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The 2025 Tribeca Festival will kick off with the world premiere of Billy Joel: And So It Goes, a two-part documentary on Billy Joel featuring unreleased performances, home movies, personal photographs and in-depth, one-on-one interviews. The film, an HBO original, is described as “an expansive portrait of the life and music of Billy Joel, exploring the love, loss, and personal struggles that fuel his songwriting,” according to an official announcement from Tribeca.
Billy Joel: And So It Goes will have its premiere at the Beacon Theatre in New York City on June 4, 2025, the first night of this year’s Tribeca Festival.
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Running from June 4-15 in NYC, the fest’s full lineup — featuring film, music, TV, audio storytelling, talks, games and immersive programming — is expected to be revealed soon.
“For nearly 25 years, the Tribeca Festival has celebrated the artists who give New York its heart and soul, and on the opening night of the 2025 Festival, we are thrilled to honor Billy Joel — an artist who has embodied that very spirit,” says Jane Rosenthal, co-founder and CEO of Tribeca Festival and Tribeca Enterprises. “Paying tribute to the legendary performer who captured the essence of a ‘New York State of Mind’ is a perfect way to kick off this year’s celebration of creativity and inspiration.”
Susan Lacy, director and producer of the documentary, says, “I and my co-director, Jessica Levin, couldn’t be more thrilled about our film Billy Joel: And So It Goes opening the esteemed Tribeca Festival. Our thanks go out to Jane Rosenthal and the Festival team and to HBO and the wonderful folks there who have supported us throughout in our efforts to bring an in-depth, honest and musically expressive portrait of this complex talent. We are beyond appreciative of Billy Joel’s trust in us to bring his story to the screen. There is no better place for this film to premiere than at the Beacon Theater, the venue for so many historic musical events for decades, and in the city so important to Billy Joel.”
Tribeca memberships and 2025 Tribeca Festival passes and ticket packages can be purchased at tribecafilm.com. Single tickets go on sale on April 29.
Ahead of the Tribeca announcement, the film and plans for its HBO release were first confirmed in late March. Following its festival premiere, Billy Joel: And So It Goes will debut on HBO and be available to stream on MAX some time this summer. A release date has yet to be announced.
Joel will also return to the stage this summer. Last month he postponed his tour in order to recover and undergo physical therapy following an undisclosed surgery, announcing that he will resume performing in July.
ENHYPEN‘s “Loose” tops this week’s new music poll. Music fans voted in a poll published Friday (April 4) on Billboard, choosing the K-pop group’s new single as their favorite new music release of the past week. “Loose” brought in nearly 91% of the vote, far surpassing other recent music releases. Among the competition were Miley […]
Jack Black reimagined a classic My Chemical Romance track in a hilarious sketch on Saturday Night Live.
While hosting the iconic sketch comedy show on April 5, the actor and comedian channeled MCR frontman Gerard Way by performing a reggae parody of the band’s 2006 hit “Welcome to the Black Parade.”
The nearly three-minute sketch, titled “Goth Kid on Vacation,” features SNL cast members Kenan Thompson and Ego Nwodim as members of a Jamaican reggae band who cope with their own pain by laughing at goth kids vacationing on their island.
“When there is war and struggle and pain/ How do we fill our souls with joy again?” the duo sings before adding, “We look and we laugh at goth kid on vacation.”
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The camera then cuts to a stereotypical goth teenager (played by Michael Longfellow) dressed in all black with a classic emo hairstyle. He’s shown playing Magic: The Gathering from his hotel balcony, walking the beach in a heavy black leather jacket and combat boots, and belting in frustration after getting hit with a beach ball while painting his nails black.
Halfway through the pre-recorded skit, a long-haired Black joins the scene with a backing band, adding a reggae twist and reimagining the lyrics to My Chemical Romance’s “Welcome to the Black Parade,” which reached reached No. 9 on the Billboard Hot 100 chart in 2007.
“When I was a young boy, my parents took me down to Jamaica for my high school spring break,” Black sings, wearing an outfit reminiscent of Way’s goth-inspired look from the music video. “They said come to the pool, but I stayed in the room with my graphic novels so I could mastur—-.”
Saturday’s episode also featured musical guests Elton John and Brandi Carlile, who performed a pair of songs from their new collaborative album, Who Believes in Angels? Check out their performances of “Little Richard’s Bible” and the project’s title track here.
