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Kelsea Ballerini has released her fifth full-length studio album, Patterns (out Oct. 25). The four-time Grammy nominee’s new album follows last year’s Rolling Up the Welcome Mat EP, as well as that EP’s extended version, Rolling Up The Welcome Mat (For Good). Rolling Up The Welcome Mat earned critical acclaim, reached No. 11 on Billboard’s […]
Jack Jones — the velvet-voiced crooner who had such hits as “Wives and Lovers” and “The Impossible Dream (The Quest),” but may be best-known today for singing TV’s The Love Boat theme — died on Wednesday at Eisenhower Medical in Rancho Mirage, Calif. He was 86. His wife, Eleonara Jones, said the cause of his death was leukemia, which he had battled for two years.Jones’ death comes just seven months after Steve Lawrence, another singer of similar quality and style, died at 88. They were two of the finest singers of what was then known as easy listening music – music that fell out of favor as rock boomed in the late 1960s and 1970s. That music has seen a rebirth in recent decades under a new branding — traditional pop — with such new stars as Michael Bublé.Jones had three No. 1 hits on Billboard’s Easy Listening chart (now known as Adult Contemporary): “The Race Is On” (1965), “The Impossible Dream (The Quest)” (1966) and “Lady” (1967). Jones received a Grammy nod for best vocal performance, male for “The Impossible Dream,” the standout ballad from the Broadway musical Man of La Mancha. The song also received a Grammy nod for song of the year.Earlier in the 1960s, Jones won two Grammys for best vocal performance, male for Tony Velona’s “Lollipops and Roses” and Burt Bacharach and Hal David’s “Wives and Lovers.”The latter song, which reached No. 14 on the Billboard Hot 100 in January 1964, was also nominated for Grammys for record and song of the year. The lyrics — which warn women “Don’t think because there’s a ring on your finger/ You needn’t try anymore” — are now seen as hopelessly sexist. But if you can get past that, it’s one of Bacharach and David’s best-sounding hits, with a jazzy arrangement and Jones’ suave vocal.Jones addressed the criticism the song received by altering the lyrics to poke fun at men. But he never dropped the song from his set.“Since it’s a politically incorrect song, I start it out with a disclaimer,” he once said. “I hear that women still call up radio stations, angry that such a sexist song is being played. It’s now part of history, it won a Grammy, and I meant no harm when I did it. It made my career, and I’m grateful for that.”
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Jones had three top 20 albums on the Billboard 200: Wives and Lovers, Dear Heart and The Impossible Dream. The latter album remained on the chart for more than a year.Jones, Lawrence and such other singers as Frank Sinatra, Dean Martin, Tony Bennett and Andy Williams were among the last singers of old-guard easy listening music in the 1960s, as rock increasingly came to dominate the charts.As Chris Koseluk noted in The Hollywood Reporter’s obituary of Jones, “When filmmakers wanted to create that easy-listening ’60s vibe, Jones was one of their go-to guys. He can be heard on the soundtracks for Good Morning, Vietnam (1987), Goodfellas (1990), Reckless (1995), Duplex (2003), Bobby (2006) and American Hustle (2013), in which he had a cameo. ‘Lollipops and Roses’ accompanied the end credits on a 2008 episode of Mad Men.”Jones sang the title songs of several films, including A Ticklish Affair (1963), Love With the Proper Stranger (1963) and Where Love Has Gone (1964). On the 1965 Oscar telecast he sang the last-named song, which was nominated for best original song. He opened the 1970 The Best on Record program, the final pre-recorded Grammy-branded show before the live telecast commenced the following year, by singing Joe South’s “Games People Play,” that year’s song of the year winner.Jones sang The Love Boat theme, written by Paul Williams and Charles Fox, during that show’s first eight seasons (1977-85). (Dionne Warwick recorded it for season 9.) The song has elements of kitsch, and certainly the show was TV at its most mindless, but Jones’ dynamic vocal and Williams’ fine lyric (“Love/life’s sweetest reward)” were both work they could be proud of.
