Music

BROCKHAMPTON Bids Farewell to Fans With ‘The Family’ & ‘TM’: Stream Now

After 12 years as a group, hip-hop collective BROCKHAMPTON is saying goodbye with their final album, The Family, released on Thursday (Nov. 16), and TM, which dropped on Friday (Nov. 17) and is billed as a “parting gift” to fans.

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The release comes seven months after the band announced that their next album would be their last during a much-hyped Coachella set in April. During the performance, they played a clip of Kevin Abstract sitting everyone in the band down and telling them he’d made a “group album” in New York, before showing a screen that read “THE FINAL ALBUM 2022.”

The Family has 17 tracks and was recorded in the spring of 2022 by Abstract, Bearface and Romil Hemnani of BROCKHAMPTON with artist and producer boylife serving as the executive producer alongside Bearface. The album features previously released singles “Big Pussy” and “The Ending” and is available in three limited edition box sets. 

TM, meanwhile, is made up of songs that were started by the group during a two week trip to Ojai, Calif., in 2021, but were never fully completed. Earlier this year, the group’s Matt Champion took on the role of EP and finished the album.

To commemorate the group’s final releases, Abstract took to social media to share a statement in which he reflects on moving on and how BROCKHAMPTON has changed his life. “I think about all of the good that came from my pain. That pain, those dreams – that was the coal in the furnace of my creativity – and still, as we got big and cool s— started happening, those embers never left,” he wrote. “The pain has found a way to adapt for the new life. Maybe that s—’s just the human condition or whatever. This project is the culmination of all that. And all that smoke from that furnace was making us all cough, for all our sakes it was time to air it out, to move into the future. Fresh air.”

Listen to both The Family and TM in full below.

Romeo Santos Drinks His Sorrows Away During 2022 Latin Grammys Performance

Romeo Santos was as vulnerable as ever during his 2022 Latin Grammys performance where he took the stage, with bottle in hand, to perform “Bebo.”

The bachata anthem is a sorrowful and emotional heartbreak track. Santos was playing into the song, by drinking his sorrows away onstage. “I know I’m a bit drunk but a drunk person always tells the truth,” he said in the middle of his performance. Of course, pretending to be drunk was part of his performance but the bachatero proved to be a great actor and stuck to the role to the very end when he fell onstage.

The track is part of art of the “King of Bachata’s” newest album Fórmula, Vol. 3, which was released in September and is home to 21 tracks. The new set flaunts the ever-experimental Santos taps into hip-hop, trap, tango, merengue and regional Mexican without losing touch of his bachata essence.

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Bad Bunny leads this year’s list of nominees with 10 nods. Mexican songwriter and producer Edgar Barrera followed closely with nine nominations. Other top nominees include Rosalía and Rauw Alejandro with eight; and Christina Aguilera, Jorge Drexler and Tainy with seven.

The Latin Grammy Awards — which “promise to honor the legacy, celebrate the present and embrace the future of Latin music, with deliberate consciousness, paying-it-forward to the next generations of music creators,” according to a press statement — were held Thursday (Nov. 17) at the Michelob Ultra Arena at the Mandalay Bay Resort and Casino in Las Vegas, and aired live on Univision.

TEN Talks Embracing New Sides of His Personality on New Single ‘Birthday’

While some of history’s greatest artists have a distinct look for fans to recall instantly, many musical greats are shape-shifting chameleons, finding different looks, styles and eras throughout their careers.

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TEN falls strictly in the latter category, with the Thailand-born K-pop star using his songs and music videos to express the different creative concepts, characters, and, at times, confusion inside his mind.

After trying out shouty punk-pop with “Paint Me Naked,” festival-ready EDM on “New Heroes,” and the hypnotic “Dream in a Dream” with fusions of traditional East-Asian instruments, TEN has paired sultry R&B sound with vigorous group choreography. His new single “Birthday” dropped as part of the NCT LAB project under K-pop super-label SM Entertainment to spotlight the different members in its ever-expanding NCT boy-band project that currently boasts 23 members.

