State Champ Radio Music
Page: 509
BLACKPINK already accomplished the hard part. Over the past half-decade, the quartet has transcended the boundaries between K-pop and the global mainstream in ways that no other girl group had done before, turning the momentum from their 2010s singles and projects into a 2020s breakthrough, particularly in North America.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Since 2020, BLACKPINK has released a pair of albums, including their first Billboard 200-topper, 2022’s Born Pink; collaborated with Lady Gaga, Selena Gomez and Cardi B, among others; become the highest-charting Korean girl group in Hot 100 history, with a total of five top 40 entries; and racked up several Western awards, including a Billboard Music Award and multiple MTV VMAs. Their commercial might in the U.S. was best demonstrated with their live show, which had reached stadium levels by 2023 and included a headlining gig at Coachella that year, making BLACKPINK the first K-pop act in that night-capping slot.
All of which is to say: JENNIE, JISOO, LISA and ROSÉ have climbed a mountain together that no other commercial act like them has conquered before. Over the past six months, however, they’ve all set out to achieve something different — this time separately, and all roughly at the same time.
Trending on Billboard
This Friday (Mar. 7), JENNIE will release her debut album, RUBY, one week after LISA released her own, Alter Ego. Jisoo released her debut solo mini-album, Amortage, two weeks before that, and while ROSÉ issued her own debut album, Rosie, in December, its singles have been promoted throughout early 2025, including with a handful of live performances. Members of pop collectives releasing solo projects after their original groups achieved mainstream success is a practice that stretches back decades, from The Beatles to the Jackson 5 to the Spice Girls to One Direction. Yet we’ve never seen every member of a group attempt to establish themselves as individual stars quite so simultaneously, four voices flooding the zone across a three-month span.
To some degree, BLACKPINK’s members launching solo music at the same time can be chalked up to a scheduling quirk, based on when studio material is completed and promotional opportunities arise; each member is working with a different U.S. major label partner (Columbia for JENNIE, RCA for LISA, Warner for JISOO and Atlantic for ROSÉ), who all have their own plans for how to most effectively roll out a debut project. And because BLACKPINK’s return as a collective is imminent, with a new world tour scheduled to kick off in early July, those respective teams have been working with limited time frames to set up solo eras.
Still — that’s a lot of BLACKPINK solo projects, being released very close to one another. The output could risk alienating casual fans, whose music consumption might be cannibalized by competing projects from members of the same group. BLACKPINK fans were always going to support these solo endeavors, but JENNIE, JISOO, LISA and ROSÉ are trying to establish their own voices, and build individual fan bases. Even if they’re not in competition with each other, they are competing to command an unfamiliar listener’s attention.
Yet as these solo releases have played out over the past few months, the BLACKPINK members have not drowned each other out. Instead, this onslaught may have been the best thing for the group’s four stars — and also, for the group itself.
Let’s start with the biggest crossover hit of the solo releases so far: “APT.,” ROSÉ’s fizzy pop-rock chant-along alongside Bruno Mars, has become a legitimate smash in the U.S. and worldwide. Upon its October release, “APT.” became the first top 10 hit on the Hot 100 for any K-pop female act, and has since spent multiple months in the upper frame of the chart, along with reaching No. 1 on the Global 200 chart and staying there for a record 16 total weeks (and counting).
That huge single has been complemented by other chart achievements from the BLACKPINK members: ROSÉ’s debut album Rosie bowed at No. 3 on the Billboard 200 in December, while LISA has notched three Hot 100 hits from her Alter Ego project thus far, the same number as JENNIE from her RUBY album. Both of those albums have a solid shot at following Rosie into the top 10 of the Billboard 200 over the next two weeks.
The commercial wins have been accompanied by enviable co-signs and pop culture showcases. Just as ROSÉ corralled Mars for a team-up, LISA’s Alter Ego features collaborations with Future, Tyla, Megan Thee Stallion and Rosalía, among others; its lead track, “Born Again,” has guest spots by Doja Cat and Raye, both of whom joined LISA at the Oscars last Sunday, where they performed a medley of James Bond theme songs in front of nearly 20 million viewers. Meanwhile, JENNIE has already released collaborations with Doechii and Dominic Fike from RUBY, and the album’s track list also includes Dua Lipa, Childish Gambino and Kali Uchis.
