Music

Shaboozey & Stephen Wilson Jr. Deliver Gorgeous Rendition of ‘Took a Walk’ at CMA Awards

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Shaboozey and Stephen Wilson Jr. took the CMA Awards audience on an emotional walk Wednesday night (Nov. 19).

Standing on a set made to look like a lush field of wheat at dusk, both country stars’ voices sounded raw and gorgeous over an emotional accompaniment provided by the band on stage with them. ‘Boozey and Wilson took turns singing verses before joining together at the end, crooning, “So let’s stay out here for a while, my friend/ Let’s stay and walk the line ’til the end/ I know you’re tired, hell, so am I/ We can’t take the same road again.”

The ballad was featured in this year’s film adaptation of Stephen King’s The Long Walk, a harrowing tale about a dystopian society in which a selection of young men enter an annual contest in the hopes of winning fame and fortune, which they can only secure after outliving the rest of the competitors on a days-long walk across the country. “I feel so excited,” ‘Boozey told Billboard on the CMAs red carpet shortly before the show. “I think it’s going to be a really special performance, doing it with my boy.”

“Took a Walk” wasn’t the only performance Wilson delivered Wednesday night. Shortly before taking the stage with his duet partner, he did a solo, stripped-down rendition of Ben E. King’s “Stand By Me” for the crowd at Bridgestone Arena in Nashville.

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Also speaking to Billboard before the ceremony, Wilson explained how his two performances were linked. “I’m a big Stephen King fan,” he said. “I play this song called ‘Stand By Me,’ which I’m playing tonight as well, because of a movie called Stand By Me based off a Stephen King [story called The Body]. It’s been haunting me my whole life.”

“Fast-forward these years later, I get invited to sing this song and write this song with Shaboozey for a Stephen King movie called The Long Walk,” he added on the carpet. “The world is weird, life is weird and I’m just here for it.”

Both stars were nominated for the same award this year, receiving nods for new artist of the year. The prize ultimately went to Zach Top.

The ceremony comes as Shaboozey is working on a new album. In October, he exclusively told Billboard, “[It’s about] feminism, I’ll say that.”

“Femininity is probably the best word I can use,” he added at the time of the upcoming full-length, which he says is just about finished. “There’s a story there … It’s a Western concept album about femininity — I shouldn’t have told you that!”


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Lainey Wilson’s ‘Whirlwind’ Wins Album of the Year CMA Award, Presented by Steve Martin & Alison Brown

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Lainey Wilson has been all over Wednesday night’s (Nov. 19) CMA Awards. Not only is she hosting, and not only did she kick the awards into high gear with a big country covers medley, but she’s also one of the night’s big winners, taking home album of the year for her acclaimed Whirlwind set.

“Mama, daddy, look, check it out!” Wilson exclaimed as she accepted the award from banjo picker and occasional comedy legend Steve Martin, along with his collaborator Alison Brown. “I was absolutely not expecting this,” the country great attested about the win, also shouting out her Granny “somewhere” in the audience.

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Wilson went on to thank fans who showed up to her Whirlwind Tour, and to salute herself for staying true to her artistic process throughout the turbulent recording of the award-winning album. “I remember being that little 11-year-old girl who would come home from school and pick up my guitar and pour my heart and soul into that guitar,” she testified. “And that’s how I navigated and communicated. And that’s exactly what I did these last two years of my life, when I felt like my life was changing, but I still felt exactly the same.”

Before awarding her the album of the year, Martin and Brown performed some dueling banjos for the audience, and even bantered a little comedy — quipping about how they were excited enough to be presenting at the CMAs to even do it for free, which was apparently all they were being offered. Martin and Brown released the bluegrass album Safe, Sensible and Sane earlier this year.


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Stephen Wilson Jr. Captivates CMA Awards With ‘Stand By Me’ Cover: ‘It’s Been Haunting Me My Whole Life’

It’s safe to say anyone who hits the stage at the CMA Awards has seriously lived some life, but Stephen Wilson Jr. might have ‘em all beat at least in terms of strange paths to the country spotlight.

The Indiana-born Wilson has been a boxer, competing in the Golden Gloves of America amateur competition; 10 years ago, he was wearing a lab coat and working as a microbiologist; not long after that, he became a songwriter in Nashville, signed to Big Loud. But following the death of his comparatively extroverted father in 2018, something changed, and he began to warm up to the idea of stepping into his own spotlight. His debut album, søn of dad, dropped this year, and although he skews country, he’s covered everyone from Nirvana to Smashing Pumpkins.

