Music

Rihanna Previews Savage x Fenty Lingerie Ahead of Annual Fashion Show

Rihanna‘s highly anticipated Savage x Fenty Vol. 4 is returning to Prime Video on Wednesday (Nov. 9), and ahead of the release, the “Love on the Brain” singer shared a little sneak peak of the sultry looks in her new lingerie collection.

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“me waiting for vol. 4 to drop so y’all could have these pieces,” RiRi captioned a series of black-and-white photos in which she’s seen in lacy black corsets and garters.

In addition to the show airing on Prime Video, the entire Savage X Fenty Show Vol. 4 collection, which pays tribute to self-expression and personal empowerment, will also be available to shop in the Amazon store and at Savage X Fenty’s website the same day the fashion event airs. The latest Savage x Fenty collection features all-inclusive sizing that ranges from 30A to 42H/46DDD for bras and XS-4X/XS-XXXXL for underwear, sleepwear and loungewear.

Savage x Fenty Show Vol. 4 will feature performances by AnittaBurna BoyDon Toliver and Maxwell. In addition, there will be special appearances by Ángela Aguilar, Avani Gregg, Bella Poarch, Cara Delevingne, Damson Idris, Irina Shayk, Joan Smalls, Kornbread, Lara Stone, Lilly Singh, Marsai Martin, Precious Lee, Rickey Thompson, Sheryl Lee Ralph, Simu Liu, Taraji P. Henson, Taylour Paige, Winston Duke, Zach Miko and more.

Not signed up for Amazon Prime? Join today under a free 30-day trial ($14.99 a month after the trial ends) and enjoy tons of great perks such as fast and free shipping, exclusive deals on millions of items and a free one-year subscription to GrubHub+.

What’s Your All-Time Favorite World Cup Song? Vote!

Fútbol fans around the world are counting down the days until the 2022 FIFA World Cup kicks off on Nov. 20 in Qatar. To get pumped for the big day, many already have their favorite official World Cup song on repeat.

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In 1990, almost sixty years after the first-ever edition of the World Cup, the Fédération Internationale de Football Association (FIFA) began to adopt songs that would become the official soundtrack of the global soccer event, which happens every four years.

Of course, some have become more memorable than others. There’s Ricky Martin‘s “Cup of Life (La Copa de la Vida),” which in 1998 was the euphoric official FIFA song for the tournament that took place that year in France. It originally peaked at No. 60 on the Billboard Hot 100 in 1998 and re-entered the chart at No. 45 in August 1999. The international smash hit also won a Grammy for best Latin pop performance.

Twelve years later, for the 2010 World Cup in South Africa, Shakira gifted fútbol fans the ultimate soccer song. She released “Waka Waka (This Time For Africa)” in collaboration with Freshlyground. The tournament’s official song was recorded in Spanish and English. With more than 3 billion views on YouTube to date, the track peaked at No. 38 on the Hot 100 chart dated July 3, 2010.

Other World Cup official songs or anthems that made a splash are Pitbull, Jennifer Lopez and Claudia Leitte’s song “Ole Ola (We Are One)” for the 2016 Mundial in Brazil. And don’t forget Nicky Jam, Will Smith and Era Istrefi’s official song titled “Live It Up.”

While we wait for the soccer event to begin, vote for your favorite all-time World Cup song below.

Taylor Swift Explains Why 2022 Midterms Are More Important ‘Than Any Year in Modern History’

Taylor Swift is taking a break from her regularly scheduled Midnights programming to let fans know how important it is to head over to the polls and vote in Tuesday’s (Nov. 8) midterm elections. In the singer’s Instagram Story, she made a passionate plea to her followers about this election’s importance and cited all the issues voters have at stake.

“Remember to vote today! It’s Election Day in the United States. This year, more than any year in modern history, the Midterm Elections will affect our access to fundamental rights, basic reproductive healthcare, and our ability to make our government work for us,” Swift wrote in a text image.

She continued, “Your vote is your voice, which is why it’s so important that you use it. If you haven’t voted early, make a plan to vote before the polls close! See who’s on your ballot and find your polling place at vote.org.”

