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One of hip-hop’s earliest hitmakers is back on the Billboard charts, returning with his first new song to reach the rankings in more than two decades. Young MC’s “Fun Part,” released on the rapper’s Disco Theory label, lands a No. 38 debut on the Rhythmic Airplay chart and gives its creator his first visit to a Billboard chart with a new song since “Heatseeker” in 2002. Among other placements, “Heatseeker” reached No. 6 on the Hot Singles Sales chart and No. 92 on the Hot R&B/Hip-Hop Songs list.
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“It feels exhilarating and nerve-wracking at the same time,” Young MC tells Billboard upon his new track’s entrance to the charts. “On the one hand, it’s a validation for all the hard work I’ve put in over decades to grow as an artist and a producer. But at the same time, I feel the pressure to keep the momentum going. I’m looking forward to the challenge.”
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Born Marvin Young, the artist who later became Young MC first came to prominence as a songwriter on two 1989 hits for Tone-Loc that broke barriers as some of hip-hop’s earliest crossover success stories on the charts. “Wild Thing” soared to No. 2 on the Billboard Hot 100 – at the time, the genre’s highest peaking hit on the flagship chart – while “Funky Cold Medina” nearly duplicated the feat, reaching a No. 3 best.
That same year, the rapper also touched a third classic, but this time, as the main attraction. “Bust a Move,” which features the Red Hot Chili Peppers’ Flea on drums, flew to No. 7 on the Hot 100 and won a Grammy Award for best rap performance. The single has lived on with countless uses in pop culture, including in films such as Dude, Where’s My Car? and The Blind Side, a 1997 commercial for Priceline in which William Shatner recited some of the song’s lyrics, and moments on TV’s Glee and The Big Bang Theory.
Thirty-five years on from his first hit, landing a new one in a new generation of hip-hop isn’t lost on the pioneer. “It’s wild to think that many of the people listening to ‘Fun Part’ weren’t even born when I released ‘Bust a Move’,” he says. “I’m finding the delicate balance of appealing to them while not alienating those people who were fans of ‘Bust a Move’ when it was out and still come to shows to see it today.”
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An underlying reason for Young MC’s return? Last year’s celebrations surrounding the 50th anniversary of hip-hop’s creation, dating to its accepted 1973 origin in New York City, and virtually every major music publication and organization’s salute to the genre’s expansion from a potential fad to a world-conquering sound. “I can only speak for myself, but I was impacted by seeing all the Hip-Hop 50 stuff flying around. I reflected on what I had personally given to hip-hop during the 50 years and if I could possibly give more.”
And he isn’t the only one of his generation back in the game. LL Cool J wrapped a decade-long hiatus from music with the September release of The Force album, his first since 2013. Its current single, the Eminem-assisted “Murdergram Deux,” begins at No. 39 on Rhythmic Airplay, directly below “Fun Part.” The dual resurgences, to Young MC, feel connected. “I can relate to all the legacy artists putting out new music today – for most of us, it’s a ‘want to’ more than a ‘have to,’” he explains.
But at least the response to his latest song gives him peace over those concerns about whether he still had more to offer: “’Fun Part’” proves to me that the answer to that question is a resounding ‘yes!’”
Yeah Yeah Yeahs’ “Maps” becomes the fifth song in the 13-month history of the TikTok Billboard Top 50 chart to reign for at least four weeks, spending its fourth straight frame at No. 1 via the Nov. 2-dated ranking, while A.J. & Big Justice’s social media smash “We Bring the Boom” is one of the week’s top debuts.
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The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity from Oct. 21-27. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.
“Maps” joins similar reigns by Alek Olsen’s “Someday I’ll Get It” and Flo Milli’s “Never Lose Me,” both in 2024, for four weeks each; Mitski’s “My Love Mine All Mine” ruled for six weeks in 2023; while the all-time leader, Tommy Richman’s “Million Dollar Baby,” secured the top spot for 10 weeks beginning in May.
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Released in 2003 on Yeah Yeah Yeahs’ debut LP Fever to Tell, “Maps” reigns via a pair of trends on TikTok, one involving a dance while the other has creators using a filter to remove their facial features and have them cascade back down onto their countenance in the clip. While the original version of the song has been widely used, a sped-up remix has also contributed to the success of “Maps” on the chart.
