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Wet Leg have returned to music with the release of their new single, “Catch These Fists,” and the announcement of their second LP, Moisturizer, marking a new era for the band.

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The Isle Of Wight-formed duo – made up of Rhian Teasdale and Hester Chambers – began teasing an announcement last week after they wiped their Instagram profile, prompting speculation that the follow-up album to their 2022 eponymous debut will arrive soon.

Earlier today (Apr. 1), the band’s new single premiered on BBC Radio 1 – marking their first new material in three years. It will feature on Moisturizer, due for release on July 11 via Domino Records, and is accompanied by a music video directed by the band. Watch the clip in full below.

“We were just kind of having fun and exploring,” said Chambers in a press release, describing the band’s creative process for Moisturizer, which involved decamping to Southwold, East Sussex, to write together in spring 2024. “We focused on: Is this going to be fun to play live? It was very natural that we would write the second record together,” added Teasdale.

The new album was produced by Dan Carey, who also worked on Wet Leg’s debut, and features performances from the duo’s touring band: Ellis Durand (bass), Henry Holmes (drums) and Joshua Mobaraki (guitar, synth).

Wet Leg have also confirmed a U.K. tour scheduled for May 2025, with dates in Birmingham, London, Edinburgh, Leeds and Manchester. A presale will go live on Apr. 9 at 10 a.m. (BST) for fans that pre-order the forthcoming album. General sale will commence at 10 a.m. on Apr. 11. See the full run of shows below, while further ticketing information can be found on their official website.

In the build-up to “Catch These Fists,” the band performed a slew of underplay shows in the U.K. and U.S. Last month, they aired unreleased tracks at shows in London and Brighton – with titles including “Dragonfart,” “Beans” and “Lovestruck” – while last night (Mar. 31), they took to the stage at Brooklyn’s Market Hotel. Next week (Apr. 8), they are scheduled to play at The River in Los Angeles.

Wet Leg’s self-titled effort earned them two Grammy Awards for best alternative music album and best alternative music performance at the 65th Annual Grammy Awards (they now have three Grammys total). In 2023, they won a Brit Award for group of the year, as well as scooping up the best new artist prize.

Upon release, the record reached No. 14 on the Billboard 200. Its commercial success – including a U.K. No. 1 and a nomination for the Mercury Prize – led to Wet Leg enjoying stadium show support slots with global superstars, including Harry Styles and the Foo Fighters.

Over the summer, they are set to perform a series of U.K. and Irish festival headline slots, including Green Man in Bannau Brycheiniog, Wales and Oxfordshire’s Wilderness. They also have appearances lined up for Glastonbury, TRNSMT and BBC Radio 1 Big Weekend in Liverpool.

Wet Leg U.K. tour 2025 dates:

May 21 – Birmingham, England @ O2 Academy

May 23 – London, England @ O2 Academy Brixton

May 27 – Edinburgh, Scotland @ Usher Hall

May 28 – Leeds, England @ O2 Academy

May 29 – Manchester, England @ O2 Victoria Warehouse

Issues between Lou Gramm and Foreigner — especially with band founder Mick Jones — have been well-documented over the years, especially after Gramm’s final departure in early 2003. But in the wake of Foreigner’s “life-changing” induction into the Rock and Roll Hall of Fame last October, Gramm has a new attitude.

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“Ever since (the induction) it felt like, personally, I had to find a way to let go of some of the things I’ve been holding onto for years — and, like the song says, let it be,” Gramm tells Billboard. Gramm, who was Foreigner’s original singer in 1976 and was inducted into the Songwriters Hall of Fame with Jones in 2013, has been making occasional guest appearances with Foreigner since 2017. After singing a pair of encore songs with the band on March 15 in Clearwater, Fla., it was announced that Gramm will be joining the group for an eight-date Historic Farewell Tour run through Mexico and South America that starts April 28 and includes shows in Peru, Ecuador, Colombia, Chile, Argentina and Brazil.

Kelly Hansen, Foreigner’s frontman since 2005, will not be part of those concerts, with guitarist Luis Maldonado taking his place and planning to sing some of the repertoire in Spanish. “It’s a hackneyed sentiment, but it’s true — life’s too short,” Gramm says of his latest return to the fold. “And a lot of the things that are blown up and made big deals about are easy enough to get over and humble yourself and reach out a little bit, ’cause what you’ve been mad about for the past 20 years is not a monumental thing.”

