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Billboard Women in Music 2025
The U.S. State Department has canceled the work and tourist visas of the members of Mexican corrido group Los Alegres del Barranco after they displayed images of the leader of the Jalisco New Generation Cartel (CJNG), Nemesio Oseguera Cervantes, also known as “El Mencho,” during a concert on Saturday (March 29) at an auditorium at the University of Guadalajara.
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The news was confirmed on Tuesday (April 1) by Christopher Landau, the Deputy Secretary of State, in a post on X.
I’m a firm believer in freedom of expression, but that doesn’t mean that expression should be free of consequences. A Mexican band, “Los Alegres del Barranco,” portrayed images glorifying drug kingpin “El Mencho” — head of the grotesquely violent CJNG cartel — at a recent concert… pic.twitter.com/neSIib7EC4— Deputy Secretary Christopher Landau (@DeputySecState) April 2, 2025
“I’m a firm believer in freedom of expression, but that doesn’t mean that expression should be free of consequences,” wrote Landau in his post. “A Mexican band, Los Alegres del Barranco, portrayed images glorifying drug kingpin “El Mencho” — head of the grotesquely violent CJNG cartel — at a recent concert in Mexico. I’m pleased to announce that the State Department has revoked the band members’ work and tourism visas. In the Trump Administration, we take seriously our responsibility over foreigners’ access to our country. The last thing we need is a welcome mat for people who extol criminals and terrorists.”
The State Department, through Secretary of State Marco Rubio, announced on Feb. 20 the designation of eight cartels and transnational organizations — including the Jalisco New Generation Cartel — as Foreign Terrorist Organizations (FTO) and Specially Designated Global Terrorists (SDGT).
Prior to Landau’s announcement, the concert had caused significant controversy and outrage in Mexico, which has long tried to curb the glorification of drug lords in popular Mexican music and narcocorridos.
The concert was condemned on Monday (March 31) by Mexican President Claudia Sheinbaum. It prompted the Jalisco State Prosecutor’s Office to launch an investigation for “glorification of crime.”
📢 Tras la proyección de imágenes en un concierto en Zapopan, que presuntamente hacían alusión a un personaje vinculado a un grupo criminal, la Fiscalía del Estado inició una carpeta de investigación. (1-3) pic.twitter.com/OU4R8EYr6q— Fiscalía del Estado de Jalisco (@FiscaliaJal) March 31, 2025
On Tuesday (April 1), the governor of Jalisco, Pablo Lemus, wrote in a post on X that his government supports the measures adopted by the University of Guadalajara to prevent criminal acts from being glorified at concerts, as occurred over the weekend at the Telmex Auditorium. The local leader said he signed an executive order to ensure that no singer or group with a history of endorsing criminal activity will perform at events linked to his government.
“Next week, I will introduce an initiative to ensure that, in any legally sanctioned public event, producers and performers are held accountable for what happens during their shows, and no one can wash their hands of responsibility,” Lemus announced.
Los Alegres del Barranco were scheduled to play shows in several U.S. cities, where the band was announced as part of the lineup for the Bésame Mucho festival April 5 in Austin, Texas. In a TikTok livestream on Tuesday, Pavel Morales, a member of the Sinaloan group, stated that the majority of their audience supports them and referred to their critics as “confused.”
Billboard Español reached out for comment to the band’s reps, but hasn’t received a reply by press time. Meanwhile, authorities from the municipality of Pedro Escobedo, in the Mexican state of Querétaro, confirmed on Tuesday that the group’s scheduled performance for April 19 was canceled because “it does not meet the necessary municipal permits for its realization,” the local government said in a statement on Tuesday.
The projection of the controversial images took place during a concert titled “Los Señores del Corrido” at the Telmex Auditorium, where Los Alegres del Barranco performed the song “El Dueño del Palenque” (The Owner of the Palenque) and displayed on screen photos of the cartel leader, as well as other images created by AI.
The images appeared on multiple videos on social media. They include the moments in which fans burst into cheers when the images of the cartel leader were shown, adding to the controversy.
In a statement, Auditorio Telmex Adistanced itself from the events, arguing that the venue “has no influence on the selection of the repertoire, speeches, or audiovisual material that artists decide to share with their audiences.” However, it acknowledged that the images of the kingpin could be considered an “exultation of crime.”
