Music

Joe Cocker‘s older brother Victor had something of a front row seat for his sibling’s first steps toward the Rock & Roll Hall of Fame while they were growing up in Sheffield, England.
“We had a little skiffle group — this was when Joe was only around 12 or 13 and I was a teenager,” the elder Cocker, who still resides in England, tells Billboard. “He used to love and come and listen, and once or twice he sang. It just made him so excited, really, the idea of performing. He had a very natural talent. He always had a powerful voice, and a really soulful voice.”

That voice — and Cocker’s accomplishments over a 46-year recording career prior to his death in 2014 at the age of 70 — will be honored on Nov. 8 when he’s inducted into the Rock Hall some 32 years after he first became eligible.

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Best known for Billboard Hot 100 hits such as “Delta Lady,” covers of the Beatles’ “With a Little Help From My Friends” and “She Came In Through the Bathroom Window,” “You Are So Beautiful” and the chart-topping “Up Where We Belong,” a Grammy Award-winning duet with Jennifer Warnes from An Officer and a Gentleman, Cocker will be one of seven performers voted into the shrine, joining Chubby Checker, Bad Company, Cyndi Lauper, Outkast, Soundgarden and the White Stripes. Cocker, a first-time nominee whose induction received public support from Paul McCartney and Billy Joel, also finished fifth on the fan ballot with more than 232,000 votes.

“I was really surprised,” says Cocker’s widow Pam. “I voted every day and watched his standing on the fan vote. ‘Long overdue’ — those were my daughter’s first words when we heard the news.”

Vic Cocker, meanwhile, is “quite thrilled” by the induction news. “It’s an important piece of recognition for Joe, I think. I think he would have been really delighted about it, so I’m really pleased. And of course he grew up in that age where the first generation of members of the Hall of Fame were his heroes; he was part of the second wave, so to be recognized there with his heroes and those of the second wave — like the Beatles, who he knew, and so on — would’ve delighted him.”

Pam Cocker adds that while her husband “wasn’t obsessed with the fact he wasn’t in the Rock & Roll Hall of Fame, he did want it. But he didn’t prioritize it. He was always surprised at what other people were not in it more than himself.”

Because he was at university and then married, Vic Cocker watched his brother’s ascent from a distance. “When he found Ray Charles, of course, that was a big thing for him,” the elder Cocker remembers. “Then (keyboardist) Chris Stainton came along and they had (the 1968 single ‘Marjorine’) and then ‘With a Little Help From My Friends’ was the big change. I used to get so wound up when I’d go to see him; I just wanted him to succeed, really. It was such a thrill seeing him go and get better and better and more and more famous.”

He adds that the Cockers’ mother, Madge, was particularly engaged in his brother’s career, while their more stoic father was a bit more reserved about it. “He very much thought (Cocker) was crackers sometimes,” Vic recalls with a laugh. “He never went to a performance, whereas my mum used to go and see Joe sing.” Harold Cocker did help his younger son deal with Inland Revenue tax issues in the U.K., however, while Vic recalls finding a six-figure check for royalties from 1970’s Mad Dogs & Englishmen album that his brother never deposited.

“I think he’d decided he was going to split with A&M (Records) and he didn’t want to be obligated to them or something,” Vic Cocker says. “When I gave it to him many years later he goes, ‘God, what was I thinking?!’”

The family was also surprised by the spasmodic physical performing style that became a Cocker trademark — which many first witnessed in the 1970 Woodstock documentary. “That was something that developed…and became a little more extreme, yeah,” his brother says. “Nobody ever really commented on it. What he did was up to him, really.” He was nevertheless “upset” by Joe’s drug addictions, however, though he gives him credit for ultimately cleaning himself up.

“He did most of that himself,” Vic says. “He just had a quiet time at home. I remember he went to Scotland and did some fishing. I challenged him as to whether he was on heroin, because I’d heard rumors he was, and he told me he wasn’t and showed me his arms were clean. Afterward he admitted he was taking it another way…but he got himself off that on his own. He had a fantastic constitution, which in some ways was his savior but it was also his downfall in that he could abuse it.”

In addition to the Rock Hall induction, Cocker received an honorary doctorate from Sheffield Hallam University in 1995, and during 2017 he was named to the Order of the British Empire (OE). His last album, Fire It Up, came out during 2012.

All of the Cockers are planning to attend the induction ceremony in November and are anticipating, in Pam’s words, “a brilliant evening.” Vic expects that gratitude will be expressed to the musical peers who helped push Cocker to this point.

“I thought it was exceptional for them to put that amount of time into recognizing Joe and supporting him,” he says. “There were quite a lot of the sort of British rock n’ roll establishment who liked Joe. They’d seen him perform and were always impressed by him, I think. They recognized what he had.”

There’s an aspect to the late Warren Zevon finally being honored by the Rock & Roll Hall of Fame that strikes his son, Jordan Zevon, as very much on brand.
“It’s a comedy of how it seems like the minute that I gave up on it, he got nominated (in 2023, for the first time ever),” the younger Zevon tells Billboard. After his father, who died in 2003, didn’t get in, “I’d gone back to giving up on it, and now he’s in. I think that’s kind of perfect.”

Long considered one of the Rock Hall‘s most egregious exclusions by fans and peers alike, Zevon — who passed away at the age of 56 from mesothelioma — will receive one of two musical influence awards at this year’s induction ceremony on Nov. 8 at the Peacock Theater in Los Angeles. (Hip-hop trio Salt-N-Pepa is the other.) The honor is selected by the Rock Hall and not by voters, and it comes 30 years after Zevon was first eligible for Rock Hall consideration.

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During his career, which included 13 studio albums, the Chicago-born Zevon was celebrated as a songwriter as well as a performer. Linda Ronstadt in particular had hits with his “Poor, Poor Pitiful Me” and “Hasten Down the Wind.” Zevon’s greatest success was 1978’s Excitable Boy, his lone platinum release and the home of “Werewolves of London,” which peaked at No. 21 on the Billboard Hot 100 in 1978. He also collaborated with three-quarters of R.E.M. on 1990’s Hindu Love Gods, while his final album, 2003’s The Wind, was recorded after his cancer diagnosis and released just two weeks before his death; featuring guest appearances from Bruce Springsteen, Jackson Browne, Tom Petty, Emmylou Harris, Joe Walsh, Don Henley, Ry Cooder, Billy Bob Thornton, Dwight Yoakam and more, it won a pair of Grammy Awards.

Zevon’s acerbic and highly literary songcraft set Zevon apart from others in the Southern California rock scene of the ‘70s, and he periodically collaborated with writers, serving as the musical director of the Rock Bottom Remainders, an ad hoc band that included Stephen King, Amy Tan, Matt Groening and more. Billy Joel, meanwhile, supported Zevon’s 2023 nomination by writing a letter to the Rock Hall recommending his induction. Zevon also filled in for Paul Shaffer on David Letterman’s late-night TV shows, and Letterman turned over his entire hour for Zevon’s final interview on Oct. 30, 2002.

“In the same way you’ll hear Philip Seymour Hoffman called an actor’s actor, to musicians (Zevon) is a musician’s musician,” notes his son, who’s a singer and songwriter himself. “He was in his own separate box. It’s that Stravinsky influence and classical background he had…that made him think a little different than everyone else. I’ve had instances where I’ve had to cover his songs and you go, ‘Wait, he went to THAT chord? That’s the wrong chord,’ but it works.

“When you listen to an artist who does that it makes you think, ‘I should think a little different, too, not use the same four chords and change the melody, as it’s been done throughout history.’ It makes you think more musically, about going deeper and darker, maybe.”

The younger Zevon is confident that his father would “be very happy in the company of the musical influences,” and being recognized by the Rock Hall in any capacity. “He didn’t scoff at credit or adulation,” Zevon notes. “Just because he was outside of the mainstream he didn’t necessarily hate everybody in the world and in the music industry. He would’ve appreciated it. He liked people coming up to him and telling him they were fans of his music. He liked when other musicians acknowledged him. I think he would’ve definitely felt some pride in that.”

Zevon says that, given his history, his father being honored at a Los Angeles induction ceremony is also appropriate. “He was definitely one of those guys,” Zevon says, referring to the well-populated community that included Ronstadt, Jackson Browne and a great many others. Who will participate in Zevon’s honor is still to be determined, but Jordan Zevon is planning to touch base to at least celebrate the news with Browne, Joel, Henley, longtime Zevon collaborators Waddy Wachtel and Jorge Calderon, and Minnesota Governor and 2024 Democratic vice-presidential candidate Tim Walz, an outspoken fan.

Zevon was recently celebrated with a pair of Record Store Day releases — a reissue of the Hindu Love Gods album and the box set Piano Fighter — The Giant Years, featuring the three albums he released for that label 1991-95. Jordan Zevon says both will eventually receive wider release, while there’s more coming, as well.

“We’re working around a project around (1982’s) The Envoy and getting that out. There’s some live stuff that’s been bootlegged here and there, so we’re trying to get official releases to put out. We just want to get everything on real high-quality vinyl and make sure the collection is complete and treated with care.”