While TEN has already proven his superstar status as a part of groups like WayV and NCT U, as well as one of seven members in SM’s K-pop supergroup SuperM that hit No. 1 on the Billboard 200, TEN refuses to sit comfortably as an artist.

“I get bored easily and the audience will get bored of me doing the same thing,” the singer says during a Zoom call from Seoul. “So I keep finding what kind of stuff I haven’t done yet.”

Wrapped in a flannel shirt for this giggly Billboard interview, TEN’s bubbly warmness strays far from the seductive, slithering soloist rocking chains and veils throughout the “Birthday” video. Even as TEN speaks with a lightness, there is compelling duality in his seriousness in accepting who he is while simultaneously wanting to level up in his work. Even when the star admits he’s lost inspiration, there’s still a guiding force pushing TEN into new, creative areas.

Read more from TEN on all the vocal, thematic and dance elements behind “Birthday” and what else is on the way.

Billboard: Congratulations on the new song. “Birthday” is your fourth solo single, what’s the difference this time compared to past releases?

TEN: This song has no connection with my past singles or whatever you see in “Paint Me Naked” or “New Hero.” They’re different in genre, style, makeup, and choreography. Even the use of my vocals changed. I’m not really interested in doing the same thing over again, like this deep and strong vocal that’s at the same time very soft. If you listen to the verses, I’m using a lower register and then a high falsetto on the chorus. I want to show the contrast between strong and soft.

I’m glad you brought that up because it was a great vocal performance and something we haven’t heard from you before. Was it a challenge or did you know how to approach it?

I did find recording the vocals very challenging because R&B is different, you know? “Paint Me Naked” is a pop song so you just hit the melody, which is simpler than R&B because when you sing R&B you need to have that delay and draw things out. At first, I was singing it similar to “Birthday,” but I thought, “This is not how I want it to sound.” So, we re-recorded after I listened to more R&B songs to see how they ride the rhythm. And I was trying too hard at first, but the next session was just chill; I just felt the lyrics, listened, and laid back.

There are many NCT members and a lot of SM Entertainment artists, but it seems like we can always look forward to a TEN single each year. Do these opportunities come because you always try to show something new?

I keep finding new concepts by watching movies, looking at tattoo pictures from Instagram, other artists’ photoshoots, fashion shows. If you see luxury brands’ fashion shows, they have their own concept and each year it changes. I’m into that. I’ll say, “Okay, I like this kind of stuff so let me keep it to myself, look at other stuff and mix it together.”

Do you save a lot of things on Instagram? 

I take a lot of screenshots on my phone! I was even watching an animation recently and was like, “Okay, I like this concept, let me do it like this guy here, then let me use this color as an outfit…”

How much of your inspirations came out in “Birthday”?

I was very lucky at this time with all the people that help me make “Birthday.” They really asked for my opinions, “What kind of stuff do you want to represent? How do you want to express yourself?” I chose all four outfits. There’s the suit because I want to show a mature side of me. Another one had the chain on my chest, an essential look; I need one look that is very sexy. The other one is an outfit where I wear a hat and there’s a black sheet covering my face. It’s a traditional, flowy kind of outfit because I don’t want to only show mature sides.

I wanted to show the fluid side of me too. It was very hard to find a lot of references at that time, it took me a week to find everything that I wanted, but I sent it to my stylist and video directing team. They just say, “Okay, let us figure everything out for you.” We had a lot of talking going on during the making.

Tell me about the choreography.

This one is mainly by my friends Bada Lee and Jrick [Baek]. They really helped make my vision come to life. I told them how there are a lot of K-pop groups out there with choreography that has a signature move. But for this one, I didn’t want it to be like that, I wanted it to be like artwork. I want fans to see little sparkles in the choreography and say, “Oh, I like that moment.”

Do you have a favorite moment throughout the whole video? 

Well, the first verse is very challenging for me. You can see the full choreography in the dance video and in the first verse there are so many B-boy-like moves. I got bruises all over my body, it’s very hard. But what was best about that is that I was working with my dancer friends on moves I can’t do alone. We’re all in contact as they pull me up, I kick out, there’s like a wave—it’s not just me doing the work but we are all connected as a team.

