Music

Tom DeLonge Shares Letter to Matt Skiba After Rejoining Blink-182: ‘Thank You for Being a Member of Our Band’

Blink-182‘s Mark Hoppus, Travis Barker and Tom DeLonge announced their plans earlier this week to reunite for a brand-new album and a world tour, leaving fans to wonder the fate of Matt Skiba.

The Alkaline Trio frontman filled in for DeLonge and became an official member of the band in 2015, recording the 2016 album California with the group. While its unclear what Skiba’s plans post-Blink are, DeLonge personally reached out to him to express his gratitude for filling in during his absence.

DeLonge shared a personal note he wrote to Skiba via Instagram on Thursday (Oct. 13), captioning a screenshot of his message, “I sent this to Matt personally, but it’s important for the world to know that I honor him. Thank you, @matttskiba.”

The note reads: “Hi Matt, Tom DeLonge here. I wanted to take take a minute and say thank you for all that you have done to keep the band alive and thriving in my absence. I think you are enormously talented (I still love to listen to your band to this day). You have always been so kind to me, not only in the press, but also to others. I really noticed. Emotions between the three of us in Blink have always been complicated, but Mark’s cancer really put things in perspective. But to be honest, the band would not even be here today if it were not for your ability to jump in and save the day. So from my heart to yours, thank you for being a member of our band.”

Blink-182’s new era is kicking off with a bang — in addition to an international tour, which will see the trio heading to North and South America, Europe, Australia and New Zealand — the members plan to release a new, yet-untitled album. The forthcoming album’s lead single, “Edging,” will be released Friday.

See DeLonge’s Instagram post below.

Nicki Minaj’s ‘Super Freaky Girl’ Will Compete in Pop Category Not Rap at 2023 Grammys

Nicki Minaj’s “Super Freaky Girl” is spending its eighth week on top of Billboard’s Hot Rap Songs chart, but at the Grammys, the song will compete in the pop category.

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Minaj originally submitted the track — which debuted at No. 1 on the Billboard Hot 100 in August — to the rap categories at the Grammys, but the decision was overturned by the Recording Academy’s rap committee, according to a source. That group determined that Minaj’s playful and pop-sounding song sampling Rick James’ 1981 classic “Super Freak” should compete for best pop solo performance instead of rap awards.

Representatives for Minaj and The Recording Academy did not immediately reply to The Hollywood Reporter‘s emails seeking comment. Nominees for the 2023 Grammys will be announced on Nov. 15, and the live telecast will air on Feb. 5, 2023, on CBS. Voting for the first round of nominees begins Thursday and ends on Oct. 23.

Minaj has released a number of pop and hip-hop hits throughout the years that feature her rapping or singing — sometimes both on the same track. Her debut solo single, 2010’s “Your Love,” was pop-adjacent with its sample of Annie Lennox’s 1995 cover version of “No More I Love You’s,” and Minaj has released other pop-heavy songs like “Super Bass” and “Starships,” which Hot 97 radio host Peter Rosenberg famously dubbed “not real hip-hop” and caused Minaj to pull out of the station’s annual Summer Jam concert.

But of Minaj’s 10 Grammy nominations, she’s only competed in pop once — for best pop duo/group performance with “Bang Bang” alongside Ariana Grande and Jessie J. The majority of her Grammy nominations have been in rap, including best rap album for Pink Friday and The Pinkprint, best rap song for “Anaconda,” and best rap performance for “Moment 4 Life” and “Truffle Butter.”

“Super Freaky Girl” is in similar company to Lizzo’s “Truth Hurts”: The singer-rapper’s breakthrough track topped Hot Rap Songs for 13 weeks and eventually led the all-genre Hot 100 chart for seven weeks but it didn’t compete in the rap categories at the Grammys. Instead, it was nominated — and won — best pop solo performance at the 2020 show.

Other songs that feature rap elements that have competed for best pop solo performance include Doja Cat’s “Say So,” which includes her singing and rapping, and Post Malone’s “Better Now,” which meshes hip-hop, alternative and pop sounds.

Collaborative songs that topped Billboard’s rap chart but competed for best pop duo/group performance at the Grammys include Iggy Azalea and Charli XCX’s “Fancy,” Wiz Khalifa and Charlie Puth’s “See You Again,” and Lil Nas X and Billy Ray Cyrus’ “Old Town Road,” which won the honor in 2020.

