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As I Lay Dying’s longtime guitarist Phil Sgrosso has departed the San Diego metalcore band, just days after guitarist Ken Susi, bassist Ryan Neff and drummer Nick Pierce also announced their exit.
The guitarist took to social media to share a statement detailing why he’s choosing to split from As I Lay Dying, leaving just controversial frontman Tim Lambesis in the lineup. Lambesis spent nearly three years in prison after he was arrested for soliciting an undercover agent to murder his then-wife, Meggan Lambesis. Tim gave the agent $1,000 in cash and instructions on how to kill her, including her photo, address, security-gate code and dates he would be with their children to give him an alibi, prosecutors said.
“Thank you for your patience as I took time to gather my thoughts before speaking on the current state of As I Lay Dying,” Grosso began his statement. “With recent events, including the departure of band members and the cancellation of our European tour ahead of a new album release, it’s clear we’re in a difficult and serious situation.”
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He added the the band “no longer offers a healthy or safe environment for anyone involved—whether creatively, personally, or professionally,” and after “witnessing some concerning patterns of behavior,” Grosso “realized that I can no longer, in good conscience, enable further actions that could negatively affect anyone working within this space.”
He continued, “For these reasons, I feel it’s in my best interest to completely distance myself, both creatively and personally, from As I Lay Dying.”
Grosso added that the door to As I Lay Dying isn’t totally shut, and that if the band puts in the “right adjustments and restructuring, our music can continue to thrive and explore new possibilities in a healthier environment.”
Read his full statement here.
On Friday (Oct. 25), Susi, Neff and Pierce shared individual statements detailing their own departures, which you can read more about here. The band’s touring manager, Alex Kendrick, also announced his exit.
The group’s eighth album, Through Storms Ahead, is still set for release on Nov. 15.
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Luis Miguel has new dates for the concerts in Mexico City that he postponed last week due to unspecified health problems. The Mexico City Arena, marketed as Arena CDMX, informed fans on Thursday (Oct. 31) that the shows will now occur on Dec. 8 and 10. The first date (Dec. 8) will replace the Oct. 23 and […]
Vice President Kamala Harris is looking to secure Latino votes from battleground states, including Nevada, where she’s participating in a Las Vegas rally Thursday night (Oct. 31) with Mexican rock band Maná performing. The Harris-Walz campaign also confirmed that Jennifer Lopez will be in attendance, where she is set to speak about the importance of voting.
“These artists and public figures are trusted voices for millions of Americans, who listen to their music, follow them on social media, or otherwise are inspired by them,” the campaign said in a press release. “The Harris-Walz campaign believes that by using their voices to lay out the stakes of this election, it will further encourage and mobilize people to go vote.”
With five days until Election Day on Tuesday (Nov. 5), Nevada, considered a swing state, is expected to play a decisive role in the presidential election. Latinos represent about 30% of Nevada’s population and, across the country, an estimated 36.2 million Latinos are eligible to vote this year, up from 32.3 million in 2020, according to the Pew Research Center.
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Maná has a long history of using their platform to encourage Latino voters to make their voices heard during U.S. presidential elections. They’ve also denounced Donald Trump’s racist rhetoric since he launched his first presidential campaign back in 2015, when the Republican candidate called Mexicans “rapists” and “criminals.” During their Latin Grammys performance that year, Maná, along with Los Tigres del Norte, pulled out a banner that said “Latinos, united, don’t vote for the racists.”
This time around, they’re being just as vigilant. After Nicky Jam endorsed Donald Trump in September — the reggaetón star has since withdrawn his support — Maná removed its 2016 reimagining of “De Pies a Cabeza,” a collab with Nicky, from streaming services, explaining that the group didn’t “work with racists.”
With their performance in Las Vegas on Thursday night, Maná doubles down on their efforts to secure the win for the Democratic ticket. Earlier Thursday, Los Tigres del Norte performed at a Harris rally in Phoenix.