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Jones’ recording of “Theme From Love Boat” cracked Billboard’s adult contemporary chart in 1980. His later AC-charting hits also included “Let Me Be the One,” a cover of a superb Williams-Roger Nichols song that was featured on the Carpenters’ 1971 album Carpenters; “What I Did for Love,” the instant-standard from 1975’s Broadway smash A Chorus Line; and “With One More Look at You” from the Barbra Streisand-starring 1976 remake of A Star Is Born.Jones landed his fifth and final Grammy nomination in 1998, best traditional pop vocal performance, for his album Jack Jones Paints a Tribute to Tony Bennett. Bennett, of course, was one of the few old-school traditional pop performers who thrived in recent decades. (Fun Fact: Bennett’s “I Wanna Be Around” and Jones’ “Wives and Lovers” were both nominated for record of the year at the 1964 Grammys. Both lost to Henry Mancini’s “The Days of Wine and Roses.”)Jones continued to appear at casinos, performing arts centers and cabarets until shortly before his death. Jones was married to actress Jill St. John from 1967-69. They were one of the top celebrity couples of their era, each with a highly successful career. (They weren’t bad looking, either.)John Allan Jones was born in Los Angeles on Jan. 14, 1938. His father, tenor Allen Jones, acted in The Marx Brothers’ A Night at the Opera (1935) and A Day at the Races (1937). Jones also acted in Show Boat (1936) and had a hit record in 1938 with “The Donkey Serenade” from the movie The Firefly. The elder Jones had performed the latter song on horseback for Jeanette MacDonald in the 1937 MGM musical. Jack Jones’ mother, Irene Hervey, was a film and TV actress who received a Primetime Emmy nomination in 1969 for an appearance on the long-running sitcom My Three Sons.Jones, who lived in Indian Wells, Calif., was married six times. He was married to Katie Lee Nuckols (also known as the model Lee Larance) from 1960 to 1966; Jill St. John from 1967 to 1969; Gretchen Roberts from 1970 to 1971; Kathryn Simmons, from 1977 to 1982; and Kim Ely from 1982 to 2005. He married Eleonora Donata Peters in 2009.In addition to his wife, he is survived by a daughter, Crystal Thomas, from his marriage to Ms. Nuckols; another daughter, Nicole Ramasco, from his marriage to Ms. Ely; two stepdaughters, Nicole Whitty and Colette Peters, from his marriage to Ms. Peters; and three grandchildren.
GloRilla added some of her characteristic sense of humor to her social media page this week, throwing her followers for a loop when she shared a series of mirror photos cradling a baby bump.
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While GloRilla did not caption the photos, she caught the attention of her famous fans in the comments, with Latto writing, “Gloria, gone on,” while Muni Long added, “You play!” along with a laughing emoji. See the post here.
The rapper, however, is not pregnant, and actually discussed parenthood in a recent interview with Charlamagne Tha God. “I do want to have kids, but not my own kids. I want to do a surrogate,” she said. “I want somebody else to have my baby. I want them to have my DNA, but I don’t want to have it.”
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She continued, “I just don’t want to actually have a baby… All my friends have kids, and they’re restricted a lot when they’re pregnant. I’m like, ‘Nah, I don’t want to go through that.”
Earlier this month, GloRilla dropped her debut album, GLORIOUS, featuring Megan Thee Stallion, Latto, Sexyy Red, Kirk Franklin, T-Pain and more.
“Last year, I was supposed to drop my debut album, but I was still just getting used to stuff and working a lot,” Glo told Billboard of the project. “When the top of the year came, I had the project basically done. I was like, ‘OK, I gotta give them the mixtape before I give them the album,’ because I went the whole year without dropping anything. That’s why I said I was gonna give them the mixtape first, get em’ back used to me first, give ’em a feel of me, and then that’s gonna prep me for the album. The mixtape did good and did what it was supposed to do, which prepped me for my album.”
Hit-Boy shared the unfortunate news yesterday (Oct. 23) that his father Big Hit is back in prison. The producer posted a video of Big Hit speaking from a jail phone and sharing appreciation for his fans. “It’s free Big Hit, my n—a,” he said. “You know what I’m saying, I f—k with my real fans, […]

Glory be to the father (Charli XCX), the son (Sabrina Carpenter) and the holy spirit (Chappell Roan). Amen.