Macklemore & Ryan Lewis were originally kicked out of the rap Grammys when the duo had a breakthrough with the hits “Thrift Shop” and “Can’t Hold Us” at the 2014 show. But that decision was later overturned — and heavily criticized — when the group swept the rap Grammys, besting Kendrick Lamar and others — a decision even Macklemore denounced. As a result, Macklemore & Ryan Lewis didn’t submit their sophomore album for Grammy contention at the 2017 show.

This article was originally published by The Hollywood Reporter.

Chesca, Villano Antillano & Corina Smith Unite on Girl-Power Perreo ‘Activa’: Watch

Puerto Rican singer-songwriter Chesca has joined forces with emerging trans rapper Villano Antillano and Venezuelan pop star Corina Smith for her new single “Activa,” with the official music video premiering exclusively on Billboard Thursday (Oct. 13). 

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The three female acts not only bring to the forefront their distinct, sensual, and captivating flow, but also empowering lyrics about owning yourself, your place, your body, and your sexuality. Backed by a hard-hitting perreo with futuristic beats, part of the track even references timeless reggaeton bangers such as Yaga & Mackie’s “La Batidora” and Don Omar’s “Conteo.” 

“Estamos toa’ la’ baby’s activa/pa’ lante y pa’ tras y dandole hasta abajo/Esto acaba empezar nadie se va” (All the babies are active/ To the front to the back and all the way down/ This is only the beginning, nobody is leaving), goes the catchy chorus. 

“I feel happy with what is happening in my career. I thank God for allowing me to do what I do,” Chesca, a former Billboard Latin Artist on the Rise, tells Billboard via email. “I like to put a lot of enthusiasm into my work and manage to be an example that dreams do happen. This is just the beginning of countless surprises that I have for my fans — new music and collaborations are what’s coming.” 

Smith adds: “This collaboration has been a wonderful experience because as Latinas, we are exchanging dreams and talents between sister countries allowing us to strengthen our presence in music.”

The music video, featuring Chesca, Villana, and Corina, is the best representation of the nightlife in La Isla del Encanto. Watch it below.

DaBaby Releases Self-Directed ‘No Condom’ Music Video

DaBaby has released a music video for his song “No Condom,” and just like his last visual, is courting controversy.

The video, which was directed by DaBaby himself and delivered on Thursday (Oct. 13), opens up with the rapper in the hospital waiting room surrounded by women pregnant with his children. A voice then comes over the speaker system to let him know that “one of your 25 baby mamas is about to deliver.”

The scene for “No Condom” — from his fourth studio album Baby on Baby 2 — then changes to a woman in labor. As the little one makes its entrance, the doctor holds up the gooey rapper, who is playing his giant newborn. “This baby looks like the f–king boogeyman,” the doc tells the new mom. “I’m going to be point blank with you — you cannot take it out of the hospital. This is one ugly bastard.”

Throughout the video, DaBaby shows up at a baby shower held for multiple pregnant women. He dances in a pink fedora, multicolor sweatshirt, blue dress pants, and white sneakers as he raps the chorus in the various scenes, while other parts show him grooving in black overalls and white tank top while in the hospital.

The “No Condom” video follows DaBaby’s controversial video for “Boogeyman” in September. In the lyrics, the MC claimed that he was intimate with Grammy-winning rap star Megan Thee Stallion, and he also used a lookalike for her in the visual.

“You play with me that s–t was childish/ The day before she said that Tory Lanez shot her, I was f–kin on Megan Thee Stallion,” he raps in “Boogeyman.” DaBaby references rapper and singer Lanez allegedly shooting the “Her” rapper in the foot in July 2020. (A judge on Sept. 14 granted a delay for the shooting trial.)

Megan and DaBaby previously went head to head on Twitter after the Houston hottie called out DaBaby for reposting a joke about Lanez allegedly shooting her and appearing on a track with the Canadian in a song called “SKAT.”

The drama between the two then continued, with DaBaby bringing out Lanez for his Rolling Loud Miami set in July 2021 to perform “SKAT” after Megan had wrapped her performance.

Watch DaBaby’s “No Condom” video below.

