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YoungBoy Never Broke Again should be expecting a knock on his door and a fresh batch of homemade cookies some time real soon. The Baton Rouge rapper — who was sentenced to 23 months in prison last December while already serving time for a prescription fraud case — is back home early in Utah and […]
In North Africa’s vibrant and competitive pop and hip-hop landscape, Manal has carved out a powerful lane of her own—one defined by bold storytelling, cultural pride and a steadfast commitment to centering women. The Moroccan singer, rapper and songwriter has become a defining voice of her generation, and her March 2025 Billboard Arabia cover underscored her impact as both a cultural force and a fearless trailblazer. Since the launch of Billboard Arabia in 2023, Manal has been a recurring presence—an artist whose work constantly challenges norms and celebrates female empowerment.
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Women are at the heart of Manal’s visual and musical universe. In “Slay,” her hit collaboration with fellow Moroccan star ElGrande Toto (Billboard Arabia’s July 2024 cover artist), she steps into the role of a bold, rule-breaking leader. In “Makhelaw Magalou,” she shifts the spotlight to her female relatives, celebrating sisterhood and tradition as they gather dressed in vibrant Moroccan takchitas to share the iconic dish rfissa. The video’s multigenerational energy helped cement the song as one of the defining hits of modern Maghrebi pop.
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But what truly sets her apart is how early and boldly she entered spaces traditionally reserved for men. In 2014, she became one of the first female voices in Morocco’s rap and trap scene. She’s since evolved through R&B, pop and hip-hop, all while maintaining a distinct identity rooted in her Moroccan heritage and feminist perspective. Ten years later, Manal isn’t just surviving in a male-dominated industry—she’s shaping it. And she’s doing so unapologetically, on her own terms.
Arabian Heartbreak—A Personal and Powerful Turning Point
This boldness shines through in her latest album, Arabian Heartbreak, released last year. The album is raw, honest, and deeply personal—a sonic letter to women and their stories, both told and untold. “Arabian Heartbreak is the album where I tried to speak for women,” Manal tells Billboard Arabia during the interview. “We talk about things we’re often not allowed to say: about the battles we go through, the pressure, the silence.”
Each track on the album becomes a window into different female realities: the angry woman who’s been wronged in the song “Morak,” the happy woman in love in “Cabaret” and the free-spirited woman in “Mahboula.”
Hamza Lafrouji
For Manal, the real power of the album lies in speaking up about topics considered taboo in society. She makes it clear: “These messages are more important than the music itself.” Manal says, “In our society, there are red lines women aren’t supposed to cross. And honestly, I don’t think the women I know even cross them. But somehow, it’s always easier for male artists to get support, while female artists are left fighting for the same spotlight.”
Hamza Lafrouji
Raï With a Modern Twist in the “Mahboula”
Musically, Manal continues to push boundaries by blending global sounds with local influences. On “Morak,” she taps into the hypnotic rhythms of dakka marrakchia—a traditional percussion-driven music style from Marrakesh known for its communal chants and festive, trance-like beats—layering it with contemporary production. She infuses Afrobeat energy into “Baba,” her cross-cultural collaboration with Italian rapper Ghali. But the real jaw-dropper is “Mahboula,” a bold throwback to ’90s-style Raï, supercharged with Auto-Tune and dreamy keys. It’s a sonic playground where nostalgia meets reinvention—and Manal runs the show.
It’s more than a nostalgia trip. It’s her mission. “I want to take Raï to a whole new level,” she says with a spark in her eyes. “To me, it’s a unique genre and I think it can be exciting again. Maybe even trendsetting.”
Dodging the Trap of People-Pleasing
During the interview, Billboard Arabia surprises Manal with a clip from her very first appearance on Moroccan Hit Radio —alongside then-rising stars like Dizzy DROS and Small X. She smiles, unfazed by the fact that it’s been a full ten years since that moment. Why? Because her focus is on what’s next, not what’s past.
This also means rejecting the idea of sticking to a “safe” sound just because it’s popular. “I know people loved my rap days,” she shares. “But I can’t make music just to please others.”
Then comes the realest moment—spoken in her native Darija: “That’s a trap, especially for a lot of female artists. When they start saying, ‘Let’s make music people like.’ I’ve never thought that way. I’ve always said: let’s make music that represents me, as an artist, as a person, as a woman. Then, I’ll see how people respond.”
A Double Win: Motherhood and Music
Manal kicked off 2025 with not one, but two life-changing milestones. On Dec. 11, 2024, she was named Top Female Artist – Magharebi (North African) Dialects category at the inaugural Billboard Arabia Music Awards. But she wasn’t there to accept the honor—instead, she was in the final days of her pregnancy, preparing to welcome her first child, Aya.
