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Bad Bunny, Anitta, Rosalía and more: The Latin stars nominated to the 2023 Grammy Awards

Bad Bunny made history on Tuesday (Nov. 15) when Un Verano Sin Ti became the first Spanish-language album to be nominated for the Grammy Award for album of the year.

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It was one of three nominations the Puerto Rican superstar scooped for his mega-successful set, and many had anticipated it. Perhaps less expected was Anitta’s nomination for best new artist, since the Brazilian star debuted almost a decade ago with a self-titled album that was followed by four other LPs. 

However, the “Downtown” and “Me Gusta” singer has made a bigger impact in the American market, incorporating some English into her last two albums, 2019’s Kisses and 2022’s Version Of Me, as well as with songs like “Lobby” with Missy Elliott and “Envolver”, a Spanish-language hit that spent six weeks on the Billboard Hot 100 and 21 weeks on the Hot Latin Songs, where it peaked at No. 3. 

“Wow! Wow wow wow… never in my life would I have imagined that this moment would come. I’m from Brazil guys… I mean… wow! Speechless,” Anitta tweeted in response to her nomination in a category considered the most coveted of the Grammys. “Thank you, thank you, thank you… forever grateful. Winning or losing this is the biggest achievement I could imagine.”  

Bad Bunny, who leads the Latin Grammys nominations with 10 nods this year, will also compete for the Grammy for best pop solo performance for “Moscow Mule” — alongside the likes of Adele (“Easy on Me”) and Harry Styles (“As It Was”) — as well as Best Música Urbana Album. 

Another Latino up for the best new artist Grammy is Omar Apollo, a singer-songwriter of Mexican parents, who creates pop, alternative music and R&B. Apollo began his career uploading his songs to SoundCloud before releasing his first EP, Stereo, in 2018. Since then, he has since released the EP Friends in 2019, the mixtape Apolonio in 2020, and two productions in 2022: his first full-length album, Ivory, which spent seven weeks on the Billboard 200 chart, peaking at No. 128, and the EP Live at NPR’s Tiny Desk. His song “Evergreen” entered the Billboard Hot 100 in October, where it spent seven weeks and peaked at No. 51, as well as the Streaming Songs chart (four weeks, peak at No. 21). 

“Got nominated for best new artist omg,” he shared on Twitter with a series of emoticons to show how he feels. 

Rosalía was nominated for best Latin rock or alternative music album for Motomami, and also got a nod under the best music film category for Motomami (Rosalía TikTok Live Performance,) directed by Ferrán Echegaray, Rosalía Vila Tobella & Stillz. 

AGUILERA, Christina Aguilera’s latest Spanish-language album, got two nominations: best Latin pop album, and best immersive audio album (an award to the engineers.) 

Both Motomami and AGUILERA will compete Thursday (Nov. 17) for the album of the year Latin Grammy with Un Verano Sin Ti. (See the full list of nominees here

Under the Grammy’s Latin music categories there are other such favorites as Camilo, Sebastián Yatra, Rauw Alejandro, Christian Nodal and Marco Antonio Solís, the Latin Recording Academy Person of the Year of 2022. 

The nominees are: 

Best Latin Pop Album: 

AGUILERA, Christina Aguilera 

Pasieros, Rubén Blades & Boca Livre 

De Adentro Pa Afuera, Camilo  

VIAJANTE, Fonseca 

Dharma+, Sebastian Yatra 

Best Musica Urbana Album: 

TRAP CAKE, VOL. 2, Rauw Alexander 

Un Verano Sin Ti, Bad Bunny 

LEGENDADDY, Daddy Yankee 

167, Farruko 

The Love & Sex Tape, Maluma 

Best Latin Rock or Alternative Album: 

El Alimento, Cimafunk 

Tinta y Tiempo, Jorge Drexler 

1940 Carmen, Mon Laferte 

Alegoría, Gaby Moreno 

Los Años Salvajes, Fito Páez 

MOTOMAMI, Rosalía 

Best Regional Mexican Music Album (including Tejano): 

Abeja Reina, Chiquis 

Un Canto por México – El Musical, Natalia Lafourcade 

La Reunión (Deluxe), Los Tigres Del Norte 

EP #1 Forajido, Christian Nodal 

Qué Ganas de Verte (Deluxe), Marco Antonio Solis 

Best Tropical Latin Album: 

Pa’llá Voy, Marc Anthony 

Quiero Verte Feliz, La Santa Cecilia 

Lado A Lado B, Víctor Manuelle 

Legendario, Tito Nieves 

lmágenes Latinas, Spanish Harlem Orchestra 

Cumbiana II, Carlos Vives 

For the Best Latin Jazz Album Grammy, the nominees are: 

