Music

NFL’s Latin Music Playbook Includes J Balvin, Grupo Firme and Mixtapes

It was the Kickoff Concert for the 2022 NFL season, that most American of pastimes. But the songs pulsating from the stage last September were in Spanish, not English, courtesy of J Balvin, the first Latin headliner for the league’s yearly free concert for fans preceding the first regular season game of the year.

Thus kicked off not just the start of this year’s professional football games, but also a new stage of the league’s Latin programming strategy, which seeks to use music to pull in and appeal to a growing Latin fanbase. Building off 2019’s all-Latin Super Bowl Halftime Show with Shakira and Jennifer Lopez — the most-watched Halftime Show ever on YouTube — new initiatives will infuse Latin music into NFL advertising and the entire NFL season. That includes a new Por La Cultura mixtape featuring Yandel, Snow Tha Product, will.i.am, Anthony Ramos, El Alfa and Trueno, among others, with music that will be used in other NFL programming, as well as recruiting superstar band Grupo Firme to perform at the halftime show for its annual Mexico City game on Nov. 21 featuring the Arizona Cardinals and San Francisco 49ers.

The NFL’s play to grow its Latin audience — much like other brands’ — is based on demographics data. Latin music’s influence is booming, with music in Spanish making up 6.25% of the total U.S. market from January to July (up from 5.32% at this point last year), according to Luminate’s midyear report. Meanwhile, U.S. Latinos or Hispanics comprised 18.9% of the U.S. population per the 2020 Census, making it the second largest racial group as well as the youngest and fastest growing — up 23% since 2010, compared to 4.3% growth for the rest of the population.

“When I was hired by the NFL, the edict was very clear: We needed to ensure this league is relevant to our fans today, five years from today and 10 years from today,” says Marissa Solís, senior vp of global brand and consumer marketing for the NFL, who came to the league last year after nearly two decades in PepsiCo and Frito Lay. “As I think about the future and making sure this league is relevant today and tomorrow, the first thing I think about is Latinos.”

The NFL has 31 million Latin fans, tying Major League Baseball for the most Latino fans of any sport, Solís says. They’re also young: 53% are under 35 years old, and their numbers are growing twice as fast as those of any other demographic. “Which is interesting because everyone says soccer, soccer, soccer, but no,” says Solís. “And by the way, they tend to be the most avid fans: They’re very loyal, they get behind the teams, they purchase merchandise.”

Have doubts? Check out a Los Angeles Chargers game, says cornerback Michael Davis. “It’s always kind of been the norm to see a large Latino presence at our games,” he says. “Plus the Chargers, in particular, are known for having one of the loudest, most die-hard Latino fanbases in the NFL. If you look up in the stands, you’ll find fans in Charger-ized ponchos, sombreros and lucha libre masks having a blast. Makes me smile every time.”

The NFL’s 31 million Latin fans make up between 17% and 18% of the NFL’s fanbase, a good number that’s comparable to the overall U.S. Census demographics. But league executives think there’s room for growth — and that music can be a driver.

Javier Farfán, cultural strategist for the NLF, was brought into the league in 2019, charged with expanding the Latino fanbase. “The first thing we did in 2019 and 2020,” he says, “was do research and we dived deep into the consumer and realized there were a few passion points that engaged the fan base and music was at the top of it.” says Farfán.

Music in and of itself is obviously not new as a strategy for the NFL — witness the Halftime show — and overall, the focus on music has increased across all genres in recent years, says Seth Dudowsky, head of music for the NFL. But, he adds, “Over the last year or two, Latin music undeniably became a force across pop music.”

The first major indicator, of course, was the 2019 Super Bowl all-Latin show, which to date, remains the most-consumed Super Bowl halftime show on YouTube, according to Dudowsky. The Shakira-JLo co-headliner almost doubles the next closest show with over 250 million views to date, fueled by global viewers beyond the U.S. in Central and South America, too.

Beyond the international appeal, music allows the NFL to reach a core Latin fandom.

Balvin’s performance at the Kickoff game in September, for example, marked the first time a Latin act headlined that series. “Bringing him really helped us target and market Hispanic fans in Southern California,” says Dudowsky, “but [we also knew] his style of music resonates with the overall fan base.”

