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Bre Tiesi is opening up about her unorthodox relationship with Nick Cannon, whose time she has to share with four other women who’ve also welcomed kids with The Masked Singer host.
On the latest episode of Paul C. Brunson’s We Need to Talk podcast posted Tuesday (March 11), the Selling Sunset star explained why non-monogamy works for herself and Cannon, with whom she shares 2-year-old son Legendary Love. “It’s just so healthy and normal, and people think that it’s not because of the surrounding factors, but I don’t involve myself in surrounding factors,” Tiesi said matter of factly. “The kids are welcome into my life and our life, and that’s where I draw the line.”
“Nick’s always been a playboy,” she continued. “Everyone knows that.”
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The Wild n’ Out star has a total of 12 children with five different women including Tiesi. He shares twins Moroccan and Monroe with superstar ex-wife Mariah Carey; Golden Sagon, Powerful Queen and Rise Messiah with Brittany Bell; Zion Mixolydian, Zillion Heir and Beautiful Zeppelin with Abby De La Rosa; Onyx Ice with LaNisha Cole; and Halo Marie with Alyssa Scott. He and Scott also had a son named Zen in 2021, but the little boy died from brain cancer just five months after he was born.
Of Cannon’s respective relationships with the other women, Tiesi explained why she doesn’t feel “threatened.” “I know what my relationship is, and I know that no matter what, you’ll never have with anyone else what you have with me,” she told Brunson. “I’m cool with a majority of the women. Obviously, there’s emotions involved, and I can’t help how other people feel.”
The model went on to share the closest she’s ever come to feeling envious of Cannon’s other relationships. “I think I’ve gotten jealous about maybe holidays,” she said. “Holidays are hard. I’ll be like, ‘If you’re gonna do this, can you take Legy?’ It’s not for me — I’m not jealous. Say they go on a trip, and I’m like, ‘Well that would’ve been nice. Couldn’t you have just brought Legy with you guys?’ I’m looking more out for him. I want him to have the relationship with his siblings.”
Tiesi also explained why she currently isn’t dating anyone besides Cannon, despite the Drumline star maintaining relationships with other women in addition to her. “It’s not that I won’t or I can’t, it’s that I choose not to,” she said. “I just really don’t want to deal with another man for a very long time. I’m happy in my relationship. I’m happy with my family unit.”
Watch Tiesi break down her relationships with Cannon and his kids’ other moms on We Need to Talk below.
Peter Wolf has been thinking about writing a book “for a long time.” But making a new solo album is what really prompted the former J. Geils Band frontman to get serious about it.
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Wolf is “about 80 percent” finished with the album, which will be his first since 2016’s A Cure For Loneliness. “It occurred to me that my solo recordings, a lot of them went unnoticed, and I realized that if I put this out with the way things are these days, it can turn to vapor quite easily and be another lost solo effort,” Wolf — who’s just published Waiting on the Moon: Artists, Poets, Drifters, Grifters, and Goddesses (Little, Brown) — tells Billboard. “So I thought, ‘Well, maybe now is the time to write that book I’ve been talking about for decades.’ I think if the book connects with people it would even put the wind beneath my wings to finish the record and put it out.”
Wolf also received a meaningful push from writer Peter Guralnick, best known for his acclaimed biographies of Elvis Presley, Sam Cooke and Sun Records founder Sam Phillips. “He read some of the things I was writing,” Wolf recalls, “and he said, ‘Y’know, Pete, you better finally do this book ’cause a lot of the people you’re gonna want to have read it might not be with us at the pace you’re going.’ That was a profound statement for me.”
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While it tracks from Wolf’s childhood to the relatively present day, Waiting on the Moon is not a standard, linear memoir. Rather, it’s a collection of stories — and a fascinating, good-humored one at that — as the New York-born Wolf regales readers with his Forrest Gump-like life of encounters with the famous, starting with a chapter titled “I Slept With Marilyn Monroe,” in which Monroe literally fell asleep on a 10-year-old Wolf while both attended a screening of the Jules Dassin film He Who Must Die at a local movie theater. (Not to worry; Monroe was with then-husband Arthur Miller and Wolf’s parents were on his other side.)