Motherhood changed everything – and Manal is embracing it. She shares: “I see life differently now. A lot of my choices will shift, but my daughter will always be my top priority.”
Family has taken center stage in Manal’s life, but it’s not separate from her art. Her husband—who is also her longtime manager—has been a pillar of strength since day one. She dedicated the song “Ana” to him and says she’s dreaming of writing more music for both him and Aya. With a decade behind her and a new life in her arms, Manal isn’t slowing down—she’s just getting started.
When we speak, Indira Paganotto is in a Chicago hotel room where earlier today she woke up and brushed her teeth while blasting Rammstein.
This choice jells with the Spanish psytrance producer’s generally hard aesthetic: her intricate music — laced with a spiritual chants and loaded with kickdrum — is intense, as are looks favoring latex and snakes as accessories.
But while her brand can be heavy, Paganotto herself is effectively a ray of sunshine — cheerful, chatty and deep as we talk over Zoom before her show tonight at Radius. She’ll play clubs like these across the U.S. over the next few weeks, until tour routing takes her to Indio, Calif., where Paganotto will make her Coachella debut in the festival’s Yuma tent.
Before she left on this U.S. run, a film crew from the festival traveled to Paganotto’s home on Spain’s Canary islands to interview her and her parents about her rise, a moment that makes her so proud as she talks about it that she tears up.
As she tells it, it’s been a long road from working for cash in Madrid afterhours clubs to the success she’s achieved as a DJ and producer, a trajectory that’s included two slots on the Tomorrowland mainstage, closing sets at Serbia’s influential techno festival EXIT, a 2025 residency at Hï Ibiza and upcoming shows across South America and Europe, some of them showcases for her label, Artcore. With this rise Paganotto joins the league of techno and techno adjacent stars like Nina Kraviz, Amelie Lens, Charlotte de Witte, Sara Landry and Ida Engberg who are among the biggest and most influential artists of the genre.
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Here, Paganotto talks about bringing “the hippies with the Rastas with the LSD in the mountains” vibe to techno, playing Coachella and more.
1. Where are you in the world right now and what’s the setting like?
Now I’m in Chicago. I will play tomorrow night, and the next day I go to New York because we have our own showcase of Artcore. And later next week, I go to Texas, and later I will make my own showcase again of Artcore in Miami, in Factory Town. Super cool. These are busy weeks.
2. What is the first album or piece of music you bought for yourself, and what was the medium?
So the first was Talamasca’s Musica Divinorum and also Ian Pooley’s Meridian. They’re really different styles. One is really psytrance and Goa trance, like me. The other one, which my father give to me, is house music. It’s really different styles, and it really [affected] my beginning, because it was house music and psytrance. I was really obsessed with these two albums.
3. What did your parents do for a living when you were a kid?
My father was a doctor with Doctor Without Borders. He was living in India for 10 years, helping people. He was working with Mother Teresa of Calcutta, for the war and with the kids without arms and all this s—. But in the meantime, his hobby and his passion was also playing in the beaches of of Goa and making parties and also making photography. He loved photography. He was getting lost in the villages in India and living with the local people and making photos and helping them with cures if they were sick. He was a really nice guy.
My mom, she was a super romantic girl. She loved Spain, she [studied] at University to be a professor of literature, but later she meet my father and she left everything, and she went to the Canary Islands because she was so in love. She started being [a flight attendant.] Later she left the work because she was not happy. And now she paints, she has a prayer group, because she’s super Christian. My parents are really different, but they are really spiritual. They are really into art and [exploring] the world. So, yeah, I was super lucky.
4. What do they think of your career?
They are super proud. It was a long path. My father supported me since the beginning, but my mom was like, “You need to make a career.” Actually, in the beginning I started being a lawyer, like for one year. But I was like, “No, it’s not my style.” So I just followed my dreams.
In the beginning it was super tough. My parents didn’t support me too much in the beginning. I was alone in Madrid with €150, and they were just waiting for me to come home. I started working in restaurants and in afterhours for money. It all happened so slowly. Now, they’re the proudest parents in the world. They live in my home when I’m touring, because I bought a big home, and they live there with my sister and my animals. Every time I come from the tour, my mama picks me up in the car. She makes me chicken soup and we talk. So it’s nice.