The NFL has other programs that focus on lesser-known names, as well. A series of commercial spots launched this year featured emerging acts DJ Adoni and Chimbala and “have been extremely well received,” says Farfán, who was previously in Pepsi, Verizon and marketing firm J Wolf Advisors.

The notion of featuring both emerging and A-list artists dovetails into the idea of having “the sounds of Latin music throughout the season,” says Farfán, part of a recently launched campaign called Por La Cultura (For The Culture), that cuts across all programs. Games around the country have included DJ Livia in California, Piso 21 in Miami and Carmen de León in Texas. And the Por La Cultura mixtape, out later this month on Neon 16, features 10 tracks that largely will be featured NFL content, such as Yandel, will.i.am and El Alfa’s “Rómpele” that’s currently being used in an NFL spot that features Anthony Ramos and is running on Spanish and mainstream media. A second TV and digital spot for the Por La Cultura campaign launched Sunday featuring Anthony Ramos’ “Latino Activo.”

“The idea around the mixtape specifically is to incorporate music across everything we do, in ads and in stadium,” says Farfán.

Por La Cultura Mixtake Vol 1.

Por La Cultura Mixtake Vol 1.

Courtesy of NFL

Solís says this is just the start for NFL’s love affair with Latin music — with more plans already in the works for 2023. “We doubled down in 2022, and Latin music is going to be a core part of our 2023 plan,” she says. “You should expect a volume two of that album. You should expect a continued partnership with Latino artists in main events.”

“And at this point, Latin music and Latin culture are undeniably part of the fabric of America and have a right to be on that stage as well as any other genre,” adds Dudowsky. “It’s not just marketing to one fanbase, but representing American culture and what’s relevant for all our fans.”

Tyler Hubbard Hits Historic Heights on Country Airplay Chart With ‘5 Foot 9’

Tyler Hubbard scores his first leader as a solo act on Billboard‘s Country Airplay chart as “5 Foot 9” ascends to No. 1 on the survey dated Nov. 19. The song increased by 5% to 31.5 million audience impressions in the Nov. 7-13 tracking week, according to Luminate.

Hubbard is half of duo Florida Georgia Line, with Brian Kelley, who is also working solo after pausing their joint career. The twosome has achieved 16 Country Airplay No. 1s, among 19 top 10s. With “5 Foot 9,” Hubbard makes history as the first artist to have topped the chart both with a duo/group and as a soloist, dating to the list’s January 1990 inception.

“To have my solo single go No. 1 is really special and I’m thankful to country radio, the fans and everyone who has supported me and made this possible,” Hubbard tells Billboard.

FGL’s run started in 2012 with its launch smash “Cruise,” which led Country Airplay for three weeks starting that December. (On the streaming-, airplay- and sales-based Hot Country Songs chart, “Cruise,” helped by a pop remix with Nelly, dominated for 24 weeks in 2012-13 and is tied for the fourth-longest reign in the chart’s history.) The tandem most recently ruled Country Airplay as featured on Chase Rice’s “Drinkin’ Beer. Talkin’ God. Amen.” for a week in August 2021. Before that, the duo’s “Long Live” led for a week that April.

“5 Foot 9” is Hubbard’s second Country Airplay entry apart from Kelley. “Undivided,” with Tim McGraw, reached No. 16 in May 2021.

Hubbard is the second artist to reach the Country Airplay summit after building a chart résumé as part of a hitmaking country duo. Wynonna Judd rattled off three straight initial leaders as a solo act in 1992: “She Is His Only Need,” “I Saw the Light” and “No One Else on Earth.” She and her mother Naomi Judd, as The Judds, rang up 14 No. 1s on Hot Country Songs in 1984-89 (which was then primarily based on radio airplay).

Also of note, Darius Rucker blasted out of the gate as a solo country act with three consecutive Country Airplay leaders in 2008-09 (not counting holiday tracks): “Don’t Think I Don’t Think About It,” “It Won’t Be Like This for Long” and “Alright.” Hootie & The Blowfish, with Rucker as frontman, achieved six top 10s, including three top 10s, on the all-genre, multi-metric Billboard Hot 100 – and crowned multiple pop, adult and rock airplay charts – in 1994-96. The rock-based band has logged one Country Airplay entry: “Hold On” (No. 30, October 2019).