From there it’s off to the races as Wolf recounts his interactions and relationships with blues heroes such as Muddy Waters, Howlin’ Wolf and John Lee Hooker (sometimes in his Boston apartment) as well as Bob Dylan, Van Morrison, the Rolling Stones, John Lennon and Harry Nilsson, Sly Stone, Aretha Franklin and more. He crosses paths with music biz luminaries such as Ahmet Ertegun, Bhaskar Menon, Jon Landau and Dee Anthony, gets on the wrong side of Alfred Hitchcock by declining an offer of an alcoholic drink and finds himself being courted for a part in Martin Scorsese’s The Last Temptation of Christ.
Eleanor Roosevelt, Louis Armstrong, Andy Warhol, onetime roommate David Lynch, Julia Child and Tennessee Williams are also among Wolf’s encounters in the pages.
“My goal was to make a book of short stories, treat each chapter like its own short story,” explains Wolf, who was an art student and radio DJ in Boston as well as a musician — first with the Hallucinations, then with the J. Geils Band starting in 1967. He fronted the latter to multi-platinum worldwide fame with Freeze-Frame in 1981, which topped the Billboard 200 in 1982 and produced the six-week Billboard Hot 100 No. 1 “Centerfold” that same year. After being asked to leave the group in 1983, Wolf kicked off a solo career with 1984’s Lights Out (its title track hit No. 12 on the Hot 100). “There was no timeline. I wasn’t concerned, in a way, about the beginning, middle and end; each story has its own beginning, middle and end. And I didn’t want this to be a kiss-and-tell book; I just wanted to write about these incredible people that I had the privilege to meet and to get to know to certain degrees and capture that.”
Wolf adds that “the two subjects I didn’t want to write about was my marriage to Faye Dunaway and the J. Geils Band,” but both are there — particularly the former, whom Wolf has been loath to discuss in this kind of detail during and after their marriage from 1974-79. “Faye was this very determined, talented person and we loved each other,” Wolf says. “I was just trying to bring her, and our relationship, somewhat to life and all the adventures we shared in it. I didn’t talk about it (before) because I would talk about my music, talk about the records, and all the other stuff was kind of private. But I was writing about the adventures in my life, and certainly she and I shared many of them. I was very surprised how quickly the stories came out.
“Of course there’s regrets; one has regrets and wishes they could do things differently, and I think I’ve expressed that in all the chapters. Some were silly, stupidities that I’ve made, and I don’t try to disguise those. It all flowed through naturally once I got into the crux of it.”
‘Waiting on the Moon’
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The J. Geils Band, meanwhile, is treated as a through-line in the book until a later chapter in which Wolf writes about explicitly about how it came apart at the peak of its career.
“It was a great shock to me, and it was a sea change for me,” says Wolf, who was part of Geils reunion tours from 1999-2015. The book also includes a vivid retelling of him being beaten up in a London pub while on his way to the band’s performance at the 1989 Pinkpop Festival in the Netherlands. “I tried to write honestly about it, my experience of it all and how I felt. I was committed to the band; it was my life, and even with my marriage to Faye our careers always came first. In other chapters you can see how hard I tried working to keep the band relevant and moving ahead, so of course when things did fall apart it was a very painful thing for me. What I didn’t add in the book that I was asked to leave the band in 1968 because they felt my vocal abilities were holding back the band.”
Wolf has recorded an audio version of Waiting On the Moon and has a handful of author appearances planned this month, starting Tuesday (March 11) at the Harvard Bookstore in Cambridge, Mass., and including stops in New York, New Jersey, New Hampshire, Philadelphia and Connecticut. He did, however, cancel a planned March 21 stop at the Kennedy Center in Washington D.C. “due to the egregious firing of staff by the new administration.”
Wolf is also planning to get to work on the album, working with “the same cast of characters” who helped with his last few albums. “I think it’s got some really memorable songs, and I took a long time in putting it together,” he says, adding that he foresees a return to performing as well. “Yeah, that’s what I do. But the book really required a sabbatical. It’s like making a really good record that you’ve got to hunker down and commit to.” A reissue of the J. Geils Band’s 1972 concert album “Live” Full House is also slated for this year, according to Wolf.