The top three of the TikTok Billboard Top 50 remains intact from the previous week (Oct. 26), with Alphaville’s “Forever Young” and Akon’s “Akon’s Beautiful Day” following at Nos. 2 and 3, respectively. While it’s Akon’s second week at No. 3, Alphaville has now stood at No. 2 for three weeks in a row and hasn’t fallen below No. 3 since mid-September.
Vines’ “Being Loved Isn’t the Same As Being Understood,” following its No. 8 debut on the Oct. 26 survey, crashes the party as the lone new entrant in the top five, jumping to No. 4 in week two. The song, self-released in March by the artist known also as Cassie Wieland, continues its ascent thanks to a trend on TikTok where the user posts about either themselves or someone they know, usually as a photo collage, to “sum up the kind of person” they are or were. Some of the top-performing clips discuss a person who has since died.
“Being Loved Isn’t the Same As Being Understood” sported a 99% leap in official U.S. streams to 116,000 in the week ending Oct. 24, according to Luminate.
Gigi Perez’s “Sailor Song,” following its first week in the top 10 (No. 10) on the Oct. 26 chart, also rises four spots, leaping 10-6. The 2024 tune, which leapt another 4% in streams to 13.5 million in the week ending Oct. 24, has benefited from a variety of trends since it first began exploding on TikTok in the summer, often relationship- and romance-related.
It’s followed by Oscar Maydon and Fuerza Regida’s “Tu Boda,” which vaults 14-7, its first week in the top 10. The song has exploded on TikTok – as well as on streaming services – in recent weeks, particularly following the release of its music video on Oct. 14.
“Tu Boda” concurrently catapults 157% in streams to 15.2 million in the week ending Oct. 24, enough to blast the song to a No. 23 debut on the Billboard Hot 100.
The tune’s TikTok ecosystem includes edits and trends involving the 2005 movie Corpse Bride, plus lip-synch content.
The Cramps’ cover of “Goo Goo Muck” sports the week’s top TikTok Billboard Top 50 debut, starting at No. 9. Released in 1981 on the rockers’ album Psychedelic Jungle, the tune returned to prominence in 2022 when it was featured in the Netflix series Wednesday.
In recent weeks on TikTok, “Goo Goo Muck” has been embraced in a link to its status as a Halloween-time standard, following a trend where the user is running from danger but then runs back when realizing their pursuer is attractive, often starting to take off their shirt in the process.
Gabriela Bee’s “Maybe” is the third new entrant into the top 10, rounding it out at No. 10 after its No. 11 debut on Oct. 26. Usages of the song revolve around its “Maybe one day I’ll get married/ And you’ll be my maid of honor” lyric, with creators either remembering their own weddings or noting who they’d like to be the maid of honor at their wedding.
And A.J. & Big Justice bring the boom to the TikTok Billboard Top 50, with “We Bring the Boom!” debuting at No. 15. The father-and-son TikTok stars released what’s become their theme song to streaming services in July, and the tune has only risen as prominence as the duo (plus others often featured in their uploads, from family members to The Rizzler) has gained in popularity on the platform, currently boasting over 2 million followers.
The majority of the top-performing videos using “We Bring the Boom!” are from the A.J. & Big Justice account itself, though others have gotten in on the song’s accompanying dance as well — including professional athletes in game.
In the tracking week ending Oct. 24, “We Bring the Boom!” earned 327,000 streams in the U.S., up 24%.
See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.
Just over a year after Oliver Anthony Music earned a multi-week Billboard Hot 100 chart-topper with his independently released song “Rich Men North of Richmond,” the singer-songwriter says he is aiming at making some big changes and essentially walking away from the music business in order to focus on ministry — though he will still be making music.
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In a YouTube video posted on Oct. 29, he noted that his grandfather was a traveling minister and said, “My plan is to change my entire focus to traveling ministry work.” He also added, “I want to create a routing schedule to exist parallel to Nashville that circumvents the monopoly of Live Nation and Ticketmaster, and goes into towns that haven’t had music in them in a long time. It stimulates their economy, showcases their culture, it uses local vendors and local musicians. You’re not having to drive out to Pittsburgh to a concrete amphitheater to see a show. It’s done out on a farm or on a main street that desperately needs the economic impact.”
