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20 Questions With Gilberto Santa Rosa: New Album, Future for Salsa Artists, & More

For an artist who says music is his passion and the music of others is his hobby, it’s no surprise why Puerto Rican salsa icon Gilberto Santa Rosa released a conceptual album called Debut y Segunda Tanda. Both the Vol. 1 and a deluxe version were produced by his label B2B Music and distributed by Believe.

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The “Debut” part of its title, as he explains to Billboard, represents three of his original recordings, such as “Cartas Sobre La Mesaz” — while “Segunda Tanda” pays tribute to emblematic tracks recorded by his colleagues, such as Willie Chirino, Mucho Manolo and Carlos Vives’ “For Sale,” to name a few. 

“The first song that was created was ‘Cartas Sobre La Mesa,’ and that’s the one that sparked the concept of my album,” he says of his first set in two years. “This album came at the perfect timing.” 

Below, read 20 questions with El Caballero de la Salsa, where he opens up about his new album, being from Santurce, Puerto Rico, the movie that makes him cry and more.

1. This is your first album in two years — what’s the concept behind Debut y Segunda Tanda?

It’s simple. My new songs are the ones debuting and the second part is the covers. Half of the songs were originally recorded by me and the other half are songs that other artists lent me for the album.

2. On this album, you pay homage to your colleagues Willie Chirino, Mucho Manolo, Septeto Acarey, Grupo Bahia, Carlos Vives and Alejandro Sanz. Which of these covers was most challenging for you to interpret? 

Truthfully, I identify with all of them, even if they’re not my songs. But I would have to say “Cartas Sobre La Mesa” because it was originally recorded as an urban song. I’ve done tropical and romantic covers, but it’s the first time I did something urban. Even though salsa and urban have a lot of things in common, starting with their origin, this song was the most peculiar for me.

3. Of your original tracks on the album, which is your personal favorite? 

Without a doubt “En Defensa Propia.” It’s a very well-written song, very Santa Rosa. It’s a song made for expression and it gives the album a special touch.

4. Which song from Debut y Segunda Tanda are you most excited to perform live?

I like all of them! Since I select the songs for my shows, I would like to perform them all, because it’s an album I really want my fans to discover.

5. Why did you decide to release this album in two parts? 

The album was divided because I went into the studio and got excited. I realized I had a lot of songs, and we decided to work on the first eight. Besides, time passes by very fast, and a lot of music gets lost in the way. That’s when we had the idea of releasing it in two parts.

6. What’s at the top of your professional bucket list?

I don’t really have a bucket list. Who knows if in a couple of years I’ll focus on that list? But for the time being, I don’t have anything.

7. Who made you realize you could be an artist full-time?

I was six years old. There was a teacher in my school who unfortunately passed away very young, her name was Yenny Diaz. She was a science teacher, but she also led the music classes. She taught us to play the guitar. She encouraged me and taught me a lot. I remember her with great affection. She was the only person, of all the people who gave me a lending hand, who did not see me develop my career.

8. Which would you say is the most emblematic song of your career?

“Conciencia” and “Perdóname.” They are two songs that I have definitely had to sing in all the places since I recorded them.

9. What was the first concert you ever saw?

I started singing very young, so I had access to see almost all the artists for free. But, the first concert I went to which my uncle paid for the ticket was Las Estrellas de Fania — and the first concert that I paid for, where I worked and saved, was to see a great Cuban singer named Roberto Ledesma, a spectacular romantic singer.

10. What artist, dead or alive, would you like to see in concert?

Well, it’s going to surprise you, because I’ve seen almost every artist. But I would like to see John Legend, Alicia Keys, or Justin Timberlake, if possible.

11. How did being from Santurce, Puerto Rico shape your art?

Totally. A large number of musicians and singers who excelled in salsa music came from Santurce. At one time, the heart of entertainment was there including radio and television stations. The atmosphere in general is a very happy sector with a lot of music. I always remember my grandmother’s house, when you went out to the balcony and there was music everywhere, and you were nourished by all that. Being from there helped me with my training, of course.

12. What was the last song you listened to?

When I prepare for my concerts, I like to listen to music by other artists. Last night I was listening to a song called “Adolorido” by a Cuban singer named Tito Gomez who has already passed away.