PnB Rock’s Girlfriend Shares Devastating Post Following Rapper’s Death: ‘Pain Is Real’

It’s been a month since PnB Rock was tragically shot and killed at Roscoe’s Chicken & Waffles restaurant in Los Angeles, and the late rapper’s girlfriend Stephanie Sibounheuan took to Instagram on Thursday (Oct. 13) to share an emotional post about how she’s been feeling since the incident.

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“I am 100% not ok,” she captioned a video of the couple. If I wasn’t spiritual I could kill my self (but then I’ll go to hell and my man not there) My man saved my life, Throwing me under that table. I’m not supposed to be here but bc of him. I am. No one would be able to handle this. TBH, I can’t even handle this.”

Sibounheuan was at the Roscoe’s Chicken & Waffles when the shooting occurred, and she gave insight to what happened from her perspective. “To witness what I saw and to keep seeing it in my head, to being forced out the restaurant, to not be able to go in the ambulance or the hospital, Car keys, purse and my phone taken from me, forced in the back of a police car, locked in an interrogation room all night, while all this is going on and to be the last person in this world to know my man didn’t make it after having the faith and confidence that he was,” she wrote. “I felt this time in my relationship everything was finally perfect for our family. My man had gave his self to GOD. Did a complete 360. He was loyal. He was patient. He was teachable and a teacher. I was finally letting the past go, and letting him show up as his changed self.”

She concluded, “It takes so much prayer and spiritual therapy to gain the strength to do the simple things in life now. They say your angels come and stop by and visit you but I feel like mine is always here, it ain’t no stopping by. This life we live on earth is just temporary before we get to heaven or hell. Where we will spend eternity. Only thing matters in this short life is LOVE anything else is irrelevant…you can’t take NONE OF THIS STUFF with you. The devil is running loose on earth. I will never understand a loss so close. I feel so empty. My world is dark now. My heart is broken for the kids.
Cover me with strength, grace, and vision to carry on for the family. Shed light on this world in such dark times. Let your power overcome evil. Pain is real. No matter how rich u are, how famous u are, how spiritual u are. Some pain is inevitable.”

The 30-year-old Philadelphia hip-hop artist whose legal name is Rakim Allen, was gunned down Sept. 13 while eating with Sibounheuan. A robber approached their table and demanded items from the rapper, according to investigators.

A man and his 17-year-old son were charged on September 29 with murder in the fatal shooting of PnB Rock.

Freddie Lee Trone, 40, who has yet to be arrested, and his son, who was taken into custody Tuesday, were each charged with one count of murder, two counts of second-degree robbery and one count of conspiracy to commit robbery. A 38-year-old woman, Shauntel Trone, was also arrested Tuesday and was charged with one count of being an accessory after the fact to the killing. Her relationship to the two other defendants wasn’t immediately clear.

Lizzo Takes an NSFW Ride on Tour

Lizzo went on an interesting type of ride while on tour in Minneapolis, Minn., this week.

The star took to her Instagram Stories on Wednesday (Oct. 12) to share a video of herself at the Twin Cities’ SexWorld adult entertainment store, where she rode a massive mechanical penis. Yup, you read that right. See her Story before it disappears here — but fair warning, it’s very NSFW.

Lizzo is currently on tour in support of her recent album, Special, which marked her first No. 1 on Billboard’s Top Album Sales chart (dated July 30).

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Last week, the “About Damn Time” superstar seemed to have subtly responded to Kanye “Ye” West‘s comments about her weight during his appearance on Fox News’ Tucker Carlson Tonight. “I feel like everybody in America got my motherf—ing name in their motherf—ing mouth for no motherf—ing reason,” Lizzo told the crowd at Toronto’s Scotiabank Arena on Friday (Oct. 7).

“I’m minding my fat Black beautiful business,” she added before asking the audience, “Can I stay here? Who can I marry for that dual citizenship?” 

During Ye’s interview with Carlson, the rapper shared his thoughts on the “demonic” promotion of obesity by the media that he said was part of a plot intended to hasten the “genocide of the Black race.” He also mentioned Lizzo specifically.

“When Lizzo loses 10 pounds and announces it, the bots … on Instagram, they attack her losing weight, because the media wants to put out a perception that being overweight is the new goal when it’s actually unhealthy,” he said. “It’s demonic.”