Billboard has reached out to Live Nation and Ticketmaster for comment.
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He also noted that the past year or so of music-industry involvement has “opened my eyes to how much control and how much visibility there is on the top down.”
While he plans to continuing releasing music, those songs would come as part of his The Rural Revival Project, which would “be set up legally as a ministry,” he noted, and would aid in revitalizing farming and other rural communities.
The website for his Rural Revival Project also notes its aim to provide a place where “people who have just gotten out of rehab, with PTSD, and people are are depressed and suicidal can come here and reconnect with nature and learn to exist outside of a system that has just kind of been placed on us as a generation.”
“Rich Men North of Richmond” first went viral in August 2023, when a video of Oliver Anthony Music (real name Chris Lunsford) performing the song was posted on the YouTube channel for Radiowv. Since then, the video has earned 173 million views. “Rich Men North of Richmond” quickly topped the Hot 100, and he became the first artist in history to debut at No. 1 on the chart without previously having a song on the charts. Following the song’s success, more of his music populated charts, with his track “Ain’t Got a Dollar” topping Spotify’s Viral 50 list. He eschewed signing with a major label, but did partner with booking agency UTA.
“Rich Men North of Richmond” also became a lightning rod for political tension on both sides, drawing praise from right-leaning pundits who championed the song’s sentiments, while drawing ire from left-leaning commentators. In August 2023, Oliver Anthony Music said in a Facebook post, “‘Rich Men North of Richmond’ is about corporate-owned D.C. politicians on both sides.”
In April, he released the album Hymnal of a Troubled Man’s Mind, which featured Oliver Anthony Music offering a mix of music and scripture verses.
The first show he will play as part of the Rural Revival Project inititive comes on Nov. 2 with a hurricane relief concert in Morgantown, W.V.
Watch Oliver Anthony Music’s video announcing that he’s going to focus on ministry below:
Tyler, the Creator’s new era is already off to a strong start, as the rapper’s “Noid” storms onto Billboard’s Hot R&B/Hip-Hop Songs chart (dated Nov. 2) at No. 9, despite partial availability for the chart’s tracking week. The song was released Monday, Oct. 21, allowing for roughly four days of eligibility for the streaming, sales […]
As she prepares to wind-down the U.S. portion of her globe-hopping Eras Tour this weekend, Taylor Swift is still thinking about the last city she visited on the career-spanning outing. Second Harvest Food Bank – Feeding South Louisiana announced on Wednesday (Oct. 30) that the singer gave a large donation that will fill the pantries […]
Graham Lyle, best-known for co-writing the Tina Turner classic “What’s Love Got to Do With It,” will be presented with the BMI Icon Award at the 2024 BMI London Awards to be held on Dec. 9 at The Savoy in London. The private event will be hosted by BMI president & CEO Mike O’Neill.
“What’s Love” topped the Billboard Hot 100 for three weeks in 1984 and went on to win Grammys for record and song of the year. It was inducted into the Grammy Hall of Fame in 2012. Lyle co-wrote the song with Terry Britten, who also produced Turner’s single. Britten and Lyle later co-wrote two more big hits for Turner, both of which peaked at No. 2 on the Hot 100 – “We Don’t Need Another Hero (Thunderdome)” from the film Mad Max Beyond Thunderdome and “Typical Male.” Thus, the team was responsible for three of Turner’s six top 10 solo hits.
“We’re very honoured to salute the incomparable songwriter Graham Lyle with the BMI Icon Award in celebration of a lifetime of timeless hit songs that deeply resonate with global audiences,” O’Neill said in a statement.
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The ceremony will also pay tribute to the British and European songwriters and publishers of the previous year’s most performed songs on U.S. streaming, radio and television from BMI’s repertoire.
Many artists have revived “What’s Love” over the years. Rapper Warren G recorded a hip-hop version in 1996 featuring Adina Howard, which reached No. 32 on the Hot 100. The song was sampled in the hit “What’s Luv?” by Fat Joe featuring Ashanti, which reached No. 2 on the Hot 100 in 2002. Norwegian DJ/producer Kygo released a remix with Turner in 2020. Mickey Guyton sang it at the Rock & Roll Hall of Fame induction ceremony in 2021, when Turner was inducted as a solo artist.