Hubbard co-penned “5 Foot 9” with Jaren Johnston (of The Cadillac Three) and Chase McGill, and co-produced it with Jordan Schmidt.

Hubbard will release his self-titled debut solo album Jan. 27. The Georgia-raised singer-songwriter co-wrote each of the LP’s 18 tracks. He released the six-song EP Dancin’ in the Country, which arrived at No. 12 on the Top Country Albums chart dated Sept. 3. On the Nov. 19-dated survey, it ranks at No. 41 with 5,000 equivalent album units earned in the Nov. 4-10 tracking week.

‘Down Home’ Is Up

Jimmie Allen notches his fourth Country Airplay top 10 as “Down Home” climbs 11-10 (17.3 million, up 3%).

Allen co-wrote the song with Rian Ball, Cameron Bedell and Tate Howell. It’s the lead single from Allen’s full-length Tulip Drive, released in June.

“Down Home” follows Allen’s team-up with Brad Paisley, “Freedom Was a Highway,” which topped Country Airplay for a week in February, granting Allen his third leader (and Paisley his 20th). Allen’s first entry, “Best Shot,” started a three-week rule in November 2018 and “Make Me Want To” led for a week in March 2020. Additionally, Allen’s duet with Noah Cyrus, “This Is Us,” reached No. 48 in October 2020.

Paul McCartney, Elton John, Ringo Starr, George Lucas Sing Praises of Abbey Road Studios in Doc Trailer

It’s hard to imagine a more apt title for a film about one of the most beloved recording studios of all time: If These Walls Could Sing. The first trailer for director Mary McCartney’s upcoming documentary about Abbey Road Studios dropped on Monday (Nov. 14) and it is packed with fond remembrances from rock all-stars, including her dad, Sir Paul McCartney, as his former bandmate, Ringo Starr, Elton John, Noel Gallagher, Nile Rodgers and Star Wars creator George Lucas, among others.

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“When you enter a place with so much history around it, it’s kind of sacred in a way,” John says at the top of the two-minute trailer. “People want to come here. They want the sound of Abbey Road.” The Disney+ doc will drop on Dec. 16, in time to commemorate the studio’s 90th anniversary. In the preview, Mary McCartney says Abbey Road has been part of her life “for as long as I can remember,” as attested to by snaps of a baby Mary — now 53 — laying on the studio floor on a blanket.

There is, of course, ample footage of Sir Paul attesting to the special alchemy of those rooms in St. John’s Wood, including him popping up to play a beloved piano just over his shoulder as Mary ticks off the many genres of music that have been laid down in those four walls, from classical to pop, Afrobeat, blues and more.

Former Oasis guitarist/co-vocalist Noel Gallagher notes that “a huge part” of his record collection was recorded at Abbey Road before Lucas and composer John Williams speak of the studio as a “gift to music,” which explains why they recorded some of the most iconic Star Wars music at the London landmark during a time when it was struggling to attract patrons.

Mary McCartney spoke to Rolling Stone about the film, telling the mag, “Hearing it was the anniversary of Abbey Road Studios brought back so many memories to me. I have grown up visiting Abbey Road, it feels like family to me. In directing this feature-length documentary, it felt natural to explore the wealth of stories, and unearth so many unheard gems that I had not known about.” The film will also feature interviews with Oasis singer Liam Gallagher, Williams, Celeste and Pink Floyd’s Roger Waters, among others.

Watch the If These Walls Could Sing trailer below.

Post Malone and Swae Lee Celebrate ‘Sunflower’ 17x RIAA Certification

Post Malone and Swae Lee celebrated a major milestone this week when their smash Spider-Man: Into the Spiderverse single “Sunflower” became the highest-certified single in RIAA history. The pair took a photo op with their gaudy hardware on Monday (Nov. 14), showing off their 17x-platinum award, posing alongside co-producer Louis Bell and co-writer Billy Walsh.

The 2018 single leapt into first place over the previous record holder, Lil Nas X and Billy Ray Cyrus’ “Old Town Road,” which previously held the record at 15x platinum. In addition to appearing on the Spiderverse soundtrack, the song was also on Posty’s third album, Hollywood’s Bleeding. It was a big haul for Posty on Monday, when he also picked up 14 other pieces of RIAA hardware, including a 14x-platinum plaque for “Congratulations” and a 10x-platinum one for “Psycho,” while his debut single, “White Iverson,” hit 10x-platinum as well.