5. What is the first non-gear thing that you bought for yourself when you started making money as an artist?
The first I bought a snowboard [deck], because before that I was buying second hand, super destroyed stuff. I brought the coolest one. It was so expensive. Later, I spent money on big monitors for my studio, and I bought painting for my studio. It’s really like a dream coming true, the first money [you get] and you’re investing in the studio and feeling like a pro all time.
6. If you had to recommend one album for someone looking to get into dance music, what album would you give them?
In psytrance I would recommend Kumeda is insane. Tristan, Mark Day, Interactive Noise. These kind of artists are really cool. And Talamasca. For me Talamasca is like the masterpiece, because it’s really emotive and romantic, but at the same time with this bassline that will break your heart. And later, for the young generation that are more into hard electro, I could recommend Gesaffelstein, Moderat, Kris Wadsworth, Luna City Express. These artists are known nowadays but did something in me in the beginning.
7. What is the last song you listened to?
This morning when I was waking up, I put on “Sonne” from Rammstein.
8. What’s your take on the current state of psytrance in the U.S.?
I mean, we’re working for that. It depends on the regions, for example, New York, they love. In Miami, we have a really big crowd. Chicago, we are in the process. Texas, let’s see. I’ve never played there before. I think Coachella, for example, I will play this year. This kind of big festival is really a super good opportunity to send this message.
9. Does playing Coachella hold any special significance for you?
For me, it means a kind of conquering of the electronic music scene with my sound, because it’s in the top of festivals in America. I feel super proud when I look back to when I started, and I’m like, “Indira, you did it.” For me it’s a dream, because even my mom knows what Coachella is.
Indira Paganotto
Alberto van Stokkum
10. You have such a striking fashion sense. How would you describe your style?
I had a lot of styles when I was small, but I was also emo for a lot of years. I love a punk, Green Day, Evanescence. I’m really into this alternative, underground style from the 2000s. Nowadays you don’t see this style, and I’m super sad, because all the young people look them same. I don’t see any skaters in Europe, for example. I miss this. But also, I love the classic style from my mom, who has perfect makeup at 8 a.m. Super perfect, elegant style, like in Italy. So I have these two sides, and it depends on how I feel, but I love the art of it. I think fashion is art. For example, now I’m the resident in Hï Ibiza. We have like, 14 shows and for every show I designed my own clothes that will be latex.
11. Isn’t it really hot to play a nightclub in latex?
Yeah, but you know, I choose this look for Hï because there is a lot of air conditioning.
12. You mentioned your label Artcore. What are you aiming to create with it? What’s the ethos?
Just to create a community where everyone has their own shine. I’m the creator of Artcore, but all our artists have their own light. If they want to release on other labels, for example, we let them. A lot of label don’t do that. It’s a space for freedom. I see all the time in electronic music there are a lot of rules, but me, a hippie vibe and soul, I was struggling. All the time I was like, “why I can’t make this like this?” So I created my own label, like pirate label.
13. It’s intriguing what you’re saying about running into rules. What rules you think you’ve broken?
For example, no one accepted psytrance in techno festivals before. This is the number one. Psytrance was something alternative, but not a cool scenario for the techno people. [Psytrance people] were like the hippies with the Rastas with the LSD in the mountains. But now, no. I’m hippie, but I love to wear Prada too. I can have both. The techno scene was missing these kind of feelings, of music, of smiling, of community.
14. What feeling does a psytrance crowd and sound bring to an event?
It’s when you listen to opera, or when you go to church, or when you listen to flamenco, there is this kind of divinity feeling. I don’t know how to express it in words, but in psytrance there are these kind of uplifting feelings that in techno there is not, because techno was was created in the concrete, in the cities. It was also political. But the psytrance was created for sharing, for smiling, for the kids, for the soul. It’s like bringing the forest and the beach and the nature into the concrete city.
15. You mentioned wanting to make people proud. What are the proudest moments of your career so far?
One was actually the other day. Guys from Coachella were coming to my home to make a video. It was a video of my life, how I started. I was super proud, because my parents were talking in it too, and I saw their faces.They were talking and so super proud that I almost cried. I feel emotional now. This for me is everything.
16. What would you say are the key moments that lead you to this point?
Playing EXIT Festival. I did the closing set two years ago. At home with my ex-husband, I used to look at videos from the festival on YouTube and was like, “One day I will be there. I’m sure.” I did it, and I did the closing set with the Nina Kraviz also. This year, I will go there again with Sara Landry. For me, EXIT was like the temple. And of course playing Tomorrowland two times on the mainstage. This was like, wow. And now, this year we have our own Artcore stage at Tomorrowland. So it’s arriving step by step. And now I am a resident of Hï Ibiza, and this in my career is insane. My new album is coming this year too.