Fandango at the Wall In New York, Arturo O’Farrill & The Afro Latin Jazz Orchestra featuring The Congra Patria Son Jarocho Collective  

Crisalida, Danilo Pérez with The Global Messengers 

If You Will, Flora Purim 

Rhythm & Soul, Arturo Sandoval 

Music of the Americas, Miguel Zenón 

Other jazz categories also have Latin nominees. Chilean saxophonist Melissa Aldana is nominated for Best Improvised Jazz Solo for “Falling”, from her album 12 Stars, and Puerto Rican double bassist Eddie Gómez appears in the Best Large Jazz Ensemble Album category for Center Stage, along with Steve Gadd, Ronnie Cuber & the WDR BigBand led by Michael Abene. 

For Best Instrumental Composition, Cuban maestro Paquito D’Rivera is nominated for “African Tales”, Puerto Rican Miguel Zenón for “El País Invisible”, and Panamanian Danilo Pérez for “Fronteras (Borders) Suite: AI-Musafir Blues.” 

As expected, Disney’s Encanto was also recognized, with nods for Lin-Manuel Miranda’s soundtrack and Germaine Franco’s original score. The movie’s mega-hit “We Don’t Talk About Bruno,” a Billboard Hot 100 No. 1, was nominated for Best Song Written for Visual Media.

Lin-Manuel Miranda is also up for the award for Best Audio Book, Narration, and Storytelling Recording for Aristotle and Dante Dive Into the Waters of the World

In other areas, singer-songwriter Miguel, whose father is Mexican, shares a nod with Diplo for Best Dance/Electronic Recording for “Don’t Forget My Love.” And Lucky Diaz and the Family Jam Band compete for Best Children’s Music Album for their EP Los Fabulosos, an upbeat bilingual effort that includes tracks like “Ridiculous” and “Me Gusta.” Up for Best Album Notes is Fernando González for his work for Astor Piazzolla’s The American Clave Recordings. 

Gang of Youths Win Australia’s J Award With ‘Angel in Realtime’

Gang of Youths’ third studio set Angel In Realtime wins triple j’s J Award for Australian album of the year.

The alternative rock act took the main prize at the national youth broadcaster’s annual J Awards, to beat out a list of LPs by the likes of Eliza & The Delusionals, Flume, Julia Jacklin, King Stingray, Meg Mac and others.

Angel In Realtime blasted to No. 1 on the ARIA Albums Chart in March, for their second leader.

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It’s the rockers’ first J Award win in three attempts. GoY’s debut album The Positions was shortlisted in 2015 (won by Courtney Barnett’s Sometimes I Sit and Think, and Sometimes I Just Sit); and again in 2017 with Go Farther In Lightness (won by A.B. Original’s Reclaim Australia).

“We’ve been nominated for this award before but for some reason this one feels super-meaningful because it’s about my dad,” frontman Dave Le’aupepe told triple j hosts Bryce & Ebony, adding he was “totally blown away.”

The multiple ARIA Award-winning band “spent years working on this project,” Le’aupepe explained ahead of its release. Along the way, the Sydney act “scrapped it three times, recorded in various studios both commercial and informal in London, New Zealand and Budapest, and hopefully, have managed to capture something vital and beautiful in the process.”

Now based in London, GoY returned to Australia in July and August for a national arena tour. Several U.K. concerts are locked-in for this month.

The result is a recording loaded with textures and ideas on “Indigenous heritage and identity, family, god, life, death, grief, sport, forgiveness, and the Angel Islington,” he continued.

Also at the J Awards, Kenyan-born, Adelaide-based creator Elsy Wameyo scooped the Unearthed artist of the year prize; rock legends Midnight Oil won Double J’s artist of the year award; and electric Korean-Australian hip-hop act 1300 snag Australian music video of the year for “Oldboy,” directed by Raghav Rampal.

The J Awards were launched in 2005 to coincide with triple j’s 30th anniversary celebrations. The flagship award is given to the LP considered by a panel as the most “outstanding achievement as an Australian musical work of art – for its creativity, innovation, musicianship and contribution to Australian music.”

Here’s What Happened at the Inaugural Latin Grammys Best New Artist Showcase

The Latin Recording Academy hosted its inaugural “Best New Artist Showcase” Tuesday evening (Nov. 15) at the Mandalay Bay Convention Center in Las Vegas, where this year’s 11 nominees were present.