Below, watch the rally in Nevada, where Lopez will speak and Maná will perform:
Karol G tallies a seventh consecutive week at No. 1 on the Billboard Argentina Hot 100 chart as “Si Antes Te Hubiera Conocido” rules the Oct. 26-dated ranking. The song lengthens the third-longest command in 2024, following the 11-week coronation by Valentino Merlo and The La Planta’s “Hoy” and Mesita, Nicki Nicole, Tiago PZK and […]
Seven months after Tyla released her self-titled debut album, which spent five weeks at No. 1 on Billboard‘s World Albums chart, the popiano princess returned with the deluxe edition TYLA +. And after gaining co-signs from SZA, Ciara and more from his “Soh-Soh” cut from his Sunday’s At Zuri’s EP this summer, Afro-R&B artist Odeal is feeding his growing fanbase with more new songs.
And those are just two of the best tracks of the month in African music, which in this edition of the column spans from Nigeria to Ghana to Zimbabwe to South Africa and back again. There’s the deep baritone of the rapper Holy Ten, the distinctive crooning of Ckay and BNXN, the aggressive stylings of Black Sherif and Stonebwoy and a high-profile guest spot from Afro Raver Rema, among several others.
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We’ve highlighted 10 of our favorite new songs by African acts that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with our latest Spotify playlist below.
Phyno, “It’s Nothing”
Nigerian rapper Phyno doesn’t come to play on “It’s Nothing,” the opening track of his fifth studio album Full Time Job. He proclaims how his money and legacy are untouchable in his infectious Igbo flow. And Major Bangz’s ’90s hip-hop-inspired production, interspersed with a triumphant horn section, gives Phyno extra pep in his step.
Tyla feat. Tony Duardo, Optimist & Maestro, “SHAKE AH”
Tyla already had our booties shaking to her breakthrough smash “Water” last summer, and she’s bringing us back to the dancefloor with “Shake Ah,” the first of three new songs featured on the deluxe edition of her eponymous debut album. With producer Tony Duardo (who frequently works with fellow amapiano star Uncle Waffles) and vocalists Optimist and Maestro in tow, the Grammy-winning artist stays true to her amapiano roots with the track’s bustling log drums and folk-tinged melody. “Too serious, too serious/ Hands on my hips, he don’t wanna let go,” she breathily coos. Only a handful of the lyrics are sung in English, proving that Tyla can continue breaking through the mainstream without breaking away from the sounds of her native South Africa.
Odeal, “Temptress”
Following the success of his viral “Soh Soh” single, Odeal keeps his momentum going while sonically slowing things down on his latest enchanting offering “Temptress.” He croons about being in love with a woman whose lifestyle (“purple lights,” “cash on the bedroom floor,” you get the picture) clearly indicates the feelings aren’t mutual, while cleverly interpolating Aaliyah’s “Boy, I gotta watch my back, ‘cause I’m not just anybody” line from the chorus of “Are You That Somebody.” (“Friends told me to watch my back, ‘cause I’m one of many bodies,” he sings.) And Harry Westlake’s ‘90s R&B-inspired production has listeners as deep in their feelings as Odeal is in his.
Wizkid feat. Brent Faiyaz, “Piece of My Heart”
Wizkid and Brent Faiyaz are a pair of amorous, yet slightly misleading heartthrobs on the sexy “Piece of My Heart” single, which arrives ahead of Wiz’s sixth studio album Morayo that’s due Nov. 22. Both artists remind their lovers how inseparable they are (“Nothing can tear us apart,” Faiyaz reassures before delivering the track’s titular line) over a sultry guitar hook and bubbling percussion. The Afrobeats superstar playfully nods to his and Drake’s Hot 100 No. 1 smash “One Dance” before the track slows down in its second half. Here, Wiz and Faiyaz croon about how hard it is for their women to catch feelings for them when they’re always catching flights. “Stressful, I know/ Every other day, another timezone,” Wiz expresses. Maybe having only a piece of their hearts isn’t enough.