Lyle began his professional journey as one of the first music creators to sign to The Beatles’ Apple Company, alongside songwriter Benny Gallagher in the late 1960s. Together, the duo became founding members of the British rock band McGuinness Flint, and later joined forces to form Gallagher and Lyle, where they released eight albums and landed two Hot 100 hits in 1976, while signed to A&M Records – “I Wanna Stay with You” and “Heart on My Sleeve.”
In 1981, Lyle formed his own publishing company GOODSINGLE, LTD, to write for other artists. In addition to his longtime partnership with Turner, Lyle has also penned hits such as “Just Good Friends” by Michael Jackson and Stevie Wonder, “Hold Me (Just a Little Longer Tonight)” by Etta James, “You’re the Star” by Rod Stewart and “When You Love Somebody (I’m Saving My Love for You)” by Patti LaBelle.
Previous BMI Icons include Sting, Gary Kemp, Graham Gouldman, Sir Tim Rice, The Bee Gees, Crosby, Stills & Nash, Ray Davies, John Fogerty, David Foster, Peter Gabriel, the Jacksons, Carole King, Kris Kristofferson, Barry Manilow, Willie Nelson, Stevie Nicks, Dolly Parton, Queen, Nile Rodgers, Carlos Santana, Paul Simon, Van Morrison and Brian Wilson.
The winners of the 55th annual ASCAP Foundation Deems Taylor/Virgil Thomson Awards for outstanding books, articles, liner notes and broadcast programs were announced on Friday (Oct. 31). They included works that explored such music greats as Donna Summer, Sinéad O’Connor, John Williams and Miles Davis.
The 2024 award recipients are as follows:
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The Deems Taylor/Virgil Thomson Broadcast/Media Award in pop music: Directors Roger Ross Williams and Brooklyn Sudano, for their HBO documentary, Love to Love You, Donna Summer.
The Deems Taylor/Virgil Thomson Broadcast/Media Award in concert music: Journalist and author Jon Burlingame for his interview with John Williams on the Disney Music Group podcast, Disney for Scores.
Additionally, a Special Recognition Award in the above category is given in memory of “the alt-country impresario” Jeremy Tepper, musician, producer, programmer and executive director of SiriusXM’s “Outlaw Country” and Willie’s Roadhouse” channels.
The ASCAP Foundation Paul Williams “Loved the Liner Notes” Award for pop music: Deanie Parker and Robert Gordon for “Scribble and Hum” from Written in Their Soul: The Stax Songwriter Demos on Craft Recordings.
Special Recognition Awards in the above category are also given to Drew Daniel and M.C. Schmidt for Matmos: Return to Archive on Smithsonian Folkways Recordings, and also Jeff Place and John W. Troutman for Playing for the Man at the Door: Field Recordings from the Collection of Mack McCormick, 1958-1971, on Smithsonian Folkways Recordings.
The “Loved the Liner Notes” Award was established in 2016 and is funded by ASCAP Foundation president Paul Williams.
The Deems Taylor/Virgil Thomson Book Awards in pop music: John Szwed for Cosmic Scholar: The Life and Times of Harry Smith, published by Farrar, Straus and Giroux, and also Allyson McCabe for Why Sinéad O’Connor Matters, published by University of Texas Press.
A Special Recognition Award in the above category goes to Henry Threadgill and Brent Hayes Edwards for Threadgill’s memoir Easily Slip Into Another World: A Life in Music, published by Alfred A. Knopf.
The Deems Taylor/Virgil Thomson Book Awards in concert music: Denise Von Glahn for Circle of Winners: How the Guggenheim Foundation Composition Awards Shaped American Musical Culture, published by University of Illinois Press, and also Lois Svard for The Musical Brain: What Students, Teachers and Performers Need to Know, published by Oxford University Press.
Special Recognition Awards in the above category are given to Dan Gutstein for Poor Gal: The Cultural History of Little Liza Jane, published by University Press of Mississippi, and also Howard Pollack for Samuel Barber: His Life and Legacy, published by University of Illinois Press.