TMZ reported that Rae Sremmurd’s Swae Lee was feeling the love from fans, who he thanked for their continued support. “You guys made history with us!” he said. “And to post and [Spiderverse character] Miles Morales, glad the music could get the attention and love it deserves. So much more to come! SREMMLIFE!”

The site also reported that Malone gave huge kudos to Swae Lee for being the “secret sauce” behind the moving hip-hop ballad, saying that his rhyme partner was very involved in the arranging of the melodies and did the “heavy lifting” on the song. The “Sunflower” video has racked up nearly 2 billion views to date.

Malone is getting ready to wrap the North American leg of his Twelve Carat Tour, with a pair of shows at Crypto.com Arena in Los Angeles on Tuesday and Wednesday (Nov. 16) nights.

See the pair with their plaque below.

Lewis Capaldi’s ‘Someone You Loved’ Is U.K. Most-Streamed Song

The Official U.K. Singles Chart celebrates its 70th birthday, and Lewis Capaldi gets to blow out the candles.

For the occasion of its milestone anniversary, the Official Charts Company crunched the numbers to find the most-streamed song of them all.

Capaldi’s “Someone You Loved” wins the prize. The Scottish singer and songwriter’s breakthrough hit from 2018 has accumulated 562 million U.K. streams (including 480 million audio and 81 million video streams), beating Ed Sheeran’s “Shape Of You” and “Perfect,” respectively.

“Someone You Loved” is a classic slow-burn. The track bowed at No. 100 on the weekly chart following its release in November 2018, then embarked on its remarkable journey. In March 2019, the song hit No. 1, and stayed there for a total of seven weeks.

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For the record, Capaldi received a special-edition matte black No. 1 Award gift from the OCC, which he can stow with his separate trophies for topping the weekly Official U.K. Singles Chart with “Somebody,” “Before You Go” and “Forget Me,” and with his debut album Divinely Uninspired To A Hellish Extent, which led the Official U.K. Albums Chart for 10 cycles.

“Someone” is one of 132 singles that have amassed more than 200 million streams in the U.K., a list that includes George Ezra’s “Shotgun” (No. 4 all-time) and Tones And I’s “Dance Monkey” (No. 5).

The biggest selling single of them all is Elton John’s “Something About The Way You Look Tonight / Candle In The Wind 1997,” which has topped 4.94 million sales, and is one of 179 singles have reached 1 million sales.

The very first U.K. singles chart was published on Friday, Nov. 14, 1952 in the New Musical Express (NME), capturing “a rudimentary survey of 20 record shops by the music paper’s advertising manager Percy Dickins,” the charts compiler reports. Al Martino’s “Here in My Heart” has the distinction of being the first No. 1.

Today, sales and streaming data is captured each day from the OCC’s panel of more than 6,500 retailers and DSPs, including physical product, digital downloads and streams, and aggregated in its central computer system. The top 40 is presented each Friday on BBC Radio 1 and MTV, and the full top 100 is published on OfficialCharts.com.

Taylor Swift’s ‘Anti-Hero’ Eyes Fourth Week Atop U.K. Singles Chart

Taylor Swift’s “Anti-Hero” (EMI) hasn’t budged from the U.K. chart summit since its release, and it looks set to stay for a little while longer.

“Anti-Hero,” the lead track from Swift’s tenth and latest studio album, Midnights, leads the midweek chart and is on the path for a month-long stint at No. 1.

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At three weeks, it’s already TayTay’s longest-running leader in the U.K., eclipsing the two-week reign for 2017’s “Look What You Made Me Do.” And it appears to have fresh legs following the Nov. 7 release of a new version featuring producer Jack Antonoff’s solo project Bleachers.

Meanwhile, several top 10 tracks are eyeing new peaks, including Oliver Tree and Robin Schulz’s viral hit “Miss You” (Atlantic), rising 7-3 on the chart blast; Meghan Trainor’s “Made You Look” (Epic), up 9-4; and Venbee & Goddard’s club tune “messy in heaven” (Columbia), up 8-5.