13. What song or movie always makes you cry?

There is a movie that has it all! It has tears, it has suspense, and even quite a lot of violence but very well used. The first Godfather movie, I’ve seen it like 900 times. I always find something that I didn’t see the previous time. That movie talks about family, and loyalty, it goes beyond being a mobster movie. There are many interesting and deep messages.

14. Do you recall your first job ever?

I’ve always worked in music. I thank music for sustaining me all my life. But, the very first job I had was delivering newspapers for two weeks. The other time, I was a model for a car show. I had to drive one, but I’m usually not a good driver, so it didn’t go very well for me. Those were the last times I worked on something other than music.

15. Besides music, what’s another passion of yours?

I can be a bit boring because I’m passionate about music and nothing else. My work is music and my hobby is the music of others. In the last few years, however, I wasn’t much into going to the studio. For me, the recordings were very tedious, but about five years ago, I began getting involved and visiting the studio every once in a while to record things. That’s why I have many songs for this album.

16. What’s your all-time favorite vacation spot? 

Las Vegas. I love going there for the entertainment lifestyle. It’s a city where there is always something new going on. I’ve seen almost every artist in the residences. I have a good time even if it’s on a bench drinking coffee. It is an interesting desert.

17. Describe 2022 in one word? 

Spectacular!

18. With a more-than-40-year career, what’s one piece of advice you would give to younger salsa artists?

A genuine vocation and the stamina to move forward are important. It is not an easy road — life, in general — is not, but today, there is a contrast between all the advances that exist. And that seems to be an advantage, but sometimes it is not, because the competition is even stronger. It is more difficult for people to focus on an artist. So, you have to have the stamina and character to be able to fulfill a dream. There is always a door that opens, there will always be an opportunity, and there is always a person who helps you — but we cannot give up on the first failure or the first “no.” It is hard to start a project and defend it.

19. What’s the one word you always use? 

Everyone knows me because I use the phrase “Caminalo!” At first, it started out as a strictly rhythmic phrase, but today for me it’s almost a philosophy. It suggests going forward, not stopping, the future, and movement.

20. What do you hope to accomplish or experience in 2023?

We are going to start promoting both volumes of Debut y Segunda Tanda, and in 2023, we will begin planning the new tour that we hope will take us to Europe again.

Maroon 5’s ‘One More Night’ Joins YouTube’s Billion Views Club

Maroon 5 has “one more” accomplishment to add to its list of accolades. On Wednesday (Nov. 2), YouTube announced that the pop rock band’s video for “One More Night” has entered the Billion Views Club.

The video sees lead singer Adam Levine split between two scenes — one of him training at a boxing facility that later leads to him facing against an opponent for a match, and another of him juggling family life with a partner and their young baby girl. After emerging triumphant, Levine comes home to find his home empty save for a few family photos and a trophy — his partner and daughter nowhere to be found.

According to YouTube, “One More Night” is the band’s third video to reach the billion views mark. “Sugar” and “Girls Like You” are the other two visuals.

Maroon 5, in a collaborative Instagram post with Universal Music Enterprises, shared its excitement at the new milestone. “One More Night” hit 1 BILLION views on YouTube in ten years!! Third @maroon5 track to reach this milestone, we can’t believe it,” both accounts captioned a behind-the-scenes video from “One More Night” of Levine in hair and makeup.

In addition to being Maroon 5’s third video to hit one billion views, “One More Night” was also the band’s third No. 1 hit on the Billboard Hot 100 after singles “Makes Me Wonder” (2007) and “Moves Like Jagger” featuring Christina Aguilera (2011). “One More Night” spent a total of 42 weeks on the Hot 100, with nine of those weeks in the No. 1 spot.

Revisit Maroon 5’s video for “One More Night” above, and check out the celebratory Instagram post below.

Taylor Swift Recreates Iconic Looks From Past Eras in Capital One Commercial: Watch

The old Taylor can’t come to the phone right now — why? ‘Cause she’s busy starring in a Capitol One commercial. In a super nostalgic advertisement for the bank holding company’s Venture X credit card released late Monday (Nov. 1), Taylor Swift starred as a dozen versions of her past selves by recreating her most iconic looks from past album cycles, spanning 2006 to 2022.