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At the 2025 CMA Awards on Wednesday (Nov. 19) night, Wilson appeared on stage, wearing mostly black but rocking a floral ball cap with the Virgin Mary on it. In his firm, raspy tone, Wilson slowly but surely captivated the Bridgestone Arena with a soul-rending cover of Ben E. King’s “Stand By Me.”

Ahead of his performance of “Stand By Me,” which turned heads when he brought it to the Atlanta-based YouTube series Live at the Print Shop in Oct. 2024, Wilson spoke to Billboard correspondents on the CMA Awards red carpet and explained how the 1986 film of the same name influenced his decision to trot out this iconic song.

“I’m a big Stephen King fan,” Wilson told Billboard. “I play this song called ‘Stand By Me,’ which I’m playing tonight as well, because of a movie called Stand By Me based off a Stephen King [story called The Body]. It’s been haunting me my whole life. I started playing this song after my dad died to kinda bring him back. I turned it into a hymn for me. And then fast-forward these years later, I get invited to sing this song and write this song with Shaboozey for a Stephen King movie called The Long Walk and here we are playing both of those songs. The world is weird, life is weird and I’m just here for it.”

Later in the evening, Wilson joined Shaboozey to perform that song, “Took a Walk,” on the CMA Awards stage, too.

Check out Billboard’s interview with Stephen Wilson Jr. on the CMA Awards red carpet below.

Kenny Chesney Cruises Through a Pair of His Hits at 2025 CMA Awards

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With 20 studio albums under his belt, country superstar Kenny Chesney had plenty of songs to choose from for his performance at the 2025 CMA Awards — so many, in fact, that he couldn’t pick just one.

Hopping on stage at Nashville’s Bridgestone Arena, Chesney was introduced by host Lainey Wilson, who highlighted him as a “four time CMA Entertainer of the Year” before ceding the stage. Dressed in a simple straw hat and plain long-sleeved tee, Chesney pulled out his classic country track “American Kids,” strumming along with his band. By the time he reached the chorus, Chesney had the whole arena singing along about “growin’ up in little pink houses” and “makin’ out on living room couches.”

Then Chesney headed to the arena’s B-stage for a performance of his Uncle Kracker duet “When the Sun Goes Down,” greeting his fans in the crowd and grooving to the song’s sultry lyrics. But before he closed out his performance, Chesney gestured to a graphic behind him paying tribute to Grammy-winning country songwriter Brett James (“When the Sun Goes Down” writer) who died in a private plane crash in September. “Thank you so much, Brett James, we love you,” Chesney shouted to conclude his number.

While Chesney wasn’t nominated as a soloist at the 2025 CMA Awards, he did feature on Megan Moroney’s “You Had to Be There,” which earned a nod for musical event of the year at the ceremony.

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Along with serving as the evening’s host, Wilson also snatched up six nominations at the awards, which tied him for the most nods of any artist in 2025, alongside fellow singers Ella Langley and Megan Moroney. Throughout the evening, stars including Luke Combs, Shaboozey, Brandi Carlile, Kelsea Ballerini and more took to the stage for their own performances.


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Zach Top Accepts the CMA for New Artist of the Year With His Beer Still in Hand: ‘So Thankful’

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Zach Top didn’t need anyone to hold his beer when he won big at the Country Music Association Awards on Wednesday night (Nov. 19) — he just took it right on up with him.

Shortly after performing on stage at Bridgestone Arena in Nashville, the 28-year-old singer-songwriter was crowned new artist of the year, beating out Shaboozey, Ella Langley, Tucker Wetmore and Stephen Wilson Jr. In his excitement, Top — looking dapper in a blue suit and cowboy hat — neglected to set down his can of Coors before running up to accept the trophy.

Confessing to the crowd that he couldn’t remember if he was supposed to put his beer down or not, he said with a shrug, “Here it is,” before downing a celebratory sip.

Top went on to thank numerous people on his team for helping him reach the CMA summit. “It’s been a hell of a last couple of years,” he concluded. “So, so thankful.”

The onstage beer moment is certainly on brand for Top. The Washington native’s 2024 debut album is titled Cold Beer & Country Music, an LP he followed up this year with Ain’t In It for My Health, which reached No. 11 on the Billboard 200. The latter full-length produced two Billboard Hot 100 hits: “South of Sanity” and “Good Times & Tan Lines.”

