State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show

State Champ Radio Mix

8:00 pm 12:00 am

Current show

State Champ Radio Mix

8:00 pm 12:00 am


Music

Page: 438

Back in 2017, Selena Gomez was coming off her greatest commercial hot streak, having just released 2015’s Billboard 200-topping Revival — which scored a trio of smash pop singles — and keeping her momentum going with a run of successful collabs. Then, she released “Bad Liar,” the most sophisticated, ambitious and generally surprising single of her career to that point, co-written alongside a pair of hitmakers with whom she had an obvious connection. The song was rapturously received by pop fans and critics alike, but the commercial response to it was distinctly muted — seemingly leaving Gomez unsure of what to do next.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

On this week’s Great Moments in Pop Star History episode of the Greatest Pop Stars podcast, host Andrew Unterberger is joined by Billboard‘s executive director of music, Jason Lipshutz, to talk about one of the most fascinating pop songs of the last decade. We look at why the song worked in so many unlikely ways, why it won over so many listeners who’d previously disregarded Gomez but still couldn’t find its footing at radio or streaming — and whether or not the song, which felt like a major turning point in Selena Gomez’s career upon its release, actually ended up being such a pivotal release for her.

Trending on Billboard

Along the way, of course, we ask all the important questions about Selena Gomez and “Bad Liar”: Why was lifting the bassline from a 1977 Talking Heads song the key to this 2017 pop single? What made Julia Michaels and Justin Tranter such perfect collaborators for Gomez at this point in her career? Why does she love playing multiple characters in the same project so much? Was there really nothing subtle about the Battle of Troy? Can we hear any of “Bad Liar” in Gomez’s new I Said I Love You First album, recorded with longtime producer (and now-fiancé) Benny Blanco? And perhaps most importantly: Would we still name “Bad Liar” the best song of 2017?

Check out our discussion above, and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!

And if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights. (Selena would want you to!)

Transgender Law Center

Trans Lifeline

Gender-Affirming Care Fundraising on GoFundMe

Also, please consider subscribing to the trans legislation journalism of Erin Reed, and giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.

Kesha finally revealed the title of her upcoming sixth album on Thursday (March 27). It’s ., as in the punctuation mark period. The 11-song collection due out on July 4 that will feature previously released singles “Joyride” and “Delusional” is described in a press release as an “unapologetic, unfiltered declaration of artistic freedom and fearless authenticity.”

Explore

See latest videos, charts and news

See latest videos, charts and news

The latest taste of the album dropped on today, with two versions of the whip-cracking country pop hoedown “Yippee-Ki-Yay,” produced by Pink Slip (Ava Max) and Nova Wav (Beyoncé). “B–ch I just got a brand new car/ Hose me down at the trailer park/ We lit up like a bonfire/ Singing ‘Yippee-ki-yay, yippee-ki-ya-ya,” Kesha sings over the loping plucked guitar and hand-clap beat on a solo version of the track.

Trending on Billboard

The more fleshed-out lead version of the single features T-Pain, who takes the reins on the second verse where he sings, “I just pulled up in a brand new one/ Bartender, pour me up some damn fluid/ I just wanna see a pretty girl dancing to it/ Drinks on me just ’cause I can do it.”

The singer has been teasing the new song for a week, posting cryptic videos in which the upcoming LP’s signature oversized pink period icon is splashed over her face and body. The album was conceived, co-produced and co-written by Kesha and, according to the release, it, “transcends pop norms to create a raw, daring, and intensely personal sonic journey, a defiant act of self-expression that refuses to adhere to expectations or play it safe.”

Period — the follow-up to 2023’s Gag Order — represents a new chapter in Kesha’s career that kicked off last July when she dropped the first two singles under her own label, Kesha Records. The independent label that has global distribution through ADA gives the singer full creative control and ownership of her work after she settled a long-running defamation suit filed by her former label boss, producer Dr. Luke, in 2023; Kesha filed suit against Luke (born Lukasz Gottwald) over allegations of sexual, physical and emotional abuse in 2014, claims he repeatedly denied.

The full track list for . (Period) is: “Freedom,” “Joyride,” “Yippee-Ki-Yay,” “Delusional,” “Red Flag,” “Love Forever,” “The One,” “Boy Crazy,” “Glow,” “Too Hard” and “Cathedral.”

Listen to both versions of “Yippee-Ki-Yay” below.