In one scene, a Taylor sporting one of the sparkly outfits she wore back in 2015 — during the 1989 World Tour — tests out some headphones. “They’re noise cancelling!” she shouts, dancing to a beat only she can hear.

“You’re being too loud,” responds a second Taylor, referencing a lyric from Swift’s 2019 Lover track “You Need to Calm Down.”

The second Taylor — dressed in a purple dress and ponytail, one of Swift’s Speak Now Tour looks from 2011 — appears again in a later scene, in which she watches a Capitol One customer using his phone to book seat 13A on Flight 1989.

“Good choice!” says Speak Now Taylor, pointing at a number 13 painted on her hand. “My lucky number.”

All the Taylors are then shown crammed together in an elevator. “Going up?” asks one Taylor, dressed in the glitzy circus ringleader outfit she sported in 2013 on the Red Tour.

A Taylor wearing a unitard look from the “Look What You Made Me Do” music video, a Taylor wearing one of her famous Folklore cardigans, and a curly-haired Taylor from her debut self-titled album cycle proceed to join all the other Taylors on the elevator in an epic group selfie.

The commercial comes on the heels of Swift’s announcement that she’s going on tour next year, following a five-year break from live performances. Presented by Capitol One, the Eras Tour will see the 11-time Grammy winner stopping by stadiums in cities across the U.S. (international dates have not yet been announced) with guests artists including Paramore, Phoebe Bridgers, Beabadoobee, HAIM and more.

Watch Taylor Swift’s new Capitol One commercial above.

Macklemore Explains How His Sobriety Journey Inspired New Song ‘Faithful’: Watch

Macklemore is allowing himself to be completely transparent in his music. The rapper released his new song “Faithful” featuring NLE Choppa on Friday (Oct. 28), which sees him grappling with his sobriety journey. The 39-year-old sat down with Billboard News to discuss the track and shed light on the series of events that led up to him penning the song.

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“Recovery has been a huge part of my life the last 14 years. I first went to treatment in 2008. I’ve always had the allergy, the disease of addiction was present from my first drink of alcohol,” Macklemore explained. “Going into ‘Faithful,’ the pandemic happens. I was removed from my recovery community, everything’s on Zoom — I’m used to going to meetings and being a part of a community — all a sudden that’s stripped away from us and I relapsed. I relapsed in 2020.”

He continued, “I think I wrote ‘Faithful’ shortly after that and it came from a dark spot, and I think that there is such a void of music that talks about real issues, whether it be mental health, whether it be recovery or fighting the disease of addiction, I’m trying to go there. I don’t want to avoid it.”

The “Thrift Shop” rapper also revealed that his wife was an integral part in choosing the single, so much so that she offered to be a part of the video for “Faithful.”

“My wife, she heard the whole album and was like, ‘Yo, I want to do it. I want to direct the music video. ‘Faithful’ she felt passionate about and I love the record. I think the record is great. She saw a vision so I said, ‘I gotta go with wifey on this one.’”

Watch Macklemore’s interview with Billboard News above.

Shakira & Ozuna’s ‘Monotonía’ Hits Top 10 on Hot Latin Songs Chart

Shakira and Ozuna’s “Monotonía” rallies 25-3 on BillboardHot Latin Songs chart (dated Nov. 5) after its first full tracking week. The track was released Oct. 19 via Sony Music Latin, and debuted in the top 30 a week ago with five days of airplay (during the Oct. 17-23 tracking week).

“Monotonía” pushes to No. 3 with gains in all metrics. It earned 9.4 million U.S. streams, up 205%, in the week ending Oct. 27, according to Luminate. That yields a No. 3 debut on Latin Streaming Songs. Sales, too, assist its position increase, with 2,000 downloads sold — up 38% — during the same period. (The song holds strong at No. 1 on Latin Digital Song Sales.)

Meanwhile, on the radio front, “Monotonía” generated 6 million in audience impressions, up 106%, earned in the week ending Oct. 30, which prompts a 36-13 surge on the all-genre Latin Airplay. On Tropical Airplay, the song lifts 8-4.

Further, “Monotonía” breaks up a Bad Bunny monopoly of the top three on Hot Latin Songs — the entire top three has been occupied by nothing but Benito’s songs since the May 21-dated chart, where he has ruled with songs from his Un Verano Sin Ti album.

“Monotonía’s” move earns Shakira her 32nd top 10. She continues to hold the record for the most top 10s among women since the tally launched in 1986. Ozuna adds a 28th top 10 to his career count.

Elsewhere, “Monotonía” also enters the all-genre Billboard Hot 100 chart at No. 65. It becomes Shakira’s highest debut since “Empire’s” No. 58 arrival in 2014.

On Global territory, Shakira secures her third top 20 title on the Billboard Global 200 ranking as “Monotonía” debuts at No. 18. Ozuna, meanwhile, captures his third top 20 on the Billboard Global Excl. U.S. survey, as the song soars 174-4 in its second week.

Taylor Swift Confirms This ‘Reputation’ Track Will Be on the Eras Tour Setlist

Heads up, Swifties. It looks like Taylor Swift is taking requests. Shortly after the 32-year-old pop star announced her 2023 The Eras Tour, a fan took to TikTok to ask that “Delicate,” a single off Reputation, be included on the setlist — and Swift obliged.

In the Tuesday (Nov. 1) TikTok, a Swiftie named Alex filmed herself singing along to an audio clip from 2018 of the “Anti-Hero” singer performing “Delicate” on her Reputation Tour. People who were in the crowd during that night’s performance can be heard chanting “1, 2, 3, let’s go b—h!” in unison to the beat of the song, filling the empty beats in between the intro and first verse.

It’s a tradition that started among Swift’s fanbase after a video of one fan doing the chant at one of the Reputation Tour’s early shows went viral. Even Camila Cabello, who was one of the opening acts on the tour, posted a video of herself recreating the original.

“Petition to bring this back for eras tour,” Alex wrote atop her TikTok.

In just one day, the TikTok reached about a million viewers — one of whom was none other than the woman in charge herself. “Done,” Swift commented on the video, confirming that fans will once again have a chance to cheer along to her 2017 track when The Eras Tour’s U.S. leg kicks off in March.

The Eras Tour was announced by the 11-time Grammy winner during her appearance on Good Morning America Monday morning, the same day that Alex posted her TikTok. The 27-date expedition will find Swift passing through stadiums across the country with Paramore, Phoebe Bridgers, HAIM, Beabadoobee and more serving as her opening acts.

First released in 2017 on Swift’s sixth studio album Reputation, “Delicate” was given the single treatment the following year. The singer-songwriter made a contemporary dance-filled music video for the track with director Joseph Kahn, and it went on to peak at No. 12 on the Billboard Hot 100.

See the TikTok Taylor Swift commented on, confirming “Delicate” will be on The Eras Tour setlist, below:

Blink-182’s ‘Edging’ Completes Blistering Climb to No. 1 on Alternative Airplay

In just its third week on Billboard‘s Alternative Airplay chart, Blink-182‘s “Edging” is No. 1.

The song’s three-frame ascent to the top of the list dated Nov. 5 is the quickest of 2022, eclipsing the four-week trip of The Killers‘ “Boy.” It’s also the fastest rise since Twenty One Pilots‘ “Shy Away” made it in three weeks in May 2021.

In the last decade, just three songs have taken three weeks or fewer to hit No. 1 on Alternative Airplay, with “Edging” and “Shy” joined by twenty one pilots’ “Jumpsuit” and its two-week sprint in 2018.

Prior to “Jumpsuit,” the last such coronation belonged to Foo Fighters‘ “Rope,” at three weeks, in 2011.

“Edging” is Blink-182’s fourth No. 1 on Alternative Airplay and first since “Bored to Death” in 2016. The others are “I Miss You” in 2004 and “All the Small Things” in 1999, giving the band No. 1s in each of the last four decades. Green Day and Red Hot Chili Peppers are the only other acts with leaders in four distinct decades, also in the ’90s through the ’20s, dating to the chart’s 1988 inception.