17. What are you currently finding the most challenging in all of it?
I think still being pure in myself. When I was in the mountains in Madrid with my animals and just making music, there was no option to be corrupted. But now, I’m always touring with a lot of energy from people and a big team that all have their own opinions. I accept those opinions if they’re good, but the biggest struggle is still being pure in myself. Sometimes I cry because it’s like, “maybe the set was no good. Or maybe this track is not really pure. It’s kind of mainstream, cheesy,” you know? But my team is honest with me, and I’m like, “okay, that’s true,” or I see it myself.
18. What’s the best business decision you feel that you’ve made so far?
You can fight the war, but you can’t fight too much, because you will be burned. It’s super nice now that I have a team around me. That makes my mission easier. And also working with my manager and booker Alex Avanzato. He’s like my husband, but with nothing intimate. He’s the best manager in the world. He’s a super hard worker, and he loves me, and he loves the team. This year we bought an office in Ibiza together 50/50, for me, the team and all our artists to come visit us. It’s a meeting point. I’m super excited.
19. What do you think the most exciting thing happening in dance music right now is?
The freedom for all the generations that are coming in. There are a lot of sounds, and these new generations can experiment with no fear of what artists from the ’90s will say, because they don’t care. They are like, “this is me, this is my Instagram. I make whatever I want.” It’s good because they share and make whatever they like and they don’t have this pressure from the patriarchy that there was in the beginning.
20. If you could give one piece of advice to your younger self, what would you say?
For every failure, there are 10 victories Indira, so stop crying and go work.
Noah Cyrus is showing love for her mom, Tish Cyrus.
The “July” singer took to TikTok this week to share a video in which she’s seen with her mother, doing the viral dance to M’s “Pop Muzik,” seemingly shutting down rumors of a feud between the two that sparked amid speculation that the 24-year-old star dated Dominic Purcell before the Prison Break actor went on to marry Tish.
“mommyyy 🫶🫶🌸 guess who’s replacing brandi,” Noah playfully captioned the TikTok, tagging the page for the Sorry We’re Cyrus podcast, hosted by Tish and her oldest daughter, Brandi Cyrus.
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In April 2022, Tish filed for divorce from her longtime husband Billy Ray Cyrus. “It is after 30 years, five amazing children and a lifetime of memories, we have decided to go our separate ways — not with sadness, but with love in our hearts,” a joint statement shared to People at the time read. “We have grown up together, raised a family we can be so proud of, and it is now time to create our own paths.”
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Following Tish and Purcell’s 2023 wedding, attended by Cyrus kids Miley, Brandi and Trace, fans were quick to point out that Noah and Braison were not there. People then reported that 54-year-old Purcell had been casually dating Noah before moving on to Tish. Neither party has confirmed nor denied the rumors.
In 2024, Noah replied to an Instagram commenter who brought up the alleged love triangle. “Dear lord, when I get i heaven please let me bring my man,” Noah captioned a series of photos from Coachella, in reference to lyrics from headliner Lana Del Rey’s “Young and Beautiful.” In the comment section, an Instagram user quipped, “Like that guy u and ur mom both have sexy time with?”
Noah then replied, “Hey real grandma , I’m so sorry but will you pleeeeeass just choke on the fattest c—. just for a lil bit. great thanks.”
Austin City Limits is set to cap its 50th-anniversary celebrations with a special episode featuring Garth Brooks.
Austin City Limits Hall of Fame Honors Garth Brooks will have its broadcast premiere on May 3 at 8 p.m. ET. Recorded live at ACL’s studio home ACL Live in Austin, Texas, the hour-long special features Brooks performing many of his hits while sharing the stories behind many of those songs.
Brooks made his ACL series debut in 1990, shortly after the release of his 1989 self-titled debut, which included now-classic country songs such as “The Dance” and “If Tomorrow Never Comes.” A decade later, he returned to ACL to open and close ACL’s milestone season 25 with two hourlong episodes.
The new special will also highlight moments from Brooks’ ACL performances over the years. The special also features Brooks’ wife and fellow country artist Trisha Yearwood, as well as longtime ACL executive producer Terry Lickona, who inducts Brooks into the Austin City Limits Hall of Fame. Yearwood previously joined the ACL Hall of Fame in 2023 alongside John Prine.
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“You can bring all the smoke and mirrors you want, and trust me—I’ve used ‘em all,” Brooks said in a statement, “but you come here and it’s the real deal.” He added, “Always try to associate your name with a name greater than your own. Being associated with ACL has been one of the greatest assets of my career. I can’t thank Terry and the gang enough for all the years and all the love.”