Before she travels the world for her Lifetimes Tour, Katy Perry will check out the planet from above. On Thursday (March 27), Jeff Bezos’ Blue Origin announced the date of the singer’s ascent into the stars as part of the space exploration company’s first all-women flight crew, with Perry set to embark on the trip just before her upcoming global trek.
According to Blue Origin’s Instagram post, the spacecraft’s launch window begins at 8:30 a.m. CT on April 14 in the West Texas high desert. The company also unveiled the flight’s official patch, which features the last names of each member of the crew emblazoned on the border as well as symbols that are meaningful to the women.

Perry, for instance, is represented on the artwork with fireworks, a nod to her 2010 Billboard Hot 100 hit “Firework,” as well as her “global influence across music, pop culture, and philanthropy,” according to Blue Origin’s website.

Trending on Billboard

The news comes one month after it was first announced that the “Woman’s World” artist would be joining CBS Mornings‘ Gayle King, NASA rocket scientist Aisha Bowe, bioastronautics research scientist and Nobel Peace Prize nominee Amanda Nguyen and entrepreneur/film producer Kerianne Flynn on the NS-31 expedition. The trip will be led by Lauren Sánchez — who is engaged to Bezos and is vice chair of the billionaire’s Earth Fund — and marks Blue Origin’s 11th human space flight.

At the time of the announcement, Perry wrote on Instagram, “If you had told me that I would be part of the first ever all-female crew in space, I would have believed you … Nothing was beyond my imagination as a child.”

“Although we didn’t grow up with much, I never stopped looking at the world with hopeful WONDER!” continued the former American Idol judge, who shares daughter Daisy with Orlando Bloom. “I work hard to live my life that way still, and I am motivated more than ever to be an example for my daughter that women should take up space (pun intended). That’s why this opportunity is so incredible — so that I can show all of the youngest & most vulnerable among us to reach for the stars, literally and figuratively.”

The expedition will take place in between Perry’s rehearsals for the Lifetimes Tour and the trek’s kickoff in Mexico City April 23. Supporting new album 143 — which debuted at No. 6 on the Billboard 200 — the run will also see the musician lapping the United States, Canada, Australia, South America and Europe with shows scheduled through mid-November.

See Blue Origin’s flight date announcement below.

Over the Billboard Hot 100’s 66-year history, hits have spent between one and 57 weeks in the top 10. Of the more than 5,200 top 10s to date, nearly 600 have logged a single frame in the tier. Conversely, The Weeknd’s “Blinding Lights” boasts the most top 10 weeks (57), followed by two other ubiquitous songs that hit first the top 10 in 2024: Teddy Swims’ “Lose Control” (54) and Shaboozey’s “A Bar Song (Tipsy)” (45).

(The average for a title over the Hot 100’s archives is 6.5 weeks in the top 10. Since 2000, it’s 5.6 weeks; among songs that peaked in 2024, it was 7.2%.)

What are key differences between songs that have short and long stays in the Hot 100’s top 10? Hit Songs Deconstructed, which provides compositional analytics for top 10 Hot 100 hits, has released its 2024 Staying Power report.

Here are three takeaways from Hit Songs Deconstructed’s in-depth research about Hot 100 top 10s during 2024.

Everlasting Love

A hefty 82% of songs that spent 10 or more weeks in the Hot 100’s top in 2024 featured a love/relationship lyrical theme. Encompassing all top 10s, the share was 52%. Among No. 1s, it was 44%.

As noted above, “Lose Control” fits that theme, as do songs with lengthy top 10 runs in 2024 including Sabrina Carpenter’s “Espresso,” Benson Boone’s “Beautiful Things” and Billie Eilish’s “Birds of a Feather,” each of which spent more than 20 weeks in the top 10.

Pop Harder to Stop

“Pop songs had the greatest staying power in 2024, with 36% remaining in the Hot 100’s top 10 for 10 weeks or more,” Hit Songs Deconstructed notes. “Country songs followed at 23% and R&B/soul rounded out the top three at 18%. Hip-hop/rap — while it was the most popular primary genre in the overall top 10 — came in fourth in terms of staying power, accounting for 14% of songs.”

Courtesy Photo

Along those lines, “pop was the most common influence across-the-board, being featured in 95% of songs” with 10 or more weeks in the top 10 in 2024, according to the report. Plus, pop was an influence in two-thirds of songs that charted for nine weeks or fewer.

Leaving? Not So Fast

Simply put (hopefully), faster songs were slower to leave the Hot 100’s top 10 in 2024 and slower songs were faster to leave the top 10.