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Each of the nominees — Angela Álvarez, Sofía Campos, Cande y Paulo, Clarissa, Silvana Estrada, Pol Granch, Nabález, Tiare, Vale, Yahritza y Su Esencia, and Nicole Zignago — had the opportunity to perform in front of industry leaders, VIPs, and special guests during the hour-long private event.

The up-and-coming talents represent different regions of the world such as Mexico, Brazil, and Peru, and ages ranging from 15 to 95 years old.

“We like to support and open spaces for new artists and what better opportunity than this for the mission to come to life?” Manuel Abud, CEO of The Latin Recording Academy, said in his opening remarks. “At the Latin Grammys, what we want is to open diverse and inclusive spaces to all the artists that we have the opportunity to help.”

The nominees really shined on a two-part stage, where they were presented by dearest artists who have supported their rising careers, such as English singer-songwriter and record producer Elvis Costello who presented Colombian twin sisters Vale, and Miami-based artists Periko & Jessi Leon who presented Venezuelan songstress Tiare, whom they also manage under their indie label PJ Records.

Tiare

Tiare performs onstage at 2022 Best New Artist Showcase during the 23rd annual Latin Grammy Awards on November 15, 2022 in Las Vegas, Nevada.

David Becker/GI for The Latin Recording Academy

Musica popular artist Nabalez crooned the crowd with his 2020 debut single “La Correcta,” which happens to be a collab with Colombian pop group Morat; Silvana Estrada brought her authentic Mexican folk to Vegas with “Te Guardo;” and Angela Alvarez, the oldest-nominated artist for best new artist at 95, had all the attention on her when she powerfully sang a bolero dedicated to her country, Cuba, to name a few.

Meanwhile, Peruvian singer-songwriter Nicole Zignago kicked off the showcase with a rocking performance, while Spanish-French singer and actor Pol Granch closed the set after Alejandro Sanz presented him via a video message.

“You have been chosen among many proposals and this is the first step with which you begin to fulfill your dreams as musicians,” the evening hosts Jesse y Joy expressed.

The showcase, in partnership with MasterCard and produced by Ayleen Figueras, Nelson Albareda, and Loud and Live Entertainment, will evolve into a Latin American tour in 2023, to give fans a priceless night of new music.

The Latin Grammy Awards — which “promise to honor the legacy, celebrate the present and embrace the future of Latin music, with deliberate consciousness, paying-it-forward to the next generations of music creators,” according to a press statement — will be held Nov. 17 at the Michelob Ultra Arena at the Mandalay Bay Resort and Casino in Las Vegas, and will air live on Univision beginning at 8 p.m. ET.

Nicole Zignago

Nicole Zignago performs during the 2022 Best New Artist Showcase during the 23rd annual Latin Grammy Awards on November 15, 2022 in Las Vegas, Nevada.

David Becker/GI for The Latin Recording Academy

After First U.S. Tour, ENHYPEN Recognize the Importance of Each Member: ‘It’s So Genuine’

Even though ENHYPEN prepared heartfelt remarks to share with fans at their Radio City Music Hall concert, a stream of tears and a group hug were not part of their plan. But the unexpected and, according to the boy band, uncharacteristic wave of emotion led to a collective epiphany.

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While it’s standard for each member of a K-pop group to individually address the crowd throughout a concert, the final moments during an encore usually the most sentimental, ENHYPEN member Sunoo couldn’t hold back tears as he spoke to the group’s teamwork “as seven” and “the amount of love I received from my members as well as the love from the thousands of ENGENEs,” shouting out the group’s fandom name.

After group leader Jungwon quickly ran over to wrap Sunoo in a hug, ENHYPEN members Jay, Heeseung, Jake, Sunghoon and Ni-ki all huddled together, linking arms and patting one another on the back, as their band mate finished his speech.

With the sold-out crowd chanting their names, Jake told them, “Through our Seoul concert to the American tour, I feel like the seven of us have really grown stronger together because of all the incredible love and support you guys gave us.”

As ENHYPEN was showering one another with hugs and compliments while lending an occasional sleeve to wipe tears away, the K-pop act says they rarely open up to one another as they did in front of thousands on stage in NYC.

“It’s kind of cringey,” laughs the group’s eldest member Heeseung, who celebrated his “happiest” 21st birthday at their NY live debut that doubled as the final date in the U.S. leg of the group’s Manifesto tour. “I think it’s cringey when you compliment each other a lot.”

“We’re just 20-year-old boys so it’s a bit awkward for us,” adds Jake, 20, the group’s affable Australian native who took the lead in conversations with audiences on tour and in this Billboard interview, partly from being the most comfortable member with English but also from a puppy-like energy of excitement. “We don’t really compliment; we just sort of give each other feedback…but I feel like the times that we do show our love for each other is why it’s so genuine.”