“You can’t tell the story of Austin City Limits without Garth Brooks,” Lickona added. “Garth gets it. He gets what makes Austin City Limits special, and why it’s an honor for an artist to step onto that stage and deliver the best performance of their life. And it’s an honor for us to share that stage with artists like Garth, who have so much to offer.”
This year marks the 50th anniversary of the revered music institution, which premiered on PBS in 1975. Since 2014, the ACL Hall of Fame has honored artists who have played an essential role in the series’ half-century as a premier supporter of top-shelf music. The inaugural 2014 awards feted Willie Nelson and Stevie Ray Vaughan.
In 2021, Brooks appeared on ACL for two non-broadcast events to close out Studio 6A on the University of Texas campus. Brooks’ performances marked the final shows at that historic studio, which served as ACL’s home until 2010, before it moved to downtown Austin.
The show must go on. Weezer has not canceled its plans to perform at Coachella this Saturday (April 12) after the wife of Weezer bassist Scott Shriner sustained non-life-threatening injuries during a bizarre run-in with Los Angeles Police Department (LAPD) officers that ended in a dramatic shootout. A source linked to the festival tells Billboard […]
Ariana Grande left a glowing review of Halle Bailey‘s new cover of “Hampstead,” one of six new tracks on the former’s Billboard 200-topping Eternal Sunshine Deluxe: Brighter Days Ahead.
On a video posted to Instagram of the Little Mermaid actress singing the emotional ballad in a recording studio and accompanying herself on guitar, the pop star wrote Thursday (April 10), “so beautiful” along with three hearts and a teary-eyed emoji. Grande also re-shared the cover on her Story.
In the clip, Bailey expertly strums along while expressively singing Grande’s reflective lyrics, her voice sounding crystal clear as she adds her own custom riffs to the original melody. “I left my heart at a pub in Hampstead/ And I misplaced my mind in a good way/ Threw away my reputation, but saved us more heartache/ Yes, I know it seems f–ked up, and you’re right,” she croons. “But quite frankly, you’re still wrong about everything/ So far off, your seat’s nowhere near the table/ But I find something sweet in your peculiar behavior/ ‘Cause I think to be so dumb must be nice.”
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In her caption, the “Angel” singer wrote, “hampstead is my fav song off ariana’s deluxe :)”
Debuting this week at No. 59 on the Billboard Hot 100, “Hampstead” appears on the March 28 expanded reissue of Eternal Sunshine alongside new tracks “Intro (End of the World) – Extended,” “Twilight Zone,” “Warm,” “Dandelion” and “Past Life.” Sharing a name with the residential district in London where Grande reportedly lived while filming Wicked in 2023, the track is widely believed to be written about the Oscar nominee’s split from ex-husband Dalton Gomez.
Bailey’s cover comes a couple months after she and DDG — with whom she shares a young son, Halo — announced that they were splitting after more than two years together. “After much reflection and heartfelt conversations, Halle and I have decided to go our separate ways,” the “Moonwalking in Calabasas” rapper wrote on Instagram at the time. “This decision was not easy, but we believe it’s the best path forward for both of us. I cherish the time we’ve spent together and the love we’ve shared.”
On a song released last month, DDG seemingly vented about not being able to visit Halo. “Don’t take my son because he’s all I got/ I’m just having fun, I don’t love these thots … Tryna make me pay to see my son, that’s gonna make me hot,” he spits on “Don’t Take My Son.”
Bailey has also released new music this year, dropping “Back and Forth” on Valentine’s Day. Before that came singles “Because I Love You” and “Angel” in August.
Watch Bailey’s “Hampstead” cover — and look for Grande’s comment — below.
Tyla has bars. In her recent Nylon cover story, the South African singer revealed that she’s made “full-on rap songs” and plans to share one with fans someday. When asked if she had a specific pop star she wanted to emulate as a kid, Tyla answered that while she didn’t idolize one specific person, she […]
Nicki Minaj was reportedly the target of a random swatting attack by someone who told police there had been a shooting at her Hidden Hills home. According to a report from the Los Angeles Times, the Los Angeles County Sheriff’s Department received a report of an assault with a deadly weapon on Wednesday (April 9). […]
Jelly Roll is on a roll when it comes to his health and fitness journey. The country superstar joined Pat McAfee onstage at the latter’s Big Night Ah live show on Wednesday, night (April 9), where he revealed that he lost nearly 200 pounds over the course of his recent weight loss journey. “I started at […]