Shortly after the Primavera Sound lineup was announced Thursday (Oct. 24), featuring all three women with top billing, the “365” singer took to X to declare that she and her co-headliners have now officially formed a sacred union.
“headlining primavera sound next year with sabrina and chappell,” Charli tweeted. “finally holy trinity unlocked ;)”
Taking place at Barcelona’s Parc Del Fòrum June 5-7, the festival’s lineup will also feature sets from LCD Soundsystem, FKA Twigs, Fontaines DC, Clairo, Haim, Turnstile, Wet Leg, Beach House, Waxahatchee, Beabadoobee, Caribou, Anohni, Denzel Curry and more. The Brat summer ring leader previously performed at 2024’s iteration of Primavera Sound, which was headlined by Lana Del Rey, SZA and more.
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Regarding Charli’s tweet, it’s easy to see the connection between her, the “Espresso” singer and “Good Luck, Babe!” musician. All three pop stars had explosive breakthrough years in 2024, with the “Von Dutch” artist’s LP Brat reaching No. 3, Carpenter’s Short n’ Sweet hitting No. 1 and Roan’s The Rise and Fall of a Midwest Princess ascending to No. 2 on the Billboard 200. All three of those chart peaks mark career highs for the artists.
Charli is now in the midst of her Sweat Tour with Troye Sivan in support of Brat. In a recent interview with Apple Music 1’s Zane Lowe, the “Boom Clap” artist revealed that she originally didn’t think her latest album would “appeal to a lot of people,” something that partially inspired her now-iconic lime-green text-only cover art.
“Where the actual first idea of doing a text cover came from was to save money,” she said at the time. “It actually feels like it very much embodies the word ‘brat’ to kind of not be there, because that is sort of less of the norm, I suppose, for female artists. That felt punchy. The pixilation makes it looks like it’s kind of been done in this rush … you didn’t get the proper hi-res file… I knew it would generate this conversation. I knew that a lot of people would be sort of frustrated or disappointed by it.”
See Charli’s tweet below.
headlining primavera sound next year with sabrina and chappell. finally holy trinity unlocked 😉— Charli (@charli_xcx) October 24, 2024

Rihanna is staying loyal to Kendrick Lamar and hyping him up before he headlines the Super Bowl halftime show next year. Entertainment Tonight‘s Kevin Frazier asked the Fenty mogul in an interview published Thursday (Oct. 24) her thoughts about the “Not Like Us” hitmaker taking over the stage during the big game. “It’s a diamond […]
Stevie Nicks has high hopes for Taylor Swift and Travis Kelce.
In a new interview with Rolling Stone published Thursday (Oct. 24), the 76-year-old rock legend gushed about her famous friend, whom Nicks thinks “has a good man” (aka a certain Kansas City Chiefs tight end). “She is really smart, but she also went through a lot before,” the Fleetwood Mac frontwoman told the publication of Swift. “She’s in a good place right now. … I hope they fall deeper and deeper in love and ride off into the sunset.”
“[Travis] does his thing and she does her thing, and then they come back together and get married and have babies if she wants that,” Nicks continued. “I just want all of that for her.”
The “Edge of Seventeen” singer previously hung out with Swift and Kelce after one of the pop star’s July Eras Tour shows in Dublin. Elsewhere in the interview, Nicks said she gifted the football player a blanket — “That is what I buy for my friends if there’s a special occasion,” she said — and the star recently recorded a collaboration with his older brother, Jason Kelce, for the upcoming Philly Specials Christmas project.
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Also in the interview, Nicks spoke about voting for Kamala Harris in the Nov. 5 presidential election (“I never voted until I was 70 … It’s a big regret”), giving Lindsey Buckingham “300 million chances” before cutting him off for good, and toxic fan culture. While on the latter subject, she recalled Katy Perry once telling her “about the Internet armies of all the girl singers, and how cruel and rancid they were.”
“I said, ‘Well, I wouldn’t know because I’m not on the Internet,’” Nicks continued of their conversation. “She said, ‘So, who are your rivals?’ I just looked at her. It was my steely look. I said, ‘Katy, I don’t have rivals. I have friends. All the other women singers that I know are friends. Nobody’s competing. Get off the Internet and you won’t have rivals either.’”