The award recipients for articles published in 2023 are as follows:
The Deems Taylor/Virgil Thomson Award for an article in the pop music field: Jeffrey Magee for his article “’Honor the Source’: Race, Representation and Intellectual Property in Jelly’s Last Jam,” published in the journal Studies in Musical Theatre.
The Deems Taylor/Virgil Thomson Award for an article in the concert music field: Tina Frühauf for her article “The Dialectics of Nationalism: Jaromír Weinberger’s Schwanda the Bagpiper and Anti-Semitism in Interwar Europe,” published in Cambridge Opera Journal.
The Virgil Thomson Award for outstanding music criticism in the pop music field: Lewis Porter for his article, “Miles Davis Did Not Exactly Steal Tunes,” published by Playback with Lewis Porter! on Substack.
The Virgil Thomson Award for outstanding music criticism in the concert music field: Kerry O’Brien and William Robin for their work, “On Minimalism: Documenting a Musical Movement,” published by University of California Press.
Established in 1967 to honor the memory of composer, critic, commentator and former ASCAP president Deems Taylor, The ASCAP Foundation Deems Taylor/Virgil Thomson Awards are made possible by the generous support of the Virgil Thomson Foundation. Thomson was a noted American composer and critic and a former member of the ASCAP board of directors.
Música popular Colombiana made its debut at the 2024 Billboard Latin Music Awards, with a show-opening performance by Luis Alfonso. It was a historic moment for the fast-growing genre that fuses Regional Mexican music and the string music known as carrilera in Colombia.
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“The achievement and magnitude of how important this was for the Colombian popular genre is indescribable,” Alfonso tells Billboard. “For me, having been at such an important space is a feeling of gratitude to all the beautiful people who make this possible. Thank you Billboard for giving me the confidence, the opportunity, and being able to show the world our music, culture, and essence.”
During the opening set, the artist hailing from Popayán, Colombia performed a medley of his hit “Tequila Con Cerveza,” originally recorded with urban star Blessd, followed by current viral hit “Chismofilia.” Prior to performing at the awards ceremony, Alfonso also spoke about música popular Colombiana at a panel during Billboard Latin Music Week that also featured country-mates Paola Jara, Yeison Jiménez and Pipe Bueno.
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But long before making waves at Latin music’s biggest event, Alfonso made a name for himself in the Regional Colombian genre with a subgenre he created known as “contentoso,” where he laces feel-good and fun melodies with música popular.
His best representation, up to now, is his viral track “Chismofilia,” which earned his first Billboard entry on the Latin Pop Airplay chart this year.
“We were going to do something that people can identify with. What are we missing in our lives? An envious person, a gossiper,” he explains. “Every person in life has a gossiper who is paying attention to what you are doing. I thought, I am going to make an important song in the market, and thanks to the envious people, we are trending every day. ‘Chismofilia’ is love of gossip.”
Alfonso’s love for music derives from his grandfather, a man he describes as humble and who had great knowledge of Mexican culture and its music. He credits Regional Mexican legends such as Pedro Infante, Jorge Negrete, Antonio Aguilar, and Vicente Fernandez as some of his first inspirations.
His biggest influences, however, are his compatriots Jhonny Rivera and Arelys Henao. The former because of his humility and transparency, and the latter because of her advice as a mother figure—both which he admires for their long-lasting and inspirational careers in música popular Colombiana.
In 2020, Alfonso inked a deal with La Industria Inc., after being discovered at a birthday party by the cousin of Juan Diego Medina (CEO of La Industria). Since, he’s unleashed three live albums and his debut studio album Contentoso in 2024.
At the heart of his flourishing success, Alfonso takes heartfelt pride in being a “montañero” (mountaineer).
“It’s everything. It’s the glue that unites all my passions,” he notes. “Being a mountaineer is a person who loves the countryside, the town, horses, animals, eating rice with egg, writing poems. I think that is all that my music means, because the music I make is music for the bars and for the town.”
Below, learn more about Billboard’s Latin Artist on the Rise for October:
Name: Luis Alfonso
Age: 30
Recommended Song: “Chismofilia”
Major Accomplishment: Performing for the first time at Coliseo Medplus in Bogotá on Oct. 26, where he sang to more than 15,000 fans. “It’s a pride, a dream come true, and a goal in life that inspires all my colleagues,” he notes. “It was a turning point in my personal and professional life. It was the key that opened the door to take a step towards other horizons. When I opened my ticketing sale, we had three months until the date to achieve the sold-out date, but we did it in the first month. I still can’t take in the huge achievement we made. I’m still on a cloud of happiness.”