Nasty C, Lekaa Beats, ODUMODUBLVCK & Chip, “Trouble”
South African rapper Nasty C and Nigerian producer Lekaa Beats blend hip-hop, trap, Afrobeats and amapiano on their joint EP Confuse the Enemy. On the highlight track “Trouble,” Nasty C emphasizes the “pressure” he’s facing from all corners of his life, while featured guests Nigerian MC ODUMODUBLVCK and UK rapper Chip spit verses about their own hardships and how their hustle helped them persevere (“That’s why I let my heart pour every time I rhyme/ ‘Cause I never know who’s listening to me on the other side,” Chips raps). And Lekaa’s affecting Afrofusion production makes those listening to “Trouble” feel at ease.
Holy Ten feat. MrCandy, “Kilimanjaro”
Zimbabwean rapper Holy Ten’s deep baritone anchors this track off his new album Proud Father, with a plaintive acoustic guitar over a driving low-end beat providing a bouyant backbone for the song to soar. Alongside frequent collaborator MrCandy, who delivers a soaring guest verse, “Kilimanjaro” is a standout on the new album, which only suffers from being just 24 minutes long. The entire project is worth a listen.
Black Sherif, “Rebel Music”
Sherif’s aggressive vocal style is on full display on this latest single, with production that feels as big as his ambition and defies any easy categorization. There is something magnetic about Sherif’s confidence on the microphone, not the least because his lyrics center on defiance in the face of adversity and his own sheer force of will — not something to be taken lightly. If his last few singles are any indication, this next album will be an achievement.
BNXN & Rema, “Fi Kan We Kan”
Two of the most distinctive young voices in Nigeria teamed up for this new one, which features BNXN’s signature falsetto floating over the first verse and hook before Rema comes through and delivers a verse so slick that it’s hard to tell if he’s even taking a breath with a confidence that is infectious. The track grows in momentum throughout, with amapiano log drums becoming more pronounced as it goes along — with a cinematic music video that ties it all together.
Stonebwoy feat. Ir Sais, “Memories”
With an old school R&B feel, Ghana’s Stonebwoy delivers an infectious track that both shows off his vocal prowess and distinctive style, while Ir Sais croons over the hook. It’s a song that feels out of another place and time, but works because there’s nothing out like it right now — and is a great primer for his just-released album UP & RUNNIN6 which he dropped last week.
Ckay feat. The Cavemen., “Addicted”
Ckay’s emotional vocal stylings take a detour out of his usual minor-keyed environment into the much brighter highlife world of The Cavemen., resulting in a track that feels like watching an intimate performance at a late-night jazz club, something that’s completely different from what the young singer has done in the past. The band’s percussion gives the song a different vibe, while Ckay’s voice fits in effortlessly, for one of the strongest collaborations this year.
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When Taylor Swift plays Indianapolis for the ninth time in her career this weekend – performing three sold-out Eras Tour dates at the 70,000-capacity Lucas Oil Stadium – she’s returning at the very top of her game.
And Indy knows games. After all, the Midwestern capital city has hosted the Super Bowl, eight Final Fours (with a ninth set for 2026) and countless college tournaments across all sports – not to mention its 11 professional teams and a century-plus of the Indy 500 car race under its belt.
So how does a sports-forward city such as Indianapolis shift gears to welcome hundreds of thousands of Swifties to town instead of, say, 70,000 Colts fans on any given Sunday? The trio of Lucas Oil concerts were announced in August 2023, but the city’s wheels began spinning months before that.
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“We formed a local organizing committee, much like we do ahead of a major sporting event, to involve community partners to make sure that this was more than a concert,” Chris Gahl, senior VP of marketing/communications for Visit Indy, tells Billboard. “And so, over the last 18 or 20 months, a group has been meeting to think about and worry about how we welcome the anticipated 200,000 visitors and fans to our city.”