After wrapping seven concerts in six states for the U.S. leg of their Manifesto world tour, the group notes their first time performing in multiple cities on the road together, highlighted the importance of all seven individuals that make up ENHYPEN.

“That’s really important for me because we started together as seven members and it has an absolute value for me,” Heeseung says of the multinational act with members representing Korea, America, Australia and Japan. “We spent a lot of time together and, each and every member, I hold them dearest to my heart. So, I think that after this tour I realized that it’s our golden time together. So, yeah, I really love my members” before, naturally, laughing as he adds a “cringe” to round out his thoughts.

ENHYPEN’s understated, soft-speaking leader Jungwon says private moments pointed out their compatibility to him. “The little things that I did with my members really cheered me up,” he explains. “We’d rehearse a lot, and saying things like, ‘Let’s go, together’ before we go on stage; those little things really lifted me up.”

Jake adds that the close quarters for concerts also created a natural camaraderie. “Between stages, we have like a little booth thing where we had to get changed really quickly but it’s really crowded and we can’t really move around,” he says. “But I can really sort of see our chemistry showing because we have to look out for each other—it’s always really messy in there.”

ENHYPEN was born out of the singing competition I-Land where 23 K-pop hopefuls fought for a spot in a new boy band with HYBE founder Bang Si-Hyuk overseeing the competition as Rain, BTS, Zico, SEVENTEEN and Tomorrow X Together guest mentored. Despite the high stakes of making the band, ENHYPEN never saw one another as rivals.

I-Land was sort of a competition, but I don’t think any of us really felt like it was,” Jake explains. “I feel like to the viewers that watched the show, it might seem like that but we had this feeling that we all had to do well and make good performances.”

Jay adds that some members already had an established brotherhood from their early days in the K-pop system. “I had trained with Heeseung for about four years, it already feels like he’s family.”

After I-Land wrapped in September 2020, the septet told an unfolding story as growing superstars through albums. From their debut EP Border: Day One discussing their start in the industry (and peaking at No. 14 on Billboard‘s World Albums chart in early 2021) to this past July’s Manifesto: Day 1 soaring to No. 6 on the Billboard 200 and earning the group their first No. 1 on Top Album Sales with 69,000 album copies sold in its first three weeks, global fans are growing with the band. Earlier this year, ENHYPEN scored their first No. 1 single on the Japan Hot 100 as well with their electro-pop/rock hybrid “Tamed-Dashed,” no doubt with help from Japan-born member Ni-ki, who’s loudest when making his band mates laugh throughout the interview as much as they do him.

“I feel like every album and every song we put out sort of portrays what we’re feeling in that moment and what we’re going through,” Jake says. “Our first album was about moving on from I-Land, becoming an idol, and debuting as an idol. Our second one [Border: Carnival] was sort of saying what we felt while performing as an artist. Now, it’s been two years since we became an idol and now we’re sharing our story to the whole world. Every album has its own meaning and I think that’s one of our strongest points.” Jay calls it ENHYPEN’s “history.”

When it came to Sunoo, one of the younger members known by fans for his cute and sunny disposition that radiates even during an early Monday morning interview, his concerns about completing the career milestone in ENHYPEN’s first U.S. tour were daunting. He says the tearful chat at the concert was more of a release of relief.

“Personally, I had a lot of concerns during the tour,” the 19-year-old says. “The main concern being, ‘Would I be able to successfully round up this concert?’ I think it would have been impossible to actually successfully wrap up this concert and tour without ENGENEs, members, and our staff members who always support me. So, I got teary-eyed because I was really touched by the fact that we really successfully ended this tour but I also want to mention that I also got a lot of energy from this tour.”

Jake adds their the tour experience played a big part in naturally rushing to Sunoo’s side: “We knew what he was going through. Before the last show, he would talk about being sort of tired and just not feeling 100 percent. We could all agree and sort of empathize.”

While Jay’s warm side comes through in concert and during this interview despite his deadpan delivery (he’s the first to say “never” when asked if the group opens up to each other), the Seattle-born star had his own worries about coming Stateside as well.

“I’ve been nervous because it was the first time I came back to States as an artist,” he says. “I already went to almost every city we performed, but it really feels different since I was a little boy. I think I was just proud of all of us doing performances in my home country; it really touched me a lot.” Jay told his members “all of us did incredible, all of us awesome” on stage at the concert’s end.

Looking ahead, the septet thinks and speaks excitedly about future directions after this first extensive tour.