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The new artist victory is also probably quite vindicating for Top, whose absence from the best new artist Grammy category was considered one of the most head-scratching snubs of the 2026 nominations, which went live earlier in November. In fact, no country artists were recognized in the category, with Langley and Megan Moroney also getting left out.

Even so, Top certainly felt the love from the CMAs this year. The musician earned a total of five nods — including album of the year for Cold Beer & Country Music — tying him for second-most nominations in 2025.


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Lainey Wilson Mixes It Up With a Star-Studded CMA Crowd for Opening Medley of Classic Country Hits

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Following a Luke Combs performance of “Back in the Saddle,” host Lainey Wilson properly kicked off the 2025 CMA Awards, with a medley of country favorites originally performed by some of the stars in the Nashville crowd.

After some introductory remarks about how excited she was to be hosting the awards and how the creators of all her go-to playlist jams were in the audience that night, Wilson offered to demonstrate the point herself: “How about I get my buddy Charlie Worsham up here on guitar and we sing ’em for y’all?”

After Worsham dutifully joined her on stage with acoustic in tow, Wilson launched into Chris Stapleton’s “White Horse,” as the camera panned to Stapleton in the seats. That set the tone for an era-spanning medley, with a full band kicking in as Wilson started wandering the aisles at Bridgestone Arena to find the original artists of the songs she was racing through.

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Over the course of her medley, Wilson also hit on Brooks & Dunn (“Hillbilly Deluxe”), Ella Langley (“You Look Like You Love Me”), Gretchen Wilson (“Redneck Woman”), Lady A (“Need You Now”), Miranda Lambert (“Gunpowder and Lead”), Shaboozey (“A Bar Song”) and Little Big Town (joining in with her for a full-group performance of “Girl Crush”). Following that, a six-string-strapped Keith Urban took the mic on stage to perform his ’00s classic “Where the Blacktop Ends,” with Wilson eventually accomapnying him on harmonies.

The medley was a charming run through country history, with artists like Lambert, Shaboozey and Langley getting in the fun by dancing and miming to the camera along with Wilson. And the particularly good for Langley, who just minutes later accepted the awards’ single of the year award for the song Wilson serenaded her with.


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Luke Combs Takes the Reins for Fiery Opening Performance at the 2025 CMA Awards

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When it came time to kick off the 2025 CMA Awards on Wednesday night (Nov. 19), Luke Combs didn’t waste any time — he just hopped “Back in the Saddle.”

Taking to the stage at Bridgestone Arena in Nashville, Combs — dressed in his usual short-sleeved button-up shirt and baseball cap — fired up the stage (literally) with a performance of his country hit, complete with a hefty payload of pyrotechnics to give the show just a little more oomph.

To set the tone, Combs reshaped the stage to look like the stables at a rodeo, with his band taking up their position in the stalls around him. As flames flared behind him and the crowd cheered him on, Combs wailed his way through the country-rock track to set the tone for the evening. “‘Cause I’m back in the saddle like some old cowboy, who dug his way out of his grave,” Combs belted. “Pulled up his boots, put his pistol on his hip, climbed up and took hold of the reins.”

Have you played Billboard’s “A Little Bit Country” Crossword?
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Combs was nominated for three awards at the CMA Awards on Wednesday, earning nods for entertainer of the year, male vocalist of the year and single of the year for his hit song “Ain’t No Love in Oklahoma,” which earned the singer his 18th No. 1 on the Country Airplay chart back in September 2024.

Lainey Wilson, along with serving as the evening’s host, was one of the three most nominated artists at the ceremony, alongside fellow singers Ella Langley and Megan Moroney. Meanwhile, stars such as Shaboozey, Brandi Carlile, Kelsea Ballerini and more were set to perform during the three-hour ceremony.


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50 Cent-Produced Drama ‘Moses the Black’ Starring Quavo & Wiz Khalifa Set for 2026 Release

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50 Cent’s film empire continues to expand. The G-Unit boss is on board as a producer for the upcoming crime drama Moses the Black, which will star rappers Wiz Khalifa and Quavo.

The gangland flick is slated to come to U.S. theaters on Jan. 30, 2026. Omar Epps, Chukwudi Iwuji, Detroit rapper Skilla Baby and former boxing champion Deontay Wilder are also part of the cast, while Quavo and Wiz are set to executive produce and original soundtrack for the movie, according to Deadline.

Set in present-day Chicago, Moses the Black revolves around a Chitown gang leader named Malik and Khalifa’s character, 2wo-3ree, plays an explosive leader of Malik’s crew. The Migos rapper will star in the role of Malik’s enemy in the flick.