The controversy over the alleged tribute to the drug trafficker arises after information has surfaced over how the cartel uses clandestine ranches to recruit people through deceptive job offers, according to federal authorities and media reports. This followed the recent discovery of Izaguirre Ranch in early March in the municipality of Teuchitlán, where acts of torture and murder were allegedly committed, according to the Guerreros Buscadores collective.
🚨#AlertaADN¡Se cancela! El municipio de Pedro Escobedo, Querétaro, suspendió la presentación de “Los Alegres del Barranco”, prevista para el 19 de abril, tras la controversia por un homenaje a “El Mencho” en un concierto en Jalisco pic.twitter.com/ChxD61VNps— adn40 (@adn40) April 2, 2025
Billboard Women in Music 2025
If you think wrestling is all fake, ask Cody Rhodes how he was feeling after last month’s bloody WWE Elimination Chamber match in Toronto where Travis Scott went wild during a beatdown of the undisputed WWE champ.
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After Wrestling Observer Radio revealed that Rhodes suffered a broken ear drum and a black eye after Scott slapped the hapless wrestler as he lay bloodied in the middle of the ring at the March 1 event, Rhodes told Complex this week that he kept the receipts and that payback is in the cards.
As he gears up for his third consecutive WrestleMania — where he will defend his world title against fellow great John Cena in the latter’s final WrestleMania match– Rhodes had a stern warning for La Flame. “That’s wrestling,” Rhodes said of the injuries he endured after the rapper teamed up with Dwayne “The Rock” Johnson and Cena for the beatdown. “I am not mad so much, but I am looking and my eyes are open for what we inevitably, what we’ll call a receipt.”
At press time it’s unknown if Scott will be on hand when WrestleMania 41 takes place in Las Vegas on April 19-20, but Rhodes didn’t pull punches about the Elimination Chamber incident. When Complex simply noted that Scott was a “major part” of the Elimination Chamber match, Rhodes cheekily responded, “Oh, he was?”
Asked how hard Scott hit him — and if he gave him the “hey man, just really let me have it” license to do so — Rhodes said, “Well, the next day after the incident, I told everyone, ‘He didn’t hit me.’ I didn’t realize there was a fan video circulating of him hitting me with the power of a thousand suns and the noise deafening. And then I had a Tommy Boy situation where the entire side of my face was black and blue and I kept saying, ‘Oh no, I’m good. I’m good.’”
He said he then had a “little flutter in the eardrum” because it was popped. “Again, I’m a weirdo, this is going to sound so strange, and I apologize to your viewers and your listeners, but man, that’s wrestling. You know what I’m saying? Beat me up. I’m going to beat you up. That’s wrestling… If Travis Scott ever makes his way back into the WWE fray, maybe there’s a receipt for Travis. Prior to this though, by the way, I was a Travis Scott fan.”
Rhodes noted that he went sneaker shopping with Complex last July and that he once owned a pair of Scott’s Air Jordan’s, but that after the match “let’s say they might’ve gone somewhere. The shoes are not there anymore.”
That said, when asked who hits harder, Scott or part-time wrestler/YouTuber Logan Paul, Rhodes gave the rapper his props, kind of. “Well, Travis Scott hits pretty hard, but that’s not the hardest I’ve ever been slapped,” Rhodes said, adding that the hardest he’s ever been slapped was by female Canadian wrestler Nattie Neidhart. “If Travis Scott hit me with the force of a thousand suns, Nattie Neidhart sent me to the phantom zone. Legit, I was lost in space for a second, so that was the hardest one I ever got.”
La Flame has been all over WWE this year. His “4×4” song served as the RAW theme song in January when the show jumped to Netflix and he escorted Jey Uso to the ring for his match on Jan. 6 in Los Angeles. In addition, in January, Triple H teased that fans can expect to see more of Scott in the future. “Everybody should expect to see more things from Travis Scott in a big way,” he said.
Scott recently teamed up with WWE for a “Wrestling Is Real” T-shirt, presumably in response to the online chatter about the smack heard ’round the world.
Billboard Women in Music 2025
Olga Tañón, Anitta, and Chiquis will be honored at the third annual Billboard Latin Women in Music event, Billboard and Telemundo announced on Wednesday (April 2). The program will air live exclusively on Telemundo on April 24 at 9 p.m. ET.