Like “Birthday” or “Paint Me Naked,” your songs are confident in their elements of sexuality. It’s not raunchy but very free and open. How do you prepare your mindset in these kinds of performances?

Wow, well, I don’t really think about that much. It’s like, “Okay, I want to wear these clothes.” It’s just me. This is my body and this is how I want to express it. Wearing too many clothes sometimes in dancing can block your body line. I don’t want to feel like I’m not confident with my body so I was like, “Let’s just do it.” That’s why I don’t really do fitness or try to build muscle for certain clothes. I’m skinny so that’s just me. I don’t need to build it up to impress someone else.

You want to show your natural self.

Yes, but maybe a little exercise for my belly fat. [Laughs] Just a little!

Oh, come on! Don’t worry about that. It sounds that you’ve found confidence in your own body which is great because many struggle with that.

It’s like, everyone has a charm, but I’m still trying to learn how to use mine. I also think about being seductive, right? In music videos, you can try everything—you can’t really do that in real life but there’s no right and wrong in the music video. It’s just, “Let’s try.”

It’s your opportunity to try things because everyone knows TEN’s personality as very bubbly. But on stage, you become very different.

Thank you. It just speaks to a different character of myself and the right time for me to express myself. I can’t do it at any time.

You mentioned you don’t want to be too covered up when dancing. I was wondering about the hat and veil look. Was it difficult to master that look? 

The veil was not the problem, but the hat kept falling off while dancing. I had to fix my hat all the time, but it’s fun to dance with a hat like that. I felt like I’m a mystery guy and no one knows me.

Outfits can help people to feel more confident. A different outfit helps you represent yourself and your personality differently. It helped me become that character. Every outfit has its own reason that I choose it, and I like every outfit, but this time the hat outfit is what I really enjoyed wearing. It really helped me embrace the concept. “Birthday” has a very strong drum and bass sound, but that outfit kind of helped to soften it down and become a bit more mysterious.

After “Birthday,” fans were saying they want a full album from you. Would that be something you’d be interested in?

Yes, I would. I love working as a team, but I also want to do my solo stuff because you can put in your thoughts and personality. Even though I sometimes didn’t write my song, I can check out the demos and say, “Okay. I want to try this or try that.” And when you read the lyrics, it’s like acting. You’re trying to change yourself for that song as you work on it. It’s like, a song can be very groovy or hip-hop or—can I say swag?—swag.

I can simply work on the song process and it’s going to be a lot of fun. As a group it’s also fun, but it’s different. As a team, you put in the element of yourself but you’re still trying to be in motion with your team. Both are fun for me to work so I have to do both.

Speaking of your teams, do you have any teasers about what’s coming with WayV and NCT?

Right now, WayV is preparing for their new comeback. And I can’t spoil anything about NCT yet. If I spoiled it, Mark will send me a text, “Hyung! Bro. What did you just say?!”

We can’t have Mark upset with us. But as we look to the end of the year, are there any ways you want people to remember you in 2022?

Right now, I’m just focusing on myself. To be honest, I don’t know what happened to me but I need more motivation right now. I need to inspire myself. After I filmed “Birthday,” I lost track of something that I don’t even know so I’m kind of figuring that out. I want to improve myself in singing and dancing so I can get to do more unique concepts and better songs in terms of a different genre.

If I don’t practice for that, it’s going to be harder for me to do different kinds of stuff. So, that’s my goal for this year to improve myself and figure out stuff that I’d been thinking about lately. The process for “Birthday” helped me to focus again and be more creative with my work. It was like a fuel that helped keep my engine moving.

That’s very honest. Many struggled with motivation during the pandemic, for example. Do you know what happened? Or do you have advice on how to get over the hump?

I think everyone has that moment in life. So, I don’t really think about it that much, I just need to figure it out. I don’t know what it is and I don’t know if I’d be able to give helpful advice to those who might be feeling down because realistically everyone has their own problems or confusion that only they can relate to.

But for me, I sit down, breathe slowly and talk to myself by asking myself questions in order to break down the situation into small fractions and better understand. That does help me figure things out most of the time! Sometimes I have these moments but it’s happening to me, like, now. So, let me figure it out and then I can tell you next time. 

Sebastian Yatra & John Legend Debut ‘Tacones Rojos’ Live at 2022 Latin Grammys

Eight months after unleashing their first-ever collaboration, Sebastian Yatra and John Legend debuted the track live for the first time at the 2022 Latin Grammys on Thursday night (Nov. 17).

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Accompanied by 10 female dancers dressed in long blazers and top hats, and with a full-on cabaret stage setting, Yatra and Legend’s bromance oozed as they sang the feel-good Spanglish bop live. Both artists not only flaunted their vocal chemistry on stage but also rocked matching bow ties.

Yatra and Legend performed the track shortly after Yatra won best vocal pop album for Dharma.

“John is miraculously talented and musically he can go anywhere. He’s someone I admire, and vocal-wise, it’s very intriguing to see how he’s going to sound in a song like this because of his vocal capacity,” Yatra previously told Billboard.

Legend wrote the English lyrics to the song, which Yatra originally co-wrote with Juan Jo, Lofty, Manuel Lara, and Pablo.

“When you have a song you love so much, you want to give it to someone who has a stroke of genius like John has, and who will keep the essence instead of just a translation,” adds Yatra.

The Latin Grammy Awards — which “promise to honor the legacy, celebrate the present and embrace the future of Latin music, with deliberate consciousness, paying-it-forward to the next generations of music creators,” according to a press statement — were held Thursday (Nov. 17) in the Michelob Ultra Arena at the Mandalay Bay Resort and Casino in Las Vegas, and aired live on Univision. 

Karol G Performs Club-Ready ‘Cairo’ & More at 2022 Latin Grammys

Karol G brought her star power to the 2022 Latin Grammys. The Colombian star delivered a standout performance, which had the entire crowd on their toes for nearly the entirety of her set.

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Karol kicked off her five-minute-plus set singing the reggaeton anthem “Gatubela” surrounded by her fierce dancers who adored her equally fierce leader. She then lit-up the crowd with her Afrobeat-powered “Provenza,” which is up for both record and song of the year. With this track, she became the first woman to replace herself at No. 1 on the Hot Latin Songs chart in May when it traded places with “Mamiii,” with Becky G.

Karol, who won best new artist at the Latin Grammys in 2018, ended her performance with a high-energy rendition of her latest single “Cairo” with her go-to producer Ovy on the Drums taking the stage with her for the song, released Nov. 13.

Bad Bunny leads this year’s list of nominees with 10 nods. Mexican songwriter and producer Edgar Barrera followed closely with nine nominations. Other top nominees include Rosalía and Rauw Alejandro with eight; and Christina Aguilera, Jorge Drexler and Tainy with seven.

The Latin Grammy Awards — which “promise to honor the legacy, celebrate the present and embrace the future of Latin music, with deliberate consciousness, paying-it-forward to the next generations of music creators,” according to a press statement — were held Thursday (Nov. 17) at the Michelob Ultra Arena at the Mandalay Bay Resort and Casino in Las Vegas, and aired live on Univision.

Jesse Collins on 2022 American Music Awards, His ‘Hero’ Dick Clark & Being Today’s Busiest Awards Show Producer

It’s fitting that Jesse Collins is showrunner of the 50th iteration of the American Music Awards – which is set to air live from the Microsoft Theater at L.A. Live in Los Angeles this Sunday, because he just may be the most in-demand producer of music awards shows, and music on television in general, since Dick Clark, who created the AMAs in 1973.

His 2022 credits as executive producer include the Super Bowl halftime show starring a bevy of hip-hop stars (for which he won his first Emmy Award), the Grammys (for which he was Emmy-nominated), the BET Awards and the BET Hip-Hop Awards. And right after the AMAs is the Soul Train Awards, followed in early 2023 by the Golden Globes, the Grammys and the Super Bowl halftime show starring Rihanna.