Watch SNL‘s “God Kid on Vacation” sketch below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
Ariana Grande’s 2024 album Eternal Sunshine returns to No. 1 on the Billboard 200 albums chart for its third total week atop the list, flying 87-1 on the April 12-dated chart, following the set’s deluxe reissue, dubbed Eternal Sunshine Deluxe: Brighter Days Ahead. Bolstered with six previously unreleased songs, the expanded effort — available at streamers, and to purchase as a download, CD and vinyl LP — earned 137,000 equivalent album units in the U.S. in the week ending April 3 (up 968%), according to Luminate.
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All versions of the album, old and new, are combined for tracking and charting purposes and continue to chart under the title Eternal Sunshine.
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Eternal Sunshine premiered atop the Billboard 200 dated March 23, 2024, and spent its first two weeks at No. 1. The set contains a pair of chart-toppers on the Billboard Hot 100 in the songs “Yes, And?” and “We Can’t Be Friends (Wait for Your Love).” The project also returns to the top 40 on the Billboard 200 for the first time since the Oct. 19, 2024-dated list, when it ranked at No. 34.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 12, 2025-dated chart will be posted in full on Billboard‘s website on April 8. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
With Eternal Sunshine’s return to No. 1 after a year and two weeks, it’s the second title in the last six months to jump back to the top after more than a year away. On the Jan. 4, 2025-dated chart, SZA’s SOS shot back to the top after a 22-month vacation from No. 1. It returned to lead the list after its SOS Deluxe: LANA reissue.
Further, Eternal Sunshine has the largest positional jump to No. 1 (bolting 87-1) since last September, when Travis Scott’s Days Before Rodeo vaulted 106-1 on the Sept. 28, 2024-dated list, after the album’s vinyl edition was shipped to customers.
Of Eternal Sunshine’s 137,000 equivalent album units earned in the week ending April 3, SEA units comprise 75,000 (up 541%, equaling 98.45 million on-demand official streams of the set’s songs; it reenters at No. 2 on Top Streaming Albums), traditional album sales comprise 61,000 (up 5,338%, it reenters at No. 1 on Top Album Sales for a second total week atop the list) and TEA units comprise 1,000 (up 4,115%).
Sales of Eternal Sunshine were bolstered by its availability in a variety of permutations released for the Brighter Days Ahead launch. The original Eternal Sunshine album had 13 tracks, and the core Brighter Days Ahead album added six cuts: one extended version of the album-opening “Inro (End of the World)” and five new songs.
Grande’s webstore sold three exclusive variants of the download edition of the album: the 19-track edition, a version with the 19 tracks plus instrumentals of the same cuts, and another version with the 19 tracks and a cappella versions of each cut (all with alternative cover artwork). Grande also released two vinyl variants and six CD editions of the reissue (some signed by the artist), containing the 19 tracks plus the three bonus tracks originally found on the album’s “slightly deluxe” reissues last year.
Playboi Carti’s MUSIC falls to No. 2 on the Billboard 200 chart after two weeks on top, with 91,000 equivalent album units earned (down 31%). It holds at No. 1 on the Top Streaming Albums chart for a third week.
Lil Durk collects his seventh top 10-charting effort on the Billboard 200 as Deep Thoughts debuts at No. 3 with 64,000 equivalent album units earned. The set arrives largely from streaming activity, as it was only available to purchase as a standard widely available digital download album. Of its first-week units, SEA units comprise 63,000 (equaling 85.92 million on-demand official streams of the set’s songs; it debuts at No. 1 on Top Streaming Albums), album sales comprise 1,000 and TEA units comprise a negligible sum.
The rest of the top 10 on the Billboard 200 comprises former No. 1s. Kendrick Lamar’s GNX falls 3-4 (58,000 units; down 10%); PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U is down 4-5 (nearly 58,000; down 6%); SZA’s SOS slips 5-6 (56,000; down 7%); Sabrina Carpenter’s Short n’ Sweet dips 6-7 (51,000; down 7%); Bad Bunny’s Debí Tirar Más Fotos is a non-mover at No. 8 (45,000; down 8%); Lady Gaga’s MAYHEM falls 7-9 (nearly 45,000; down 15%); and Morgan Wallen’s One Thing at a Time is stationary at No. 10 (almost 45,000; down 2%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Saturday Night Live took aim at Morgan Wallen following the country star’s abrupt exit during the show’s end credits in late March.
During the NBC sketch comedy show’s cold open on April 5, just a week after Wallen’s headline-making appearance as musical guest, President Donald Trump — portrayed by James Austin Johnson — made a jab at Wallen while discussing his “Liberation Day” tariffs.