A 65% majority of songs that charted in the 10 for at least 10 weeks last year had tempos of over 100 BPM, with the most common range being 100-119 BPM. Of songs that spent between one and nine weeks in the top 10, however, 62% had tempos under 100 BPM, with most in the 80-99 BPM range.

Blink-182, Jimmy Eat World, AFI and Jawbreaker will headline the Four Chord Music Festival at EQT Park in Pittsburg/Washington, PA on Sept. 13-14. The 11th annual edition of the event will also featuring Hot Mulligan, Bowling For Soup, State Champs, Set Your Goals, Knuckle Puck, Homegrown, Eternal Boy, Driveways, Charly Bliss and others joining Blink and Jimmy Eat World on night one.

Explore

See latest videos, charts and news

See latest videos, charts and news

Night two will host Say Anything, Face to Face, The Wonder Years, Drug Church, Punchline, Koyo, Deathbyromy, Sincere Engineer and others warming up the stage for AFI and Jawbreaker.

“We’ve worked hard to make this year’s festival something special, not only with this incredible lineup, but by making it more accessible for our fans than ever before. We can’t wait to celebrate with everyone at EQT Park!,” founder Rishi Bahl said in a statement.

Trending on Billboard

A general public on-sale will launch on Friday (March 28) at 11 a.m. ET; The festival is also introducing a ticket layaway plan this year. In addition to single-day general admission and VIP options, Four Chord will also offer up a deluxe VIP option for both days that incudes access to a climate-controlled VIP lounge area, VIP acoustic performances, an exclusive VIP shirt not available to the public, unlimited water refill stations and a Four Chord water bottle, unlimited snacks, a custom VIP holographic commemorative ticket and early entry into the venue and early access to merch, as well as front row access to the main stage and a deluxe VIP lounge overlooking the field, up to three free alcoholic drinks, a parking pass, free storage a merch concierge and private, temperature-controlled bathrooms.

Check out the Four Chord lineup poster below.

Fans of the ACM Awards will get super-served at this year’s ceremony as the show, which had clocked in at two hours since moving to the commercial free Amazon’s Prime Video, will expand by 30 minutes.
“It was a long discussion with Amazon because we pride ourselves on the fact that we’re the only major awards show that clocks in at two hours and that’s a big consumer benefit for our show,” says Academy of Country Music CEO Damon Whiteside. “However, this year there’s so many things that we want to accomplish in the show because we want to give a proper nod to our history, but we still have a lot of business to take care of in terms of the current nominees as well, so we just felt like the extra time will allow us to do some special things. I don’t think viewers are going to be unhappy that we’re giving them an extra 30 minutes of really amazing content.”

Ella Langley leads all nominees with eight nods, which Whiteside sees as a sign of how current and fresh the ACM Awards are. “To have essentially a brand-new artist lead the nominations, especially in our 60th year, it’s almost like a full-circle thing, because we really pride ourselves on often being the first organization to honor a new artist,” Whiteside says. “It speaks to the fact that we’ve always been an organization that is very new artist forward.”

Trending on Billboard

Langley is followed by Cody Johnson, Morgan Wallen and Lainey Wilson, all of whom received seven nominations, with Chris Stapleton garnering six nods.

Whiteside also lauds Johnson’s seven nominations as “he just continues to grow and so it’s exciting to see him get acknowledged and, obviously, Morgan Wallen continues to be a juggernaut,” he says. He also enthuses over Kelsea Ballerini’s first nomination for entertainer of the year. “I can’t say enough about her and her journey and the way she continued to grow as an artist.”

Like Langley, a number of artists, including Dasha, Shaboozey, Red Clay Strays and Zach Top landed their first nominations this year. “It does feel like a really fresh crop of artists are getting recognized,” Whiteside says.

Beyoncé received no nominations, despite winning two country Grammys in February, including for country album of the year, just weeks before first-round ACM voting opened. “Were we hoping she’d be nominated? Absolutely,” Whiteside says. “We love that Beyoncé is in the country genre. That’s fantastic for all the country artists out there. It’s fantastic for the fans. The more successful she is, the more we’re bringing more mainstream people into the genre which we want.”

Unlike Grammy voters, who span all musical genres, the more than 5,000 ACM voters primarily make a living in country music and are mostly based in Nashville. “I think, more likely, they’re going to be voting for artists that they’ve got relationships with and work with on a regular basis and that are in the country music business 365,” Whiteside says, but adds, “We’d love to have Beyoncé on the show. She has an open invitation to be on the ACM stage anytime she ever wants to.”