Swift is just one of the latest celebrities to stress the importance of voting in the midterm elections this year. Billie Eilish put out a similar statement to her followers via Instagram on Nov. 5. “I want to explain why I am voting this year and how important I think it is for you to vote,” Eilish said in the video. “Our rights, our freedoms, and our futures are on the line, and if we don’t show up, there is a good chance we will see a national ban on abortion, with no exceptions … They also wanna take away the freedom to marry who we love, restrict voting rights, and enact laws that threaten the progress that must be made on climate change… It scares me.”

While Swift did not name who she plans to vote for, her friend Selena Gomez endorsed Beto O’Rourke in this year’s midterms. Kacey Musgraves and Harry Styles also endorsed O’Rourke, while other musicians like Barbra Streisand, Katy Perry and more gave other political candidates their seal of approval. (See the full list of musician endorsements here.)

Read Taylor Swift’s Instagram Story before it expires here.

Here’s What Joe Jonas Thinks About Frankie Jonas Trolling Him With Taylor Swift Couples Costume

Much better! Joe Jonas had nothing but nice things to say about his younger brother Frankie Jonas’ rather incredible Halloween costume as a circa 2008 version himself and ex-girlfriend Taylor Swift.

“Yes, he got some laughs,” the Jonas Brothers singer admitted to Entertainment Tonight during a press junket for his upcoming movie Devotion. “It was good, he looked good. I like it. I think that’s my shirt — I need it back.”

For the couples costume, the younger Jonas donned what was apparently his older brother’s black T-shirt emblazoned with the logo to the sibling act’s Burnin’ Up Tour, and completed the look with a matching vest and black skinny jeans. Meanwhile, Frankie’s girlfriend, Anna Olson, dressed as Swift during her self-titled era with a metallic silver dress.

The pair were actually making specific reference with their couple’s costume to the Jonas Brothers’ 2009 concert film, Jonas Brothers: The 3D Concert Experience, in which Joe and Taylor duetted on her single “Should’ve Said No.”

While the superstar couple’s relationship was short-lived — they would eventually break up after three months during an infamous (and brief) phone call, and Swift would go on to immortalize the moment in Fearless cut “Forever and Always” — they’re now on friendly terms, with Taylor even sending Joe and his wife Sophie Turner a gift to welcome their first baby, Willa.

For his part, Frankie recently wrapped up hosting the ABC reality series Claim to Fame alongside his eldest brother Kevin Jonas.

Katy Perry Voted for Rick Caruso in L.A. Mayor Race, Here’s Why Some Fans Are Angry About It

Katy Perry raised some Katy Kats’ eyebrows on Monday (Nov. 7) when the singer posted a thumbs-up picture from the voting booth in California in which she is smiling after voting for longtime republican-turned-democrat Rick Caruso in the bruising race for Los Angeles mayor. “I am voting for a myriad of reasons (see the news) but in particular because Los Angeles is a hot mess atm,” Perry wrote in the caption, which featured a series of hashtags, including one hyping billionaire real estate developer Caruso while adding the lengthy “#doyoubutjustuseyourvoteok.”

According to the Los Angeles Times, Caruso cut into Rep. Karen Bass’ lead in the days leading up to Tuesday’s (Nov. 8) vote, after spending $26 million on attack ads that sowed doubt about the six-time congresswoman, who the paper said had garnered “overwhelming support” among the city’s strong liberal voting base; the Times noted that Caruso had spent nearly $100 million on the race to date.

Perry — who performed at democrat Sen. Hillary Clinton’s DNC gathering in 2016 — joined Kim Kardashian, Snoop Dogg, Gwyneth Paltrow, new Twitter boss Elon Musk and Guardians of the Galaxy star Chris Pratt in backing Caruso, a move that rubbed some commenters the wrong way given her past support for reproductive rights; Caruso has donated to anti-abortion organizations and politicians in the past and reportedly pledged $1 million to support abortion rights proposition, but has yet to donate any of those funds.

The businessman-turned-politicians has also been criticized for his time as Chairman of the Board of Trustees for USC during the time that gynecologist George Tyndall was allowed to leave the university in the face of dozens of accusations of sexual misconduct. The L.A. Times reported last month that investigators questioned Caruso in 2020 about what information the university had about Tyndall and that the candidate “refused to answer many questions, on the advice of USC’s legal team.”

Diplo headlined a Caruso-sponsored get out the vote campaign event on Friday at the El Rey Theatre along with Sofia Reyes; the event was put on by Billboard parent company Penske Media Corporation.

While Perry turned off comments on her socials, that didn’t stop a slew of unfavorable reactions to the post about Caruso, who changed his party affiliation a month before entering the race. A spokesperson for Perry had not returned requests for comment at press time.

“This just shows you just how bad things have gotten. That a celebrity would not only vote R — but then publicly post it is something else. You could say the energy is shifting,” read one reaction, with another commenter writing, “katy perry tweeting out a pro-choice video while voting for rick caruso would be objectively hilarious if it wasn’t painfully dumb.”

“As much as the right try to spin it, Katy Perry voting for Rick Caruso is not an indication of anything other than a rich white woman voting for a fake democrat who will ultimately have no effect on the quality of her life but will worsen the lives of many others,” read a fiery tweet. One person weighed in by focusing more on the candidates than Perry’s celebrity. “Katy Perry voting for Rick Caruso for LA Mayor is incredibly disappointing,” they wrote of the seeming missed opportunity to support the candidate who could be the city’s first female mayor. “Please vote Karen Bass a community oriented politician not a businessman with a redundant platform on homelessness and and a history of donating to anti-choice orgs and initiatives.”

Caruso went viral last month after a mayoral debate when he insisted he wasn’t white, but Italian, which he equated with being “Latin.” The odd answer came after an anchor from Telemundo noted that the city’s next mayor could be either “an African-American woman or a white man,” to which Caruso replied, “I’m Italian,” a statement that NBC news said drew “harsh reaction, from scorn to mockery.”

Some of the comments aimed at Perry got a bit personal, with a fan asking why the singer voted so “openly” for Caruso, besides her claim that L.A. is a “hot mess.” “You have a voice. You don’t owe it to anyone but I’ve followed you through all your political stands,” they said. “We marched in the same Women’s March together.. what’s the logic?”

Bass has also garnered support from some A-listers, including John Legend, Steven Spielberg, Ariana Grande and Donald Glover, among others.

Check out Perry’s voting photo and some of the reactions below.

Millie Bobby Brown‘s Dream Role Is Britney Spears: ‘I Could Tell Her Story in the Right Way’

If there’s a short list of actresses who might play Britney Spears in a biopic someday, Millie Bobby Brown wants on it. In a Monday (Nov. 7) interview on The Drew Barrymore show, the 18-year-old actress confessed that her dream role is none other than the “Toxic” singer.

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“I want to play a real person,” she told Barrymore, who’d asked what was on the Enola Holmes star’s career bucket list. “I think for me … Britney, it would be Britney Spears.”

Brown was first launched into superstardom in 2016 when she debuted as fan-favorite character Eleven on Stranger Things, which is easily one of Netflix’s most successful original shows to date. That means she became internationally famous at just 12 years old, an experience she thinks would help inform her potential portrayal of Spears, who herself was just a teenager when debut single “Baby One More Time” blew up.

“I think her story, first of all, resonates with me,” the Emmy nominee told Barrymore, who is, of course, also familiar with the reality of being a child star. “Growing up in the public eye, watching her videos, watching interviews of her when she was young.”

“I mean, same thing with you, I see the scramble for words,” added Brown. “And I don’t know her, but when I look at pictures of her, I feel like I could tell her story in the right way — and hers only.”

If a Britney biopic doesn’t pan out, though, there is another pop star who’d love to be portrayed by the Godzilla actress. Earlier this year, Halsey gave MBB her stamp of approval during an appearance on The Tonight Show after Fallon pointed out how similar the two of them look.

“Millie would be great,” the “Without Me” singer said. “But I don’t really think I’m famous enough to cast Millie … It’s kind of uncanny how much we look alike. It’s like, ‘Oh no, we actually just look like sisters.’”

And while Halsey may not think they’re famous enough to book Brown, the Florence by Mills founder doesn’t seem to agree. Posting a clip of the Fallon interview on her Instagram story, she simply wrote: “Sooooo down.”

Taylor Swift Becomes First Act to Spend a Full Year at No. 1 on the Billboard Artist 100

Taylor Swift marks yet another milestone on the latest Billboard Artist 100 chart (dated Nov. 12) as she becomes the first artist to spend a full year at No. 1.

She tallies a record-extending 52nd week atop the chart (non-consecutively), thanks to the second-week success of her latest album Midnights. The LP adds a second week at No. 1 on the Billboard 200 with 342,000 equivalent album units earned, according to Luminate. That’s the largest second-week total for an album since Adele’s 25 drew 1.162 million in its second frame on the chart dated Dec. 19, 2015.

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The album’s 342,000 units is also the third-biggest of the year, after the set’s first week (1.578 million) and the opening week of Harry Styles’ Harry’s House (521,000).

Meanwhile, all 20 songs from Midnights (13 from its standard version and seven from its “3am Edition”) rank on the Billboard Hot 100 chart for a second straight week, led by “Anti-Hero,” which tallies a second week at No. 1, followed in the top 10 by “Lavender Haze” (No. 6), “Midnight Rain” (No. 7) and “Bejeweled” (No. 9).

Swift has now led the Artist 100, Hot 100 and Billboard 200 simultaneously for 12 total weeks (dating to the Artist 100’s launch in 2014). Only Drake has spent more time ruling all three charts at the same time: 16 weeks.

Most Weeks at No. 1 on the Artist 100, Hot 100 & Billboard 200 Simultaneously

  • 16, Drake
  • 12, Taylor Swift
  • 9, Adele
  • 5, The Weeknd
  • 2, Ariana Grande
  • 2, Ed Sheeran
  • 2, Harry Styles
  • 1, Beyoncé
  • 1, Justin Bieber
  • 1, BTS
  • 1, Camila Cabello
  • 1, Future
  • 1, Kendrick Lamar

Also in the Artist 100’s top 10, The Beatles re-enter at No. 3, sparked by their re-released 1966 album Revolver, which re-enters the Billboard 200 at No. 4. Rihanna returns at No. 6 as her new single “Lift Me Up” launches at No. 2 on the Hot 100, and BTS’ JIN re-enters at No. 10, thanks to his solo single “The Astronaut,” new at No. 1 on Digital Song Sales, among its other chart entrances.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

Jennifer Lopez Had No Problem Taking Ben Affleck’s Last Name: ‘I’m Proud of That’

You can keep calling Jennifer Lopez by her birth name, but as far as “Jenny From the Block” is concerned, she’s Jennifer Lynn Affleck from now on, thank you very much. “People are still going to call me Jennifer Lopez. But my legal name will be Mrs. Affleck because we’re joined together. We’re husband and wife. I’m proud of that. I don’t think that’s a problem,” the actress/singer tells Vogue magazine in a Dec. cover story about her decision to take the last name of husband actor Ben Affleck after their wedding this summer.

When the writer joked that given her boss status as dancer-turned-singer-turned-actress-turned-mogul and female empowerment icon, wouldn’t it be more appropriate for Batffleck to take her name? “No! It’s not traditional. It doesn’t have any romance to it,” said Lopez, 53. “It feels like it’s a power move, you know what I mean? I’m very much in control of my own life and destiny and feel empowered as a woman and as a person. I can understand that people have their feelings about it, and that’s okay, too. But if you want to know how I feel about it, I just feel like it’s romantic. It still carries tradition and romance to me, and maybe I’m just that kind of girl.”

The news about Lopez’s name-change slipped out in a fly-by moment near the top of the profile, when the writer noted that on the set of her upcoming Netflix sci-fi drama, Atlas, they spotted a green neon sign in her on-set private tent that was a gift from the crew which read “Mrs. Affleck.”

The story also touches on the walls Lopez has had to build around herself over the past quarter century after initially charging into the spotlight with a Jenny From the Bronx attitude that made her believe she could say or do anything. But after the torrent of racist and sexist blowback she endured during her first go-round with Affleck, 50 — which ended in 2004 with their broken-off engagement — Lopez said round two came with some well-earned wisdom.

“We were so young and so in love at that time, really very carefree, with no kids, no attachments. And we were just living our lives, being happy and out there,” she said of their two-year run from 2002-2004, which came after the end of her year-long second marriage to former back-up dancer Cris Judd. “It didn’t feel like we needed to hide from anybody or be real discreet. We were just living out loud, and it turned out to really bite us. There was a lot underneath the surface there, people not wanting us to be together, people thinking I wasn’t the right person for him.”

Because of the intense scrutiny, Lopez said she put up a kind of “force field” around herself, which caused her to become “very guarded because I realized that they will fillet you. I really wish I could say more. I used to be like that. I am like that. But I’ve also learned.” The reunion was not a surprise, certainly not to Lopez, who suggested to the writer that she’d always secretly kept a love light burning for the actor. Their second take seemingly kicked off when she got an email from Affleck shortly after her busted engagement to baseball player Alex Rodriguez was announced in March 2021 in which the Tender Bar star gave her a head’s up that he highly praised her in a quote for a magazine about his ex-love.

That reach-out began a slow-rolling back-and-forth that rekindled their relationship, in private, of course. “Obviously we weren’t trying to go out in public,” she said. “But I never shied away from the fact that for me, I always felt like there was a real love there, a true love there. People in my life know that he was a very, very special person in my life. When we reconnected, those feelings for me were still very real.”

Her 12-year trip back to Affleck had begun before the reach-out, though, following the 2012 dissolution of her 10-year marriage to singer Marc Anthony — with whom she shares twin children — when she released a few poorly selling albums and took a gig as a judge on American Idol to pay her bills. The job turned out to be a prescient move that helped revive her career, even as it made Lopez realize what she’d been missing.

“It was like, Oh! That’s all I had to do this whole time was be myself? Although it was a competition, it was a reality show,” she said of her first time keeping it real on TV. “Up until then we only had what the media was telling you about me. I loved meeting the kids because I so identified with their dreams — I just loved it. There were a lot of things that people saw through that show, but more than anything I think they saw my heart, that I was a cool, funny person, that I was a nice person. No matter how many awards shows you do or late-night talk show couches you sit on, people feel like you’re putting something on. With a reality show, you can’t hide behind a script or a four-minute interview. You’re out there.”

To be clear, Lopez wouldn’t recommend her twisted romantic path with Affleck for everyone. “Sometimes you outgrow each other, or you just grow differently. The two of us, we lost each other and found each other,” she explained of their unpredictable path. “Not to discredit anything in between that happened, because all those things were real too. All we’ve ever wanted was to kind of come to a place of peace in our lives where we really felt that type of love that you feel when you’re very young and wonder if you can have that again. Does it exist? Is it real? All those questions that I think everyone has. You go through all these relationships, and you’re searching and you’re connecting and you’re disconnecting with people, and you’re like, God, is this just what life is? Like a carousel, roller coaster, carnival ride? And then it settles. But the journey to that is the mystery for everybody.”

In a rare public statement, Affleck said that the way Lopez has stayed the same over the years is almost as important to him as how she’s changed and evolved in the past two decades. “There is something innately, magically kind and good and full of love at the heart of who Jennifer is. That’s exactly the person I remember from 20 years ago,” he said. “Maybe she sees all the changes she’s made, whereas when I see her, mostly I just see someone who has retained, against the odds, the thing about her that always made her the most incredible to me: a heart that seems boundless with love. She is my idea of the kind of person I want to be.”

The piece also notes that Lopez is working on her first new album in nearly a decade, an as-yet-untitled work that is described as a “kind of bookend to This is Me … Then,” the 2002 album she released during the early days of her first Affleck romance. The collection is described by Lopez as the “most honest” work she’s ever done, “kind of a culmination of who I am as a person and an artist. People think they know things about what happened to me along the way, the men I was with — but they really have no idea, and a lot of times they get it so wrong. There’s a part of me that was hiding a side of myself from everyone. And I feel like I’m at a place in my life, finally, where I have something to say about it.”

The tracks on the album, whose release date has not yet been revealed, are described as “plaintive, confessional songs, reflections on the trials of her past, upbeat jams celebrating love and sex.”

Check out the Vogue cover below.

Jennifer Lopez Vogue

Jennifer Lopez on the cover of Vogue.

Annie Leibovitz/Vogue

Makin’ Tracks: Give ’Em Hill, ‘Billy’: Stephen Wilson Jr.’s Edgy Celebration of His Back-Roads Roots

In the opening hour of the 2019 PBS series Country Music: A Film by Ken Burns, Dolly Parton offered a primer on the use of the much-maligned word “hillbilly.”

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“If you’re an outsider… and you’re saying it’s hillbilly music, because you don’t know any better, it’s almost like a racist remark,” she observed. “If we’re hillbillies, we’re proud of it. But you’re not allowed to say it if you don’t really know what you’re talking about.”

Singer-songwriter Stephen Wilson Jr., who was raised in Seymour, Ind., has enough backwoods cred to use the word properly. Or, to be more accurate, enough cred to pull the word apart properly. His song “billy,” released Sept. 16, centers on a hook that revels in its unsophisticated lifestyle choices: “You can call me billy, but the hills come with me.”

“The way hillbillies are generalized in mainstream media, they’re kind of lacking in intelligence, or they don’t think progressively,” Wilson says. “All the hillbillies I grew up with are actually really smart people; they just kind of chose a real simple life — and I kind of wanted to showcase the simplicity of that life without really taking a side.”

But it’s a performance with its own sound: a buzzing undercurrent, quasi-tribal drums and a fiery, futuristic-sounding lap steel with a touch of danger. The sound is, suggests Wilson, “Death Cab for country.”

Wilson developed “billy” in a half-hour fit of inspiration in his Nashville kitchen on Nov. 29, 2021, the Monday following Thanksgiving. He had spent the holiday in Indiana, hanging out with family and reconnecting with his roots. “I took a quick little swim in the hillbilly pool when I went home,” he says. “Maybe me writing that song was getting it off me.”

The “You can call me billy” hook may have been a reaction to his brief Indiana sojourn — he’s not entirely sure how it arrived — but he developed the lyrics first, starting with a chorus that mixes subversive imagery (“Half-mud blood”), hillbilly traits (“Got a strong Southern drawl”), mindless play (“Cannonball in the kiddy pool”) and a little good-guy grace (“Kind as the day is long”).

“It’s really more of an observation of a lifestyle and everything that comes along with it,” says Wilson. “It felt empowering to me when I was seeing it. It kind of made you feel tough, but not with all the typical tough-guy shit.”

The first verse embraced the outdoor aspects of that lifestyle, akin to Hank Williams Jr.’s “A Country Boy Can Survive” with its references to skinning bucks and cleaning fish. The last verse — owing, perhaps, to its post-Thanksgiving origins — served up collard greens, cornbread and “pig on the griddle.” Even a description of the conversation, “spoke slow and deeply fried,” took on a foodie’s viewpoint.

When the words came to sonic life, Wilson crafted verse melodies with long, held notes at the end of the lines, strung across a static, tonic E chord. Juxtaposed against that framework, the chorus feels quicker, with faster-paced phrasing and a chord structure that throws in a rare chromatic move, rising a half-step in a passing chord that provides an energetic lift.

With its singalong chorus, hooky melody and mysterious patchwork of images, “billy” caught the ear of Wilson’s wife, singer-songwriter Leigh Nash, formerly of the band Sixpence None the Richer. When they attended a Christmas party the next month, the musicians started sharing songs, and Nash suggested he do “billy.” Host Caylee Hammack and Ashley McBryde responded with enthusiasm, and Wilson figured he needed to record it.

He worked it up with his road band first, with drummer Julian Dorio banging stuttered rhythms on snare to carry much of the energy. Bassist Jon Murray anchored the chords beneath Wilson’s active acoustic guitar, and his brother, Scotty Murray, came up with a sneering lap steel part that enhances the song’s edgy quality.

“He plays it through a pedal board, like a Jonny Greenwood meets Duane Allman kind of thing, or Radiohead meets Paul Franklin,” Wilson suggests. “He’s a really great steel player, but he also adds a lot of cool, surreal effects.”

The band played “billy” several times during a spring concert run with The Cadillac Three, then added it to the set on a subsequent tour with Brothers Osborne. When producer Ben West heard “billy,” he wanted to skip some other material that was already in progress to focus on the new song. Wilson’s acoustic guitar part and scratch vocal provided the basic recording, and the other musicians worked around that at Farmland, a recording studio near Nashville’s Lipscomb University.

“It’s a very unassuming studio, and you could drive right past it and never know,” says West. “Jonny and Scotty, the brothers who play in his band, both live there. It’s really perfect. They just stumble out of bed, bring their instruments down and plug in and start recording.”

They had already honed in so much on the arrangement that West’s main focus was capturing the best iteration of their performances. “When we got around to recording it, the drum parts were probably 99%,” West says. “So my job at that point is just to basically make sure that nobody’s overshadowing the main character of the song, which is Stephen’s lyric and his gut-string guitars. Everybody’s supporting that character, but since they’re such big personalities, Julian could be the star of the show if you’re not careful, or Scotty on pedal steel.”

During concert performances, the band developed a Lumineers-like “hey” in the chorus; West and Wilson re-created it in the studio, inspired less by “Ho Hey” than by Tom Petty and the Heartbreakers’ “Don’t Come Around Here No More.”

“We just kind of did like a faux gang-vocal thing with a little slap back on it,” Wilson says. “Really, it’s more of the Tom Petty approach to a ‘hey.’ ”

The self-released “billy” is projected as one track among 22 possibilities for an album that’s currently being shopped around Nashville. Meanwhile, it has become a highlight of Wilson’s live set, speaking directly to fans who share his outsider disposition.

“When I first started playing it, I could see these hillbilly kids start singing it — like, they latched on to it real quick,” Wilson says. “And it means something to people, though they don’t know if they can exactly put their finger on it.” 

Shania Twain Still Can’t Believe ‘Man! I Feel Like a Woman!’ Is Billboard’s No. 1 Karaoke Song: ‘I Would Never Have Imagined That’

Man! Shania Twain is still in disbelief that her signature hit, “Man! I Feel Like a Woman!,” took the top spot on Billboard‘s 100 Greatest Karaoke Songs of All Time list, so much so that on her Tuesday (Nov. 8) appearance on The Jennifer Hudson Show, she had to share a few more thoughts on earning the honor.

Hudson asked the country singer how it feels to crown the list, to which Twain replied, “I think that is so cool. Certainly I would never have imagined that, that I would ever have the best karaoke song in the world, but I enjoy the compliment and I can just imagine … every person in the world can sing that song with an exclamation mark. It’s just a statement, kind of feel-good song.”

Twain shared her initial reaction about being No. 1 on the Billboard list — in which she beat out hits from Billy Joel, Destiny’s Child, The Killers, Cher, Queen, Carrie Underwood and more — following its publication in October.

“I think @billboard just crowned me the Queen of Karaoke?!” Twain tweeted on Oct. 6 along with surprised and crying-laughing emoji. “Seriously though, it’s really really cool to see the life that ‘Man! I Feel Like A Woman!’ has taken on and I’m just obsessed with you all…,” Twain added.

“Man! I Feel Like a Woman!” charted on the Billboard Hot 100 in 1999. The song went on to spend 28 weeks on the all-genre chart and peaked at No. 23.

Watch Twain talk about “Man! I Feel Like a Woman!” topping Billboard‘s list above.