Also on the future docket may be an induction in the Rock & Roll Hall of Fame, which has eluded the J. Geils Band over the course of five nominations between 2005-2018. Wolf has inducted Jackie Wilson and the Paul Butterfield Blues Band at previous ceremonies, and while he notes that “it’s a situation I have no control over” he makes it clear that it’s something he’d like to see happen, eventually.
“Yes, it would be a nice honor,” Wolf says. “I do feel the Geils Band contributed a lot in the AOR period of rock n’ roll. Not unlike the Stones we introduced a lot of people to (artists) like the Contours and Otis Rush and Muddy Waters and doo-wop… yet the Geils band has been looked over. I think we worked very hard for 17 and a half years, and I think we made some kind of contribution. But, to quote a Johnny Mathis song, ‘it’s not for me to say.’”
Wolf’s author appearance schedule for Waiting On the Moon includes:
Tuesday, March 11th: Harvard Bookstore at the First Parrish Church, Cambridge, MA
Wednesday, March 12th: The Strand, New York, NY
Thursday, March 13th: Bookends Bookstore, Ridgewood, NJ
Tuesday, March 18th: Writers on a New England Stage at The Music Hall, Portsmouth, NH
Thursday, March 27th: Free Library of Philadelphia, Philadelphia, PA
Tuesday, April 8th: RJ Julia Booksellers, Madison, CT
Tito Fuentes, vocalist and guitarist of the Mexican rock band Molotov, is taking some time off to deal with health issues. The musician announced that he is undergoing physical and mental rehabilitation, without going into details.
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“I am in a process of both physical and mental rehabilitation that has led me to be absent from the stage during the last Molotov concerts,” he said in a statement on social media Monday (March 10). “Putting my health as a priority, I have decided not to return to play until I am 100%.”
Fuentes will be replaced by Jay de la Cueva, leader of the defunct band Moderatto and former member of Molotov, for the group’s upcoming scheduled performances.
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De la Cueva “is not only a great musician and dear friend, but Jay is also one of the founding members of the band, and I am sure it will be a great show to see him with them at Vive Latino,” said Fuentes, adding, “I hope to return soon.”
The announcement comes just days after the iconic Mexican band began an extensive tour with dates in Latin America and Europe to celebrate its 30th anniversary, a series of shows that includes the group’s participation in the 25th edition of the Vive Latino festival Saturday (March 15) at the GNP Seguros Stadium in Mexico City.
Billboard Español reached out to Molotov’s team for additional comment.
Jay de la Cueva, considered one of the most versatile musicians in the Mexican rock scene for his participation with various groups and projects, was a founding member of Molotov in 1995, along with Fuentes and Micky Huidobro (bass).
For three decades, Molotov — which also includes Paco Ayala (guitar) and Randy Ebright (drums) — has been a reference in Latin rock music. Songs such as “Gimme the Power,” “Frijolero” and “Voto Latino” have become the soundtrack for their followers through political and social changes, while denouncing issues such as racism, corruption, bureaucracy and abuse of power.
On the Billboard charts, the band has placed four titles both in Top Latin Albums and Latin Pop Albums, including two top 10s of the latter: Dance and Dense Denso in 2003, and Agua Maldita in 2014.
A seven time Latin Grammy-winner, Molotov has also sparked controversy on several occasions. One of the most memorable occurred in 1997, when the band released the Gustavo Santaolalla-produced album ¿Dónde Jugarán Las Niñas?, whose cover caused it to be removed from record stores for being considered offensive to morals in Mexico. The cover featured a photograph of a girl in a high-school uniform with her panty at mid-thigh.
The band’s song “Puto” has been labeled as homophobic by LGBTQ advocacy groups, something the band has denied on several occasions, arguing that the title is just a popular Mexican expression.
Ask any parent and they will tell you that their kid is absolutely the best, the tops, no matter what anyone else thinks. Britney Spears is exactly one of those proud mamas, as evidenced by a pair of Instagram clips she posted on Tuesday (March 11) of her youngest, 18-year-old son Jayden James, showing off his piano-playing and mumble rapping skills.
