Music

Maren Morris Mocks Brittany Aldean Feud With Halloween Costume Meme

Maren Morris is saying “Boo!” to Brittany Aldean, Tucker Carlson and anyone else who doesn’t support trans rights. In a hilarious Thursday (Oct. 27) Instagram post, the 32-year-old singer-songwriter shared her idea for a Halloween costume this year: “Lunatic Country Music Person,” aka the title she was given by the Fox News host after she hit back at transphobic comments made Aldean, who is married to country artist Jason Aldean.

Morris’ post comes on the heels of a popular meme that’s taken off on the internet in the past few days, in which people creatively edit a photo of a Spirit Halloween package to look like a fake, funny costume idea. For her take on the trend, the “Middle” singer plastered a photo of herself on the package, labeled “Lunatic Country Music Person.”

The faux costume set features a list of included items: “tambourine, inclusive fans, pickleball paddle, wig, beef with transphobes.”

That last item is likely a nod to her highly publicized feud with Brittany Aldean, which started in August when Morris took shots at transphobic comments Brittany made on Instagram.

“It’s so easy to, like, not be a scumbag human?” the Grammy winner tweeted about Brittany, who went on to say gender-affirming care was equivalent to the “genital mutilation of children.” Continued Morris, “Sell your clip-ins and zip it, Insurrection Barbie.”

Carlson entered the ring not long after that. While interviewing Brittany in September about the online showdown, he blasted Morris for being a “lunatic country music person.” Not only did Morris take the jab in stride, but she also printed the phrase on a line of merchandise that ended up raising more than $100,000 for GLAAD’s Transgender Media Program and Trans Lifeline.

The “Make You Stay” artist also poked a little fun at herself, namely the height difference between her and her husband, Ryan Hurd, with whom she shares 2-year-old son Hayes. “Tall guy not included,” reads her fake Spirit Halloween package, referencing Hurd’s height of 6-foot-3 (according to Google).

And as a quip about her own 5-foot-1 stature, the bottom of the costume reads, “Child size costume.”

See Maren Morris’ “Lunatic Country Music Person” Halloween costume idea below:

Jerry Lee Lewis Dead at 87

Jerry Lee Lewis, piano-bashing rock n’ roll founding father, swaggering country shouter and the last surviving member of the inaugural (1986) class of the Rock and Roll Hall of Fame, has died. His death was announced on Friday (Oct. 28).

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Lewis is known for recording such rock standards as “Whole Lot of Shakin’ Going On,” “Great Balls of Fire,” “Breathless” and “High School Confidential.”  Both “Whole Lot of Shakin’ Going On” and “Great Balls of Fire” have been named to the Grammy Hall of Fame. Sometime collaborator Kris Kristofferson told USA Today that Jerry Lee Lewis is “one of the best American voices ever.” A 2022 inductee into the Country Music Hall of Fame, Lewis is one of just 16 people to have been inducted into both the Country and Rock and Roll Halls. 

Lewis was born on Sept. 19, 1935, in East Louisiana to indigent parents Elmo and Mamie Lewis.  He was brought up Christian and raised on a family farm in Ferriday that “produced more famous people per square mile than any other American small town.” The young Lewis taught himself to play piano at the age of 8 and sang gospel music in church. His two cousins, Mickey Gilley, who became a successful country singer, and Jimmy Swaggart, eventually a renowned TV evangelist, shared similar musical interests. Lewis’ formative influences included listening to the Grand Ole Opry radio broadcasts, which featured the likes of Jimmie Rodgers, Hank Williams and Moon Mullican.

Lewis moved to Memphis in 1956 to audition for Sam Phillips, the owner of Sun Records and the man who first recorded Elvis Presley, Johnny Cash and Carl Perkins. Phillips wasn’t there when Lewis arrived, so producer Jack Clement recorded Lewis’ debut single, a rockabilly version of Ray Price’s “Crazy Arms.” Lewis went on to work at the studio as a session musician, playing piano on numerous recordings including records by Cash, Billy Lee Riley (“Flyin’ Saucers Rock ‘n’ Roll)” and Perkins (“You Can Do No Wrong” and “Your True Love”), among others. The Million Dollar Quartet sessions, recorded by Phillips, was the result of a spontaneous jam session at Sun involving Presley, Cash, Perkins and Lewis. He was also part of the legendary Class of ’55 album with Cash, Perkins, Elvis and Roy Orbison.