“I even put tariffs on an island uninhabited by humans. It’s called Heard and McDonald Island,” Johnson’s Trump said, holding a poster featuring a hamburger in a hula skirt. “I would love to visit there. Can you imagine that? Big Mac and a hula skirt. Get me to God’s country, right? Remember that?”
The “Get me to God’s country” line was a direct nod to Wallen’s comment on his Instagram Story after his much-discussed exit from the show on March 29, when he abruptly walked off stage at Studio 8H during the end credits after whispering something to host Mikey Madison.
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Later in the April 5 episode, SNL‘s Colin Jost poked fun at Wallen during Weekend Update, cracking jokes about the financial state of the country.
“This was the worst week for the stock market since the summer of 2020. But you have to remember — back then, the president was also Trump,” Jost said. “Just in the past two days, investors have lost over $6 trillion. Money is leaving the stock market faster than Morgan Wallen at goodnights.”
During his musical guest appearance on SNL, Wallen performed the title track from his upcoming album, I’m the Problem, along with his song “Just in Case.”
Just days after his controversial appearance, the country singer capitalized on the highly publicized moment by launching a new line of “Get Me to God’s Country” merchandise. Wallen had not publicly commented on the incident or explained the meaning behind the phrase at press time.
In an interview with Entertainment Weekly following Wallen’s walk-off, longtime SNL cast member Kenan Thompson called the incident “definitely a spike in the norm.”
“We’re so used to everybody just turning around and high-fiving us, everybody’s saying, ‘Good job, good job, good job.’ So when there’s a departure from that, it’s like, hmm, I wonder what that’s about?” Thompson said, adding that Prince had done the same thing during his appearance on the show years ago.
“I’m not saying Morgan Wallen is Prince, but we weren’t surprised because Prince was notoriously kind of standoffish. It’s just how he was. So we just thought like, ‘Okay, now he’s gone back into fantasyland.’”
Wallen’s forthcoming album, I’m the Problem, is set to be released on May 16 and features 37 tracks, although only a few song titles have been revealed so far.
Watch SNL‘s cold open and Weekend Update sketches below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
Elton John and Brandi Carlile paid a visit to Studio 8H to perform a pair of songs from their new collaborative album.
The longtime friends appeared as the musical guests on Saturday Night Live on April 5, with Jack Black taking on hosting duties.
Set against a starry, neon-lit backdrop with their names emblazoned on the walls, the duo opened with the rocking, 1950s-inspired “Little Richard’s Bible,” with John on piano and Carlile on guitar. Later in the episode, they returned for an inspiring performance of the title track from their new album, Who Believes in Angels?
John and Carlile wrote and created the album alongside John’s long-time co-writer Bernie Taupin and producer Andrew Watt. Who Believes in Angels?, which dropped on April 4, features previously released singles “Swing for the Fences,” “Never Too Late” and the title track.
“As my Farewell tour came to an end, I knew I wanted to make a new album with Brandi, I wanted to shift gears and do something different from anything I’d done before,” John previously told Billboard of the project. “I have always found Brandi so inspiring, our friendship was so close, and I just had the instinct that we could produce something really amazing.”
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The iconic musician added, “Creating Who Believes in Angels? was challenging, and I had a lot of self-doubt, but alongside Bernie Taupin and Andrew Watt, we ended up writing 10 songs in 20 days and it was one of the most joyous and exhilarating experiences I’ve ever had in my life.”
This marked John’s first time back on SNL in more than a decade. He last appeared on the sketch comedy show in 2011, when he pulled double duty as both host and musical guest. Prior to that, he made his SNL debut in 1982. Meanwhile, Saturday marked Carlile’s third appearance on the late-night show.
It’s a busy weekend for both musicians. In addition to their SNL appearance, they will also host a one-hour concert special celebrating the new album. An Evening with Elton John and Brandi Carlile will air on CBS on Sunday (April 6), featuring live performances, stories about the duo’s friendship, and an intimate look at the making of their new album.
Watch John and Carlile’s SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
The AXE Ceremonia festival, which was taking place this weekend at an ecological park in Mexico City, was suspended by local authorities following the death of two people on Saturday (April 5) when a crane transporting a decorative metal object collapsed.
The cancellation was confirmed on Sunday (April 6) in a message on X by the Miguel Hidalgo mayor’s office, the borough where the event venue is located.
“The teams from the Miguel Hidalgo Government and Legal Affairs, along with the borough’s Civil Protection department and the Administrative Verification Institute of Mexico City, completed the inspection and placed suspension seals at the entrances to AXE Ceremonia in Bicentennial Park,” the mayor’s office stated in its message.