In the first video, Jayden can be heard playing an unidentified song on the piano as Britney, 43, walks through her living room and zooms in on a picture of her with her second born before walking over to watch him tickle the ivories. Wearing baggy black jeans, a Muhammad Ali t-shirt and a black wool hat, Jayden fools around on the baby grand as his mom exclaims, “that’s sick!”
As he continues to play, Britney can be heard saying, “Jesus! That’s sick!” She captioned the clip “WOW WOW WOW !!!”
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In the second video, Jayden, now wearing dark shades indoors, walks around mumbling as Britney screams, “Well that was really good! My son just played! Oh my God! I felt it in my bones, and my heart, and my lungs, and my a–, and my throat and my…,” as Jayden appears to complete the thought with “my d–k.”
“Yes sir, yes sir,” Jayden says nonchalantly while Britney enthuses, “Hello, hello, hello, whoa!,” swinging her phone camera back to the piano. Her excitement at their get-back was clear from the caption of the second video: “He’s a genius and I’m in awe of him !!! I can’t believe he’s mine !!! I was honestly scared that’s not normal !!!”
The singer who also shares older son Sean Preston, 19, with her ex Kevin Federline, posted pics in December of what she called a reunion with Jayden after what she said was a two-year period in which she didn’t see her sons. “Best Christmas of my life !!! I haven’t seen my boys in 2 years !!!” she wrote on Christmas Day. “Tears of joy and literally in shock everyday koo koo crazy so in love and blessed !!! I’m speechless thank you Jesus !!!”
Check out the musical mother and child reunion below.
A few weeks after revealing his plans to sell a custom 2022 Lamborghini Urus won from its previous owner, superstar Shakira, in a giveaway, Colombian-American artist Michael Mejía was involved in a car accident while driving the luxury vehicle on Thursday (March 6).
“I was simply hit. It wasn’t me who crashed,” Mejía told Billboard on Tuesday (March 11). “I was about to cross a street when a car came speeding, and the driver was probably distracted. It was quite a scary moment. Fortunately, I wasn’t injured, but it was a very [tough] moment. The car is being restored. Thankfully, I had good insurance, so the car will be as good as new.”
An Instagram video posted on Sunday (March 9) by Spanish-language reality series ¡Siéntese Quien Pueda! showed the purple Lamborghini damaged in Miami.
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In February, during an interview with El Gordo y la Flaca, the contest winner talked about receiving the car from Shakira and his intention to sell the car — worth $280,000 — for potentially $1 million because of the steep maintenance costs. Shakira had provided him with an extra $90,000 to cover various expenses such as taxes, the car’s title transfer, legal fees and six months of insurance payments.
He previously explained the financial challenges involved, facing about $95,000 in federal taxes at the end of the year, monthly insurance costs exceeding $2,000 and more expenses related to the luxury vehicle. And now, he tells Billboard, he’s also facing backlash from the pop superstar’s fans for needing to sell the Lamborghini.
“The reality of all this is that I am an artist — I earned this car with my art,” he tells Billboard. “I’ve had a super lovely experience receiving that recognition from Shakira. What’s happening now is that all of Shakira’s fans — who initially supported me — are hating me because I decided to sell the car, since it is very costly. So, to them, it’s like, ‘This man is an opportunist. How can he take advantage and sell the prize?’ They see it as potentially disrespectful towards Shakira. I mean, the reality is that the car is very expensive. All the monthly costs are too much, and I just can’t keep up with them.”
The artist — known for his work in fine art, murals and body painting — won the prize based on the merit of his artistic contributions. He adds to Billboard: “A car doesn’t define an artist; let [fans] not forget why I won that car.”
Billy Joel has postponed his current tour for four months due to an undisclosed medical condition, it was announced on Tuesday (March 11). The Rock & Roll Hall of Fame inductee underwent surgery recently, and will use the time to recover and undergo physical therapy.
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Joel, 75, is expected to make a full recovery, with the tour resuming at Acrisure Stadium in Pittsburgh on July 5. “While I regret postponing any shows, my health must come first,” Joel said in a statement posted to Instagram. “I look forward to getting back on stage and sharing the joy of live music with our amazing fans. Thank you for your understanding.”