Following the theatrical release of Black Panther: Wakanda Forever, Rihanna’s “Lift Me Up” (Def Jam) could enjoy a lift, improving 12-8 on the midweek survey.

Rising Afrobeats artist Rema is on target for his first U.K. top 10 single, as “Calm Down” (Mavin) looks to improve 16-10, thanks in part to a new remix featuring the vocals of Selena Gomez.

Based on midweek sales and streaming data collated by the Official Charts Company, Bugzy Malone and Teedee are in pole position for the week’s top debut, with “Out Of Nowhere” (Bsomebody) set to appear at No. 17, while Brit Award-winning rapper Stormzy could add to his growing collection of chart hits with “Firebabe” (0207/Merky), new at No. 18 on the chart blast. If it holds its momentum, “Firebabe” will give the grime star his 27th top 40 entry.

The festive season is coming, and the Queen of Christmas is on the way. Mariah Carey’s evergreen hit “All I Want For Christmas Is You” (Columbia) is poised for another return to the top 40, blasting 66-36 on the midweek tally.

Carey’s signature song set an Official Chart record in December 2020 when it finally reached No. 1, after 26 years. No song had spent more weeks in the top 40 before completing the journey to the top.

Several weeks later, Wham’s “Last Christmas” (RCA) set a new mark by reaching the summit for the first time, 36 years after its initial release. “Last Christmas” is on the move once again, flying 94-45 on the midweek chart.

All will be revealed when the Official U.K. Singles Chart is published Friday (Nov. 18).

Louis Tomlinson Battles Bruce Springsteen For U.K. Chart Crown

Louis Tomlinson strolls to a lead in the U.K. chart race with Faith In The Future (via BMG). But there’s a Boss to contend with.

Tomlinson, the former One Direction star, leads the Official Chart Update with Faith In The Future, his second solo effort. As a member of 1D, Tomlinson triumphed over the national albums survey on four occasions, and his debut solo set, 2020’s Walls, peaked at No. 4.

The home straight could have some obstacles for Tomlinson, as Bruce Springsteen’s Only The Strong Survive (Columbia) sits close behind in second place.

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Springsteen’s 21st studio album is a collection of soul covers. To date, the Rock And Roll Hall of Famer has 22 U.K. top 10 albums, including 12 No. 1s — equal third-best among solo acts, after Robbie Williams (14) and Elvis Presley (13), respectively.

According to the Official Charts Company, fewer than 1,200 chart sales split the two albums at the halfway point.

As it currently stands, the top five is closed out by a trio of former leaders, Taylor Swift’s Midnights (down 2-3 via EMI), Drake & 21 Savage’s Her Loss (down 1-4, via OVO/Republic Records), and Ed Sheeran’s = (up 10-5, via Asylum).

Christmas is just around the corner, and the festive releases are ready to make the annual march into the charts.

British classical crossover stars Aled Jones and Russell Watson could bag a third U.K. top 10 as a duo with Christmas With Aled & Russell (BMG). It’s new at No. 8 on the chart blast.

Andrea Bocelli’s family record A Family Christmas (via Decca), featuring son Matteo and daughter Virginia, could be this week’s big gainer, notes the OCC, lifting 58-13 on the midweek chart for a possible new peak position.

Just outside the top ten at the midweek point is Nigerian artist Wizkid with his fifth LP More Love, Less Ego (Columbia). It’s on track for a No. 12 debut, which would become the Afrobeat act’s career U.K. peak, improving on the No. 15 best for 2020’s Made in Lagos.

Also aiming for a top 20 debut is U.S. roots-rock act Larkin Poe, with seventh album Blood Harmony. It’s set for a No. 15 entry, for what would be the band’s first top 40 entry.  

And finally, Christine & The Queens are poised for a top 20 return with Redcar les adorables étoiles (prologue) (via Because Music), new at No. 17 on the chart blast. The French act has impacted the U.K. chart on three occasions, including a No. 2 on debut for 2016’s Chaleur Humaine, and a No. 3 peak for its 2018 followup Chris.

All will be revealed when the Official U.K. Albums Chart is published Friday (Nov. 18).

Jin’s 13 Best Solo Musical Moments

Jin might be known to the world as “Mr. Worldwide Handsome,” but BTS‘ ARMY know him also as a focused, equally tender and powerful vocalist whose knack for ballad and rock songs have been displayed throughout the K-pop star’s career.