As a piano player, Jerry Lee had a very unique style, blending rockabilly, gospel, blues and country while feverishly banging away on the keys, his long blond hair flying around, as he jumped on the bench, a veritable whirling dervish, and unabashed rock star. “No one wanted to follow Jerry Lee onstage,” said Cash. “Not even Elvis.”

Jerry Lee Lewis was nicknamed “The Killer,” and his “wild” man performances were kinetic, filled with flamboyant flair as he pounded the higher keys with his right hand, kicking and standing on top of the piano, knocking over the bench and anything left standing on the stage. He even lit his piano on fire, making it impossible for anyone to upstage him, a forerunner of the likes of The Who and Jimi Hendrix.

Lewis’ rockabilly version of “Whole Lot of Shakin’ Going On,” first recorded by Big Maybelle, hit No. 1 on Billboard‘s country and R&B charts, as well as No. 3 on the (pre-Hot 100) pop chart in ’57.  It was the first song played on the national edition of American Bandstand on Aug. 5, 1957. Said Lewis: “I knew it was a hit when I cut it, but Sam Phillips thought it was too risqué.” Wrote Memphis critic Robert Gordon: “Jerry Lee began to show that in this new emerging genre called rock ‘n’ roll, not everybody was going to stand there with a guitar.”

The follow-up, “Great Balls of Fire,” was an even bigger hit, reaching No. 2 on Billboard‘s pop chart. From this point until 1961, the billing on Lewis’ singles was “Jerry Lee Lewis and His Pumping Piano.” “Breathless” followed, reaching No. 7. Hollywood took notice: Lewis appeared in the 1957 film Jamboree! In 1958, Lewis sang the title song in the film High School Confidential, starring Russ Tamblyn. The result was another hit (No. 21 on the pop chart).

Lewis’ career stumbled in 1958 with a media backlash, led by British journalist Ray Berry, who revealed that Lewis secretly married his 13-year-old cousin Myra Gale Brown, who became his third wife. Lewis was 22 at the time and was quickly blacklisted by the music industry. Radio stations boycotted Lewis’ music. Dick Clark himself canceled Lewis’ appearances on American Bandstand. Before his marriage, venues paid him nearly $10,000 a night; the scandal lowered his asking price to a rock-bottom $250 an engagement.

He was still under contract to Sun Records, though, and a subsequent recording of Ray Charles’ “What’d I Say” reached No. 30 on the Hot 100 in 1961. His contract with Sun ended in ’63 and he went on to release other songs with Smash Records, but nothing hit the crossover peaks of those first releases, even if he did continue to experience success on the country charts. His Live at the Star Club, Hamburg album in 1964 is considered one of the most spectacular live concert discs ever released.

In ’68 he transitioned into country, recording the top 10 hit “Another Place Another Time,” which reached No. 4 on Billboard‘s Hot Country Singles chart, as it was then called. Four subsequent singles reached No. 1 on that chart: “To Make Love Sweeter for You,” “There Must Be More to Love Than This,” “Would You Take Another Chance on Me” and a cover version of  The Big Bopper’s 1958 smash “Chantilly Lace.” (The latter song brought Lewis his first Grammy nomination, for best country performance, male.) In 1981, he released “Thirty Nine and Holding” on Elektra Records and then briefly signed to MCA Records.

In February 1987, Lewis won his only competitive Grammy — best spoken word or non-musical recording as one of the narrators of Interviews From the Class of ’55 Recording Sessions. His co-winners were Johnny Cash, Chips Moman, Rick Nelson, Roy Orbison, Carl Perkins and Sam Phillips. Lewis received a Lifetime Achievement Award from the Recording Academy in 2005.

Winona Ryder, Dennis Quaid and Alec Baldwin starred in the 1989 biopic of Lewis life, Great Balls of Fire!, which brought Lewis’ career back into the limelight. The movie was based on Myra Lewis’ book detailing his life and controversy. Jerry Lee recorded the songs for the soundtrack.

In 2006, Lewis’ aptly titled Last Man Standing album reached No. 26 on the Billboard 200, his highest-charting title on that chart. Raw concert footage was put together in the companion DVD, Last Man Standing Live, featuring duets with Mick Jagger, Rod Stewart and Jimmy Page, among others. He teamed up in 2010 with Eric Clapton and Merle Haggard, along with Jimmy Page and others, on Mean Old Man, which reached No. 30 on the Billboard 200.