Christian Music Icon Steven Curtis Chapman on Finding Inspiration From Another Icon, Bruce Springsteen, on New Album

After 35 years, 59 Gospel Music Assn. Dove Awards, five Grammys and 10 RIAA-certified gold or platinum albums, Steven Curtis Chapman wasn’t sure he’d ever make another album. But a surprising lesson from The Boss fueled Still, Chapman’s first new album of contemporary Christian music nearly a decade, out tomorrow (Oct. 14) via Sony Music/Provident Entertainment.

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“Bruce Springsteen’s last two records inspired me,” Chapman tells Billboard of 2019’s Western Stars and 2020’s Letter to You. “Here’s a guy who is in his 70s, and I heard him say, ‘I’ve had this incredible blessing of having years and years of conversations with people.’”

Springsteen’s music and perspective resonated with Chapman who decided he still had more to say. “I just love having those conversations and that’s what these songs are. They are my conversations with people and I want to keep doing that,” says Chapman, who, this year, became the first Christian music songwriter to receive the prestigious BMI Icon Award, joining a distinguished list that also includes Dolly Parton, Barry Manilow, Carole King, Kris Kristofferson and Sting.

Well-known as the most-awarded artist in Christian music, the Paducah, Kentucky native has built a successful career, with such hit singles as “The Great Adventure,” “More to This Life,” “Dive,” “For the Sake of the Call” and “Heaven in the Real World.” He released The Glorious Unfolding in 2013 and Worship and Believe in 2016 on Provident, and independently released Deeper Roots: Where the Bluegrass Grows in 2019. “The worship record was a side thing, different from what I typically do,” he says, “and the bluegrass record was a passion project, something I’d always wanted to do — but again, it was different.”

When it was time to return to his usual musical lane, changes in the business and the way music is consumed made him hesitant: “It was a long process even of deciding, ‘Do I make another record?’ because making records now is so different and the business is so different.”

Chapman acknowledges that attention spans today are short, and geared toward streaming individual songs, while he’s always liked to tell long stories. But these days, he laments, “People don’t even read the whole book. I’m a storyteller. I want to take you on a journey. I’m an explorer and I want to share what I’ve learned: this is where my heart got broken, this is where my heart got full of hope, this is where I felt joy… but when you’ve got a world around you that says, ‘Just give me a song real quick because I’ve got a billion other songs barking for my attention,’ creatively it was a hard decision to do that.”

Yet Chapman chose to dive back in. Lyrically, he took the same approach he always has as a writer — being unfailingly vulnerable and just pouring his heart out — but sonically, Still is fresh and innovative. He worked with what he refers to as his “dream team,” consisting of longtime collaborator Brent Milligan along with Ben Shive, Brian Fowler and Micah Kuiper. He also enlisted his sons Will Franklin and Caleb, members of the band Colony House. “When I started thinking about who could help me grow and help me communicate these songs in the most relevant way while maintaining the integrity of it, I thought of Colony House, because they are so cool. Then I thought, ‘Wait a minute! I fed those guys a lot of meals for a lot of years. Maybe I’ll call in a favor,’” he says with a laugh. 

Chapman is appreciative of his young producers helping him frame this collection of songs in the best possible light, because they are all so personal — including addressing such significant life challenges as the death of a close friend, his brother-in-law losing his battle after being diagnosed with five brain tumors, and of course, the pandemic.  “I couldn’t have written these songs five years ago. I wouldn’t have had this perspective,” says Chapman, who turns 60 next month. “The way I process life is I’ve got to write a song about it. I needed to do this for my own heart and for my friends and family.”

Chapman’s deal with Provident was up and he was a free agent so he began talking to other labels after he finished the record, but in the end he decided to re-sign with Provident, Sony’s Christian music division, because of their enthusiasm for the new songs. The label is currently working “Don’t Lose Heart” to Christian radio. “I talk about feeling like you’ve lost the fight, and fear screaming out Your name. I’ve been there. Don’t feel ashamed. People have told me, ‘When you sing those words, knowing your journey, knowing your history, it’s a whole different thing. There is power in those words coming from you,’” says Chapman, who has known his share of tragedy — including the death of his five-year-old daughter Maria in 2008. 

Though he’s hopeful the song will do well at radio, as a veteran of 35 years in the business, Chapman is realistic. “I’ve been told, ‘Radio loves you, but you’re fighting a battle against your own history — because there’s recurrent songs, and quite a few No. 1s,” says Chapman, who has had 49 No. 1s.

One of the songs on the album that Chapman admits makes him nervous is “Living Color,” a poignant tribute to his best friend in seventh grade, Carlton Bell. He started the song 20 years ago and finally finished it, including keeping a line in the song where he expresses concern over writing about race. Ultimately, it came down to honoring his friend. “I was thinking about my buddy Carlton… I gathered a group of friends — black and white, different colors — around the fire pit one night and said, ‘How do I respond in the best way with the platform that I have?’ I don’t want to feel like I have to jump in some conversation. I just need to listen.”

As his memories of Bell continued to percolate, Chapman looked up his friend, who had moved away from Kentucky years ago and, sadly, he found Bell’s obit. “I’ve got so many great memories of Carlton,” he says. “We were different skin color, but it didn’t matter… I decided to write the song and I got to that last verse, and I was just super honest and said I was scared to even write the song, because I didn’t want to say it wrong. But I decided to write it, because if I didn’t, then this beautiful story of friendship wouldn’t be told. It’s a story I think the world needs to hear.”

Chapman will be sharing songs from his new collection next spring on the Still tour. “I’m so excited to get back out on the road,” he says. “We’ll be in theaters, sort of intimate, and we’ll get to take people on a journey. We’re going to create an interactive night. I feel like it’s a 35-year celebration for people who know my music, but also I want a person who walks in there and only knows one song — or maybe none — to feel like they got an incredible night that was rich for them in experience.”

Longest-Leading No. 1s on the Top Latin Albums Chart: Bad Bunny, Selena, & More

Music distribution has changed over the years, and so has the way it’s consumed, but one thing remains certain: Whether it’s popping a disc into your CD player or downloading an entire track list to your phone, music obsessives love albums.

With Hispanic Heritage Month still in full swing, Billboard has put together all of the longest-leading No. 1 albums in the history of the Top Latin Albums chart, all of which have spent 20 weeks or more at the top. The list includes everything from albums that we were obsessed with in the ’90s, such as Selena’s Dreaming of You and Luis Miguel’s Segundo Romance to almost all of Bad Bunny’s sets of the last decade, including X100PRE and Un Verano Sin Ti.

Topping the list is Bunny’s YHLQMDLG, released just weeks before the global pandemic lockdown in 2020. The album, home to tracks such as “Safaera” and “Yo Perreo Sola,” peaked at No. 1 on March 14, 2020, and reigned on the chart for 70 weeks. The ultra-perreo set is followed by Gloria Estefan’s ultra-personal Mi Tierra, which peaked at No. 1 on July 10, 1993, and spent 58 weeks at the top.

Check out the complete list below.

The 20 longest-leading No. 1s on the Top Latin Albums chart recap is based on most weeks at No. 1 on Billboard‘s Top Latin Albums chart from the ranking’s first chart week, July 10, 1993, through the Oct. 8, 2022-dated chart. For albums with the same number of weeks at No. 1, ties were broken by the most total weeks spent on the chart.

Who Is Eligible for Best New Artist at the 2023 Grammys & Who Isn’t?

Anitta, Zach Bryan, Dove Cameron, Becky G, Gayle, Latto, Måneskin, Muni Long, Lauren Spencer Smith and Lainey Wilson are among 368 artists who are vying for best new artist nominations at the 65th annual Grammy Awards. While the aforementioned artists appear to be front-runners to fill the 10 available slots, Grammy voters have a way of surprising us. And there are 358 other artists, some highly credible, who are also hoping to make the final list.

As expected, several newish artists who had previously received Grammy nominations were ruled ineligible, including Steve Lacy, Jack Harlow, Tems, Walker Hayes, Brent Faiyaz and Fivio Foreign. A previous nomination is an automatic disqualifier in this category (assuming the artist had released enough tracks to be eligible in a previous year).

But for the most part, the Academy tries to err on the side of inclusiveness in this category. In the past, Whitney Houston, Richard Marx, Lady Gaga and many more potential best new artist nominees and even winners were ruled ineligible based on what were sometimes nitpicky technicalities. The Academy now looks for ways to include artists, not rule them out. Indeed, several of the artists who were ruled eligible this year have been around awhile. Becky G won best new artist at the Latin Grammys four years ago. Other best new artist contenders who aren’t exactly new include Conan Gray, Joji, Moneybagg Yo, Orville Peck and Yungblud.