Just days before the AMAs, Collins was feeling pretty confident. He has a strong host in Wayne Brady, a broadly popular Icon Award recipient in Lionel Richie, and a show that has a little something for everybody. The show will have tributes to Richie and Olivia Newton-John — both past AMAs hosts and artists whose AMAs totals are in double digits — as well as performances by new stars Dove Cameron and GloRilla. The Richie tribute is centered on a medley of his songs performed by Stevie Wonder, 72, and Charlie Puth, 30. That’s the kind of range the AMAs look for.

Looking at your bookings, you seem to have something for everybody.

Listen, it’s the American Music Awards. Like the nation, this is supposed to be the melting pot of music where everybody comes together under one tent and celebrates excellence in all genres. We just try to do our best to give you the full tapestry of music. You want to get your new stars. You want to get your up-and-comers. You want to get your big stars like P!nk and Carrie Underwood. You just want to make sure that everybody’s getting a little piece of everything, and that to me is what the AMAs are all about.

That was always Dick Clark’s philosophy.

Let’s say you’re not that familiar with what the new pop or R&B or hip-hop or country acts are. You can watch the AMAs and you can learn about them. You can find out who is going to be your next big star. So maybe you walk in saying, “I’m not really a fan of a certain genre,” but then you see an artist in that genre and suddenly you’re a fan.

Since this is the 50th AMAs, you’re going to have a recurring element where artists speak to their musical inspirations. What form will that take?

We’re trying to spread it out throughout the show and make it organic. So it could be in presenter copy or our host Wayne [Brady]. Perhaps winners will do it. There are some ways that we’re doing it musically. We’re just trying to spread it out throughout the show so you get that story in different incarnations.

How did you decide on Wayne Brady as a host?

I [have] worked with Wayne a lot over the years. He’s just one of the most versatile people I know. First of all, he’s an amazing host, but then he also is an incredible singer, rapper, dancer, improv performer. He’s incredibly funny, so when you’re doing a show like this you want to get a host that has so many skill sets that no matter what you throw at him, he can succeed.

How did you decide on Lionel as your Icon Award recipient?

Lionel has a long history with the AMAs. He has hosted, he’s performed, he’s won [18] awards [counting this one]. That’s been in the works for a long time. I have to credit Mark Shimmel, one of our producers, who has a long relationship with Lionel. [Mark has] been on the AMAs with Larry [Klein] for many years. Last year we knew that we wanted for the 50th show to honor Lionel Richie.

Dick Clark died in 2012, which was the same year you founded your company [Jesse Collins Entertainment]. Did you ever meet him?

No, I never met him. I just grew up watching him on TV. Obviously, I was a big fan of everything that he created. Unfortunately, I never got to meet him.

Was he a particular role model or inspiration?

Listen, I grew up watching American Bandstand and Soul Train – so both him and [Soul Train creator] Don Cornelius were heroes of mine. So, to find myself in this awards show business is incredible. I never thought I’d be producing this show.

Has [longtime dick clark productions executive] Larry [Klein] filled you in on Dick Clark stories?

Larry has been a great mentor throughout this whole process, even before I got on this show. Larry is the gold standard of variety producers. He has great stories. All the things he’s been through with this show, it’s pretty incredible.

Do you ever say “What would Dick do?” or “What would he think of what we’re doing to his baby?”

Larry sometimes will say, “If Dick was here, this is what he would want this show to be. This is what he would do in this moment.” And Barry Adelman as well. He’s one of our producers. He was with Dick for many years and knew Dick from the AMAs, the Globes and all the shows. Those guys definitely make sure that the spirit of Dick Clark lives on.

This is the second AMAs you’ve worked on. You’ve also been on the Grammy team for a number of years. Back in the day, it wouldn’t have been possible to work on both shows. They were highly competitive with each other.

Fortunately, the shows are not on the same day, so people don’t have to choose. The AMAs and the Grammys are both awards shows, but their histories are different, their legacies are different and today the shows are different – and I think that helps each one. They have different points-of-view, definitely different personalities. It’s like picking between your kids.

One reason the shows were so competitive back then is they often aired just a month apart – sometimes just two weeks apart. Now, they’re a few months apart.