The quieter but undeniably well-spoken Sunghoon, who’s gained fame in K-pop for his hosting abilities, says the tour experience opened his eyes to a new way of creating music. “Up till now, we’ve focused more on our music itself and the album itself,” he explains. “But after the U.S. tour, I thought that it would be good if we can actually envision our concert and performance while we make the album and that would improve our delivery.”

Heeseung is curious about adding city pop into the group’s sound. At the same time, Jungwon wonders how the group could fare if they opted for songs that mix fewer genres after blending punk-rock and electronic production on “Drunk-Dazed” or swirling influences of Chicago drill with dance-pop buildups on “Future Perfect (Pass the MIC).”

Either way, ENGENEs are sure to enjoy wherever the group’s story heads next which comforts the group and inspires them to look excitedly forward together.

“If we focus on our albums, concerts, and tours, the results will naturally follow,” Sunghoon believes. Jungwon says, “Charts and rankings are not something we can control, but what we can control is the focus on our performance and give a lot of happiness and entertainment.” Notably, no one has a funny comment or adds a “cringe” to their leader’s final words, perhaps because it’s an undeniable sentiment that they all feel comfortable and confident sharing with one another.

Elton John Is Ready to ‘Go Out on a High’ With Final U.S. Tour Dates & A Pair of 2022 Top 10 Hot 100 Hits

Surrounded by newly designed Elton John tour merch mixed with luxury goods from Fendi and Balenciaga at a special Rocket Man-themed pop-up shop at The Webster in the Beverly Center, David Furnish — husband and business partner to the beloved pop star — joked that everyone thinks his house looks just like this Los Angeles shrine to Elton.

“We do have a Captain Fantastic pinball machine at our home in Windsor,” he conceded to Billboard, sitting in an alcove at The Webster with that very arcade game as “Philadelphia Freedom” played over the speakers. “But we don’t play Elton John music around the clock in our house.”

For the last near-decade, Furnish has been helping Elton plan his retirement from the road, after 50-plus years of touring the world, and this pop-up shop is one of many special flourishes to send him off. “Elton said he wanted to go out on a high,” Furnish says.

So that’s the plan: He’ll end his U.S. tour dates with a trio of concerts at Los Angeles’ Dodger Stadium, including Sunday’s final show being livestreamed by Disney+ and including special guests Dua Lipa, Kiki Dee and Brandi Carlile. And all along, R.J. Cutler will continue to film the Disney+ documentary Goodbye Yellow Brick Road, along with Furnish as producer under his and Elton’s Rocket Entertainment.

“L.A. has always had that professional resonance,” Furnish says of why Dodger Stadium is the last U.S. tour stop, 47 years after Elton was the first solo artist to play the ballpark. “You know, we have a home here. Our sons were born next-door [to The Webster] at Cedars-Sinai; they’re coming in next week to come and see the shows. We have our annual Oscar party here; we’ve raised $95 million for the Elton John AIDS Foundation with that event for over 25 years. And so LA is a very, very special place for us.”

Below, find highlights from Billboard‘s chat with Furnish, including why Elton is retiring now, his continued relevance on our charts, and how the couple hoped music would be a “great healer” for Elton’s latest duet partner, Britney Spears.

Why is Elton John retiring from touring now?

I think the most important thing, and the most significant thing for us, is what this means to our family. Because as long as I’ve known Elton, he’s been on the road, doing 90 to 100 shows annually. It’s a big commitment. Time, travel, rest between shows. And now we have two beautiful sons; they’re going to be 12 and 10. And we were able to take them with us in the early days. And now they have their own lives. And that’s really important that they continue to have their own lives, their own identity, to not have their life defined by their father’s career.

On Elton John’s love affair with the Billboard charts, including two top 10 Billboard Hot 100 hits this year: “Cold Heart” with Dua Lipa and “Hold Me Closer” with Britney Spears.

He gets your charts daily. He gets them printed out on hard copies. Because he goes through with highlighters. And he literally has different highlighters for different records he charts — ones from Britain, ones from America, the ones that are going up, ones that are his, ones that he has a connection to he. He watches it daily. It feeds a part of his soul. And he’s absolutely over the moon with the way these new records have performed. And you know, you’re gonna see more. Like, he’s not going to stop. And I’m excited for him and excited for what great music he can bring to the world. Our streaming numbers, to see that 58% of his music is now consumed by 18- to 35-year-olds — that is one of the things that I think of which he is most proud. That he’s written songs that survive, that stand the test of time, and that resonate with a whole new generation, that for him is is like, “Wow.”

Why Britney Spears was the perfect duet partner on “Hold Me Closer.”