JENNIE’s most successful single with a North American artist, “One of the Girls” with The Weeknd, resulted from her supporting turn on The Idol last year; a few months later, LISA is co-starring on the current season of The White Lotus. Along with different fashion spotlights and TV performances, the appearances in high-profile HBO dramas has helped increase the members’ visibility in the States – they’re more familiar to U.S. audiences now, totally outside the K-pop purview.
Those opportunities would be valuable at any pace, but combined with the rapidity of these solo rollouts, the BLACKPINK members have worked toward a type of ubiquity that has no doubt shaken some unfamiliar listeners awake. Did you know that in each of the past five weeks, Spotify’s flagship new-release playlist New Music Friday has had a song by a BLACKPINK member in the first five slots? They have highlighted songs like JENNIE’S “Love Hangover” with Fike, JISOO’s “Earthquake” and LISA’s “Fxck Up the World” with Future — and with RUBY out this Friday, that streak is all but certain to continue for a sixth consecutive frame.
Part of the reason why this rising-tide, all-boats model can work for the BLACKPINK members has to do with the circumstances of the group itself. These solo projects are taking place during a pause in group activity, not a hiatus; this is not a situation like an *NSYNC or a Destiny’s Child, in which one member of a group is clearly poised to ascend to solo fame and leave their cohorts behind, and it’s also not like a One Direction or a Fifth Harmony, in which one member has abruptly split to start their own career, while the others have to figure out how and when to catch up.
Instead, these concurrent rollouts have acted as a stopgap that’s been creatively fulfilling and drama-free — especially since a date has already been set for everyone to return to the BLACKPINK mothership for a world tour. In this way, the solo endeavors have functioned similarly to the group’s fellow K-pop superstars BTS (whose staggered military obligations has caused a more sprawling timeline of solo projects, but the promise of an eventual return remains), but also recalls rap groups of the late 20th century, whose members would peel off to record solo albums before linking back up for a group project. BLACKPINK probably didn’t examine the similarities between themselves and a post-36 Chambers Wu-Tang Clan, but that has unwittingly become a highly successful model.
In any regard, the members have offered nothing but praise for what their group mates have accomplished on their own. “We know each other so well and know how much energy we have to put into every single project,” Lisa told Billboard late last year. “So we want to support and say, ‘You did really well!’ … This is what we all wanted to do, so I just wanted to say that I really do love their songs.”
Ultimately, this release strategy has created a balance — giving each member room to shine on their own, and the overlapping campaigns underlining their different music styles. Alter Ego demonstrated LISA’s pop-rap versatility, JENNIE’S advance RUBY singles underlined her effortlessly cool hook deployment, JISOO’s Amortage was defined by a graceful pop sensibility, and ROSÉ’s Rosie took a playful approach to radio-ready singer-songwriter fare. Longtime BLACKPINK fans had located the nuances in the four members’ approaches – but when stacked separately against one another, their singular talents were made more evident to a wider audience. A generation removed from each Spice Girl getting tagged with a different look and nickname, the BLACKPINK members have gotten to establish their personas by more artistic, and less reductive, means.
And soon, those personas will have the opportunity to live in front of stadium audiences. With the BLACKPINK world tour kickoff less than four months away, we’ll see how the recent solo material is incorporated into the group’s live show. Beyond that, future BLACKPINK studio output will be driven by four women who have had their confidence grow as artists and performers, and whose respective skill sets have been given room to expand and strengthen. BLACKPINK was already huge before this recent period of solo releases, but there’s no doubt that they’ve scooped up at least some new fans for the collective with their individual efforts — new fans of “Apt.” or Amortage or Alter Ego diving further down the rabbit hole, and becoming full-blown BLINKs.
Drake and Sabrina Carpenter have been duking it out on the charts lately, as their albums sat at No. 1 and No. 2 respectively last week on the Billboard 200 — but that doesn’t mean that have any animosity towards each other. Explore See latest videos, charts and news See latest videos, charts and news […]
Much has been made of the Drake and Kendrick Lamar feud of 2024, and Xzibit has chimed in with some thoughts on the historic battle, as well as what’s fair when embroiled in a rap beef.
The West Coast rapper joined Bill Maher’s Club Random Podcast earlier this week, and X made it clear he’s backing Lamar in the feud.
Trending on Billboard
“What you’re seeing and why people are celebrating it so much is that this big, huge machine and this so-called rapper from Compton,” he said. “Yes, he has success, but he’s not as big as his [Drake].”