Starting by sharing his covers of popular Korean rock songs from the past through BTS’ SoundCloud account early in the group’s career, Jin grew his vocal prowess through the years and showed the music styles that spoke most to him. Later, the star got opportunities to share his ability to tell stories through songs in soundtrack singles for popular Korean dramas like Hwarang and Jirisan. In 2019, Jin released his first entirely original solo song, and he’s only continued to show further displays of his musical perspective. Even the super-silly, super-viral “Super Tuna” single that he dropped in 2021 speaks to Jin’s larger personality as someone who doesn’t take himself too seriously and how music can allow one to truly let loose.

Jin’s latest solo accomplishment comes via his new single “The Astronaut,” which features Jin and Coldplay as writers and composers on the track. The heartfelt rock track debuts at No. 51 on the Hot 100 dated Nov. 12, 2022, marking his first-ever credited solo entry while also acting as the top-selling song of the week (taking No. 1 on the Digital Song Sales and World Digital Song Sales charts). The remarkable chart feat is the latest step in Jin’s ongoing solo efforts that have been purposeful and pointed in their execution, slowly revealing the multifaceted artist that Jin is in his own right.

From covers to OSTs to special collaborations with his BTS band mates, read on for Jin’s best solo moments.

Here’s Why Harry Styles Was ‘Moved’ to Join the LGBTQ+ Drama ‘My Policeman’

Harry Styles sat down with the cast and director of My Policeman for a roundtable discussion about the LGTBQ drama, explaining why he was the first to sign on for the Prime Video project.

“I just thought it was a really beautiful script,” the pop star said about his first impressions of the film. “I was really moved by, there’s so many parts of the story that kind of show the great nuances of being a human.”

During the discussion, director Michael Grandage said the superstar came “phenomenally prepared” for his first day on set, adding, “He’d read it so much. Quite often, directors have to sit opposite actors and convince them to be in things. That’s sometimes how it works. It was really gorgeous being opposite somebody who wanted to play the role and could talk articulately about the role, and already knew bits from the script.”

The sextet of actors who star in the film — Styles and Linus Roache as the younger and older Tom, Emma Corrin and Gina McKee as Marion, and David Dawson and Rupert Everett as Patrick — all take part in the roundtable discussion, and they reveal that Grandage asked them all to meet with their counterparts to discuss their joint roles.

“I was more excited at the premise that I might end up looking like Linus,” Styles deadpanned, to laughter around the table. “I’ll take that ,thank you,” Roache said with a warm grin. “I’m very flattered to be the older Harry Styles!”

Roache said he channeled Styles’ “natural” acting abilities to connect the two Toms, 40 years part.

Watch the full roundtable discussion below, and see how to watch My Policeman on Prime Video now.

EXO’s Chen Releases New Music Video Starring ‘Squid Game’ Actor Park Hae-Soo: Watch ‘Last Scene’

A new music video blends one of Korea’s biggest musical acts and one of its biggest television stars.

For the release of Chen‘s new EP Last Scene, the EXO boy band member enlisted one of the breakout stars from Squid Games to help tell the story of the final moments and “last scene” of a dying relationship. The EP’s piano-led title track is a moving ballad centered around the 30-year-old’s powerful vocals featuring actor Park Hae-soo telling the story through the accompanying music video.

Park, who gained international fame through his role as Cho Sang-woo (a.k.a. “Player 218”) on Squid Game, channels the same emotive and delicate sentiment he showed on the Netflix hit in “Last Scene,” recalling memories and moments from a relationship through an evening drive. The visual racked up more than half a million views in its first 12 hours.

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Last Scene is Chen’s third solo EP following 2019’s April, And a Flower and Dear My Dear, which both landed in the Top 10 of Billboard’s World Albums chart. Since his solo debut, Chen has released a slew of collaborations, completed his mandatory military service in South Korea, and welcomed two children with his wife following their marriage in 2020. The rich life experiences undoubtedly helped colored Chen’s latest work, revealing fresh musical sides like a wispy delivery through the sparse and snappy guitar track “I Don’t Even Mind” or the light rock-pop standout “Travelers” among the new ballads.

Watch “Last Scene” below: