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Richard Chamberlain, who died on Saturday (March 29) night at age 90, will be remembered as a TV icon, but he was a hot recording artist for a time. His debut album, Richard Chamberlain Sings, released on MGM Records, made the top five on the Billboard 200 in 1963.
In addition, he had three top 30 hits on the Billboard Hot 100: “Theme From Dr. Kildare (Three Stars Will Shine Tonight” (No. 10 in 1962), a cover version of the Elvis Presley smash “Love Me Tender” (No. 21 in 1962) and a cover version of the Everly Brothers smash “All I Have to Do Is Dream” (No. 14 in 1963).
He was also the first artist to record “They Long to Be Close to You,” a Burt Bacharach/Hal David song that went on to become a pop standard when it was recorded by the Carpenters. The duo’s version was Billboard’s Song of the Summer for 1970 and received a Grammy nod for record of the year. Chamberlain’s version, conducted by Bacharach, went relatively unnoticed. It was featured on the B side of his Hot 100 single “Blue Guitar” (No. 42 in 1963).
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Chamberlain died in Waimanalo, Hawaii, of complications from a stroke, according to his publicist, Harlan Boll.
Chamberlain received a Grammy nomination in 1972, but not for his music. He was nominated for best spoken word album for an RCA Recordings recording of a production in which he played Hamlet.
While Chamberlain’s recording career was short-lived, his status as a TV star spanned decades. He starred in Dr. Kildare from 1961-66. The medical drama ranked in the top 10 in the Nielsen ratings in its first season and remained in the top 20 for its second and third seasons.
In 1975, he received his first Primetime Emmy nomination for starring in The Count of Monte Cristo. He was nominated for outstanding lead actor in a special program (drama or comedy).
In the early 1980s, Chamberlain gained a reputation as the king of the miniseries for his starring roles in Shogun, The Thorn Birds and Wallenberg: A Hero’s Story. He received Primetime Emmy nods for outstanding lead actor in a limited series or a special for all three productions.
Chamberlain also acted in film and on Broadway. His first attempt at Broadway — in a legendarily troubled 1966 production of a musical adaptation of the 1961 film Breakfast at Tiffany’s with Mary Tyler Moore — ended when producer David Merrick pulled the plug on the musical after only four preview performances in New York. (Happily, both stars survived the high-profile flop.)
Chamberlain went on to star on Broadway in revivals of The Night of the Iguana (1976-77), Blithe Spirit (1987), My Fair Lady (1993-94) and The Sound of Music (1999).
Born George Richard Chamberlain in Los Angeles on March 31, 1934, Chamberlain was named after his grandfather but was always called Dick or Richard. Chamberlain was gay, which was known in the industry but kept from the public in the years he was a romantic leading man. He came out in 2003, at age 68, in his memoir Shattered Love: A Memoir.
Chamberlain’s fears of rejection by his fans proved unfounded. “Everyone has been so supportive, so positive,” he told The Los Angeles Times in an interview to promote the book. “In New York, people walked up to me in the street, and in theaters. Strangers gave me the thumbs up, wished me well, said, ‘Good for you.’ I’m just awestruck by the change in the way I feel about life now.”
Playboi Carti’s MUSIC spends a second week at No. 1 on the Billboard 200 albums chart (dated April 5), after debuting atop the list a week earlier with the year’s biggest week for a rap title.
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In its second week (ending March 27), the effort earned 131,000 equivalent album units in the U.S. (down 56%), according to Luminate. It opened with 298,000 first-week units. It’s Carti’s second No. 1, and first to spend more than week atop the list. He previously logged one week in the lead with his previous release, Whole Lotta Red, in January 2021.
Also in the top 10 of the new Billboard 200, Selena Gomez and benny blanco’s first collaborative set, I Said I Love You First, debuts at No. 2. It marks the seventh top 10 for Gomez and first for blanco.
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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 5, 2025-dated chart will be posted in full on Billboard‘s website on April 1. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of the 131,000 equivalent album units earned by MUSIC in the week ending March 27, SEA units comprise 124,000 (down 56%; equaling 171.02 million on-demand official streams of the set’s songs; it’s No. 1 for a second week on Top Streaming Albums), album sales comprise 7,000 (down 51%; it falls 3-9 on Top Album Sales) and TEA units comprise a negligible sum (down 60%).
MUSIC’s second week profited from the sales and streaming activity generated by the release of a deluxe edition of the project that added four additional cuts to the set’s original 30-song runtime. Dubbed MUSIC – Sorry 4 Da Wait, it was released on Tuesday (March 25) on Playboi Carti’s official webstore and widely via streamers and digital retail. The four bonus songs on the deluxe (“Different Day,” “2024,” “Backr00ms” and “FOMDJ”) were initially released as cuts exclusively available on three different artist webstore-exclusive download variants of the album in its first week. As the four songs became available to stream via the MUSIC album on March 25, the album earned SEA for those four tracks on the final three days of the tracking week.
Selena Gomez and benny blanco’s collaborative project I Said I Love You First debuts at No. 2 on the Billboard 200, scoring the superstar multi-hyphenate Gomez her seventh top 10-charting effort and hitmaking producer/writer blanco his first. The project earned 120,000 equivalent album units in its first week — the largest week by units for both artists. (The Billboard 200 began ranking by equivalent album units in December 2014.)
Of the album’s 120,000 first-week units, album sales comprise 71,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 48,000 (equaling 64.04 million on-demand official streams of the streaming edition of the album’s songs; it debuts at No. 6 on Top Streaming Albums) and TEA units comprise 1,000.
I Said I Love You First is the first album pairing from the real-life couple, who announced their engagement in December. While this is the first full-length set from the duo, they’ve teamed up for Billboard Hot 100-charting hit songs before this project. Blanco was a producer and writer on Gomez’s “Same Old Love” (No. 5 peak in 2016), “Kill Em With Kindness” (No. 39, 2016) and “Single Soon” (No. 19, 2023). Gomez and Blanco shared artist billing, with Tainy and J Balvin, on “I Can’t Get Enough” (No. 66, 2019), which blanco also co-produced and co-wrote.
The new album was preceded by the Hot 100-charting tune “Call Me When You Break Up,” billed to Gomez, blanco and Gracie Abrams. It debuted and peaked at No. 58 in March, and climbs into the top 20 on the Pop Airplay chart (dated April 5), rising 21-19. It’s the 25th top 20-charting cut for Gomez on Pop Airplay.
The opening-week sales of I Said I Love You First were bolstered by its availability across seven vinyl variants (different color editions, some with alternate covers; including a signed version), three CD versions (a standard CD, a signed edition, and a zine/CD version with expanded packaging), a deluxe box set containing branded merch and a CD. (The album’s vinyl sales totaled 21,000 for the week — the best sales week on vinyl for either Gomez or blanco.)
Further, the album was available in 10 different digital variations. First, there was a widely available standard album at streamers and digital retail. Then, through the set’s opening week, nine additional download variants were issued, all initially exclusively available through Gomez’s webstore, and each sold for $5. All of the variants included the standard album’s 14 songs, plus bonus material. Five of the variants each had one bonus track (“Stained,” “Talk,” “That’s What I’ll Care [Seven Heavens Version],” “Scared of Loving You [Live From Vevo]” and “How Does It Feel To Be Forgotten [Live From Vevo],” respectively) and one contained two bonus cuts (an acoustic version and extended version of the album single “Call Me When You Break Up”). There was also an Explained: Narrated by Selena Gomez edition (with 14 bonus tracks with Gomez providing commentary on each of the set’s 14 songs), a Slowed & Reverbed edition (with 14 bonus slowed and reverbed versions of the album’s songs) and an Instrumentals edition (with 14 bonus instrumental versions of the tracklist).
All nine of the variants became available in the iTunes Store on Wednesday (March 26). The variants were only sold in the iTunes Store through March 27, the final day they were also sold in Gomez’s store.
The rest of the top 10 on the latest Billboard 200 comprises former No. 1s. Nos. 3-5 are all non-movers, led by Kendrick Lamar’s GNX at No. 3 (65,000 equivalent album units; down 8%) and followed by PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U at No. 4 (61,000; down 7%), and SZA’s SOS at No. 5 (60,000; down 4%).
Sabrina Carpenter’s Short n’ Sweet is steady at No. 6 (54,000 equivalent album units; down 4%); Lady Gaga’s MAYHEM falls 2-7 (52,000; down 29%); Bad Bunny’s Debí Tirar Más Fotos is stationary at No. 8 (49,000; down 2%); Tate McRae’s So Close To What falls 7-9 (47,000; down 10%); and Morgan Wallen’s One Thing at a Time holds at No. 10 (45,000; up 9%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Morgan Wallen has left the building.
The 31-year-old country star appeared as the musical guest on Saturday Night Live on March 29, alongside host Mikey Madison, who won best actress for her role in Anora at the 2025 Oscars.
After performing a pair of songs from his forthcoming album, I’m the Problem, Wallen briefly joined the SNL cast at the end of the show, as is customary on the long-running sketch comedy series. He then whispered something into Madison’s ear, gave her a hug and abruptly walked off the stage at Studio 8H.
Soon after the incident, Wallen shared a photo on his Instagram Stories from his private plane, with the caption “Get me to God’s country” written over an image of the runway.
Billboard has reached out to Wallen’s representative for comment.
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During his March 29 appearance on SNL, Wallen performed the title track from his upcoming album and later delivered the post-heartbreak anthem “Just in Case.” I’m the Problem is set for release on May 16.
The singer-songwriter previously appeared on SNL in December 2020, performing “7 Summers” and “Still Goin Down” from Dangerous: The Double Album, which spent 10 weeks at No. 1 on the Billboard 200.
Wallen was originally scheduled to appear two months prior but was replaced at the last minute for breaking SNL‘s strict COVID-19 safety protocols at the time. During his debut appearance, Wallen also appeared in a sketch poking fun at the controversy surrounding him when he was photographed partying and not wearing a mask in Alabama.
This week’s SNL episode follows Lady Gaga’s appearance on March 8, where she performed double duty as both host and musical guest. Past season 50 musical guests have included Tate McRae, GloRilla, Hozier, Gracie Abrams, Shaboozey, Chappell Roan and Billie Eilish, among others.
In the upcoming weeks, Lizzo, Elton John, and Brandi Carlile are set to perform on episodes hosted by Jon Hamm and Jack Black.
Morgan Wallen returned to Saturday Night Live, performing two songs from his upcoming album.
The 31-year-old country star made his second appearance as the musical guest on March 29, joining host Mikey Madison, who recently won an Oscar for best actress for her role in Anora.
Dressed in a denim jacket, blue jeans and a baseball cap, Wallen opened his performance with the title track of his fourth studio album, I’m the Problem. Backed by a full band, the singer-songwriter delivered the song — which currently sits in the top 10 of Billboard‘s Country Airplay chart — against a set design adorned with scrapbook-like photos and articles about the artist.
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Wallen returned later in the episode to perform his post-heartbreak anthem “Just in Case,” set against a more somber, dimly lit backdrop featuring a vintage television with the words “Morgan Wallen Broadcast Corp” displayed on the screen.
He previously appeared on SNL in December 2020, performing “7 Summers” and “Still Goin Down” from Dangerous: The Double Album.
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I’m the Problem is set for release on May 16. The new project follows Wallen’s successful albums, 2021’s Dangerous: The Double Album — which spent 10 weeks at No. 1 on the Billboard 200 — and 2023’s One Thing at a Time, which accumulated 19 weeks at the top spot. In anticipation of I’m the Problem, he has previewed several tracks, including the Billboard Hot 100 No. 1 hit “Love Somebody,” as well as “Lies Lies Lies” and “Smile.”
This week’s SNL episode follows Lady Gaga’s appearance on March 8, where she performed double duty as both host and musical guest. Past season 50 musical guests have included Tate McRae, GloRilla, Hozier, Gracie Abrams, Shaboozey, Chappell Roan and Billie Eilish, among others. In the upcoming weeks, Lizzo, Elton John, and Brandi Carlile are set to perform on episodes hosted by Jon Hamm and Jack Black.
Watch Morgan Wallen’s SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
Ángela Aguilar truly shined Saturday (March 29) night at the Billboard Women in Music 2025 gala in Inglewood, California, when she accepted the Breakthrough Award with an emotional speech that was met with a roaring standing ovation at the YouTube Theater.
After performing a sublime version of the Mexican classic “Cielito Lindo” accompanied by the Harmony Project — a community chorus composed of individuals from diverse backgrounds, including immigrant children — she spoke candidly about a year that “almost broke” her — with constant headlines and online scrutiny over her marriage to Mexican singer Christian Nodal, who was in attendance to support her.
“I have had to cry the weights of judgement and speculation of a story that I have note even told,” Aguilar said. “And yet, here I am. I’m still singing, I’m still standing. Because music is who I am.”