Gramm and Jones have both acknowledged a sometimes volatile relationship as a songwriting tandem and bandmates during the former’s three tenures with Foreigner, often related to the dynamic of Gramm as a junior partner in the equation. More recently there was a dustup over ownership of demo recordings the two made during the early 2000s. But the Rock Hall induction, which Jones missed due to his continuing battle with Parkinson’s disease, clearly softened Gramm’s outlook.

“I hope he was watching the show,” says Gramm, who’s not in touch with Jones directly anymore. “It was a great experience and…a real honor for what all of us, and especially Mick, have accomplished. Our creative partnership was really excellent. I think we were all very proud.” The new bonhomie extends to his relationship with Hansen as well. “We didn’t have a very good relationship before, either, but it’s good now,” Gramm confirms.

“I’m glad he feels that way,” Hansen says in a separate interview. “Hopefully we’re gonna be having a lot of the original guys come on stage here and coming out for our 50th anniversary, which is next year. That’s kind of full circle. We like that energy, and I think everyone understands of how fortunate we all are to have been part of this legacy and enjoy the commonality of this legacy.”

Gramm, for his part, says he’s up for joining Foreigner for more of its 2025 dates in North America and certainly plans to be part of the 2026 activities, which will also mark the 45th anniversary of 1981’s six-times platinum 4 album. “I don’t think there’s any contrivance or people questioning the reason why I would be up there with that band,” Gramm says, noting that the current edition, active since the mid-2000s, “is something Mick wanted to do after we parted company, and he did a great job and they’ve done a great job over the last two decades of keeping the name up there and flying the flag. They deserve a lot of credit.”

The current Foreigner performed during the Rock Hall induction ceremony, backing guest singers Demi Lovato (“Feels Like the First Time”), Sammy Hagar with Slash (“Hot Blooded”) and Kelly Clarkson, with Gramm, on their Billboard Hot 100 topper “I Want to Know What Love Is,” on which original keyboardist Al Greenwood and second bassist Rick Wills sang backup. “There was a lot of awesome talent that I enjoyed listening to,” Gramm recalls, though he acknowledges that, “I wasn’t crazy about the fact I was in the dressing room while ‘Hot Blooded’ and some rockers were sung by other singers — great singers, of course, but I made no bones about it that I wanted to sing a rock n’ roll song. While I really I like (‘I Want to Know What Love Is’), it wasn’t my favorite song to sing that night. But singing with Kelly Clarkson made it so special. She’s such an awesome singer, and we did a very good job together.”

Foreigner’s other big news during 2024 was the release of “Turning Back the Time,” an archived 1996 track, for a new compilation of the same name. Gramm says there’s more where that came from, including another unreleased song, “Fool If You Love Him,” that he recently recorded some fresh vocals for. “For every Foreigner album we always recorded three or four songs more than we needed, and we usually chose 10 songs and rest were either done or almost done but were excellent,” Gramm says. “They fall by the wayside on times like this. There doesn’t seem to ever be a lack of material.” Jones, who stopped touring with Foreigner some years ago, has been working with Marti Frederiksen on both existing and new material, and Hansen confirms that “there’s a bunch of stuff in several states of completion, it’s just a matter of having time. Maybe for me, being not on the road as much, might afford some more time to finish some of those.”

Hansen revealed his plan to dial down touring when the Historic Farewell Tour was announced in fall of 2022, and while he’ll be out with Foreigner through the summer he’ll also be sitting out a fall run in Canada, with Geordie Brown from the Foreigner stage musical Juke Box Hero joining. In a statement Hansen explained that “some residency issues have forced me to limit appearances outside of the USA this year,” and he’s not offering specifics beyond that cryptic explanation.

“I made the statement because that’s the statement I wanted to make,” he says. “I know what it might sound like…I don’t feel like I want to go into details about my residency issues, but that’s the reason.” Hansen adds that, “It’s fine, and I’m happy doing everything that I can do. But, yes, there will come a point in time eventually where I won’t’ be doing this.” At the moment, he intends for that to be after the 2026 dates.

“Plans sometimes change, but those are the plans,” Hansen notes. “Listen, I never say never, but I’ve been in this business just about 50 years. I’ve had my time in here, and in the business, and the entertainment business is not the easiest business in the world. I really want to be able to live my life outside of being on the road nine months a year. I want to be able to do other things in my wife, with my family, while I still can. And I don’t want to be out there doing these songs at less than the standard that we’ve set, ever.”

Foreigner is also setting up an Australian tour in addition to next year’s 50th anniversary shows. A documentary project is in the works to commemorate the landmark. The Juke Box Hero musical, which has been previewed in Alberta and Toronto, is slated to go into production during 2026 as well.