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The deaths of two people, a man and a woman, were confirmed by local authorities in a statement. The festival corroborated the incident through an Instagram story. Following the events, the Mexico City Prosecutor’s Office announced that it has launched an investigation to determine the corresponding responsibilities.
The festival also confirmed the deaths on their Instagram stories. “With deep sadness, we confirm the passing of the two people who were injured during today’s incident,” AXE Ceremonia published. “We are deeply heartbroken by this loss. We are reaching out to their families to support them during this incredibly difficult time and to provide them with all our care and solidarity. The safety of our community has always been our priority, and we continue, as from the very beginning, to maintain close collaboration and complete transparency with the authorities. We will continue to share official updates about the event through our social media channels.”
Mexican newspaper El Universal confirmed the identity of the victims, Miguel Angel Rojas, 26, and Berenice Giles, 28, of structure collapse. They were photographers. The company ECO Live, the festival’s producer, had not responded to a request for information from Billboard Español.
The accident occurred around 5:30 p.m. (local time) when a gust of wind shook a metal structure that fell on two people, according to a statement from the Mexico City Government, issued through the Secretariat of Comprehensive Risk Management and Civil Protection.
“The mentioned structure fell on two people who received pre-hospital care at the scene, and were later urgently transported to the hospital, where they unfortunately passed away,” authorities wrote in the statement.
A photojournalist who captured images of the metal structure collapse shortly after it happened told Billboard Español that, following the crash, several attendees near the point where the crane fell tried to move it to assist the victims trapped beneath it. Paramedics and police officers quickly arrived at the scene and cordoned off the area, as attested by Billboard Español.
“Paramedics from the company hired by the event organizers provided medical attention to a man and a woman for Traumatic Brain Injury (TBI) and various fractures at the site of the collapse,” detailed the Mexican Government on Saturday night in an informational statement through the Mexican Social Security Institute (IMSS) Bienestar program.
The Head of Government of Mexico City, Clara Brugada, addressed the incident in a message on X, where she expressed her sorrow over the events and extended her solidarity to the families and friends of the victims. She also thanked the “quick and efficient response” of the relevant personnel “who acted diligently to secure the area and request immediate medical attention.”
“We will closely monitor the corresponding investigations by the Mexico City Prosecutor’s Office to determine responsibilities,” added the local leader.
Atentos de los lamentables hechos ocurridos esta tarde en el Parque Bicentenario. Mi solidaridad con familiares y amigos de las personas que desafortunadamente perdieron la vida tras el accidente. Agradezco la rápida y eficiente respuesta del personal de la @PBI_SSC, de la…— Clara Brugada Molina (@ClaraBrugadaM) April 6, 2025
The mayor of Miguel Hidalgo, Mauricio Tabe, also addressed the incident and expressed his solidarity with the families of the victims. “I deeply regret what happened today during a private event at Bicentennial Park. My deepest solidarity goes out to the families of the victim,” the mayor wrote on X.
According to a statement issued by the Miguel Hidalgo mayor’s office, the incident may have been caused by the installation of additional cranes by the organizers, which had not been included in the program submitted to authorities for the pre-festival inspection.
Local authorities stated that, as this was a private event, the project director and the official in charge of Civil Protection, both hired by the festival organizers, will be subject to the investigation initiated by the Mexico City Prosecutor’s Office.
Following the crane collapse and the two fatalities it caused, AXE Ceremonia continued on Saturday with headline performances by corridos tumbados superstar Natanael Cano, British pop diva Charli XCX, and South Korean boy band Tomorrow X Together, according to Billboard Español. The festival’s director, Diego Jiménez, had stated in a prior interview that an attendance of 55,000 people was expected on the first day.
On Sunday (April 6), the second day of the festival’s activities, the highly anticipated return of British trip-hop group Massive Attack to Mexico City was expected, along with performances by American rapper Tyler, The Creator, Argentine duo Ca7riel & Paco Amoroso, Argentine-Spanish artist Nathy Peluso, and California-based indie pop band The Marías, among others.
Ed Sheeran and Weezer were two previously unannounced acts spotted on the 2025 Coachella lineup when set times for the this year’s festival were posted on Saturday (April 5). They’ll each pop in for a one-day, daytime set. Weezer will play the Mojave tent on Saturday afternoon (3:10-3:55 p.m.) on April 12, during the festival’s […]
Deshonne Redeaux just made his college commitment official — and he did it with the kind of hometown love story only Los Angeles can write.
The four-star running back from Carson, California, known for his speed, field vision and unshakable confidence, announced his commitment to the University of Southern California in a full-circle moment that brought two L.A. icons into the spotlight: Snoop Dogg and JuJu Watkins.