Maher was focused on getting Xzibit’s thoughts on Lamar calling Drake a “pedophile” on his Grammy-winning anthem “Not Like Us” and performing the track during his Super Bowl Halftime Show.
“This is a rap battle,” X pleaded. “This is not a testimony or deposition. This is a f—ing rap battle. I’m going to talk about your mama, your daddy, your children, your grandma’s wooden leg, your missing teeth. It’s all a game.”
However, Xzibit appears to say that if the pedophile allegations made in “Not Like Us” were true, there would be cases and lawsuits against Drake tied up in the court system.
“But I never saw anything that proved he was a pedophile. There’s been no court, there’s been nobody brought any cases against him,” X added. “If there was something weird going on, then there would definitely be people that would come forward and testify, and then people would be charged for that.”
Maher didn’t understand where the allegations against Drake stemmed from, and Xzibit pointed to the “Hotline Bling” artist’s friendship with actress Millie Bobby Brown.
“But when you’re playing the dozens, and I give you one that hurts your feelings, don’t be the guy who wants to fight because I got a good joke,” Xzibit said, defending Lamar.
But it seems the Pimp My Ride alum isn’t supporting Drake’s defamation lawsuit against Universal Music Group over “Not Like Us.” (The label has denied the allegations made by Drake, slammed the suit as “illogical” and “frivolous.”)
“But he’s basically saying that you did something for someone else that you used to do for me, and here’s how I know,” X stated. “And I’m blowing a whistle now — but that’s not true. Like, the world loves that song.”
Drake reached a settlement with iHeartMedia over an airplay dispute surrounding “Not Like Us” earlier this week. Drizzy had alleged that iHeartMedia received illegal payments from Universal Music Group to boost the Billboard Hot 100 No. 1 hit’s airplay.
Watch the full interview with Xzibit below.
It feels like almost as soon as Taylor Swift started dating Travis Kelce, the conversation turned to whether wedding bells were in the superstar couple’s future. Well, one person who’s never afraid to share his opinion has officially weighed in on the hot topic. ESPN personality Stephen A. Smith appeared on The Tonight Show Starring […]
In August 2022, Contemporary Christian Music mainstay TobyMac issued a project, Life After Death, that found the singer-songwriter wrestling with the emotional turmoil that followed the death of his 21-year-old son, Truett, in 2019.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Nearly three years removed from Life After Death, the 14-time Billboard Christian Airplay solo chart-topper returns with his ninth solo studio album, Heaven on My Mind, on Friday (March 7) via Forefront/Capitol Christian Music Group. The new album finds him discovering a new equilibrium, while continuing to honor the sense of loss.
Trending on Billboard
“My last record was just facing things no one should have to face… the deepest, heart-crushing you could ever have in losing my first-born son, but I felt like this record was me gaining my footing a bit. Realizing, ‘Okay, I can breathe, and I can get my fist up in the air about things I believe in,’” the seven-time Grammy winner tells Billboard.
As with Life After Death, TobyMac turned to songwriting as an outlet to process this new life season, saying, “I’m a songwriter first and foremost. I’m a songwriter disguised as a pop artist.”
The album’s central theme is perhaps embodied in his uplifting, most recent Christian Airplay chart-topper “Nothin’ Sweeter.”
“I wanted to summarize a little bit that life is full of twists and turns and that I have seen a lot of it, and I’ve seen the sweetest parts of it, the best parts of it, and I’ve seen some really tough parts, and I landed on my feet was the goodness of God.”
TobyMac has weathered a few heartbreaking moments in recent years — not only the passing of his son, but the death of close friend and longtime associate Gabriel Patillo, who died in April 2024 following a battle with cancer. Patillo was a member of TobyMac’s Diverse City Band and an entertainer who had worked alongside TobyMac for 25 years, after first joining as a dancer when TobyMac was part of DC Talk.
He pays homage to Patillo on a pair of songs on the album: the folk-oriented “Campfire (That Very Love)” was written as a plea of healing, followed by the tender tribute “Goodbye (For Gabe).”
“Gabe was the heartbeat of Diverse City. We did everything together,” TobyMac recalls. “The backstage culture that we were always striving to create on our tours, Gabe and I came up with that together — how do we make backstage not competitive? How do we make it a community? How do we make it to where we’re praying for each other, hoping for each other, and cheering for each other when we’re on stage versus feeling competitive? My philosophy is that a healthy [environment] backstage leads to a healthy [environment] on stage. It made the shows stronger, more powerful. We produced every show together, wrote songs together, and he helped me think through everything. He was just my right-hand man for everything that I do.”