During lockdown, we watched those documentaries that came out, and we weren’t aware of … we’d heard about the conservatorship, but we hadn’t understood the details and the practicality of it. It was really disturbing, like, “Oh my God, that poor girl, she’s just been in a prison for such a long time.” And as a recovering addict — both of us [David and Elton] are in recovery — we really understand the impact of trauma.

When I raised Britney [as a possible collaborator], [Elton] was like, “Oh, my God, she needs the hand to help take a step forward to get back onto the charts again.” And I think the outpouring that she got from her fans, you know, that it’s a great record, I know she’s genuinely chuffed to bits, as we say in England with the response that it’s had. And I hope and Elton hopes it gives her more courage and more of a sense to get back into the studio, because music is a great healer.

“Elton John Live: Farewell From Dodger Stadium” will livestream Sunday at 11 p.m. ET / 8 p.m. PT on Disney+.

Drake Ties Jay-Z for No. 1s on Top R&B/Hip-Hop Albums as Her Loss Debuts

Her Loss, his win.

As has become the norm, a new Drake album’s yields a monster week on Billboard’s R&B/hip-hop charts, extending multiple records already safely in the superstar’s possession and pushing him dangerously closer toward a few that still elude him.

Her Loss, a collaborative album with 21 Savage, was released on Nov. 4 via OVO Sound/Republic. The set debuts at No. 1 on the Top R&B/Hip-Hop Albums and all-genre Billboard 200 albums chart with 404,000 equivalent album units earned in the week ending Nov. 10, according to Luminate.

With the entry, 21 Savage obtains his third (and third consecutive) No. 1 on the list, after I Am > I Was led the list for two weeks in 2019 and Savage Mode II, with Metro Boomin, posted one week on top the following year.

Drake maintains his perfect run of 14 No. 1s among his 14 chart appearances, dating to the arrival of his first full-length album, Thank Me Later, in 2010. The achievement ties him with Jay-Z for the most No. 1s on the list among rappers, male artists and solo artists; only The Temptations, with 17 No. 1s, rank above the pair.

In the songs’ realm, “Rich Flex” leads the new recruits, as the title debuts at No. 1 on Hot R&B/Hip-Hop Songs. With the arrival, Drake secures his record-extending 26th champ on the list and creates more space between himself and the joint-second place holders, Aretha Franklin and Stevie Wonder, who each hold 20 leaders.

As Drake’s count increases, here’s the current leaderboard for most No. 1s on Hot R&B/Hip-Hop Songs since the chart became an all-encompassing genre survey in 1958:

26, Drake
20, Aretha Franklin
20, Stevie Wonder
17, James Brown
16, Janet Jackson
15, The Temptations
13, Marvin Gaye
13, Michael Jackson
13, Usher

21 Savage, meanwhile, picks up his fourth Hot R&B/Hip-Hop Songs No. 1, after a 14-week stay through his featured turn on Post Malone’s “Rockstar” (2017-18), a one-week reign with “My Life,” with with J. Cole and Morray (2021) and another week in charge with his prior Drake collab, “Jimmy Cooks,” this July.

Below “Rich Flex,” Drake and 21 Savage, either together or individually, fill out the rest of the Hot R&B/Hip-Hop Songs’ top 10 and land six more songs between Nos. 11 and 20. To recap all their Her Loss placements this week:

Position, Artist (all are Drake and 21 Savage, unless noted):
No. 1, “Rich Flex”
No. 2, “Major Distribution”
No. 3, “On BS”
No. 4, “Spin Bout U”
No. 5, “Pussy & Millions,” featuring Travis Scott
No. 6, “Privileged Rappers”
No. 7, “Circo Loco”
No. 8, “BackOutsideBoyz” (Drake)
No. 9, “Hours in Silence”
No. 10, “Broke Boys”
No. 12, “Treacherous Twins”
No. 13, “Middle of the Ocean” (Drake)
No. 14, “Jumbotron Shit Poppin” (Drake)
No. 15, “More M’s”
No. 16, “I Guess It’s F*ck Me” (Drake)
No. 19, “3AM on Glenwood” (21 Savage)

For the second time in his career, Drake runs a full shoutout of the Hot R&B/Hip-Hop Songs’ top 10. He previously managed the 10-for-10 on the chart dated Sept. 18, 2021, when tracks from his Certified Lover Boy album flooded the competition.

In addition to logging his 26th No. 1, the new haul pushes Drake’s already-record top 10 total to 117, and 21 Savage’s count climbs to 23 visits to the region.

Zoe Kravitz Reveals Taylor Swift Was a ‘Very Important Part’ of Her Quarantine Pod

Zoë Kravitz spilled the tea in a new interview about quarantining during the early days of the coronavirus pandemic with none other than Taylor Swift.