When Pierre [Cossette, longtime executive producer of the Grammys] and Dick were going back-and-forth about these shows, music had a longer run. You had the one song that was the song that an artist sang on TV and that performance was coveted. Now, music cycles are much faster. Music comes out at a higher frequency. So, someone can come on the AMAs and have an unbelievable performance and then go on the Grammys and do something completely different and shock the world again. I think that’s part of the reason that the attitudes have changed between the shows.

Last year’s AMAs was the most social telecast of 2021 with 46.5 million interactions. What do you attribute that to?

First of all, our host [last year], Cardi B, is one of the most electrifying people on social media. She really knows how to ignite that base. Between that and BTS and all of the other performances, and the way we designed the show, we were really able to take advantage of what social media can do for you in an awards show environment.  

With all the shows you work on, you must have an amazing team supporting you in your company.

Dionne Harmon is not only president of the company, she’s right here leading the charge on the AMAs. The show would definitely not come together without her. Jeannae Rouzan-Clay is a great producer as well. Between the three of us, it allows us to really try to make the best show possible. [All three are credited as executive producers on the AMAs, as is Larry Klein. In addition, Collins is showrunner.]

Have you announced all of the performers?

We have not announced them all. We still have a couple of surprises.

Most of the acts that you have announced fall into the broad genres that were always the backbone of the show – pop/rock, soul/R&B and country. Now, in addition, you also have hip-hop (GloRilla and Lil Baby) and Latin (Anitta). So, I think Dick is up there looking down and saying ‘you’re keeping it going.’

I hope so. With all of those genres that you mentioned, that music can be heard anywhere in America today. So, the show is living up to the title that he gave it.

This conversation has been lightly edited for brevity and clarity.  

Adele Has ‘Never Been More Nervous Before a Show’ Than on the Eve of Her Las Vegas Residency

Back in January, in a tearful video posted to Twitter, Adele canceled her original Las Vegas residency dates the night before the Weekends With Adele concerts were set to open. Ten months later, she once again fired up her Twitter account on the night before her rescheduled residency is set to kick off — but this time, it was to marvel at just how excited and anxious she is for her Sin City shows.

“I’m feeling all sorts as I write this,” Adele started a series of four tweets on Thursday night (Nov. 17). “I’m highly emotional, incredibly nervous but can’t sit still because I’m so excited. I feel a million miles away from home, I can’t stop thinking about when I was little and saw Tom Jones in Mars Attacks and thought blimey how did he get from Wales to Las Vegas!?

“I always get scared before shows, and I take it as a good sign because it means I care and means I just want to do a good job,” she continued. “Maybe it’s because I didn’t start when I was supposed to. Maybe it’s because it’s opening night, maybe it’s because Hyde Park went so great, maybe it’s because I love the show, I don’t know. But it’s safe to say I’ve never been more nervous before a show in my career, but at the same time I wish today was tomorrow! I can’t wait to see you out there x.”

The thread came alongside a photo of the 34-year-old British singer/songwriter inside the Colosseum at Caesars Palace, holding a mic and standing amid the seats that will be filled with 4,000-plus adoring fans come Friday night. Behind her on the stage is a giant video screen projecting images of the star as a little girl and as a baby, similar to the projections that played as she sang “When We Were Young” during her Oprah-hosted Adele One Night Only TV concert special late last year.

It’s a big week for Adele, who also scored seven nominations for the 2023 Grammy Awards on Tuesday, including album of the year for her 2021 project 30 and record and song of the year for lead single “Easy on Me.”

Find Adele’s residency dates here, and see just how excited she is to get this thing started below:

Rosalía Slays 2022 Latin Grammys Stage Singing ‘Despechá’ & More

Rosalía meant business at the Latin Grammys blessing fans with a medley that included “Hentai,” “La Fama” and “Despechá.” “Hentai” is up for song of the year, and “La Fama” with The Weeknd is up for record of the year.

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The Spaniard, who initially wore an oversized red coat and statement glasses, kicked off her set playing the piano and performing the powerful “Hentai.” She then took off her coat to unveil an all black latex bodysuit to perform her bachata “La Fama” in front of a malleable white canvas. Then, she got everyone on their feet — including Marco Antonio Solís, Christian Nodal and Rauw Alejandro who were all front row — with her infectious mambo “Despechá.” She even shared a special dance with her boyfriend Alejandro who, as her number one fan, cheered her on.