Determination and a refusal to lose hope pulsate through the album on songs such as the resolute anthem “Can’t Stop Me” (which feels reminiscent of TobyMac’s days as part of the 1990s CCM rock/rap group DC Talk) and the triumphant “God Did It.” Elsewhere, on “A Lil Church (Nobody’s Too Lost),” which is rising on the Hot Christian Songs chart, he seeks to redefine boxed-in assumptions of what a church can be—focusing more on community over stained-glass windows and towering buildings.
He initially had a current country music hitmaker in mind for “A Lil’ Church.” “I had Jelly Roll in my head, just because we’ve texted a bit here and there. I always wanted to hear him on it, maybe one day I will. That would be awesome,” TobyMac says.
“Rearview,” featuring Gospel artist-writer-producer Juan Winans, touches on coping with regrets.
“Juan wrote his verse, and I wrote mine,” he recalls. “We wanted to write it authentically so we each took a verse. I think regret is something that I struggle with. I look back like, ‘Should I have done this differently? Should I have done that differently?’ it can really imprison you. I tried to look into the things that trouble me, [and] into the things that empower me or make me feel like I can overcome.”
Outside of his work as an arena-headlining artist, TobyMac was part of the team that launched Gotee Records in 1994, developing it into a prominent label home, with a current roster that includes not only Terrian, but also Jon Reddick, Cochren & Co. and more. The label was recently acquired by global company Bell Partners.
“Partnering with a bigger company, we can put twice the power behind our artists,” TobyMac says. “I’m still doing A&R, still developing artists for Gotee. I made sure I could still do that. As a guy that’s had a label for 25 years, if I didn’t think this would serve our artistry in a greater way, there’s no way I would have done it. It’s nice to know that we have a partner where anything we dream of, we can go after it.”
While Contemporary Christian Music is growing domestically, the deal with Bell brings with it the benefit that it “is powerful in other parts of the world where it’s tough for us to get there and to be represented well,” he says. “I’m excited about the growth of our industry internationally. I feel like it’s absolutely moving in the right direction, and I look forward to what we can do with Bell.”
Gotee recording artist and former Diverse City bandmember Terrian, who released her own debut album in 2024, joins on “Resist (Keep the Devil Away).” Terrian is also opening shows on TobyMac’s current Hits Deep Tour.
“When we signed Terrian to a record deal, we started making songs on her right away and she started touring with Diverse City,” TobyMac says. “The plan was always for her to fly and do her own thing. This is the first tour I’ve done right now without Terrian in the band and she’s out there opening shows because I’m super proud of her and want to give her all the help I can to increase the foundation of what she’s doing as an artist. I love developing young artists, walking alongside them, and helping them gain their own vision for their artistry.”
His album finds its center in creating music of a scope both deeply personal and universal.
“I call it the good, the bad, the ugly of my life. Those just end up on the pages of my lyric notebook,” he says. “We’re all facing some relationships going great, and some relationships that are struggling and there are deep valleys. If I write from my life and I’m experiencing all those things, I find that people relate to it. It resonates with people because we’re not that different from each other.”
Dolly Parton has spoken out with another statement following the death of her husband of 60 years, Carl Dean. In a message posted to her Instagram Thursday (March 6) — about three days after she first revealed the Nashville businessman’s passing at the age of 82 — the country superstar wrote, “This is a love […]
Though Lionel Richie and Luke Bryan just kicked off their eighth season behind the iconic American Idol judge’s desk, they told Tonight Show host Jimmy Fallon on Wednesday night (March 5) that newcomer Carrie Underwood is already shaking things up just one week into her tenure.
“She was the number one at the beginning,” Richie said of Underwood, 41, who memorably won the fourth season of the show when she was 21 and said she still has her “14887” contestant sticker from her audition. Asked what it’s like to have an OG Idol on the show, pop icon Richie said their new partner is a “jukebox… she knows every song that the contestants are singing,” joking that Underwood can’t help joining in.
“I go Carrie, ‘they’re competing. It’s not you. You already won,’” Richie joked, as Underwood defended herself by explaining that if a nervous contestant flubs a lyric she is happy to be their human “Teleprompter. I got you. I will help you.”
Trending on Billboard
As for whether contestants still try to “butter up” the panel by covering their songs, Underwood said they’ve all had it happen so far, for good or ill. “They think it’s to compliment us, but some days we’re just praying, ‘Please God, just let them be able to sing it.’ And sometimes they nail it and sometimes it goes south real fast,” Richie admitted.