That huge swath of tourists is all coming to cheer for Swift – and while her arena is entertainment and not sports, when the music business is keeping score (like on the Billboard charts, for instance), she’s typically in the winners’ circle. On our most recent year-end charts, Swift was our overall top artist of 2023 and has ranked in the year-end top 10 in 14 of the last 16 years. She’s also tied with Drake for the most Billboard Music Awards wins of all time, picking up 39 prizes over her two decades in the industry.
And beyond the numbers, from its start in March 2023, The Eras Tour has been nothing short of an athletic feat. Swift is carrying a three-and-a-half-hour production of live singing and dancing, performing as many as four consecutive nights at a time across the world for almost 20 months. Beyond her Kansas City Chiefs star boyfriend Travis Kelce, we’ve seen professional athletes marveling at the endurance her concert must require, with Houston Texans defensive lineman J.J. Watt saying after attending opening weekend in Arizona: “She did not stop the whole time. There was no intermission. There was no halftime. There was no TV timeouts. The longest break she took was maybe three minutes for a costume change. And she was singing, dancing, entertaining the entire time — 70,000 people hanging on every single word and move she was making. … And she crushed it. And she didn’t even look tired. I was tired and I was just sitting there!”
With stats and stamina like hers, maybe Swift is a better fit for a sports town like Indy than it would appear at first glance. And to match her undefeated record, the city went especially big with signage for the Eras Tour dates – like, six-figure investment and 350-feet big – including a 34-story decal of the pop star (approved by Swift’s team) splashed across the JW Marriott, Indy’s largest hotel. They’ve also temporarily renamed 32 downtown streets after Swift songs, so visitors can take a stroll down Bad Blood Boulevard, All Too Well Way and, of course, Cornelia Street. And in a move sure to relieve fans desperate for a souvenir who don’t want to spend their entire night in a line, the adjacent Indiana Convention Center – typically home to massive fan experiences during major sporting events – has transformed its Exhibit Hall I into a pop-up merch stand, open to all Swifties from Wednesday to Saturday, no concert ticket required.
Visit Indy
And the Taylor Effect can be felt beyond the tourism board’s efforts. Local sports bars are playing their part too: The Slippery Noodle – a nearly 175-year-old bar and restaurant sitting a convenient three blocks from the stadium – is setting up a Swift-themed mocktail bar for young fans, complete with an accompanying friendship bracelet and glittery straw, as well as a “Dad’s Lounge” for any parents or partners delivering kids and spouses to the stadium and looking for a spot to chill for three and a half hours or so.
“We do have a couple of staff members that are Swifties, so I think they’ll be prepared to do some trading,” Slippery Noodle co-owner Sean Lothridge laughs to Billboard when asked whether his team will be armed with the Eras Tour’s trusty friendship bracelets. “It’s kind of something new for me. I don’t really know the Swifties as well, but I’m trying my best to learn a little bit about it.”
Over the summer, Lothridge got used to a different superstar woman drawing crowds to his bar, when a certain WNBA rookie came to town. “The Caitlin Clark effect with the Fever was tremendous,” he says, adding that fans were coming in from all over the country to go to Indiana Fever games at the nearby Gainbridge Fieldhouse. “We were getting good crowds from her fans, so she’s been a good boost for the city.”
This weekend’s concertgoers are also traveling from all over, with Gahl telling Billboard that 81% of the Indy ticket-holders are coming from outside the state of Indiana – presenting a massive opportunity to paint the sports town in a brand-new light, or introduce it to first-timers. The biggest difference between the Eras Tour weekend versus a high-stakes sporting event, Gahl notes, is that everyone should leave Lucas Oil Stadium a winner.
“You usually have two teams — sometimes four teams — that are taking sides, if you will, and advocating that their team wins,” he says. “In this case, it’s a commonality – and that is the love for the artist and her music. So whereas we’ve created different zones or restaurants or bars to align with a certain team in the past for major sporting events, this is a uniter. This is one city, one event, one weekend, all for the same artist and music, and it’s the capstone to her [U.S.] tour. So it feels like there’s even more unity and programming and everyone collecting for one common goal.”
For the next three nights, everyone entering the stadium is rooting for the same side: Team Taylor.
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