“She was my pod,” the actress told GQ of hunkering down with the superstar and her boyfriend Joe Alwyn as she filmed Matt Reeves’ The Batman in the U.K. “She was a very important part of being in London, just having a friend that I could see and that would make me home-cooked meals and dinner on my birthday.”

For her part, Swift had equally nice things to say about her pal, telling the magazine via email, “Zoë’s sense of self is what makes her such an exciting artist, and such an incredible friend. She has this very honest inner compass, and the result is art and life without compromising who she is.”

Part of that art included the duo collaborating on music, with Kravitz credited with co-writing and providing backing vocals on the opaque Midnights opener “Lavender Haze.” (The actress also sang backup on bonus cut “Glitch” from Midnights [3am Edition].)

When The Batman was released, Swift cheered on her friend in the role of Selina Kyle. “@zoeisabellakravitz IS THE CATWOMAN OF DREAMS,” the “Anti-Hero” singer wrote on her Instagram Stories at the time. “The Batman was PHENOMENAL!!!”

And though it has yet to officially see the light of day, Kravitz has already confirmed that, in addition to contributing to Midnights, she’s also recorded her debut solo album with Tay’s trusty producer of choice Jack Antonoff, which she described as feeling “vulnerable” and “a little scary.”

Read Kravitz’s full GQ interview here.

Here Are the Lyrics to Drake & 21 Savage’s ‘Rich Flex’

Drake and 21 Savage went viral on TikTok thanks to “Rich Flex,” off their recent Billboard 200-topping joint album, Her Loss.

The song also launched at No. 1 on the Billboard Global 200 chart, and No. 2 on the Hot 100 songs chart.

If you need a guide to follow along with Drake and 21 Savage’s “Rich Flex,” find the lyrics below:

Go buy a zip of weed, hit the club
Pay for ’bout ten n—as to get in, we crunk, lit, in this bi—, yeah
Know we walk around the world
Steppin’, not givin a damn ’bout where our feet land at, yeah
Get you’re a– mushed, smooshed (6ix)
Yeah, 21, the biggest
Put a n—a in the chicken wing, p—y

21, can you do somethin’ for me? (21)
Can you hit a lil’ rich flex for me? (21)
And 21, can you do somethin’ for me? (21, 21)
Drop some bars to my p—y ex for me
Then 21 (21), can you do somethin’ for me? (Yeah)
Can you talk to the opps necks for me? (Okay)
21, do your thing 21, do your thing (21)
Do your thing, 21, yeah, okay

Yellow diamonds in the watch, this sh– cost a lot
Never send a bi— your dot, that’s how you get shot
I DM in Vanish Mode, I do that sh– a lot
Took her panties off and this bi— thicker than the plot
All my exes ain’t nothin’, them h–s busted
If my opps ain’t rappin’, they a– duckin’
You ain’t ready to pull the trigger, don’t clutch it
I know you on your period, baby, can you suck it?
I’m a savage (21)
Smack her booty in Magic (21, 21)
I’ll slap a p—y n—a with the ratchet (p—y)
I might slap a tracker on his whip and get the addy (p—y)
Don’t call me on Christmas Eve, bi—, call your daddy (21)
Bi—, call your uncle (21), bi—, don’t call me (21)
Always in my L, your h- a flea (f—)
Why my opps be posting guns and only use they feet? (21)
Paid like an athlete, I got-

All you h–s, all of you h–s need to remember who y’all talkin’ to
It’s a Slaughter Gang CEO
I got dick for you if I’m not workin’, girl
If I’m busy, then f— no
You need to find you someone else to call
When your bank account get low, you need to find you someone-

Ayy, ayy, ayy, ayy, ayy
I’m on that Slaughter Gang sh–, ayy, murder gang sh–
Ayy, Slaughter Gang sh–, ayy, murder gang sh–, ayy

Stick and stones, chrome on chrome
That’s just what a n—a on
Internet clones, got ’em kissin’ through the phone
P—ies cliquin’ up so they don’t feel alone, ayy
Nan’ n—a seein’ me, I’m Young Money CMB
I used to roll with CMG, the house is not a BNB
The bad bi—es waitin’ on a n—a like I’m PND
I’m steady pushin’ P, you n—as pushin’ PTSD
I told her a– to kiss me in the club, f— a TMZ
I used to want a GMC, when Woe was doin’ BNE
We revvin’ up and goin’ on a run like we DMC
I layup with her for a couple days, then its BRB
You rappers love askin’ if I f—ed, when you know we did
When you know we did
She came in heels but she left out on her cozy sh–
Ayy, I’m livin every twenty-four like Kobe did
Shoutout to the 6ix, R.I.P to 8
Swear this sh– is gettin’ ate, I’m on ten for the cake
Get a lot of love from twelve, but I don’t reciprocate
Fifty-one division stay patrollin’ when it’s late
21 my addy, so the knife is on the gate
All the dawgs eatin’ off a Baccarat plate
N—as see Drake and they underestimate
Take it from a vet’, that’s a rookie a– mistake, ayy