Replacing fan favorite Katy Perry, Underwood appears to have slipped into the pump-up pal seat with no hiccups. Richie said the country star immediately said yes to the first singer the panel saw, then again for the second one, only to reach a crossroads for singer number three out of nearly 200. “Luke and I were laughing, ‘well, she’s gotta say no,’” Richie recalled. “And she said, ‘well, she’s so cute… she’s so adorable.’ I said, ‘the answer is no!’”
“I care a lot and it’s people’s hopes and dreams,” Underwood said in her defense. “I’m trying to evaluate, ‘is there more in there,’” she added, as Richie flashed some performative exasperation at his co-star’s gentle nature. “There was not any more in that woman’s [inaudible]… it was a firm ‘no,’” Bryan said.
Asked if some of the singers get nervous in front of the superstar panel, Bryan said he’s basically become an amateur psychologist at this point. “I can read a fainter when they’re about to faint… we had one kid and I went behind him and kind of patted him down and he was 157 degrees, his body temperature,” he said.
The trio kicked off their visit with a competitive, trash-dancing showdown in the “Name That Song Challenge,” during which Bryan and Richie faced off against Underwood and Fallon. Racing to guess which instrumental versions of pop songs house band the Roots were playing while adding one instrument at a time, UnderFallon shot out to an early lead when the host quickly guessed Cyndi Lauper’s “Girls Just Want to Have Fun.”
Fallon rubbed in his correct guess with a hip-shaking dance and impromptu duet with Underwood, cheekily asking his rivals, “isn’t this the best game ever?” A not-amused Richie rolled his eyes and shot back sarcastically, “this is so much fun,” with Bryan pointing to the other team and saying, “she’s a jukebox and all you do [Fallon] is listen to music!”
The next one was trickier, with Fallon incorrectly guessing the Commodores’ “Brick House,” as the band’s former singer Richie snagged the obvious answer: the Jackson 5’s “ABC,” which set him and Bryan off on their own touchdown dance routine. They all struggled with the third track, with Fallon finally humming out Billie Eilish’s “Birds of a Feather” for the win, then fanning himself theatrically.
After Underwood nailed Huey Lewis & the News’ “Power of Love” to Bryan’s chagrin, Richie rocked back with a correct guess on Heart’s “Barracuda,” setting off a friendly twin air guitar solo with Fallon that lead to a celebratory couple’s waltz for the team that correctly guessed the last song. American Idol airs at 8 p.m. ET on Sunday (March 9) on ABC.
Click below to find out who won the guessing game and to hear Underwood, Bryan and Richie talk about the new season of Idol.
Cam’ron isn’t one to look back on his career, as he’s typically focused on the business moves ahead. However, during an episode of Talk With Flee on March 4, Cam talked about artists he wished he had collaborated with over the years.
Explore
See latest videos, charts and news
See latest videos, charts and news
After mulling over it for a few seconds, the Dipset rapper admitted he would’ve loved to bar up on a track with Eminem as well as fellow New York legend Nas. “There was a time, probably when we first came out in the late ’90s, early ’00s, I wanted to work with Eminem when his career was taking off and my career with Dipset was taking off,” he said. “I wanted to do a record with Eminem because he’s super-duper lyrical.”
Cam continued: “I can be super-duper lyrical. I dumb a lot of my s–t down for my audience, but I thought that would have been a sensational record. The other person would be Nas. That would be the other artist I would have loved to work with at one time.”
Trending on Billboard
With Em and Nas still rapping in 2025, the dream’s not dead yet for Cam, although it would probably feel a lot different than the record fans would’ve received in the 2000s.
Cam has always held Eminem in high regard as one of rap’s best. “Is Eminem one of the best rappers? Yes, Eminem is one of the best rappers,” he said in an Instagram video last April. “Look, what happens is, a lot of people say Eminem don’t be saying nothing, he just putting words together or whatever, but you gotta realize you gotta do what works for you.”
Killa added: “If that works for Eminem, for him to make all the money he made and the Grammys and awards, he so rich that he can’t come outside by himself, then that just works for Eminem.”
While Cam and Em might not hit the studio, they may be appearing on the screen in Adam Sandler’s Happy Gilmore 2. “Put the whole team in da movie. #HappyGilmore2,” Cam captioned a social media post, hinting at his involvement. Sandler has previously confirmed Em’s cameo in the upcoming film.