If you’re wondering what Olivia Rodrigo gets up to on tour when she’s not on stage, just know it involves Sex and the City and chocolate cake. In a TikTok posted Tuesday (April 1), the star takes fans on a day in her life on the road amid her ongoing Guts World Tour, for which […]

Kendrick Lamar’s movie with the creators of South Park has been pushed back into 2026, according to Variety. Paramount’s comedy debut for Lamar with Trey Parker and Matt Stone is now slated to arrive on March 20, 2026. The flick was scheduled to arrive on July 4 of this year. Explore Explore See latest videos, […]

On last weekend’s Saturday Night Live, Morgan Wallen — guesting on the show for the first time since 2020 — performed songs from his upcoming album I’m The Problem, but also sparked controversy for his early exit from the SNL stage.

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Though Wallen has yet to directly comment on the SNL controversy, he has promoted some new music since then. On March 31, he posted a video to Instagram teasing a new song, “Come Back as a Redneck,” captioning the video with one of the song’s lyrics, “Maybe then you’ll understand.”

The song’s lyrics take a musical shot at tensions between city dwellers and those raised in the country, with Wallen singing, “I didn’t choose my raisin’ and you didn’t choose yours,” and elsewhere singing, “When you die, I hope you come back as a redneck…I hope you break your back for that barely-gettin’-by paycheck…maybe then you’ll understand.” The video shows Wallen partaking in various outdoor activities, including some target practice with a rifle at an outdoor shooting range and driving deep into the woods on a four-wheeler.

On the March 29 episode of Saturday Night Live, Wallen sang the title track of his upcoming album, I’m the Problem (due May 16), as well as a new song, “Just in Case.”

In keeping with SNL custom, Wallen joined the SNL cast on stage at the end of the show as the credits rolled. He gave a hug to the episode’s host, Oscar winner Mikey Madison, before quickly exiting the stage. Following his SNL exit, he later posted a story on his Instagram: a photo showing a private plane with the caption “Get me to God’s country.” His exit spurred controversy, with many questioning his decision to leave the show’s set, including longtime SNL cast member Kenan Thompson, who called the exit “definitely a spike in the norm.”

While the exit controversy has been at the forefront of fan conversations in recent days, it’s notable that Wallen also used the performance to seemingly tease several song titles from his upcoming album, including “Come Back as a Redneck.” The song was listed as “No. 21: ‘Come Back as a Redneck’ (feat. ______),” suggesting that the full song might involve a collaboration. Other song titles featured during the performance were “I Got Better,” “Skoal, Chevy and Browning,” “Genesis,” “Where’d That Girl Go,” “Miami,” “LA Night,” and two more songs that also seem to be possible collaborations with unnamed artists, “What I Want” and “Number 3 and Number 7.”

Wallen has already released or previewed snippets of several songs from the upcoming album, including his Billboard Hot 100 hits “Love Somebody” and “Just in Case.”

Wallen is a leading contender heading into this year’s Academy of Country Music Awards on May 8, where he is up for seven trophies, among them entertainer of the year, male artist of the year and artist-songwriter of the year.

After months of teasing and anticipation, Skrillex‘s fourth studio album, the astoundingly titled ‘F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! 

Chris Brown crowns Billboard’s Adult R&B Airplay chart for a sixth time, as “Residuals” climbs from the runner-up spot to lead the list dated April 5. The single was the most-played song on U.S. panel-contributing adult R&B radio stations in the tracking week of March 21-27, according to Luminate, and rose 12% in week-over-week plays. […]

The Blue Note Entertainment Group announced the participating artists in its 14th annual Blue Note Jazz Festival New York on Tuesday morning (April 1). Among the dozens of top name artists participating are: Grace Jones & Janelle Monaé, Branford Marsalis & Charles Lloyd, Emily King, Joshua Redman Quartet, Kenny Garrett, The Soul Rebels, Spyro Gyra, Marcus Miller, Tank and the Bangas, Santigold and many more.

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“This is one of our strongest lineups to date and Im so proud of the series we have curated this year,” says Alex Kurland, director of programming and talent buying for Blue Note. “These artists represent some of the best in jazz, soul and contemporary music and their participation this year speaks to the strength of the Blue Note brand.”

Kicking off May 27 with a concert honoring saxophonist James Moody’s 100th Birthday Celebration at Sony Hall, the festival includes stops at a number of popular venues all over the city, including the Blue Note Jazz Club in the West Village, Town Hall near Times Square, SummerStage in Central Park, Sony Hall on W 46th Street, Celebrate Brooklyn Prospect Park and more. Tickets and more information can be found here.

“We look beyond genre to curate this festival and strive to create outstanding musical experiences,” Kurland tells Billboard. “We’re excited to present artists this year who are singular and innovative. Artists who have their own unique individuality and voice, and that are truly one of a kind.”

Blue Note has a busy schedule for 2024, including two concerts slated for the Quarry Amphitheater on the campus of UC Santa Cruz in Northern California. Blue Note is also bringing back The Black Radio Experience with Robert Glasper in Napa, opening a new Blue Note Los Angeles in Hollywood and curating and producing the newly renamed Blue Note Jazz Festival at the Hollywood Bowl in June.

Blue Note recently wrapped up The Roots’ iconic celebration of their major label debut album, Do You Want More?!!!??!, at Blue Note, the annual month-long Robtober residency curated by Robert Glasper and critically acclaimed residencies with artists including Esperanza Spalding, Chris Botti and others.

Dates for the 2025 Blue Note Jazz Festival are below. More information here.

May 27 — James Moody 100th Birthday Celebration @ Sony Hall

May 29 — Kenny Garrett @ Blue Note

May 30 — Kenny Garrett @ Blue Note

May 31 — Kenny Garrett @ Blue Note

June 1 — Kenny Garrett @ Blue Note

June 1 — Harlem Gospel Choir [BRUNCH] @ Blue Note

June 1 — Chuck Prophet & Cumbia Shoes @ Sony Hall

June 2 — Infinity Song @ Blue Note

June 3 — Infinity Song @ Blue Note

June 6 — Emily King @ Blue Note

June 7 — “Forever Ray” [BRUNCH] @ Blue Note

June 7 — Emily King @ Blue Note

June 7 — Louie Vega & The Elements Of Life @ Sony Hall

June 8 — Harlem Gospel Choir [BRUNCH] @ Blue Note

June 8 — Emily King @ Blue Note

June 9 — Brandee Younger @ Blue Note

June 9 — Grace Jones & Janelle Monaé @ Celebrate Brooklyn Prospect Park

June 10 — THE REVERENCE PROJECT: John Patitucci, Darryl Jones, Nate Smith & James Francies @ Blue Note

June 11 — THE REVERENCE PROJECT: John Patitucci, Darryl Jones, Nate Smith & James Francies @ Blue Note

June 11 — Santigold @ Sony Hall

June 12 — THE REVERENCE PROJECT: John Patitucci, Darryl Jones, Nate Smith & James Francies @ Blue Note

June 13 — THE REVERENCE PROJECT: John Patitucci, Darryl Jones, Nate Smith & James Francies @ Blue Note

June 13 — Spyro Gyra @ Sony Hall

June 14 — Strictly Sinatra [BRUNCH] @ Blue Note

June 14 — THE REVERENCE PROJECT: John Patitucci, Darryl Jones, Nate Smith & James Francies @ Blue Note

June 14 — Rebirth Brass Brand @ Sony Hall

June 15 — Harlem Gospel Choir [BRUNCH] @ Blue Note

June 15 — THE REVERENCE PROJECT: John Patitucci, Darryl Jones, Nate Smith & James Francies @ Blue Note

June 15 — Gallant @ Sony Hall

June 16 — Warren G with Chris Rob & Live Band @ Blue Note

June 16 — Harlem Gospel Motown @ Sony Hall

June 17 — The Baylor Project @ Blue Note

June 18 — SABA @ Sony Hall

June 18 — The Baylor Project @ Blue Note

June 18 — Gino Vannelli @ Sony Hall

June 19 — The Baylor Project @ Blue Note

June 20 — Joshua Redman @ Blue Note

June 20 — Bas @ Sony Hall

June 20 — Babehoven @ National Sawdust

June 21 — A Tribute To The Golden Age Of Cuba – 
The Music Of The Buena Vista Social Club [BRUNCH] @ Blue Note

June 21 — Joshua Redman @ Blue Note

June 22 — Harlem Gospel Choir [BRUNCH] @ Blue Note

June 22 — Joshua Redman @ Blue Note

June 23 — Julius Rodriguez @ Blue Note

June 24 — Julius Rodriguez @ Blue Note

June 25 — Willie Nile @ Sony Hall

June 25 — Julius Rodriguez @ Blue Note

June 25 — Vopli Vidoplyasova @ Sony Hall

June 26 — Julius Rodriguez @ Blue Note

June 26 — Moses Yoofee Trio @ Blue Note

June 26 — Jesus Molina @ Sony Hall

June 27 — Savion Glover featuring PROjECt.9 @ Blue Note

June 27 — Baby Rose @ Sony Hall

June 28 — Savion Glover featuring PROjECt.9 @ Blue Note

June 28 — Branford Marsalis / Charles Lloyd Co-Bill @ Town Hall

June 29 — BALTHVS @ Sony Hall

June 29 — Harlem Gospel Choir [BRUNCH] @ Blue Note

June 29 — Savion Glover featuring PROjECt.9 @ Blue Note

June 29 — Azymuth @ Sony Hall

June 30 — Sungazer @ Blue Note

June 30 — Rickie Lee Jones @ Sony Hall

July 1 — Sungazer Plus @ Blue Note

July 2 — Sungazer Plus @ Blue Note

July 2 — Dora Morelenbaum @ Sony Hall

Tanner Adell was proud to attend this year’s Billboard Women in Music at the YouTube Theater in Inglewood, California on Saturday, March 29. She walked the blue carpet in a gorgeous, corseted look with long blonde hair and a matching purse covered in blonde locks. Her gold jewelry and bedazzled nails shown in the sunlight as she posed for photographers.

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Tanner Adell Blue Carpet at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles, California.

Brandon Todd

Tanner stopped to talk to Billboard’s Rania Aniftos on the carpet about tour life, working on new music, and how she would give this year’s Woman of The Year, Doechii a crown for being a queen in her own right. She also talked about presenting Megan Moroney with this year’s Rule Breaker Award presented by Crown Royal. Tanner spoke about the importance of going against the grain, saying “I think it’s important for artists to do what they want in general. Being kept to a box is not good for your creativity.”

Tanner Adell Blue Carpet, Interview at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles, California.

Brandon Todd

After stunning on the carpet, Tanner headed inside to the exclusive VIP cocktail reception where she stopped by the Crown Royal bar to give a toast. “We have so many amazing and talented women in the building and I’m so proud to be one of them,” Tanner began while holding her signature cocktail, the Crown Blackberry Buckle Bunny. She thanked Billboard and Crown Royal for always supporting her and her music, finishing with “Tonight we raise a glass to celebrate all the women in music. Cheers!”

Crown Royal Crown Royal at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles, California.

Brandon Todd

As the official Whisky partner for Billboard Women in Music, honorees were treated to a range of custom craft cocktails featuring Crown Royal. Tanner’s Crown Blackberry Buckle Bunny is a refreshing mix of Crown Royal Blackberry and lemonade. They also served the classic Royal Whisky Sour which uses Crown Royal Deluxe. Many chose a Royal 18, which is Crown Royal 18Y on the rocks. The most versatile cocktail of the evening was In The Name of Whisky, featuring either Crown Royal Deluxe, Blackberry, Peach, or Apple with fresh lemon juice, cane sugar and club soda.

Crown Royal at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles, California.

Brandon Todd

As the program began inside the YouTube Theater, Tanner took the stage to present the first award of the evening. She helped present Megan Moroney with the Rule Breaker Award presented by Crown Royal. After letting the audience know that Megan originally thought she was going to be an accountant like her mother, Tanner listed off some of the most impressive accomplishments she has made in the first few years of her career including the charts success of her latest album Am I Okay? Tanner ended her speech with “Megan Moroney, I think it’s safe to say you are more than okay, girl.”

Tanner Adell Crown Royal at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles, California.

Brandon Todd

It was Megan’s turn on stage to start the evenings performances off with a high energy rendition of “Am I Okay?” She entertained the audience and fellow honorees singing and shaking in silver fringe. She then accepted her award from Tanner Adell saying, “When I found out I was getting the Rule Breaker Award I thought it was kind of funny because, if you know me in real life, you know I’m an avid rule follower… But I’m just so grateful for it. I’m grateful to be here, in a room with such talented, confident, amazing women in music.”

Tanner Adell, Megan Moroney Crown Royal at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles, California.

Brandon Todd

You can rewatch Billboard Women in Music 2025 and catch the highlights on Billlboard.com and Billboard’s YouTube channel.

Just a couple weeks after closing out the European leg of her Secret of Us Tour, Gracie Abrams is thanking fans by dropping the live version of unreleased song “Death Wish” recorded at the O2 Arena earlier this month. Released Tuesday (April 1), the recording finds the 25-year-old singer-songwriter accompanying herself on piano as she […]