“This film is about redemption and real change,” 50 said in a statement. “It’s raw, it’s emotional, and it’s powerful. I can’t wait for audiences to see it.”

50 partnered with Fathom Entertainment, Simeon Faith and the Nick Mirkopoulos Cinematic Fund to bring the film to life.

Moses the Black is an action-packed drama that was made to be seen on the big screen,” said Fathom Entertainment CEO Ray Nutt. “Fathom Entertainment is thrilled to partner again with Simeon Entertainment and bring this heart-pounding story with a star-studded cast to audiences nationwide.”

Wiz Khalifa played George Clinton in 2023’s Spinning Gold, while Quavo has built up his IMDB page with roles in Praise This, Cash Out, The Waterboyz and High Rollers starring John Travolta.

As for 50 Cent, he’s also keeping busy on the film side, and he’s slated to star in the Street Fighter reboot at Balrog.

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Venesti & Mike Bahía Make the ‘Difícile’ Look Easy With a No. 1 on Latin Airplay Chart

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Venesti and Mike Bahía take “Difícile,” their first partnership, to No. 1 on Billboard’s Latin Airplay chart (dated Nov. 22), as the song rallies 13-1 in its 11th week.

“Difícil” soars to No. 1 on the overall Latin radio ranking with 8.24 million audience impressions earned in the United States during the tracking week of Nov. 7-13 (up 55%), according to Luminate. Leading the song’s radio surge are Univision stations KVVF in San José, Calif., KQMR in Phoenix, and KAMA in Houston.

“We are No. 1 on Billboard with Venesti!” Mike Bahía shared with Billboard. “Thank you for the invitation, my friend. I am grateful to Chappell [Warner Chappell Music Latin] for bringing us together, grateful to Luis Salazar, the producer, and Samantha Cámara, one of the composers I love collaborating with. Beyond happy, this is sooo cool, pure fuel.”

“I would like to thank God, first of, because we are No. 1 on Billboard,” Venesti adds. “Grateful to Billboard for their consistent love, my radio crew in the States, my incredible fans, my team, AP Global Music, and Mike Bahía for believing in the song.”

Bahía achieves his first No. 1 on the Latin Airplay chart with “Difícile.” Plus, he becomes the sixth act to earn their inaugural chart-topper in 2025, joining Kapo, benny blanco, The Marías, Gerardo Coronel ‘El Jerry,’ and Morat.

Venesti, meanwhile, banks his third champ, after “Umaye” and “No Es Normal,” with Nacho and Maffio, both one-week rulers in 2023 and 2024, respectively.

Elsewehere, “Difícile” reaches new heights on Latin Pop Airplay, as the song climbs 3-1 for its week atop. This also marks Bahía’s first No. 1 there.

Doja Cat Claps Back at Criticism of Her Tour Opener: ‘You Are Not the Artist, You Are the Watcher’

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Doja Cat kicked off her Tour Ma Vie World Tour in New Zealand on Tuesday, and she’s responding to a few early critics of the global trek.

It appears some fans weren’t thrilled with clips from Doja’s tour opener, as they took issue with the wardrobe changes, set design, visuals and storytelling of the show.

“Okay no shade the VIE tour just gives Scarlet with different outfits,” one fan wrote in an image captured by Complex. When another replied, hoping Doja would listen to the criticism, the Grammy-winning artist clapped back: “I won’t and I don’t need you.”

She replied to another critic: “Because I make music for people who enjoy music. I’m not a broadway act.”

Doja continued to go off on various fans, who were taking shots at her tour experience. “And I’m not your f—ing costume monkey, I move at my own pace and break my f—ing back out there every night so you can keep your bullsh– opinion to yourself,” she wrote. “You are not the artist you are the watcher.”

“Who f—ing cares I’m singing my MUSIC for the people who want to hear me SING,” she wrote. “You’re not even at the f—ing show.”

It appears to be a loaded setlist for Doja on the global trek, which boasts 27 songs in total, spanning her discography. She’s set to hit South America in 2026 and then head to Europe in May and June, before she returns to the U.S. on Oct. 1 for a show in Detroit.

Doja’s still making noise on the charts. The 30-year-old earned her 12th chart-topper at radio as “Jealous Type” reached No. 1 on Billboard’s Rhythmic Airplay chart, which jumped from No. 4 on the chart dated Nov. 22.

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