Watch the clip of Cam’ron below. Talk about his missed collaborations with Eminem and Nas takes place around the 48-minute mark.
Millie Bobby Brown isn’t standing for any misconceptions about how meticulously Taylor Swift curates her albums, not even from The Electric State costar Chris Pratt.
In a new video posted by Netflix and the Jurassic World star on Instagram Wednesday (March 5), the two actors debate who had it better: teenagers in the ’90s or modern-day adolescents. Their biggest disagreement came, however, when it came to music, with the Enola Holmes leading lady aghast to find that teens had to listen to songs in the order they appeared on albums three decades or so ago.
“If I didn’t want to listen to ‘It’s Your Thing,’ I would have to fast-forward through all of ‘It’s Your Thing’ to get to ‘Dreams to Remember’?” she said while inspecting a cassette tape loaded into a Walkman. “That’s horrible!”
Trending on Billboard
Pratt then mused pointedly, “There was once a time where artists who made tapes, they curated their music into a very intentional list.”
“No, that’s not true, Chris,” the Stranger Things actress vehemently interjected. “Taylor Swift curates her album from start to finish.”
“You don’t have to listen to her album that way,” Pratt countered. “You can go on Spotify and hit shuffle and listen to it however the AI decides.”
Brown then finished the argument by insisting passionately, “A true Swiftie wouldn’t.”
“You don’t understand,” she added to the Parks & Recreation alum.
In the clip, Brown and Pratt also compared and contrasted Polaroid cameras with iPhone selfies, as well as inspected a 30-year-old answering machine. The inspiration for the video came from the 1990s setting of The Electric State, which arrives on Netflix March 14.
The spirited debate is also far from the first time Brown has demonstrated her fandom of the “Anti-Hero” singer. While on The Kelly Clarkson Show in March last year, the actress dubbed herself a “hardcore Swiftie to the point of knowing “exactly where [Swift] is at all times.”
“I went to the Eras Tour and it was just … it was the most amazing experience,” she gushed at the time. “So when I went to my show — I went to Ohio, I flew there solely for Taylor — and she played ‘Evermore’ and I collapsed to the ground. It was pretty crazy.”
Watch Brown and Pratt discuss Swift’s album-curation skills below.
Jesy Nelson is overjoyed to be expecting identical twins, but in a video, she and boyfriend Zion Foster revealed that the pregnancy has also come with some scary complications.
In the emotional clip posted to Instagram Wednesday (March 5), the Little Mix alum opened up about the medical concerns she’s currently facing when it comes to her babies, who, she revealed, are monochorionic/diamniotic twins — meaning they share a placenta while having separate amniotic sacs, according to Columbia University. “Normally, most twins will have two placentas that they feed off of, but when you have mono/di twins, that means your twins live off one placenta, which can lead to lots of complications,” Nelson explained, addressing the camera while sitting next to her partner.
“One baby might take all the nutrients, the other might, which — really awful to say — could lead to both babies dying,” the singer continued, fighting back tears as Foster comforted her by rubbing her arm affectionately. “At the moment, I am currently pre-stage TTTS, which is twin-to-twin transfusion. I’m being monitored very closely, I have to go be scanned twice a week.”
Trending on Billboard
John Hopkins Medicine defines twin-to-twin transfusion syndrome, or TTTS, as a rare pregnancy condition that affects identical twins when their shared network of blood vessels in the placenta is imbalanced. One twin might give away more blood than it receives, risking malnourishment and organ failure, while the other twin might receive too much blood and become “susceptible to overwork of the heart and other cardiac complications.”
In Nelson’s case, she says the condition has “gotten a little bit worse” every time she’s gone to the doctor for a scan. “But we are just hoping and praying for the best,” she added as Foster nodded. “We feel really blessed that we’ve been given twins. It’s just really sad that, unfortunately, it comes with these complications, which we had no idea about.”
She added, “We just really want to raise awareness about this, because there’s so many people that don’t know about this.”
The couple’s update comes close to two months after the “Boyz” artist first revealed on Instagram that she was expecting not one, but two babies with Foster. In a joint post showing off Nelson’s baby bump, the pair wrote, “She’s eating for 3 now.”
Nelson and Foster have reportedly been dating on and off since January 2022. In August, they released a song together titled “Mine.”
Watch Nelson open up about her pregnancy complications below.