The stadium tour, which includes Joel often pairing with fellow legends Stevie Nicks, Sting or Rod Stewart, was slated to start March 15 in Toronto.
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It is unknown if the surgery was related to the spill Joel took on stage Feb. 22 during a show at the Mohegan Sun Casino in Uncasville, Conn., while tossing his microphone during “It’s Still Rock and Roll to Me.” Joel quickly recovered from the fall, seemingly uninjured, and finished the show.
The delay will not affect Joel’s three New York City-area summer shows, which will lead the Piano Man to setting a record. Joel will play Yankee Stadium in the Bronx on July 18; Metlife Stadium in East Rutherford, N.J., home to the New York Giants and New York Jets, on Aug. 8; and Citi Field, home to the New York Mets, in Queens, N.Y., on Aug. 21, making him the first artist to play all three NYC-area stadiums in one summer. Stewart will join him July 18, Nicks on Aug. 8 and Sting on Aug. 21.
“I’m looking forward to playing these iconic stadiums this summer – each holds personal significance to me,” Joel told Billboard in early February. “There’s nothing like the energy of the crowds in New York, and sharing a stage with my friends Rod Stewart, Sting and Stevie Nicks, whose music always inspires me, is extremely rewarding.”
See below for the rescheduled dates:
Beyoncé has starred in a number of films, but according to Tina Knowles, the 35-time Grammy winner’s big screen days are behind her.
The businesswoman revealed on Instagram March 7 that her superstar daughter has no plans to return to the big screen. Sharing a clip of Bey singing “I’d Rather Go Blind” while portraying Etta James in 2008’s Cadillac Records, Ms. Knowles wrote, “This is still one of my favorite movies, and it makes me miss the fact that my child decided not to continue with movies.”
“She killed it in this movie,” the designer added. “And she so unselfishly donated her salary to the Phoenix house.”
Phoenix House is a nonprofit that offers recovery treatment for individuals struggling with substance abuse. Bey reportedly gave $4 million in earnings from Cadillac Records to the foundation.
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The Darnell Martin-directed musical biography is just one of several films the “Texas Hold ‘Em” singer has starred in, though it’s been many years since she last appeared on screen. She made her acting debut in the 2001 TV film Carmen: A Hip Hopera, after which she had roles in 2002’s Austin Powers in Goldmember, 2003’s The Fighting Temptations, 2006’s The Pink Panther and Dreamgirls, and 2009’s Obsessed.
Since then, Bey has stuck to voice roles in animated projects. In 2013, she voiced Queen Tara in Epic, and she also played Nala in 2019’s The Lion King remake and 2024’s Mufasa: The Lion King.
But while fans may miss seeing her on the big screen, the Ivy Park founder definitely has a lot of other projects on her plate. She’s currently gearing up to embark on her Cowboy Carter Tour supporting her Billboard 200-topping LP of the same name, which won best country album and album of the year at the 2025 Grammys. Last year, she also launched a new haircare brand called Cécred.
The musician still took time to honor one of her former costars, though, after Angie Stone — whom she appeared alongside in The Fighting Temptations — died in a car crash earlier this month. “Thank you for your voice, your strength and your artistry,” read a message dedicated to the R&B icon on Bey’s website. “Your incredible legacy will live on forever.”
When Koe Wetzel plays Billboard’s The Stage at SXSW Thursday night (March 13) at Moody Amphitheater at Waterloo Park in Austin, fans can expect a typically high-octane, guitar-driven show full of songs about road life and troubled relationships, both often fueled by substances. For the past 10 years, Wetzel has been entertaining Texans — and […]
Whatta man Jelly Roll is! The country superstar appears in a hilarious new commercial for Zevia, a zero-sugar, zero-calorie natural alternative to soda.
In the clip, shared on Monday (March 10), the “Need a Favor” singer pulls up to an 1950s-looking gas station in his red pick-up truck. Two young boys in the field nearby watch in awe as Jelly Roll emerges from the car in slow motion, running his hands through his mullet as he portrays a classic country man in a cut-off flannel, jean shorts, cowboy boots and black sunglasses. Salt-N-Pepa’s 1993 hit, “Whatta Man,” plays in the background, adding to the drama of the moment.