Hosted by Ana Bárbara, the two-hour music special will celebrate the “groundbreaking women shaping the future of Latin music,” says the press release. It will also stream on the Telemundo app, Universo and Peacock.
According to the initial list of honorees, la Mujer del Fuego (the Women of Fire) Olga Tañón, as she is widely known, will receive the Lifetime Achievement Award for her nearly four decades of unparalleled influence in merengue and Latin pop. Throughout her career, which dates back to the mid-1980s, the Puerto Rican legend has not only stolen hearts, but has also shaped the tropical style, earning a special place in the history of Latin music, earning the No. 8 spot on Billboard‘s Best 50 Female Latin Pop Artists of All Time.
Twenty of her albums have charted on Billboard’s Top Latin Albums, including two No. 1s, Llévame Contigo (1997) and Te Acordarás de Mí (1998). Meanwhile, on Tropical Airplay, the merengue powerhouse holds the record as the female artist with the most Top 10 entries (29 in total). “Her musical versatility, passion, and ability to connect with diverse audiences have made her an enduring icon,” reads the statement.
Meanwhile, trilingual superstar Anitta will be honored the Vanguard Award for her groundbreaking contributions to Latin pop, becoming one of the few Brazilian artists to successfully break into the Spanish-speaking market.
Anitta’s breakthrough came in 2017 with the J Balvin collaboration “Downtown,” which peaked at No. 14 on Billboard’s Hot Latin Songs chart. Since then, through impactful collaborations and solo hits like “Envolver” — which reached No. 2 on Billboard’s Global 200 — she has established herself as an essential force in breaking “barriers, challenge norms, and inspire future generations,” the statement said.
Rounding out the honorees on this first announcement, Chiquis will be recognized with the Impact Award for her “extraordinary contributions to the music industry and society.” A three-time Latin Grammy winner, the Mexican-American artist carries forward the rich banda legacy of her renowned family.
Chiquis holds 12 entries on Regional Mexican Airplay, and two No. 1 albums on Regional Mexican Albums for Ahora (2015) and Entre Botellas (2018). As the founder of Busy Bee Productions, she launched two hit TV series, while her podcast Chiquis and Chill has ran for four successful seasons.
Billboard and Telemundo will announce additional Latin Women in Music honorees in 2025.
Billboard Women in Music 2025
Creed have added some dates to their upcoming Summer of ’99 reunion tour. The hard rockers who are gearing up to spend July and August on the road with 3 Doors Down, Daughtry, Big Wreck and Mammoth WVH, announced five new shows this week, including an August 23 stop in Mt. Pleasant, MI, as well as gigs in Cincinnati, OH (Aug. 24), Providence, R.I. (Aug. 27), Manchester, N.H. (Aug 28) and Halifax, NS (August 30).
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A Live Nation pre-sale for the new dates will kick off on Thursday (April 3) at 10 a.m. local time (code DANCE), followed by a general on-sale on Friday (April 4) here.
The upcoming run of North American shows is a follow-up to last summer’s smash reunion tour of the same name, with the party slated to kick-off with a pop-in at the Stagecoach Festival on April 26, followed by the proper tour launch on July 9 at Rupp Arena in Lexington, KY. In addition, the Scott Stapp-led group will join Nickelback in East Troy, WI, for this year’s edition of the Summer of ’99 and Beyond Festival at Alpine Valley Music Theatre on July 18 and 19.
The lineup for the second edition of the nostalgic festival will also include Live, Daughtry, Tonic, Our Lady Peace, Lit, 3 DoorsDown, Sevendust, Mammoth WVH, Hinder, Vertical Horizon and Fuel. The shows will be the first time Creed and Nickelback have shared a stage since 1999.
“Thirty years in, it’s been a blessing to pick up right where we left off with longtime fans and to meet the next generation for the first time,” Stapp said in a statement. “It’s been an incredible ride, and we aren’t done, so here’s to a ‘Summer’ that never ends. We’ll see you on the road.”
Check out the updated tour poster below.