“It means a lot to have Snoop Dogg support me at one of my biggest moments,” Redeaux tells Billboard. “I played in his Snoop Youth Football League, and it pathed the way for me to reach my goal of getting a Division 1 college scholarship.”
Also featured in the announcement video (seen in the Instagram post above) was JuJu Watkins, USC’s breakout basketball star and a longtime friend. “JuJu supporting me at this time means so much to me because we grew up together and she has inspired me watching her make history in the city that raised her,” he says. “Can’t wait to share a campus with her, impact the community, and bring national championships back to the city!”
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Redeaux says staying home and playing for USC was about more than football. “I choose USC because nothing is more powerful than impacting the hometown community and being the light in my own backyard,” he says. “Some of the determining factors were the amazing USC tradition and legacy — specifically at the running back position — and being a difference maker to bring the winning culture back to USC football and to the city of Los Angeles.”
To mark the occasion, Redeaux shared his ultimate game day hype playlist exclusively with Billboard, highlighting the music that keeps him focused and fired up before he hits the field.
“Drake featuring Rick Ross, ‘Lord Knows’ — the message behind the song is all about motivation and reflection,” he says. “And with the Lord’s guidance, you can accomplish anything. It really gets me in my mode!”
When it’s tunnel time, he turns to NBA YoungBoy’s “Head Blown.” “It puts me into dog mentality to be a lock in the field,” he says.
Other key tracks include J. Cole’s “Love Yourz,” Ginuwine’s “Same Ol G” and Nipsey Hussle’s “Dedication.”
“I’m most excited about strapping it up for the first time at the Coliseum — that will be a dream come true,” he says. “I want to give back to the youth and always show up for the next generation.”
Check out Deshonne Redeaux’s full Game Day Hype Playlist below, featuring Playboi Carti, EBK Jayboo, SWV, Lil Durk, Icewear Vezzo, BlueBucksClan and more.
Days after teasing a new collaboration with Roc Marciano, Grammy-nominated TDE MC Ab-Soul graced the fifth and final Dreamville Fest — and Billboard caught up with him moments before he hit the stage.
“I’m a little offended because me and [J.] Cole are very good friends and I’m a very good rapper, if not the best rapper of all time,” he said in jest. “Why is this my first time on the lineup? It’s beyond me. They really saved the best for last!”
Though it is Ab’s first time performing at the North Carolina festival, it may not be his last opportunity to head down to Raleigh. During a press conference on Thursday (Apr. 3), Raleigh festival organizers surprised fans by revealing that Dreamville Fest will return in the future under a new iteration. Of course, the final (for now) Dreamville Fest is a poignant moment for Ab, who “came up in the same era” as several key Dreamville stars.
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“These are really my guys, Bas was on my first headlining tour, and that’s where I met Earthgang, JID, Cozz, the whole team,” he said. “They’re undeniable. They’re true MCs, true artists. Ari [Lennox] goes crazy. I’m sure [Dreamville Fest] is a dream come true for Cole and for many others in this area. I’m honored to be here [today].”
Last year, Ab dropped his sixth studio album, Soul Burger, a record dedicated to his best friend Doeburger, who passed away in 2021. Stacked with collaborators like Doechii, Ty Dolla $ign and Lupe Fiasco, Soul Burger also features Doeburger as a posthumously credited writer across all tracks.
In the caption of an Instagram post teasing his forthcoming Roc Marciano collaboration and honoring Doeburger’s birthday (Apr. 1), Ab gave a special shoutout to Cole, thanking the “Middle Child” rapper for sharing his perspective. “Preciate the insight Cole. It was much needed,” he wrote, detailing how much the new song means to him. “It’s imperative that I let the world know the impact my brother left on me and so many others. I didn’t do this for views nor to monetize. I did this to honor someone who was undoubtedly ‘none of a kind.’”
At the very end of his caption, Ab-Soul wrote: “Soul Burger: The Odyssey… Stay tuned.” While it’s unclear what exactly he’s teasing, Ab confirms to Billboard that this new project and his 2022 LP are “two different things.”
“Soul Burger is a character, it’s the fusion of me and Doeburger,” he explains. “The Odyssey is… the odyssey. It’s one of the most special pieces I’ve ever put together, I’m very excited about it. It’s very therapeutic — liberating, if you will. It’s a continuous ode to my brother.”
With new music and a performance at Wiz Khalifa’s forthcoming 420 on the Rocks show on the horizon, Ab-Soul is showing no signs of slowing down in 2025.