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To a roaring ovation from her peers at the venue, she advised young girls to “sing your truth and when they tell you to be quiet […] sing even louder.” Fighting back tears, she dedicated her award to immigrant women who cross the border to the United States “with nothing but hope in their hearts, only to find themselves living in uncertainty and fear […] You deserve safety, dignity, the right to dream.”
The youngest of the Aguilar dynasty — her father is música mexicana icon Pepe Aguilar, her grandparents legendary Mexican entertainers Antonio Aguilar and Flor Silvestre — Ángela Aguilar made her stage debut as a toddler when she joined her famous dad at one of his concerts. Five years later, at age 8, she released her first album, a joint set with her older brother Leonardo Aguilar. The two later joined Pepe on back-to-back arena tours when he launched Jaripeo Sin Fronteras in 2018, honoring the jaripeo-style show — singing while riding horses — that their grandparents pioneered. Along the way, Ángela landed three No. 1 songs on Billboard’s Regional Mexican Airplay chart and four top 10 hits on Latin Airplay, including her first No. 1 on that chart, “Por el Contrario,” with Leonardo and Becky G, last year.
Ángela Aguilar at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles, California.
Gilbert Flores
Hosted by Laverne Cox, Billboard‘s Women in Music honored influential women in music spanning artists and industry leaders, with performances, awards and tributes. Doechii was recognized as Woman of the Year, while honorees also included aespa, Erykah Badu, Gracie Abrams, Meghan Trainor, and Tyla, among others.
Read Ángela Aguilar’s full speech and watch her performance below:
This Breakthrough Award means a lot to me, because this year almost broke me. And honestly, I have had to stand on stage and sing through the tears and I have had to cry the weights of judgement and speculation of a story that I have note even told, and of a story that has never hit my voice. And yet, here I am. I’m still singing, I’m still standing.
Because music is who I am. It’s the thread that connects me to every woman that came before me, like my grandmother Flor Silvestre, and it’s taught me that these women here today are not my competition because we are each other’s legacy. And she taught me that you can fight in silence and the music speaks way louder than what other people say.
To every young girl that’s watching this and is wondering if she should make herself smaller to fit in to someone’s ideas about who they are, don’t. In this world they’ll try to write your story for you; don’t let them. Sing your truth and when they tell you to be quite, if it’s what you want, if it’s truly what you want, sing even louder.
Lastly, I wanna take this moment to raise my voice for the women whose voices are not always given a stage, for the women who leave behind everything they know crossing borders with nothing but hope in their hearts, only to find themselves living in uncertainty and fear. For the immigrant women in the country who work tirelessly building and nurturing, sacrificing, yet still remain unseen, unheard and unprotected, this one is for you. I see you. I honor you. You deserve safety, dignity, the right to dream. And if my voice and my music and my presence on this stage can remind you are not invisible, then I will sing for you every single time.
So tonight I accept this award for every women who has ever had to break through. For my grandmother. For my mother, who’s honored tonight. And to every women who has paved the way for every young girl to be able to dream. We are not breaking down. We are breaking through. Gracias, ¡y que viva México!
Billboard’s Women in Music event took over the YouTube Theater at Hollywood Park in Inglewood, Calif., on Saturday (March 29). Airing for free on VIZIO TVs and in the VIZIO mobile app, the annual event honors influential women in music, from artists to industry power players.
The 2025 Billboard Women in Music event was hosted by Laverne Cox and honored: Doechii, 2025 Woman of the Year Award; aespa, Group of the Year Award; Ángela Aguilar, Breakthrough Award; ANNA, Billboard Italy Woman of the Year; Charlotte Cardin, Billboard Canada Woman of the Year; Erykah Badu, Icon Award; GloRilla, Powerhouse Award; Gracie Abrams, Songwriter of the Year Award; JENNIE, Global Force Award; Megan Moroney, Rulebreaker Award presented by Crown Royal Whisky; Meghan Trainor, Hitmaker Award; Muni Long, Rising Star Award presented by Honda Stage; Tina Knowles, Mother of the Year Award; and Tyla, Impact Award presented by Bose.
Additionally, dozens of music industry moves and shakers were honored at the event for their remarkable contributions to the business. Five of those women – agents from some of the top booking agencies in the industry – were honored as the 2025 Executives of the Year: Jenna Adler, Lucy Dickins, Samantha Kirby Yoh, Cara Lewis and Marsha Vlasic.