In between “Bored” and “Edging,” Blink-182 – then featuring Matt Skiba on guitar and vocals as of “Bored,” whereas “Edging” marks the return of Tom DeLonge – charted five songs, paced by the No. 2-peaking “She’s Out of Her Mind” in 2017.

Concurrently, “Edging” leaps 22-14 on Mainstream Rock Airplay, marking the trio’s top-charting track since “Bored” reached No. 6.

On the all-rock-format, audience-based Rock & Alternative Airplay chart, “Edging” rules for a second week with 5.7 million audience impressions, up 5%, according to Luminate.

In addition to its radio airplay, the song earned 2.1 million official U.S. streams and sold 1,000 downloads in its second full week of availability.

“Edging” is currently a standalone single from Blink-182, whose last album, 2019’s Nine, debuted at No. 1 on Billboard‘s Top Rock & Alternative Albums chart.

When & Where You Can Watch the 2023 Grammy Nominations Announcement Live

The Recording Academy will announce the nominations for the 65th Annual Grammy Awards across all 91 categories live from the Grammy Museum and Latin Grammy Week on Tuesday, Nov. 15, at 9 a.m. PT/12 p.m. ET.

The event will stream live on live.Grammy.com and on the Academy’s Facebook, YouTube, Twitter, Instagram, and TikTok channels. The full list of nominees will be published on Grammy.com (and on Billboard.com, among other outlets) immediately following the presentation. Presenters will be announced in the coming days.

The nominations will be revealed just two days before the 23rd Annual Latin Grammy Awards are held at Michelob Ultra Arena in Las Vegas. Bad Bunny is the top nominee at that show with 10 nods, including album of the year for Un Verano Sin Ti. That album, which has topped the Billboard 200 for 13 nonconsecutive weeks, has an excellent chance of becoming the first Latin pop album to receive an album of the year nomination at the all-genre Grammys.

Anitta, Luis Fonsi, Laura Pausini and Thalía are set to host the Latin Grammys, which will air on Thursday, Nov. 17, on Univision.

“We are so excited to celebrate all of this year’s Grammy nominees who contributed to such a prolific year in music,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “With the addition of five new categories and a new, diverse class of voting members, we look forward to honoring all of this incredible music and the people who made it.”

The five new categories are songwriter of the year, non-classical; best alternative music performance; best Americana performance; best score soundtrack for video games and other interactive media; and best spoken word poetry album. In addition, a new special merit award will be given out for best song for social change, which “celebrates a song that addresses a timely social issue and promotes understanding, peacebuilding and empathy,” according to the Academy.

The 65th Annual Grammy Awards returns to Los Angeles’ Crypto.com Arena on Sun, Feb. 5, 2023. The show will broadcast live on CBS will stream live and on-demand on Paramount+ at 8-11:30 p.m. ET / 5-8:30 p.m. PT.

Follow “Recording Academy / GRAMMYs” on Twitter, Instagram, Facebook, TikTok, and LinkedIn, and use #GRAMMYs to join the conversation as it unfolds on Nov. 15.

Listen to 5 Heartfelt Day of the Dead Songs: Natalia Lafourcade, Danny Felix & More

Music is an essential part of the Día de los Muertos (Day of the Dead) celebration. For this reason, many Latin artists have lent their voice to showcase the traditional melodies of this Mexican festival, which mixes indigenous roots with Christian traditions from the Spanish colonial era, but also to bring to the forefront more recent songs such as those included in the 2017 Disney-Pixar movie soundtrack, Coco.

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According to this tradition, every Nov. 1 and 2, the dead and alive are reunited when they return from Mictlan, as the ancient Mexicans called the Underworld.

In honor of Day of the Dead, Billboard compiled five heartfelt songs. Listen to them below:

“La Llorona,” Various Artists

“La Llorona” is one of the best known tracks in the Mexican popular songbook and has its origin in the region of the Isthmus of Tehuantepec, Oaxaca. The most famous version is performed by the late singer of Costa Rican origin Chavela Vargas. Other popular interpreters include Mexican artists Lila Downs, Aída Cuevas, and Natalia Lafourcade.

In recent years, the timeless song has positioned itself among the young generations thanks to Ángela Aguilar, who recently performed it before thousands of people in the Zócalo of Mexico City during the closing of the mega-parade dedicated to the Day of the Dead.

This year, there is also a new version performed by another young regional Mexican artist, Carolina Ross, who accompanies her singing with a TikTok where she is transformed into a Catrina skull.

“La Nostalgia,” Julieta Venegas

Mexican-American singer-songwriter Julieta Venegas pays tribute to the Mexican tradition with “La Nostalgia,” which premiered Sunday (Oct. 30) exclusively on her Facebook page. The song is part of her seventh album, Tu Historia, set to be released on Nov. 10. In this song, Venegas captures her memories of Mexico and is strongly inspired by the Day of the Dead.

“Las Flored del Camposanto,” Lupita Infante

The Mexican-American singer (granddaughter of the emblematic Mexican actor and singer Pedro Infante), released a majestic mariachi version of this song written by Luis Rosado Vega and performed in 1986 by the late Mexican singer-songwriter and musician Óscar Chávez. Infante recorded the piece to pay homage to those who are no longer with us and to the place where they rest, the cemeteries.

“Flores y Tierra,” Danny Felix

Phoenix-based singer Danny Felix, one of the pioneers of the corrido tumbao genre, also released new music in honor of Day of the Dead. On Nov. 1, he shared a video on his YouTube account announcing “Flores y Tierra,” which he states is “dedicated to loved ones who are no longer with us.” An accompanying music video shows Felix performing the song at a cemetery during the day.

“Recuérdame,” Natalia Lafourcade, Carlos Rivera

“Recuérdame” is the main theme song from the Disney Pixar film, Coco. Many versions of this heartfelt track exist, including one by Carlos Rivera, who recorded the version in Spanish for Latin America, and “Remember Me” in English recorded by Miguel Natalia Lafourcade. The song was also performed by renowned Latin actor Gael García Bernal during the 2018 Oscars ceremony, where it took the award for the best original song.

P!nk Hits the Produce Aisle In Hilarious Promo For ‘Never Gonna Not Dance Again’ Single

P!nk has found a creative way to get the word out about her upcoming single, “Never Gonna Not Dance Again.” In a brief promo video that dropped on Wednesday morning (Nov. 2), the singer slips into a red apron — over a sparkly pink tank top and fat gold chain — to hawk her latest brand extension.

“Excuse me, would you like to try a free sample? They’re spicy as f–k!,” she says while snapping gum and manning the sample station for her mouth-singeing line of crunchy snacks in the produce aisle. No, she hasn’t fallen on hard times. The funny promo bit is part of the set-up for “Never Gonna Not Dance Again,” which was produced by Grammy-winners Max Martin and Shellback, who co-wrote the song with P!nk. The track is described in a release as “a euphoric and joyful ode to dancing through the hard times.” The upcoming video, also due out on Friday (Nov. 4), was co-directed by the singer and creative duo Nick & RJ.

To keep the spicy bit going, the caption to the clip reads, “Spicy AF! Have you called for your chance to win a free sample?! Dial 1-888-262-PINK #NGNDA is out this Friday.”

And what happens when you call that toll-free line? Well, you hear P!nk say, “Hi, you’re reached P!nk, the creator of Vicious B—-es Chips’es,” after which she offers three options. Press one and you can hear a sneak preview of the single, which, as promised, is a bouncy, life-affirming bop in which she sings, “Never gonna not dance again/ I’m never gonna not dance again/ Oh, I just want to pop and lock to my records/ There go all of my clothes/ Never gonna not dance again.”

The second option gets you a text message with a link to get more updates on the song, while the third option takes you to her tip of the day: “If you’re around someone who sucks all the air out of the room, go to another room.”

“Never Gonna” is the follow-up to July’s more topical “Irrelevant,” in which she took on just about every major issue in American politics today. “Girls just wanna have rights / So, why do we have to fight,” she questions in the song’s bridge in her response to the then-recent Supreme Court decision to overturn Roe v. Wade. The singer will perform at the upcoming American Music Awards on Nov. 20, where she will appear alongside Carrie UnderwoodImagine DragonsJIDTemsWizkid and Yola.

Check out P!nk’s Chips’es promo videos below.