Plus, the Rock & Roll Hall of Famer shared her thoughts on Chappell Roan. “Evidently she likes my music a lot,” Nicks said of the “Good Luck, Babe!” singer. “Me and a friend of mine went and looked at her schedule, and it was outrageous — what she’s already done and then what she’s going into. It’s as bad as any schedule we ever did, and she’s new, and she’s young. I said, ‘They’ll burn her out if that’s what they want to do, because there’s always somebody to replace you.’”
Nicks is fresh off the release of a new single titled “The Lighthouse,” which she wrote after the Supreme Court turned over Roe v. Wade in 2022. The performer gave the song its live debut on Saturday Night Live earlier this month during the Ariana Grande-hosted episode.
Shortly before dropping the anthemic track in September, Nicks endorsed the Harris-Walz campaign with an Instagram post referencing Swift, who also spoke out in favor of the Democratic ticket that month. “As my friend @taylorswift so eloquently stated, now is the time to research and choose the candidate that speaks to you and your beliefs,” she wrote at the time. “Your vote in this election may be one of the most important things you ever do.”
Both Jennie and Rosé are currently rolling out their next solo eras, and to celebrate, the BLACKPINK stars individually sat down with Buzzfeed Celeb to play with adorable baby animals while they answered questions.
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First up, Jennie, who recently dropped her empowering new single “Mantra,” revealed that she’s currently in a “hardworking, no rest, Jennie mode,” adding, “Hopefully after this album comes out, I can have some fun in my era.”
While she played around with the sweetest group of kittens — who were a bit shy at first but eventually warmed up to the K-pop idol — Jennie shared that she hopes fans feel the “good energy of “Mantra,” and “how I’m just really talking about embracing yourself and having fun all the time.”
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She also revealed the BLACKPINK song she’d put in a time capsule for future generations. “I think ‘Whistle,’ because I love that song and I think it’s a timeless song,” she explained. “It’s already been eight years since that song came out and I still listen to it here and there.”
For her interview, Rosé answered the same question. “I would pick ‘Kill This Love.’ It’s a bada– song,” she revealed.
The singer, who happily tried to wrangle energetic puppies during her interview, opened up about working with Bruno Mars on her new song, “APT.” She shared, “I am so lucky to have him on the song. He’s helped so much. He has a vision for everything. It’s so good. I’ve had times where I was struggling with something and he really has helped me so much in wrapping up this album. I’m such a big fan.
The song is set to be featured on her upcoming solo album rosie, which Rosé described as “an album full of my most honest stories and it’s just a representation of all the thoughts running through my mind in the past year. It’s a very personal one so hopefully people feel closer to me through the album.”
As for her fellow BLACKPINK members embarking on solo journeys, Rosé beamed with support. “I think it’s amazing. I’m so excited for everyone,” she said. “I’m their biggest fan. I’m proud of all of these girls. It’s nice to have these sisters go through similar journeys with me.”
Watch Jennie’s kitten interview and Rosé’s puppy interview below.
GloRilla nabs her second top 10-charting effort on Billboard’s Top Album Sales chart (dated Oct. 26), and with her best sales week yet, as Glorious debuts at No. 6. The title arrives at No. 6 with nearly 12,000 copies sold in the U.S. in the week ending Oct. 17, according to Luminate. The album was available in both a standard and bonus track digital download edition, as well as a signed CD edition.
GloRilla previously visited the top 10 with Anyways, Life’s Great… in 2022, debuting and peaking at No. 6.
Glorious additionally opens in the top 10 across multiple other charts: Top R&B/Hip-Hop Albums (No. 2), Top Rap Albums (No. 2), Top Streaming Albums (No. 4) and the Billboard 200 (No. 5) – all with her best ranks yet on each chart.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units.
Elsewhere on the Top Album Sales chart, Jelly Roll racks up his best sales week ever, and first No. 1, as Beautifully Broken bows atop the list with 114,000 sold. The album’s opening week sales were bolstered by its availability across seven vinyl variants, three CD variants (the CDs sold a combined 65,000, including a signed edition sold through the artist’s webstore), a cassette tape and three download album variants (the downloads sold 32,000). Net profits from pre-orders of the CD and vinyl in his webstore benefitted four charity organizations.