From distinctive performances (honorees aespa, Ángela Aguilar, Erykah Badu, Gracie Abrams, Megan Moroney, Muni Long and Tyla all rocked the stage) to meaningful speeches, here are some of the best moments from Billboard’s Women in Music 2025 event.
VIZIO TV owners can watch Billboard Women in Music 2025 and the live event by opening the WatchFree+ app on their TV. For those who do not have a VIZIO TV, anyone can download the free VIZIO mobile app to their mobile device, click on the WatchFree+ button in the bottom row menu, and tune in to the Billboard Women in Music 2025 channel.
Megan Moroney
Hot off a Grammy win for best rap album for her 2024 LP Alligator Bites Never Heal and the news that her single “Anxiety” had hit top 10 on the Billboard Hot 100, Doechii took the stage at Billboard’s Women in Music 2025 event on Saturday (March 29) night to accept the honor for 2025 Woman of the Year.
“Where’s the swamp? Do I have any fans in the house?” Doechii asked the audience inside YouTube Theater in Inglewood, Calif., to laughs and applause after an introduction from two of her collaborators, Jayda Love and DJ Miss Milan.
“I cannot believe it was just two years ago I stood on this stage right here and accepted the Billboard Rising Star Award. I had literally performed so hard I danced my shoes off and had to hop up to the mic,” she recalled of her performances of “Persuasive” and “Crazy,” smiling. “And here I am. That moment reflects how I approach my career – always go full out, always go hard and always be fab.”
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Thanking her family, God and the many women on her team and at her label, Doechii noted the Woman of the Year honor was “a full-circle moment.”
She also talked about the importance of Billboard Women in Music as an annual industry event. “I stand here as a fierce ally,” the Grammy-winning rapper said. “That word is a key reason there is a Billboard Women in Music.” The event, which began in 2007, came about because “women in the music business were tired of not getting their seats at the table or the credit they deserved,” she said. “This event was created out of a necessity. That word, necessity, is important. My mixtape, Alligator Bites Never Heal, was a space I created out of necessity. A space where I could feel seen, heard and connect with other people through experiences.”
The Swamp Princess noted that nearly two decades after Billboard Women in Music first started, a “lack of inclusion and sexism are still issues in this industry. And that’s a problem. Which is why I’m grateful we have Billboard Women in Music.
“This is our motherf–king night to rightfully come together to acknowledge each other, support each other and to celebrate,” she said. “We are the creators, we are the executives, we are the innovators who are just as central to this industry as the men. Clock it.”
Lana Del Rey‘s “Henry, Come On,” a new song in advance of upcoming album The Right Person Will Stay, is ostensibly coming soon. Del Rey teased the title overlayed on apparent single art without comment on Instagram, in a post that has her gazing demurely into the camera.
“Henry,” which doesn’t have a confirmed release date yet, might ring a bell for fans of Del Rey, who’s dressed in white lace, complemented by carefully placed waves and a muted red lip, in the new promotional image.
When announcing The Right Person Will Stay‘s May 21 release date four months ago, Del Rey had noted, “Happy for you to hear a few songs coming up before Stagecoach starting with Henry.” “Henry” was in reference to the title now known to be “Henry, Come On,” a track she actually first teased more than a year ago.
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Del Rey is performing at the 2025 edition of Stagecoach, the annual country music festival in Indio, Calif., before a stadium tour in U.K. and Ireland that begins in June. She’s got top billing on Stagecoach’s Palomino Stage on Friday, April 25, with festival organizers saying she’ll have “a very special country set.” Zach Bryan headlines the fest’s “Mane” Stage the same night.
Del Rey first previewed “Henry, Come On” in January 2024 in a snippet that was also posted on Instagram, tagging Nashville songwriter/producer Luke Laird, no stranger to Billboard‘s country music charts and a two-time Grammy winner (most recently in 2019, as co-writer on Kacey Musgraves’ “Space Cowboy”).
On the “Henry” post this week, Laird was again among the names tagged. Also tagged is longtime Del Rey collaborator Dean Reid, who’s worked with the songstress in various production capacities over the years, most recently on several tracks on Did You Know That There’s a Tunnel Under Ocean Blvd. Drew Erickson, who worked with Del Rey on production and songwriting for Blue Banisters and Ocean Blvd, is also tagged on the post.
With quiet contemplation and sparse acoustic guitar, the first hint of “Henry” lyrically references the country influence Del Rey originally indicated was in store for her next album, when her next album was known as Lasso.