As Whiteside, executive producer/show runner Raj Kapoor, and show producer dick clark productions work on the show, they are trying to strike the right balance between old and new.  “It’s tough because we may have a really great idea on honoring this artist from the past, but then it’s like, ‘Well, that may take away a slot from a current artist’,” Whiteside says. So far, Wilson, Blake Shelton and Eric Church have been announced as performers. The three new artist winners-male, female and duo or group- who are announced in advance will also perform.

“It’s a little bit of a past/present/future approach,” Whiteside adds. “It’s going to be a really iconic night and a great way to look back and look forward and celebrate where we are right now as an industry.”

Plans around the ACM Awards are still being firmed up but will include free shows on the Star Plaza on May 6 and 7, as well as a Top Golf tee-off tournament on May 6, and an official after party following the awards.

With the Amazon deal and the contract with the Cowboys for the Frisco location both expiring this year, Whiteside says things could look very different next year depending upon if the deals aren’t renewed.   

“For 2026, we may do a major pivot again and define what’s the future of the ­academy. This year is a very special year, but next year is going to be kind of turning the page,” he says. “It’ll be a fresh new year. We don’t know yet where we’ll be. We don’t know what [outlet] we’re going to be on. Everything’s a new day in 2026, so it’s going to be the evolution of the ACM Awards, but we’re excited about that because it’s a blank slate.”

The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

Pat Benatar and Neil Giraldo are set to receive the 2025 ASCAP Harry Chapin Humanitarian Award at the annual Chapin Awards Gala on June 4 at Jazz at Lincoln Center’s Frederick P. Rose Hall in New York City.
The 2022 Rock and Roll Hall of Fame inductees and longtime activists, who have been married since 1982, will become the second married couple to receive the award. Songwriting greats Nicholas Ashford & Valerie Simpson received it in 2010.

The Chapin Awards Gala will include a cocktail reception, dinner, and live music. Additional honorees will be announced in coming weeks.

Trending on Billboard

The event is a major fund-raiser for WhyHunger, a global nonprofit dedicated to ending hunger. Founded in 1975 by Chapin and radio DJ Bill Ayres, WhyHunger funds and supports community solutions to protect the human right to nutritious food.

“We are deeply honored to receive the ASCAP Harry Chapin Humanitarian Award and to stand alongside WhyHunger in their tireless fight to end hunger,” Benatar and Giraldo said in a joint statement. “Music has always been a powerful force for change, and we believe in using our voices not just to entertain, but to inspire action. WhyHunger’s mission aligns with our lifelong commitment to justice and equity, and we are proud to support their work in ensuring that nutritious food is a fundamental right for all.”

“As we celebrate WhyHunger’s 50th anniversary and reflect on our collective journey to end hunger and advance the human right to nutritious food, it’s important to uplift those who have helped lead the way,” Jenique Jones, WhyHunger’s executive director, said in a statement. “Honoring Pat Benatar and Neil Giraldo with the ASCAP Harry Chapin Humanitarian Award is a testament to their unwavering commitment to social justice and their powerful influence in igniting change through music.”

Last year’s gala honored singer-songwriter Michael Franti for his music-driven activism, recognizing his work with his and his wife Sara’s non–profit, Do It for the Love.

Benatar won four consecutive Grammy Awards for best rock vocal performance, female from 1981-84 and charted 15 top 40 hits on the Billboard Hot 100. She won three American Music Awards and a People’s Choice Award.

Chapin, a singer, songwriter and social activist, made a big impact in his life, which was tragically cut short when he was killed in a car crash in 1981 at age 38.

Chapin, who wrote and performed such pop/folk classics as “Cat’s in the Cradle” (a No. 1 hit on the Billboard Hot 100 in 1974), “Taxi” and “W*O*L*D,” was an early music industry advocate for the world hunger movement. He co-founded WhyHunger a full decade before music industry titans came together as USA for Africa to record “We Are the World” in 1985. Chapin gave tirelessly gave of his time and talents to perform at benefits and events in support of a range of social causes. (On the afternoon he was killed, he was driving to a benefit, where he was slated to perform.)

Chapin received two Grammy nominations in his lifetime – best new artist of 1972 and best pop vocal performance, male two years later for “Cat’s in the Cradle” (which was inducted into the Grammy Hall of Fame in 2011). In its year-end issue for 1972, Billboard gave Chapin a Trendsetter Award, which was inscribed “For devising a storytelling style of songwriting with a narrative impact rare to popular music.”