Rosalía is this year’s most-nominated female artist. Besides song and record of the year, she’s also up for album of the year with Motomami.

Bad Bunny leads this year’s list of nominees with 10 nods. Mexican songwriter and producer Edgar Barrera followed closely with nine nominations. Other top nominees include Rosalía and Rauw Alejandro with eight; and Christina Aguilera, Jorge Drexler and Tainy with seven.

The Latin Grammy Awards — which “promise to honor the legacy, celebrate the present and embrace the future of Latin music, with deliberate consciousness, paying-it-forward to the next generations of music creators,” according to a press statement — were held Nov. 17 at the Michelob Ultra Arena at the Mandalay Bay Resort and Casino in Las Vegas, and aired live on Univision.

A Grandma & A 25-Year-Old Tie for Best New Artist at 2022 Latin Grammys

Angela Alvarez is 95 years old. Silvana Estrada is 25 years old.

Both do acoustic-leaning music that’s bound to the traditions of their respective home countries: Cuba for Alvarez, Mexico for Estrada. On Thursday night (Nov. 18), the two met on the stage of the 2022 Latin Grammys, tying to win for best new artist.

Estrada, who has been lauded as one of the bright new voices of Latin music, was a big favorite to win the award. As for Alvarez, the evening was an emotional conclusion in her very unlikely quest for not only a Latin Grammy, but one in the best new artist category at age 95.

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Voters’ vacillation between a long career ahead and the thrill of honoring a career found late in life was evident in the voting results.

“I didn’t prepare a speech,” said a tearful Estrada, who grew up with luthier parents and writes exquisite songs. “But as a woman, this award was already ours, especially with this woman by my side. It’s important to represent for the new generations, that they know it’s worthwhile to fight.”

Estrada, the first Latin artist signed to indie Glassnote Records, ended her speech with a thank you to her parents, “For teaching me that music is worthwhile and that one has to live life with happiness.”

Alvarez was not tearful when she gave her prepared speech. With eyes and voice clear, she methodically thanked a long list of people, including actor and director Andy García, for taking her to this moment.

She ended by specifically thanking her grandson, standing beside her.

“He was the one who helped me get here,” she said (her grandson was the person who encouraged Alvarez, at 95, to record her music). “And I want to dedicate this award to God, and to my beloved Cuba, which I will never forget. And to those who have yet to make their dreams come true, know that although life is hard, there’s always a way out and with faith and love everything can be achieved. I promise you, it’s never too late.”

The audience gave both a standing ovation.

Carlos Vives & Camilo Give Special Performance of ‘Baloncito Viejo’ at 2022 Latin Grammys

One of the best performances of the night at Thursday’s (Nov. 17) Latin Grammys included four artists onstage: Carlos Vives, Camilo, best new artist nominee Nicole Zignago and one of the best new artist winners, Silvana Estrada.

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The four artists took the stage to sing a gorgeous version of Vives and Camilo’s “Baloncito Viejo.” In a soulful performance that united two generations of musicians, Vives, Camilo, Zignago and Estrada — who shared the best new artist win with Ángela Álvarez — gave the audience a new, more instrumental version of the song that marked Vives’ and Camilo’s first-ever collaboration.

Over the summer, the tropo-pop track peaked at No. 1 on Billboard‘s Latin Airplay chart and is up for record of the year, song of the year and best pop song at the awards show.

Bad Bunny leads this year’s list of nominees with 10 nods. Mexican songwriter and producer Edgar Barrera followed closely with nine nominations. Other top nominees include Rosalía and Rauw Alejandro with eight; and Christina Aguilera, Jorge Drexler and Tainy with seven.

The Latin Grammy Awards — which “promise to honor the legacy, celebrate the present and embrace the future of Latin music, with deliberate consciousness, paying-it-forward to the next generations of music creators,” according to a press statement — were held Nov. 17 at the Michelob Ultra Arena at the Mandalay Bay Resort and Casino in Las Vegas, and aired live on Univision.