Charli XCX’s Brat flies 25-2 with 48,000 (up 1,281%) for its highest rank and best sales week yet. The surge follows the album’s two deluxe reissues released in the week ending Oct. 17. All versions of the album are combined for tracking and charting purposes. For the deluxe reissues (dubbed Brat and it’s completely different but also still brat), the album’s original tracklist was supersized on Oct. 11 to add in 16 remixes of the set’s songs (with guests including The 1975 and Ariana Grande; available on vinyl, CD, cassette and digital download). Then, on Oct. 14, the deluxe was plussed, adding a remix of “Spring Breakers” featuring Kesha (available as a digital download purchase).
Chappell Roan’s former No. 1 The Rise and Fall of a Midwest Princess dips 2-3 (14,000; up 6%), Sabrina Carpenter’s Short n’ Sweet is steady at No. 4 (14,000; up 6%), Coldplay’s Moon Music falls 1-5 in its second week (12,000; down 89%), Stray Kids’ chart-topping ATE rises 8-7 (9,000; up 7%), Billie Eilish’s Hit Me Hard and Soft jumps 12-8 (8,000; up 14%) and ENHYPEN’s chart-topping Romance: Untold rises 13-9 (7,000; up 10%).
Rounding out the top 10 is Myles Kennedy with the arrival of The Art of Letting Go, bowing at No. 10 with nearly 7,000. It’s the sixth top 10 for the artist.
Is it really summer without The Rolling Stones on tour? The rock icons have toured North America, Europe, or both, for every summer but three in the last 12 years, consistently topping charts and setting records. After a break in 2023, the Stones returned for the Hackney Diamonds Tour, playing 18 shows in 15 cities throughout the U.S. and Canada from the end of April through the middle of July. According to figures reported to Billboard Boxscore, the trek earned $235 million and sold 848,000 tickets.
The tour was in support of the band’s Hackney Diamonds album, released in October 2023. The set marked the band’s first album of original material since 2005’s A Bigger Bang. Hackney Diamonds debuted at No. 3 on the Billboard 200 – the group’s highest-charting album since Bang also hit No. 3 – and extended the band’s record for the most top 10s on the chart.
The Hackney Diamonds Tour kicked off at Houston’s NRG Stadium on April 28, 2024,, bringing the Stones to more than 40,000 fans. By the time the band wrapped at Levi’s Stadium in Santa Clara on July 17, it had scored the highest-earning summer of its career. Sixty, its 2022 jaunt, earned $120.8 million, and the biggest of its four No Filter Tour legs brought in $177.8 million in 2019. While they’ve made more money on years-long treks, Mick Jagger & co. have never earned more than $200 million in a single season.
The Stones’ 2024 run was highlighted by double-headers in East Rutherford, N.J. (17 miles outside New York City), Chicago and Inglewood, Calif. (11 miles from downtown Los Angeles). Each of those engagements grossed more than $20 million, topped by the New Jersey shows at MetLife Stadium on May 23 and 26, which earned a combined $29.2 million and sold 105,000 tickets.
Those MetLife dates mark a career peak, setting the highest gross of the Stones’ 35-year Boxscore history. The Inglewood and Chicago dates also fall in the top 10, while Denver, Foxborough, Las Vegas and Philadelphia line up in the band’s all-time top 20, all between $15-16 million.
Every market on the tour delivered an eight-figure gross, with the lone exception of Glendale, Ariz., whose May 7 State Farm Stadium show grossed $8.4 million and sold 44,800 tickets.
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The Hackney Diamonds Tour sets a new high for The Rolling Stones and pushes the band further into uncharted Boxscore territory. This is its sixth tour to earn more than $200 million and 10th to gross more than $100 million. Both counts are Boxscore records, extending their lead for the most nine-figure tours, now three $100-million tours away from the group’s closest competitors.
Dating back to a report for two shows at Philadelphia’s Veterans Stadium on Aug. 31-Sept. 1, 1989, The Rolling Stones have earned $2.873 billion and sold 28.9 million tickets.