Billboard Women in Music 2025 Lil Nas X feels lucky to have Camila Cabello in his friend orbit. The rapper who has been sprinkling singles all over the place in the lead-up to the release of his as-yet-unscheduled Dreamboy album, told Paper magazine that the “I Luv It” singer was really there for him when […]
Billboard Women in Music 2025
You’ve already had your “hot girl summer,” so, naturally, it’s time for “single girl summer.” At least it is according to the caption on an Instagram post from Haim on Tuesday (April 1), in which the sister trio previewed another song from their upcoming fourth album. In the clip, the siblings chill out on a stoop as lead singer Danielle lip synchs along over the marching drum-like beat as blasé New Yorkers walk through frame without breaking stride.
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“Renters’ rights, squatters’ rights/ I’ll be the gatekeeper for the rest of my life,” she sings along to the funky rhythm. “I don’t want your charity/ Spend a night in the cold if it keeps me free,” she adds. While the group only provided a 12-second preview of the song, the self-actualized nature of the lyrics are in keeping with the theme of the untitled album’s first single, “Relationships,” which delved into the hot-cold nature of affairs of the heart.
As if any other clues were needed that the new album might lean into the labor of love lost, the caption over the video reads: “this is your sign to leave him.”
At press time the trio also featuring drummer Alana and bassist Este Haim have not announced the title, or release date, of their upcoming album, the follow-up to 2020’s Women in Music Pt. III. In a recent interview in i.d. magazine, self-proclaimed “serial monogamist” Danielle said the new album is the first they’ve made without the involvement of her longtime boyfriend, producer Ariel Rechtshaid, and that she’s single for the first time since 2011. “Being single now, I’m just trying to embrace it, because I’m… I feel like I’m the age where I need to embrace it,” she said.
Alana said that the album is “the closest we’ve ever gotten to how we wanted to sound,” with Danielle diplomatically adding that working again with another longtime collaborator Rostam was “very quick, kinetic with him, which I really love as an artist… Maybe before, it wasn’t that way, it was kind of a more… longer, searching, labored situation.”
According to the article, the proof is in the meat of songs such as opening track “Gone,” described as a “blast of post-breakup energy that feels like one long, cathartic scream after years of pushing everything down thanks to lyrics such as: “You can hate me for what I am/ You can shame me for what I’ve done/ You can’t make me disappear/ You never saw me for what I was.” The track reportedly features an as-yet-uncleared sample from George Michael’s “Freedom ’90.” In a tribute to her love of Beyoncé’s Cowboy Carter, Danielle said she was inspired by the samples on that album, noting, “It doesn’t feel ‘F–k you’ to me — it feels like… ‘I’m gonna do my thing.’”
Check out the new song preview below.
Billboard Women in Music 2025
Bruce Springsteen has paid tribute to Joe DePugh, the New Jersey pitcher who inspired his hit song “Glory Days,” following news of DePugh’s death this week at the age of 75.
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“Just a moment to mark the passing of Freehold native and ballplayer Joe DePugh,” Springsteen wrote in an Instagram post on March 30. “He was a good friend when I needed one. ‘He could throw that speedball by you, make you look like a fool’ …. Glory Days my friend.”
DePugh and Springsteen grew up together in Freehold, N.J., and played baseball in the same youth league. Their now-legendary chance encounter at a bar in 1973 served as the real-life basis for one of the most iconic verses on Springsteen’s Born in the U.S.A. album.
DePugh later confirmed the moment in interviews, recalling how the two reconnected outside the Headliner in Neptune, then spent hours catching up inside.
“Whenever we’re together, it’s the same dynamic: I’m the star and he’s the guy at the end of the bench,’ said DePugh to the Palm Beach Post in 2011. “That’s who he has always been to me, my right fielder.”
” … Once I saw Bruce we went back in and closed the place. He had a little entourage with him. They all sat in a booth, but it was just me and him at the bar. All of a sudden, it’s 1:30 (a.m.) and they started blinking the lights.”
“Glory Days” reached No. 5 on the Billboard Hot 100 in 1985, and DePugh told the Palm Beach Post that he was “tickled pink I would even get into the song.”
“When I first heard the song, I thought the song said ‘and all we kept talking about was glory days,’ “ said DePugh. “And years later, I finally saw the lyrics and saw ‘all he kept talking about was glory days.’ And I thought, ‘Huh, (he) took a little shot at me!’