What’s Next?: Luis Alfonso promises upcoming collaborations, albums and a tour in Europe, but above all, “many beautiful things and music for ‘berracos.’” (Berracos is slang in Colombia for someone who is determined and hardworking).
Billy Corgan posted a note from his wife Chloe on Wednesday (Oct. 30) about an incident at the Smashing Pumpkins singer’s suburban Chicago tea shop in which a car crashed through the front window. “Important notice about Madame Zuzu’s! Thank you for your support and understanding,” Corgan wrote on X in a post that included the note from his wife.
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“This afternoon at Madame Zuzu’s, a car (in circumstances which remain under investigation) drove over the curb and into Madame Zuzu’s and sadly injuring one person — my mother, Jenny; who was spending the day and lunching with my son Augustus,” wrote Chloe Mendel Corgan. “Thankfully, he was able to leap out of the way and was not injured.”
The couple thanked the Highland Park and Deerfield first responders for their help and Chloe noted that the shop will be closed until further notice, with an update coming soon. Madame Zuzu’s, which serves a variety of teas and vegan items, opened in its current location in Sept. 2020.
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In August, Corgan and his wife announced that they are expecting their third child, who will join son Augustus, 8 and daughter Philomena, 5. “We are overjoyed to announce that our family is growing!” Mendel Corgan, 31, told People magazine. “It’s an exciting time for us, although unexpected!” Corgan, 57, added, “On Sunday, we shared the news with our children, Augustus Juppiter and Philomena Clementine. While Augustus was overjoyed, Clementine, the younger of the two, asked if the baby was made already and shed a few tears of concern, which was honestly adorable. Now, both kids are beaming, and it makes it so much fun to share the joy of bringing more love into our family. We are truly blessed.”
The Smashing Pumpkins are gearing up to launch the South American run of their The World Is a Vampire tour, which will kick off in Brasilia, Brazil at the Arena BRB on Friday (Nov. 1).
See Corgan’s post below.
Chloe Fineman has a well-established reputation for doing wickedly funny celebrity impressions, from her killer Miley Cyrus and Britney Spears takes to her wacky, mega-energy JoJo Siwa, eerily accurate Timothée Chalamet, as well as perfect takes on Nicole Kidman, Elizabeth Olsen and, of course, her daffy Jennifer Coolidge.
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So when Entertainment Tonight asked the comedian earlier this week if she was working on dialing in an impression of over-the-top pop star Chappell Roan for this weekend’s episode where the “Hot To Go” singer will be the musical guest alongside six-time host comedian John Mulaney, the typically game-for-anything Fineman wasn’t so sure.
“I might have one [an impression], but I also respect her too much that I’m like, ya know….” Fineman said of Roan, whose brash, colorful stage persona seems ripe for a Fineman take. “I feel like I have to get a temperature check,” Fineman added about what sounds like a game-time decision.
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Fineman also said she was psyched for the combo of Roan and Mulaney — a stand-up star who was is also a former SNL writer — admitting, “that wasn’t necessarily on my vision board, the two of them together, so I’m excited.” In September, Fineman wore her Roan fandom on her sleeve, telling People that she ” definitely had a Chappell Roan summer, as we all did… So, I was like, I can’t believe I might get to be in the same building and sing ‘Pink Pony Club,’ you know? So we’ll see. Hopefully that will happen.”
Saturday’s show will mark Roan’s SNL debut. The singer appeared to tease her next era on Tuesday in an Instagram post in which she shared some selfies and hinted at the follow-up to breakthrough The Rise and Fall of a Midwest Princess album.
“Album kinda popped off imo but it is time to welcome a hot new bombshell into the villa,” she captioned the pics, in a reference to the Love Island catchphrase welcoming new contestants that led fans to speculate that she’s working on her sophomore LP. Producer Dan Nigro also revealed that the album is in the works earlier this month when he said the pair had completed five songs already, including a “fun, up-tempo country song,” a “couple of ballads” and a “mid-tempo rock song.”