Here are more noteworthy artists, not already named, who are fighting for one of the 10 nomination slots: Amyl and the Sniffers, Omar Apollo, Tenille Arts, Beabadoobee, Em Beihold, Blxst, BRELAND, EST Gee, Fireboy DML,  FLETCHER, Ali Gatie, GloRilla, Cody Johnson, Hayley Kiyoko, Coi Leray, Lil Tjay, The Linda Lindas, Parker McCollum, Tate McRae, Mitski, Flo Milli, PinkPantheress, Rex Orange County, Rina Sawayama, SEVENTEEN, Soccer Mommy, Stray Kids, Don Toliver, Tomorrow X Together, Twice, Tai Verdes, Wet Leg, Yahritza Y Su Esencia, Yeat, and Bailey Zimmerman.

Several of these artists have already won new artist prizes at other award shows. Lainey Wilson and Parker McCollum won new female and male artist of the year, respectively, at the ACM Awards in March. Latto won best new artist at the BET Awards in June. Cameron won best new artist at the MTV Video Music Awards in August. GloRilla won best breakthrough hip-hop artist at the BET Hip Hop Awards in October.

Wilson is the leading nominee for the Country Music Awards, which will be presented on Nov. 9. She is nominated for new artist of the year at that show, along with Cody Johnson and Parker McCollum, who are also on the Grammy entry list, and HARDY and Walker Hayes, who are not.

The number of best new artist nominees at the Grammys jumped from five to eight four years ago, and from eight to 10 last year. The winners in the past four years, since the number of number of nominees expanded, were Dua Lipa (2018), Billie Eilish (2019), Megan Thee Stallion (2020) and Olivia Rodrigo (2021). As you can see, Grammy voters tend to favor female artists in this category. The 2017 winner (the last year there were just five nominees), was also a woman (Alessia Cara).

Last year’s nine other nominees — besides Rodrigo — were Arroj Aftab, Jimmie Allen, Baby Keem, FINNEAS, Glass Animals, Japanese Breakfast, The Kid LAROI, Arlo Parks and Saweetie.

The number of artists vying for nominations in this category (368) is down from last year, when there were 463. But it’s up from the three years before that. The number of contenders in this category peaked in 2013 at 670.

First-round voting for the 65th annual Grammy Awards opened on Thursday (Oct. 13) and closes Oct. 23. Nominees will be announced on Nov. 15. The final-round voting window extends from Dec. 14 through Jan. 4, 2023. Winners will be announced on Sunday, Feb. 5, 2023, at Crypto.com Arena (formerly known as Staples Center) in Los Angeles.

Kelly Clarkson Is ‘Queen of the Night’ in New Whitney Houston Cover: Watch

Kelly Clarkson may be a queen of daytime talk shows, but now she’s also queen of the night. For the latest installment of The Kelly Clarkson Show‘s Kellyoke series, the three-time Grammy winner showed off her voice by covering a song by the “Voice” herself, Whitney Houston‘s “Queen of the Night.”

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Clarkson and her band, Y’all, started by putting their own twist on Houston’s rocking dance hit, which was originally released on the soundtrack for her 1992 film The Bodyguard. While the late legend’s original mix starts out with an immediately uptempo beat, Clarkson sang the first lines slowly over suspended chords, backup singers dramatically echoing her with each lyric.

Then, the lights started flashing, the drums began pounding, and the “Stronger” singer went full Whitney mode — taking lines up the octave, sprinkling in sky-high riffs and belting long notes with show-stopping force.

“I’ve got more than enough to make you drop to your knees/ Cause I’m the queen of the night, oh yeah,” she sang, leading seamlessly into an epic electric guitar solo.

With a Billboard Pop Airplay chart peak of No. 17, “Queen of the Night” is one of several hits recorded by Houston as part of The Bodyguard‘s soundtrack. Also on the album are 14-week Billboard Hot 100 No. 1 “I Will Always Love You” and No. 4s “I Have Nothing” and “I’m Every Woman.” The Grammy-winning soundtrack itself topped the Billboard 200 for a whopping 20 weeks in 1992, the year the film debuted, and remained on the chart for 176 weeks total.

Watch Kelly Clarkson perform Whitney Houston’s “Queen of the Night” on The Kelly Clarkson Show above.