The ASCAP Harry Chapin Humanitarian Award was first presented in 1987 to Kenny Rogers, who had been part of “We Are the World” two years earlier. Two subsequent recipients of the award – Harry Belafonte and Kenny Loggins – were also part of that iconic smash, which raised millions for famine relief.

Tickets to the event can be purchased here.

Here’s a full list of winners of the ASCAP Harry Chapin Humanitarian Award. They are listed in reverse chronological order.

2025: Pat Benatar, Neil Giraldo

2024: Michael Franti

2019: John Mellencamp

2018: Jason Mraz

2017: Jon Batiste

2016: Kenny Loggins

2015: Grace Potter (ASCAP Harry Chapin Vanguard Award); Felix Cavaliere (ASCAP Harry Chapin Legacy Award)

2014: The Fab Faux (Beatles tribute band founded by Will Lee, bassist for Late Show With David Letterman)

2013: Yoko Ono

2012: Darlene Love, Peter Noone and Ronnie Spector

2011: Rubén Blades

2010: Ashford & Simpson

2009: Wyclef Jean

2008: Elvis Costello

2007: Jackson Browne

2006: Darryl ‘DMC’ McDaniels

2005: Michael McDonald

2004: Emmylou Harris

2003: Judy Collins

2000: Harry Belafonte

1994: Barbra Streisand

1988: Peter, Paul & Mary

1987: Kenny Rogers

One of the indisputable perks of being a rock star is the ability to rock out with other rock stars when they swing through your hometown. Just ask Paramore singer Hayley Williams, who hopped up on stage with the Deftones during their headlining set at Bridgestone Arena in Nashville on Wednesday night (March 26) to […]

Rauw Alejandro and Romeo Santos, friends for years, had long talked about collaborating together.
Nearly four years ago, it almost happened, but schedules, tours and other releases intervened. Now, the duo’s first ever collab, “Khé?” hit No. 1 on Billboard’s Latin Airplay chart, becoming the first No. 1 for either of them since 2023. The achingly romantic, yet immediately catchy and danceable track is the fourth from Rauw’s new album, Cosa Nostra, to hit the chart, and the first to climb No. 1, thanks in part to a lilting beat that allows it to flow between formats.

Ironically, “Khé?” wasn’t even destined to be in the set.

Explore

See latest videos, charts and news

See latest videos, charts and news

As Rauw told Billboard in an exclusive conversation, he originally wrote the song for his 2021 album Vice Versa.  “I was preparing a song for Romeo and I went to the studio to work with [producer] Mr. Naisgai and [singer/songwriter] Elena Rosa, who wrote the chorus,” he said, during a break from rehearsals for his massive Cosa Nuestra arena tour, which kicks off April 5 in Seattle.

Trending on Billboard

“We were looking for that Romeo flow, that would work for a collab with him. And that’s how we came up with the ‘Se nota tanto, que me está matando’ chorus. We tried to empathize with Romeo’s feeling, and I’d been doing bachata since Day 1 because I’m a bachatero. Then, when I showed it to Romeo, he loved it.”

Santos really did love it, but he was busy with other projects. But Rauw had faith. He never released the song, saving it instead for a rainy day. When he began recording Cosa Nuestra, he again reached out to Santos to brainstorm ideas. It was Santos who finally said: “Remember that song we did years ago? That’s the hit.”

Due to scheduling conflicts, they worked via Zoom, with Santos helping in the production –as he likes to do—and ended up incorporating an African kizomba beat into the song’s tropical and reggaetón fusion.

“Romeo loves kizomba, and since I was hanging out in jazz clubs and speakeasies in New York City, we added a touch of New York jazz,” says Rauw.

The two finally did meet up, in New York City, to film the video, a nostalgia-infused black and white ode to old Broadway that features both artists dancing in the steps of an old cinema and in the subway.

“It’s some of my best visual work, and I can’t wait to sing it live,” says an enthused Rauw. “I’m one of those people that believes God’s time is perfect. Artists have their calendars, and I always understood that, from the very beginning of my career. You have to respect other artists’ time. Many things have to fall into place for a collaboration to happen or be successful. But we always had a beautiful relationship. We have long phone conversations. And he’s fan. He doesn’t record with many people, only with the top. So, I feel honored to record with Romeo, the legend. It had happened. Because Romeo and Rauw are the guys for the babes. That’s the truth!”

03/27/2025

Ella Langley leads all nominees with eight, while Kelsea Ballerini lands her first entertainer of the year nod and Beyoncé scores none.

03/27/2025