Ah, what, what
Slaughter Gang sh–, ayy, murder gang sh–
Ayy, Slaughter Gang sh–, ayy, murder gang sh–
Ayy, Slaughter Gang sh–, ayy, murder gang sh–
On God
Boy, look, you the motherf—in’ man, boy, you, ooh
You is the man, you hear me?

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group

Written by: Aubrey Graham, Sheyaa Bin Abraham-Joseph, Anderson Hernandez, Brytavious Chambers, Michael Mule, Isaac John De Boni, Jamal Gwin, Megan Pete, Anthony White, Bobby Sessions, Clifford Harris, Aldrin Davis

Here Are the Lyrics to Taylor Swift’s ‘Maroon’

Taylor Swift brought fans a more mature version of “Red” with “Maroon,” off her new album Midnights.

With her 10th studio album, Swift made one of the most historic weeks in the 64-year history of the Billboard Hot 100 songs chart, as she became the first artist to claim the survey’s entire top 10 in a single frame. “Maroon” came in at No. 3.

If you need a guide to follow along with Taylor Swift’s “Maroon,” find the lyrics below:

When the morning came we were cleaning incense off your vinyl shelf
‘Cause we lost track of time again
Laughing with my feet in your lap
Like you were my closest friend
How’d we end up on the floor anyway? You say
“Your roommate’s cheap-ass screw-top rosé, that’s how”
I see you every day now

And I chose you
The one I was dancin’ with
In New York, no shoes
Looked up at the sky and it was

The burgundy on my T-shirt when you splashed your wine into me
And how the blood rushed into my cheeks, so scarlet, it was
The mark you saw on my collarbone, the rust that grew between telephones
The lips I used to call home, so scarlet, it was maroon

When the silence came, we were shaking blind and hazy
How the hell did we lose sight of us again?
Sobbin’ with your head in your hands
Ain’t that the way shit always ends?
You were standing hollow-eyed in the hallway
Carnations you had thought were roses, that’s us
I feel you no matter what
The rubies that I gave up

And I lost you
The one I was dancin’ with
In New York, no shoes
Looked up at the sky and it was maroon

The burgundy on my T-shirt when you splashed your wine into me
And how the blood rushed into my cheeks, so scarlet, it was (maroon)
The mark you saw on my collarbone, the rust that grew between telephones
The lips I used to call home, so scarlet, it was (maroon)

And I wake with your memory over me
That’s a real fucking legacy, legacy (it was maroon)
And I wake with your memory over me
That’s a real fucking legacy to leave

The burgundy on my T-shirt when you splashed your wine into me
And how the blood rushed into my cheeks, so scarlet (it was maroon)
The mark you saw on my collarbone, the rust that grew between telephones
The lips I used to call home, so scarlet (it was maroon)

It was maroon
It was maroon

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC

Written by: Jack Michael Antonoff, Taylor Alison Swift

Lil Nas X Shows Off His Impressive Abs With Steamy Bubble Bath Snaps

Lil Nas X has been touring all around Europe over the past few weeks, and he enjoyed a relaxing bubble bath after his show in Brussels, Belgium, on Tuesday (Nov. 15).

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The “Industry Baby” singer took to Instagram to share a series of sultry mirror selfies from the bath, posing nude with abs on full display — keeping just covered enough for the Internet thanks to some well-placed bubbles.

In other photos from the carousel, Lil Nas X is seen performing on stage. He captioned the series of snaps with the flag of Belgium.

The singer has been having an eventful tour, and just last month, he gushed on Twitter over meeting Will Ferrell at his Los Angeles concert. “WILL FERRELL CAME TO MY F—IN CONCERT ! nobody can tell me sh–,” he captioned two photos with the comedian and actor.

He then made a playful a joke in the replies to his tweet. One follower asked, “Where is Will’s hand?” and the superstar responded, “he couldn’t resist getting a good hand full of this big fat a–. and i couldn’t say no tbh.”

During his ongoing Long Live Montero Tour, Lil Nas X has also sent pizza to religious protesters outside Fenway Park and stopped the show in Atlanta for an emergency bathroom break.