In April 2013, he opened Jerry Lee Lewis’ Café & Honky Tonk on Beale Street in Memphis. He also released Rock & Roll Time and was the subject of Jerry Lee Lewis: His Own Story, a biography written by Pulitzer Prize winner Rick Bragg. Lewis’ version of the title track, originally co-written and recorded by Kris Kristofferson, features guitarists Doyle Bramhall, Jon Brion and Kenny Lovelace, along with vocalists Vonda Shepard and Bernard Fowler. “This is a rock ‘n’ roll record,” he told Rolling Stone. “That’s just the way it came out.” The rest of the album is cast with many artists he inspired, including Keith Richards and Ron Wood, Neil Young, Robbie Robertson, Nils Lofgren and Shelby Lynne, among others. The album included covers of Chuck Berry, Bob Dylan, Lynyrd Skynyrd, Paul Rodgers and old pal Johnny Cash (“Folsom Prison Blues”), one of two songs on which he played guitar.

Lewis had six children by seven wives, and his personal life was marred by several tragedies. He married Dorothy Barton in ’52 when he was just 17 years old. They divorced in ’53, one month before he married Jane Mitchum, with whom he had two children, Jerry Lee Lewis Jr. and Ronnie Guy Lewis. Jerry Lee Jr. died at 19 in 1973 in a car accident when his Jeep overturned. Lewis married Myra Gale Brown, his teenage cousin, and had two children, Steve Allen Lewis and Phoebe Allen Lewis. Steve drowned when he was 3 years old in 1962. His fourth wife, Jaren Elizabeth Gunn Pete, gave birth to their daughter Lori Lee Lewis before dying in a friend’s swimming pool before their divorce was final. He married Shawn Stephens in ’83 before her untimely death — just three months after they were married. His sixth marriage, to Kerrie McCarver, lasted 20 years, from 1984 to 2004, producing one son, Jerry Lee Lewis III. He married his seventh wife, Judith Brown, in 2012 with whom he spent his final days on their Nesbit, Mississippi, ranch. Jerry Lee Lewis is survived by his wife, sons Ronnie and Jerry Lee Lewis III, and daughters Phoebe and Lori Lee.

First Spin: The Week’s Best New Dance Tracks From Fred again.., Alison Wonderland, CamelPhat & More

This week in dance music: we recapped the whirlwind that was ADE 2022, the dance world mourned the loss of producer Mighty Mouse, we went inside the Kyiv club that opened for one night amidst the ongoing war, we got exclusive Dirtybird Campout West 2022 sets from a trifecta of acts, we met the production wizards behind Porter Robinson’s Second Sky festival this weekend, David Guetta and Bebe Rexha hit the apex position of Dance Mix/Show Airplay and the CW Network announced that it will air the U.S.’s first ever all electronic awards show in May.

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As for new music, we’ve got that too. Let’s dig in.

Fred again.., Actual Life 3 (January 1-September 9 2022)

It’s here. After months of waiting and what’s felt like an open faucet of singles — including scene-uniting collaborations with Four Tet and Swedish House Mafia — Fred again..’s Actual Life 3 is out today. AFter becoming the moment’s most relevant electronic producer following a post-pandemic run of buzzy, teary sets including Coachella and record-setting Boiler Room performance, Fred Again..’s latest album makes good on the considerable hype, providing 13 sonically and emotionally nuanced tracks cobbled together from digital ephemera, pulling off the rare achievement of being as rich in meaning as they are effective on the dancefloor. — KATIE BAIN

Alison Wonderland, “Down the Line”

When you’re feeling low and the future looks dark, one of the best forms of medicine is a scream-along anthem about being down in the pits. Alison Wonderland is a magician when it comes to moody lyrics and spirited drops, and her latest single “Down the Line” is exactly the sort of re-energizing depression candy any good “I can’t get off of the couch because life sucks” moment requires. 

“We need the dark times in order to get to the light,” the artist says. “We need that experience to know that it’s going to be okay one day. The track is me acknowledging that I was alone during a difficult time but knew that I was going to get through it and be okay, down the line. We’re all going through a dark time right now, and sometimes we need to be reminded that it’s going to be okay. No matter what happens, we will be okay.” – KAT BEIN

Jimmy Edgar Feat. LIZ, “EUPHORIA”

With his new single “EUPHORIA,” Detroit producer Jimmy Edgar shares another preview of his forthcoming album LIQUIDS HEAVEN, out on November 11 via Innovative Leisure. The track is a concentrated dose of ear candy, made of pastel synths that swirl with the richness and silkiness of milk chocolate, and bright background melodies that sparkle like sonic Pop Rocks. And like how eating sweets leads to a woozy sugar rush, “EUPHORIA” too is about chasing that buzzy peak in love. Through the track’s chest-swelling builds, vocalist LIZ declares: “I’ll keep looking for you / I’ll keep looking for euphoria.” Edgar’s latest is all confectionary goodness without the risk of cavities. — KRYSTAL RODRIGUEZ

Anyma & CamelPhat, “The Sign”

CamelPhat make their debut on Tale of Us’ Afterlife Recordings with “The Sign,” a collaboration with producer Anyma. A moody, multi-movement progressive house soundscape made for that moment late night turns to early morning, “The Sign” delivers a lot of head nodding deep in the dancefloor moments along with a few satisfyingly crunchy synths, all over an urgent beat that sounds like it’s being beamed to your earholes from deep space. — K. Bain

Ten City, “Love Is Love” 

When you know, you know, and true love can’t be stopped by parents or friends or ne’er-do-well of any kind — not when it feels this silky smooth. True Chicago house and R&B legends Ten City come through with a jazzy, feel-good number that’ll get you real cozy on the dance floor with your favorite cuddle buddy, and remind you that “Love Is Love,” no matter what form is takes. In the words of Ten City co-founder and vocalist Byron Stingly, it’s a “modern Romeo and Juliet meets West Side Story!” This is for the grown and sexy among us, but it’s a message that will resonate with anyone who’s found themself enamored or thinks they’ve found the one, and certainly those among us who have been told their choice in partner isn’t “right,” even though nothing about it could ever feel wrong. It’s the second and titular single from Ten City’s forthcoming album Love Is Love, due out in 2023. – K. Bein

J. Worra feat. Nathan Nicholson, “Lightning to Strike”

From opposite sides of the Atlantic, Los Angeles’ Insomniac Records and London’s D4 D4NCE—Defected Records’ imprint for rising stars—have joined together in a new collaborative venture. Their first joint release, the single “Lightning to Strike,” comes from J. Worra, who’s previously graced both labels with her modern house sound. On “Lightning to Strike,” J. Worra dips into a bolder palette with a bouncy, retro-futuristic bassline; melodic keys and laser-beam synths which balance out Nathan Nicholson’s breezy croons and wispy vocals. Altogether, they create a song that’s as mellow and melancholic as it is hopeful. — K.R.

Rihanna Sends Love to Tems for Writing ‘Lift Me Up’: ‘It’s the Pen For Me’

It’s been six long years, but Rihanna is finally back with her new single “Lift Me Up.” And the singer has Tems to thank for co-writing the heavenly ballad for the Black Panther: Wakanda Forever soundtrack.

The Nigerian singer songwriter, whose full name is Temilade Openiyi, expressed her excitement on Instagram early Friday morning (Oct. 28) over the new song, sharing the stark portrait of RiRi that serves as its cover art, writing, “Blessed to have written this song in honour of Chadwick Boseman and even more blessed to hear the baddest @badgalriri voice it to perfection.”

Rihanna herself was quick to land in the comments section, sending the love right back to Tems by writing, “It’s the pen for me … love to you sistren” with a trio of prayer hands, heart and flexing emojis.

The post also attracted the attention of the likes of Chance the Rapper, Stefflon Don and SZA, with the latter praising the song by commenting, “INCREDIBLE! Such a beautiful record.”

Penning “Lift Me Up” with Ri, Oscar-winning composer Ludwig Göransson and director Ryan Coogler isn’t the only way Tems is contributing to Black Panther: Wakanda Forever. She also recorded a cover of Bob Marley’s “No Woman, No Cry” for the Wakanda Forever Prologue EP that dropped last July and was featured in the powerful teaser for the forthcoming Marvel sequel.

In September, Tems came away as the top winner at the 15th annual Headies Awards along with her “Essence” collaborator Wizkid. The pair took home song of the year and best R&B single while Tems racked up other trophies for best female artiste and best R&B album (for 2021’s If Orange Was a Place). Less than a month later, she also received the BMI Impact Award at the 2022 BMI London Awards.

Check out Tems’ reflection on “Lift Me Up” and Rihanna’s sweet response below.

Rihanna Makes Her Long-Awaited Return to Music & Fans Are Flying High: ‘RiRi Ate This Up’

The drought is finally over for Navy. After years of waiting with bated breath for new music from Rihanna, fans finally got it Friday (Oct. 28) in the form of “Lift Me Up” from the Black Panther: Wakanda Forever soundtrack.

The song — which serves as a tribute to the late Black Panther star Chadwick Boseman, who died in 2020 at 43 after a battle with colon cancer — sees the pop star going the ballad route, accompanied by acoustic guitar as she sings “Lift me up/ Hold me down/ Keep me close/ Safe and sound” in a serene chorus, earning praise from her admirers.

“Rihanna’s voice has matured and turned so rich ?!!!!! Okay mama NOW I need solo new Rihanna no soundtrack attach to it. BAD GAL RIRI,” one fan wrote.

Another remarked how nice it felt to hear the pop star’s signature vocals on a track again, tweeting, “Didn’t realize how much i missed hearing Rihanna’s voice and new music from her until it all hit me when i pressed play on lift me up.”

Another Ri Navy member hilariously added that it will be hard for them to keep their composure when it’s time to watch Wakanda Forever in theaters. “Riri ate this up n left no crumbs, and I’m suppose to sit in the theater and hear this and act normal?!?” they wrote.

See how fans are reacting to “Lift Me Up” below:

Don McLean Calls Kanye West an ‘Attention-Seeking Fool’ Over Antisemitic Rants

“American Pie” singer Don McLean has added his name to the list of artists calling out Kanye West for the rapper’s recent barrage of antisemitic hate speech. The singer released a statement on Friday (oct. 28) strongly condemning Ye (as the MC is now known) for a weeks-long series of interviews in which West has repeatedly made comments disparaging of the Jewish people, actions that have resulted in Kanye losing nearly every aspect of his once-formidable music and fashion empire.

“Lately a flood of antisemitic invective has been triggered by the ranting of a stupid attention-seeking fool we all know,” McLean wrote in the statement that did not mention Ye by name. “I want to say I stand with my Jewish friends and I stand with the state of Israel. When this kind of thing happens we should realize why the state of Israel must be respected and protected.”

McLean noted that he lived in Israel on-and-off from 1978-1982 and he “grew to love the country and the people. Living there changed my life forever.” The Anti-Defamation League, which tracks antisemitic behavior in the U.S. recently reported that there were 2,717 antisemitic incidents in 2021, a 34 percent rise from the year before for an average of more than seven such attacks per day.

The Washington Post reported this week that longtime watchdogs of antisemitism say the type of overtly derogatory comments made recently by Ye — as well as former president Donald Trump — are not new, but that the unapologetic manner in which they’ve been delivered in public forums is concerning at a time when incidents of harassment, vandalism and violence against Jews is at its highest level in the U.S. since the 1970s.

“Empirically, something is different. The level of public animosity towards Jews is higher than it’s been in recent memory,” Jonathan Greenblatt, CEO of the ADL told the paper. “While at a generalized level, antisemitic attitudes have dropped, the incidents have risen because there is less shame. People feel they can say and do anything.”

Over the past several weeks West has been on a bizarre media tour in which he has doubled and tripled-down on comments disparaging Jews after already raising eyebrows by promoting a “White Lives Matter” shirt at his recent Paris Fashion Week show. As a result, over the past week West has been dropped by his reps at CAA, lost partnerships with Adidas, The Gap and Balenciaga, had his Essentials playlist pulled from Apple Music, his products taken off shelves at TJ Maxx and was cut off by Foot Locker. The end of the Adidas deal will reportedly result in a $246 million loss for the company this year and is believed to be the linchpin in Ye’s loss of billionaire status.

In further blows to the once-esteemed rapper’s tattered public image, he was unceremoniously escorted out of the Skechers office on Tuesday (Oct. 26) after showing up “uninvited,” even as his wax figure was removed from Madame Tussauds London and his Donda Academy basketball team was bounced from a tournament over his hate speech.

Lately a flood of antisemitic invective has been triggered by the ranting of a stupid attention-seeking fool we all know. I want to say I stand with my Jewish friends and I stand with the state of Israel. When this kind of thing happens we should realize why the state of Israel must be respected and protected.

Charlie Puth Takes His Acoustic ‘Unholy’ Cover to the Body Shop: Watch

Charlie Puth may feel turned on like a “Light Switch,” but his latest performance shows him getting downright naughty with an assist from a chart-topping song.

On Thursday (Oct. 27), Puth stopped by the studios of SiriusXM to promote his latest album Charlie, which debuted at No. 10 on last week’s Billboard 200. While at the studio, the singer decided to offer up his own acoustic rendition of “Unholy,” the record-breaking Sam Smith and Kim Petras collab that sits atop this week’s Billboard Hot 100.

Before kicking off his performance, Puth said that he “loves this song,” and that his decision to perform it was pretty spur-of-the-moment. “The first song we’re going to do is something I decided to do on the car ride over here,” he said. “I love the people involved in this song, and I just spoke to Sam this morning and told them that I would be doing this.”

Unlike the clanking, industrial-pop sound of the original, Puth’s version simply paired his voice with an acoustic guitar, as he crooned out the seductive lyrics to the hit track, including Petras’ Balenciaga-flexing verse.

The star also made sure to give fans a couple songs off of his new album, delivering live acoustic renditions of “Loser” and “Left and Right,” this time joining in the fun with some light piano. Speaking about the latter song (his collaboration with BTS’ Jung Kook), the singer said that he had a very specific band in mind while writing it. “I wrote this song thinking about the Beatles, because sometimes their voices would be on one side of the speaker due to the limitations of recording at the time,” he said.

Check out Puth’s cover of “Unholy,” as well as his live renditions of “Loser” and “Left and Right,” below:

Billboard Explains: The Rise and Fall and Rise Again of CDs

Before MP3s and streaming services entered the conversation, there were CDs — the shiny disk that made history and an impact on music.

In Japan on Oct. 1, 1982, Billy Joel’s 52nd Street became the first CD to go on sale. The CD format offered everything vinyl and cassette tapes didn’t: digital audio with no surface hiss, while offering clean sound, longer playing time, and immediate access to any track.

“The CD had this sort of futuristic mystique to it,” says Steve Knopper, Billboard editor at large. “It was a pristine sound for most of us who spent our childhood carrying crates of records. … Having CDs was so much more convenient and efficient.”

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But CDs weren’t always loved.

There was pushback from labels, manufactures, and retailers who didn’t immediately embrace this concept of digital audio. It wasn’t until the late ’80s when CDs surpassed LPs in volume and revenue for the first time.

CDs sales then jumped in the U.S. during the 2000s, with 730 million sold. However, in the mid-2000s, thanks to MP3s, Napster and other music-sharing sites started to replace CDs. By the 2010s, streaming became the go-to, and in 2020, only 40 million CDs were sold in the U.S. — the lowest in 35 years.

Nonetheless, there could be a comeback with artists such as BTS, Billie Eilish, and Olivia Rodrigo giving new life to CDs. The shiny plastic disc is still sentimental to those looking to support their favorite artists, and remains the music format of choice in places like Japan.

Watch the latest episode of Billboard Explains above to learn more about the rise and fall and rise again of CDs.

After the video, catch up on more Billboard Explains videos and learn about the evolution of girl groups, BBMAs, NFTs, SXSW, the magic of boy bands, American Music Awards, the Billboard Latin Music Awards, the Hot 100 chart, how R&B/hip-hop became the biggest genre in the U.S., how festivals book their lineups, Billie Eilish’s formula for success, the history of rap battles, nonbinary awareness in music, the Billboard Music Awards, the Free Britney movement, rise of K-pop in the U.S., why Taylor Swift is re-recording her first six albums, the boom of hit all-female collaborations, how Grammy nominees and winners are chosen, why songwriters are selling their publishing catalogs, how the Super Bowl halftime show is booked and why Olivia Rodrigo’s “Drivers License” was able to shoot to No. 1 on the Hot 100.

Shania Twain to Release ‘Queen of Me’ Album in February, Reveals 2023 Tour

Shania Twain will launch 2023 with a massive tour and a new album! The pop-country queen’s sixth studio album, Queen of Me — the first the singer-songwriter has released in six years — will arrive Feb. 3. The album marks her first recording under her new label deal with Republic Nashville.

Twain has released the lead single from the project with “Waking Up Dreaming,” and the new song “Last Day of Summer.”

“These days, I’m feeling very comfortable in my own skin – and I think this album reflects that musically,” Twain said via Instagram. “Life is short and I want to be uplifted, colorful, unapologetic and empowered. I want to carry a clear message, particularly as a woman, to always remember my power and I hope the songs are a reminder to you, of that same power inside you!”

Additionally, she’s taking her signature phrase “Let’s Go, Girls!” literally as she prepares to launch her upcoming 2023 tour, which will span approximately 50 concert dates. Her Queen of Me tour will launch April 28 in Spokane, Wash., and will cross the United States and Canada, and include several U.K. dates. Her opening acts on select dates will include “My Truck” hitmaker Breland, as well as several top-tier female singer-songwriters: Lindsay Ell, Hailey Whitters, Kelsea Ballerini and Mickey Guyton.

Tickets for Twain’s Queen of Me tour will go on sale starting Nov. 4 at 10 a.m. at Ticketmaster.

See the full list of tour dates and her announcement below:

  • April 28 – Spokane, WA @ Spokane Arena ^
  • April 29 – Seattle, WA @ Climate Pledge Arena ^
  • May 2 – Vancouver, BC @ Rogers Arena ^
  • May 3 – Vancouver, BC @ Rogers Arena ^
  • May 5 – Edmonton, AB @ Rogers Place ^
  • May 6 – Edmonton, AB @ Rogers Place ^
  • May 9 – Calgary, AB @ Scotiabank Saddledome ^
  • May 10 – Calgary, AB @ Scotiabank Saddledome ^
  • May 12 – Saskatoon, SK @ SaskTel Centre ^
  • May 14 – Winnipeg, MB @ Canada Life Centre ^
  • May 16 – Madison, WI @ Kohl Center #
  • May 17 – St Paul, MN @ Xcel Energy Center #
  • May 19 – Lincoln, NE @ Pinnacle Bank Arena #
  • May 21 – Denver, CO @ Ball Arena #
  • May 24 – Salt Lake City, UT @ USANA Amphitheatre #
  • May 26 – Mountain View, CA @ Shoreline Amphitheatre #
  • May 28 – Los Angeles, CA @ Hollywood Bowl #
  • May 30 – Phoenix, AZ @ Ak-Chin Pavilion #
  • May 31 – Thousand Palms, CA @ Acrisure Arena #
  • June 3 – Tulsa, OK @ BOK Center +
  • June 4 – St. Louis, MO @ Hollywood Casino Amphitheatre STL +
  • June 7 – Nashville, TN @ GEODIS Park +>
  • June 9 – Camden, NJ @ Freedom Mortgage Pavilion +
  • June 12 – Halifax, NS @ Scotiabank Centre ~
  • June 14 – Moncton, NB @ Avenir Centre ~
  • June 17 – Quebec City, QC @ Videotron Centre ~
  • June 18 – Montreal, QC @ Bell Centre ~
  • June 20 – Hamilton, ON @ FirstOntario Centre ^
  • June 21 – London, ON @ Budweiser Gardens ^
  • June 23 – Toronto, ON @ Budweiser Stage ^
  • June 24 – Toronto, ON @ Budweiser Stage ^
  • June 27 – Columbia, MD @ Merriweather Post Pavilion &
  • June 28 – Charlotte, NC @ PNC Music Pavilion &
  • June 30 – Cuyahoga Falls, OH @ Blossom Music Center &
  • July 1 – Tinley Park, IL @ Hollywood Casino Amphitheatre &
  • July 6 – Ottawa, ON @ Ottawa Bluesfest
  • July 8 – Syracuse, NY @ St Joseph’s Health Amphitheater at Lakeview +
  • July 9 – Mansfield, MA @ Xfinity Center +
  • July 11 – New York, NY @ Madison Square Garden +
  • July 13 – Burgettstown, PA @ The Pavilion at Star Lake +
  • July 15 – Noblesville, IN @ Ruoff Music Center $
  • July 19 – Kansas City, MO @ T-Mobile Center $
  • July 21 – Dallas, TX @ Dos Equis Pavilion $
  • July 22 – Houston, TX @ Cynthia Woods Mitchell Pavilion $
  • Sept. 16 – London, UK @ The O2
  • Sept. 19 – Dublin, IE @ 3Arena
  • Sept. 22 ​- Glasgow, UK @ OVO Hydro
  • Sept. 25 -​ Manchester, UK @ AO Arena
  • Sept. 26 – ​Birmingham, UK @ ​Utilita Arena Birmingham

^ = w/ Lindsay Ell
# = w/ Hailey Whitters
+ = w/ Breland
> = w/ Kelsea Ballerini
~ = w/ Robyn Ottolini
& = w/ Priscilla Block
$ = w/ Mickey Guyton

Shania Twain Announces New Album & Tour

Shania Twain will launch 2023 with a massive tour and a new album! The pop-country queen’s sixth studio album, Queen of Me — the first the singer-songwriter has released in six years — will arrive Feb. 3. The album marks her first recording under her new label deal with Republic Nashville.

Twain has released the lead single from the project with “Waking Up Dreaming,” and the new song “Last Day of Summer.”

“These days, I’m feeling very comfortable in my own skin – and I think this album reflects that musically,” Twain said via Instagram. “Life is short and I want to be uplifted, colorful, unapologetic and empowered. I want to carry a clear message, particularly as a woman, to always remember my power and I hope the songs are a reminder to you, of that same power inside you!”

Additionally, she’s taking her signature phrase “Let’s Go, Girls!” literally as she prepares to launch her upcoming 2023 tour, which will span approximately 50 concert dates. Her Queen of Me tour will launch April 28 in Spokane, Wash., and will cross the United States and Canada, and include several U.K. dates. Her opening acts on select dates will include “My Truck” hitmaker Breland, as well as several top-tier female singer-songwriters: Lindsay Ell, Hailey Whitters, Kelsea Ballerini, Mickey Guyton, Priscilla Block and Robyn Ottolini.

Tickets for Twain’s Queen of Me tour will go on sale starting Nov. 4 at 10 a.m. at Ticketmaster.

See the full list of tour dates and her announcement below:

  • April 28 – Spokane, WA @ Spokane Arena ^
  • April 29 – Seattle, WA @ Climate Pledge Arena ^
  • May 2 – Vancouver, BC @ Rogers Arena ^
  • May 3 – Vancouver, BC @ Rogers Arena ^
  • May 5 – Edmonton, AB @ Rogers Place ^
  • May 6 – Edmonton, AB @ Rogers Place ^
  • May 9 – Calgary, AB @ Scotiabank Saddledome ^
  • May 10 – Calgary, AB @ Scotiabank Saddledome ^
  • May 12 – Saskatoon, SK @ SaskTel Centre ^
  • May 14 – Winnipeg, MB @ Canada Life Centre ^
  • May 16 – Madison, WI @ Kohl Center #
  • May 17 – St Paul, MN @ Xcel Energy Center #
  • May 19 – Lincoln, NE @ Pinnacle Bank Arena #
  • May 21 – Denver, CO @ Ball Arena #
  • May 24 – Salt Lake City, UT @ USANA Amphitheatre #
  • May 26 – Mountain View, CA @ Shoreline Amphitheatre #
  • May 28 – Los Angeles, CA @ Hollywood Bowl #
  • May 30 – Phoenix, AZ @ Ak-Chin Pavilion #
  • May 31 – Thousand Palms, CA @ Acrisure Arena #
  • June 3 – Tulsa, OK @ BOK Center +
  • June 4 – St. Louis, MO @ Hollywood Casino Amphitheatre STL +
  • June 7 – Nashville, TN @ GEODIS Park +>
  • June 9 – Camden, NJ @ Freedom Mortgage Pavilion +
  • June 12 – Halifax, NS @ Scotiabank Centre ~
  • June 14 – Moncton, NB @ Avenir Centre ~
  • June 17 – Quebec City, QC @ Videotron Centre ~
  • June 18 – Montreal, QC @ Bell Centre ~
  • June 20 – Hamilton, ON @ FirstOntario Centre ^
  • June 21 – London, ON @ Budweiser Gardens ^
  • June 23 – Toronto, ON @ Budweiser Stage ^
  • June 24 – Toronto, ON @ Budweiser Stage ^
  • June 27 – Columbia, MD @ Merriweather Post Pavilion &
  • June 28 – Charlotte, NC @ PNC Music Pavilion &
  • June 30 – Cuyahoga Falls, OH @ Blossom Music Center &
  • July 1 – Tinley Park, IL @ Hollywood Casino Amphitheatre &
  • July 6 – Ottawa, ON @ Ottawa Bluesfest
  • July 8 – Syracuse, NY @ St Joseph’s Health Amphitheater at Lakeview +
  • July 9 – Mansfield, MA @ Xfinity Center +
  • July 11 – New York, NY @ Madison Square Garden +
  • July 13 – Burgettstown, PA @ The Pavilion at Star Lake +
  • July 15 – Noblesville, IN @ Ruoff Music Center $
  • July 19 – Kansas City, MO @ T-Mobile Center $
  • July 21 – Dallas, TX @ Dos Equis Pavilion $
  • July 22 – Houston, TX @ Cynthia Woods Mitchell Pavilion $
  • Sept. 16 – London, UK @ The O2
  • Sept. 19 – Dublin, IE @ 3Arena
  • Sept. 22 ​- Glasgow, UK @ OVO Hydro
  • Sept. 25 -​ Manchester, UK @ AO Arena
  • Sept. 26 – ​Birmingham, UK @ ​Utilita Arena Birmingham

^ = w/ Lindsay Ell
# = w/ Hailey Whitters
+ = w/ Breland
> = w/ Kelsea Ballerini
~ = w/ Robyn Ottolini
& = w/ Priscilla Block
$ = w/ Mickey Guyton