“I mean, Henry, come on/ Do you think I’d really choose it?/ All this off and on, Henry, come on/ I mean, baby, come on/ Do you think I’d really lose it on ya?/ If you did nothin’ wrong, Henry, come on,” she sings, with a whisper on the latter mention of Henry’s name leading up to the hook: “Last call, hey, y’all/ Hang his hat up on the wall/ Tell him that his cowgirl is gone/ Come on and giddyup.”
See the “Henry, Come On” art and the previously shared audio clip, both embedded below from Instagram.
A group of 32 Lady Gaga fans, affectionately known as Little Monsters, were chosen to go from “fan to featured” in a special edit of the “Abracadabra” music video. Gaga herself opens the clip, released by Mastercard on Saturday (March 29).
“The category is fans or die,” she says, playing off of her announcement that “the category is dance or die” in the original “Abracadabra” video.
“Little Monsters, my stage is yours,” Gaga adds.
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In the recreation of Gaga’s “Abracadabra,” directed by Parris Goebel — who also worked on the original — these fans are seen having the time of their lives while giving a fierce, heartfelt performance of the Mayhem single’s choreo.
The video is part of a campaign with Mastercard, who ran a contest to win what they called a “Priceless Experience”: appearing in the professionally produced “Abracadabra” (Fan Version) video, and joining Lady Gaga at a “Club MAYHEM” dance party. All a Little Monster had to do to enter was show off their take on the “Abracadabra” dance via social media with a #MastercardGagaContest hashtag.
The end result, first seen on Saturday afternoon, had tons of fellow Little Monsters quick to react in the comments, praising the impressive level of talent in the fanbase. Several comments noted the “Abracadabra” fan edit left them teary-eyed.
The credit card company previously shared a clip of the winning Little Monsters’ encounter with their idol. They were learning the “Abracadabra” choreography from one of Gaga’s dancers when the superstar suddenly appeared from behind a one-way mirror — joining them for a heart-to-heart about their artist-fan relationship.
“[There’s] something about Little Monsters that is this deep connection,” Gaga had remarked while secretly looking on. “They were just giving it their all — I didn’t expect myself to feel so emotional.”
In a recent interview with Billboard, Gaga said the Mayhem era has brought her even closer to her beloved supporters. “I’ve seen Little Monsters be so amazing for almost 20 years,” she said. “I haven’t seen us like this in a long time. Between the dancing, the makeup, the hair, the costumes, it gives me so much life. I am really honored. All I ever want to do is make something that you press play and you feel good for the duration of the record, and maybe you play it again.”
Mayhem became Gaga’s seventh No. 1 on the Billboard 200 albums chart earlier this month.
Watch the “Abracadabra” fan edit below.
Zayn Malik was forced to cancel a show in Mexico after suffering from food poisoning.
The last-minute cancellation occurred on Friday (March 28), when the 32-year-old “Pillowtalk” singer was set to perform at Mexico City’s Palacio de los Deportes as part of his Stairway to the Sky Tour.
“I’m heartbroken to say that I won’t be able to perform tonight in Mexico City,” Malik wrote on his Instagram Stories just hours before the show was scheduled to begin. “I’ve been really sick since this morning and, despite trying everything to push through, my body just isn’t allowing it.”
The former One Direction member added, “I’m so sorry to let you down. The love and energy I always feel from my fans mean the world to me, and it hurts deeply to miss this moment with you. Thank you for your understanding, and please know I’m sending all of my love to each of you.”
Hours later, Zayn offered another update on his health. “Mexico, I love you even though myself and many of my crew got severe food poisoning,” the musician wrote on his Instagram Stories. “It’s no joke — still struggling. I’m so sorry.”
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He continued, “To my fans, I’m so sorry — these shows have made me feel alive, happy, grateful and at home, and that’s all because of you. These shows, your energy, your fan projects filled me with so much love and a feeling I can’t even describe. Big love.”
Just days earlier, on March 25, Malik performed at Mexico City’s Palacio de los Deportes, where he surprised fans by singing one of One Direction’s most beloved hits for the first time in a decade. During the concert, Zayn shocked the audience when he performed the 1D single “Night Changes” from the group’s 2014 album, Four. “I haven’t sung this song in 10 years. Thank you, that was amazing, I almost cried,” he told the surprised audience.
Malik launched his Stairway to the Sky Tour in November 2024 after rescheduling the trek following his One Direction bandmate Liam Payne’s death.