DePugh and Springsteen remained friends throughout their lives, occasionally crossing paths in Palm Beach County, where Springsteen owns a home and DePugh lived in Lake Worth.
DePugh died after a battle with cancer. He is remembered fondly by friends, including longtime Freehold teacher and coach Rich Kane, who said: “All he wanted to do was raise his brothers, play baseball, play basketball and just hang in Freehold Borough. This one hurt. Joe and I were very close.”
Billboard Women in Music 2025
Ecca Vandal just had her “pinch me” moment on tour with Limp Bizkit. While opening for the nu-metal icons on their Loserville European tour, the Melbourne-raised punk-pop force was joined on stage by none other than Fred Durst himself.
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The moment went down in Frankfurt on March 31, as Vandal performed her latest single, “Cruising to Self Soothe.” Mid-set, Durst made a surprise entrance to sing alongside her, to the roar of the crowd.
“Make some noise for Fred Durst,” she shouted, adding, “What a f—ing honor!” Later, she posted a clip of the performance on Instagram with the caption: “Cruising with Fred Durst.” The Limp Bizkit frontman responded with a smiling emoji and fire emojis.
Durst has long been a fan of the genre-defying South African-born artist, previously calling her new single “legendary.” “Cruising to Self Soothe,” released in late February, is Vandal’s first new music of 2025 and follows her support slot for IDLES earlier this year. The gritty, empowering track explores personal strength and liberation in the face of isolation.
“This song is about cultivating your inner strength when navigating life on your own, even when it feels a bit isolating,” she explained. “It’s about that pivotal moment when you recognise that you’re stronger without the people who were weighing you down.”
Vandal continued: “Even when others are waiting for you to fall, you’re still rising — stronger than ever.”
The Loserville tour, featuring support acts Karen Díó, Bones, N8NOFACE, and Riff Raff, wraps up tonight at the Accor Arena in Paris. Vandal has been a standout opener throughout the run, bringing her explosive stage presence to a whole new audience.
After four years without solo releases, Vandal returned in 2024 and 2025 with new music and continued collaborations with acts like Birdz, Illy, DZ Deathrays and Void of Vision. Her self-titled debut album dropped in 2017.
Billboard Women in Music 2025
Incendiary Swedish rockers The Hives are readying themselves for a big year, with a new album announced alongside a global run of tour dates.
The veteran quintet – who celebrated their 30th anniversary in 2023 – shared the news of their seventh album in a press release on Tuesday (April 1), with the announcement taking the form of an open letter formally addressed to “whom it may concern,” but clarified to mean “everyone.”
“This message is to inform you that International Rock Sensation The Hives, the best live band on the planet and still your new favourite band, lauded on all continents for their masterful skill and reckless abandon in the rock music field, have once again, sooner than you expected, created a new body of work the likes of which have never been heard or indeed probably will again,” the message began.
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“A new record so full of energy, joy, anger and life that you will be questioning reality as you have known it,” it continued. “They finally did it. Every single song a single, every single single a hit, every hit a direct hit in the face of the man.”
The record in question is titled The Hives Forever Forever The Hives and will be released via Play It Again Sam on Aug. 29. According to the press release, the 13-track album was “crafted with commitment, abandon and skill in Sweden in cohorts with the esteemed producers Pelle Gunnerfeldt and Mike D of Beastie Boys.”
The group have also unveiled “Enough Is Enough” as the album’s lead single, with a video directed by filmmaker Eik Kockum capturing the group in Bucharest, Romania.
“Who in their right mind would start a song like this? No one but The Hives,” the group explained. “They are here again sooner than you expected and they have had enough of everyone at this point. Hence the title. Dig? Dig.”
The Hives will celebrate the release of their forthcoming album with a world tour which launches in Australia in July, before visiting North America, Europe, and the U.K. throughout the rest of the year.
The Hives Forever Forever The Hives arrives as the band’s seventh album, and follows on from the release of 2023’s The Death of Randy Fitzsimmons – ending an eleven-year gap between releases for the band.
The group initially formed in 1993, though largely avoided widespread recognition until the release of the 2001 compilation Your New Favourite Band. The compilation resulted in the re-release of their single “Hate to Say I Told You So,” which peaked at No. 86 on the Hot 100, and saw their following album – 2004’s Tyrannosaurus Hives – reach a career high of No. 33 on the Billboard 200.
