t look at it as a side hustle, this is a company that makes some of the finest bourbons in the world and a bottle of something that master distiller Harlen Wheatley has made has been in the studio for every record I’ve ever made,” he said.

“This is a point of passion for me and you know it’s a bit of a hindrance, the perception that it’s a side hustle that somebody makes something somewhere and they get a celebrity to slap their name on it But I’m not into that and I really believe in what’s in the bottle and the people that are making the whiskey and they’re very serious about it and I am too.”

Stapleton’s Australian tour continues with back-to-back sold-out performances at Brisbane Entertainment Centre before heading to Sydney’s Qudos Bank Arena on March 4 and 5.

Lizzo’s back! The superstar is launching her new album era with a brand new single, “Love in Real Life,” released on Friday (Feb. 28). She teased the song just a few days prior to its arrival, with a cinematic teaser over which she narrates: “Everything was so much simpler, and that’s exactly what I need. […]

As the progeny of Ernie Isley — a key songwriter and multi-instrumentalist of The Isley Brothers, perhaps the most prolific soul group of all time — Alex Isley knows a thing or two about sensuality and intimacy. With her self-penned, Camper-produced new single “Hands,” the two-time Grammy-nominated R&B singer seeks to enter a new era marked by fresh sonics, fearlessly self-assured narratives — and a new home at Free Lunch Records. 
As announced earlier this month (Feb. 19), Warner Records entered a strategic partnership with veteran hip-hop/R&B executive Tim Hinshaw, expanding his Free Lunch Agency creative and tour company into a record label. With Isley and Syd — the Grammy-nominated R&B songwriter of The Internet fame – as the first signees, Warner artists will be able to access and leverage Free Lunch’s creative, touring and sync services. “I talked to a few labels, but with Warner, it was [about] the synergy and the timing,” Isley says. “I’m a firm believer in God’s timing. In talking with [Free Lunch Records general manager] Ericka Coulter and getting to know her and the Warner team, everything aligned.” 

On Friday (Feb. 28), Isley unleashed the first taste of her forthcoming new era: “Hands.” Written “almost exactly a year ago,” “Hands” finds Isley building on the tender sensuality of tracks like last year’s Terrace Martin-assisted “2 Step in the Living Room,” infusing Camper’s earthy, bass-driven soundscape with a tasteful vocal performance showcasing her buttery falsetto and effortless melisma. 

“I wasn’t necessarily expecting to start and finish a record that night with Camper, but that’s just how it happened,” Isley tells Billboard with a slight chuckle. “I wanted to create something moody and leaned more into my sensual side.” 

Mood sensuality is also the guiding light for the “Hands” music video. Directed by City James and starring One of Them Days breakout star Patrick Cage II, the “Hands” music video casts Isley as an alluring vixen, expertly building up unmistakably carnal tension without feeling excessive or unnatural. To color her version of sensuality, Isley called upon her synesthesia – a condition that allows her to correlate colors with certain keys or chords. “This particular song evokes warm oranges, gold, and yellow tones,” explains Isley of her “Hands” mood board. “It’s also a bit moodier, almost like sunset tones. I wanted to paint with that color palette as much as possible.” 

“Hands” previews Isley’s forthcoming album, one that Coulter calls “a true story you gotta read from start to finish. In addition to Camper, Isley also tapped Grammy-winning DJ and producer Kaytranada, longtime collaborator Jack Dine and producer Oh Gosh Leotus, who helped capture the sonic essence of Los Angeles. Though she was born in New Jersey, Isley has lived in L.A. for the vast majority of her life, and she hopes her new music is reflective of the unwavering community and togetherness the City of Angels displayed in the wake of January’s devastating fires. 

“I’m not sure if I was aware of how resilient the city is because we’ve never seen anything like these fires,” remarks Isley. “Being able to see and feel that in January was heavy but also very inspiring. It made me want to be even more intentional with my music and how I share it. It just means that much more to me to be able to share the music at this time.” 

Stream “Hands” below.