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“Jelly Roll? In a Zevia commercial? This is huge,” one of the boys says as the star opens a nearby refrigerator and pulls out a Creamy Root Beer flavored beverage. “By choosing him as the spokesperson for their zero-sugar soda with zero artificial ingredients, Zevia is dismantling the notion that quote-on-quote ‘real men’ can’t be conscious of what goes into their body.”
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“Mr. Roll is now, quite literally, the poster child for sweet authenticity,” the boy gushes — much to the confusion of his friend — as Jelly Roll takes a sip of his drink, burps and smiles into the camera.
For Jelly Roll, the partnership was a no-brainer, as he’s been focusing on his health in recent months, revealing at the end of 2024 that he lost more than 100 pounds over the course of the year. “Making small, intentional choices daily is a real thing that I have honed in on and that has been so impactful during this process,” he tells Billboard of his health and wellness journey. “I think it’s changed my ability to keep up with my progress, since it has been an honest conversation of ‘in that moment’ which one is the better option to stay on track?”
He also just loved filming the advertisement. “What I loved about this is it felt like we got to really play into the skit and have some fun with it,” he recalls. “When I got to do the season premiere of SNL this year, I got to also be a part of a skit, and this was another version of being able to really lean into having fun with a character. And everyone else on set was so game too which made it such a great experience.”
As for that “sweet poster child of authenticity” comment, he agrees. “One thing you can say about me is that I am me — even when I get chances to play up a character — and I hope that comes through in this spot. What you see is what you get,” he says.
Watch Jelly Roll keep it real in the new Zevia commercial below.
K-pop singer and songwriter Wheesung (born Choi Whee-sung), was found dead in his home in Seoul, South Korea on Monday night (March 10). According to The Hollywood Reporter, no cause of death has been determined yet and foul play is not suspected, with Seoul police saying a “substantial” amount of time appeared to have passed before the singer’s body was discovered.
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“The artist Wheesung has left us. He was found in cardiac arrest at his residence and was later pronounced dead,” his agency, Tajoy Entertainment, said in a statement. The singer’s mother reportedly discovered his body and called emergency services.
Wheesung rose to prominence in the early 2000s with his soulful vocals and smooth R&B style in a career cut short by a drug-use scandal.
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Born on Feb. 5, 1982, Wheesung made his performance debut in 1999 with the K-pop boy band A4. After a short stint in the group, Wheesung broke solo in 2000 and released his debut single, the emotional R&B ballad “Can’t We?” in 2002, followed by his R&B/soul-inspired debut solo album, Like a Movie.
After winning best new artist at the 2002 Golden Disc Awards, he dropped his sophomore effort, It’s Real, in 2003, expanding his sound to include hip-hop and pop vibes. Several more albums followed in 2004 (For the Moment), 2005 (Love… Love… ? Love… !) and 2007 (Eternal Essence of Music); his most recent release was the 2018 EP In Space.
Wheesung bounced between a number of different management companies in the ensuing years and a decade into his solo run reverted to his early career stage name, Realslow. His career went into a downswing in 2013 when he was accused of using the surgical anesthetic propofol — the drug that contributed to Michael Jackson’s death — for several years for what he said was treatment for a herniated disk and hair loss.
Within days in March and April in 2020, Wheesung was found passed out in public bathrooms near syringes and vials containing etomidate, another sleep-inducing drug similar to propofol, according to BBC News. Following those incidents, his agency at the time, Real Slow Company, issued a statement in which it said, “He has been going through an incredibly difficult period due to the sudden passing of his father and close friends. He has been suffering from depression and panic disorder and has been receiving psychiatric treatment,” according to the Korea Herald.
In 2021, Wheesung got a two-year suspended sentence for abusing propofol.
The singer, who was also a well-respected producer and songwriter, also worked with a number of other K-pop artists, including the girl groups Twice, T-ara and Orange Caramel, as well as Younha, G. NA and Ailee. He was scheduled to co-headline a show with singer KCM dubbed “The Story,” in Daegu, South Korea at EXCO Auditorium on Saturday (March 15); that show has been cancelled.