The Hives – World Tour 2025
July 17 – Metropolis Freo, Perth, AUJuly 19 – Forum, Melbourne, AUJuly 23 – Enmore Theatre, Sydney, AUJuly 24 – Fortitude Music Hall, Brisbane, AUSept. 8 – Stubb’s Waller Creek Ampitheater, Austin, TXSept. 9 – House of Blues, Houston, TXSept. 10 – House of Blues, Dallas, TXSept. 12 – Ogden Theatre, Denver, COSept. 13 – The Union Event Center, Salt Lake City, UTSept. 15 – Showbox SoDo, Seattle, WASept. 16 – The Commodore Ballroom, Vancouver, BCSept. 17 – Revolution Hall, Portland, ORSept. 19 – Ace of Spades, Sacramento, CASept. 20 – The Warfield, San Francisco, CASept. 22 – The Sound, Del Mar, CASept. 25 – Hollywood Palladium, Los Angeles, CAOct. 17 – Sentrume Scene, Oslo, NOOct. 18 – KB Hall, Copenhagen, DKOct. 21 – Colombia Halle, Berlin, DEOct. 24 – Zenith, Munich, DEOct. 25 – Haus Auensee, Leipzig, DEOct. 26 – Gasometer, Wien, ATOct. 28 – Xtra, Zurich, CHOct. 29 – Alcatraz, Milan, ITNov. 1 – Sant Jordi Club, Barcelona, ESNov. 2 – Wizink, Madrid, ESNov. 4 – Sagres Campo Pequeno, Lisbon, PTNov. 19 – Forest National, Brussels, BENov. 20 – Le Zenith, Paris, FRNov. 22 – AFAS, Amsterdam, NLNov. 24 – Utilitia Arena, Cardiff, UKNov. 26 – Ovo Hydro, Glasgow, UKNov. 28 – Aviva Studios, Manchester, UKNov. 29 – Alexandra Palace, London, UKDec. 1 – Palladium, Cologne, DEDec. 2 – Jahrhunderthalle, Frankfurt, DEDec. 3 – Sporthalle, Hamburg, DEDec. 6 – Avicii Arena, Stockholm, SE
Billboard Women in Music 2025
Fresh off the back of his early exit from Saturday Night Live over the weekend, Morgan Wallen has launched a new line of “Get Me to God’s Country” merchandise.
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Launched on Tuesday (April 1), the new merch options are rather simple, consisting of a white shirt and a hat, with the latter available in two different color variants. All the items feature the same design, however, with the Coors logo worked into a design which bears the words “Get Me to God’s Country.”
Despite the timing of the merch drop, the Club Wallen Instagram account has assured fans it’s not part of an April Fools’ Day joke.
The nascent run of merch comes just days after the phrase rose to prominence following Wallen’s early walk-off from Saturday Night Live. After performing a pair of songs from his forthcoming album, I’m the Problem, Wallen briefly joined the SNL cast at the end of the show, as is customary on the long-running sketch comedy series. He then whispered something into host Mikey Madison’s ear, gave her a hug and abruptly walked off the stage at Studio 8H.
Shortly after the incident, Wallen shared a photo on his Instagram Stories from his private plane, with the caption “Get me to God’s country” written over an image of the runway.
Given the somewhat mysterious nature of the phrase and the swift launch of the merchandise line, it’s currently unclear whether the slogan is part of Wallen’s new album, or something else entirely. The forthcoming record, I’m the Problem, is scheduled to be released on May 16 and features a total of 37 tracks, though only a handful of their titles have been released to date.
In an interview with Entertainment Weekly following Wallen’s walk-off, longtime cast member Kenan Thompson said the incident was “definitely a spike in the norm.”
“We’re so used to everybody just turning around and high-fiving us, everybody’s saying, ‘Good job, good job, good job.’ So when there’s a departure from that, it’s like, hmm, I wonder what that’s about?” Thompson added, noting that Prince had previously done the same thing during his appearance on the show.
“I’m not saying Morgan Wallen is Prince, but we weren’t surprised because Prince was notoriously kind of standoffish. It’s just how he was. So we just thought like, ‘Okay, now he’s gone back into fantasyland.’”
Wallen is yet to publicly comment on the incident or provide information as to the meaning behind the phrase.