Music

Metallica Announce Upcoming ‘72 Seasons’ Album, 2023-2024 World Tour

Metallica will come roaring back in 2023 with a new album and a the launch of a massive world tour. The veteran metal band’s 12th studio album, 72 Seasons, is due out on April 14 via the band’s Blackened Recordings imprint.

The first full-length from the band since 2016’s Hardwired… To Self-Destruct, was produced by Greg Fidelman along with Metallica singer/guitarist James Hetfield and drummer Lars Ulrich. At more than 77 minutes, the 12-track collection can be previewed now via the thundering, breakneck first single, “Lux Æterna” (watch the video below).

72 seasons. The first 18 years of our lives that form our true or false selves,” Hetfield said in a statement announcing the album. “The concept that we were told ‘who we are’ by our parents. A possible pigeonholing around what kind of personality we are. I think the most interesting part of this is the continued study of those core beliefs and how it affects our perception of the world today. Much of our adult experience is reenactment or reaction to these childhood experiences. Prisoners of childhood or breaking free of those bondages we carry.”

The band also announced a massive 2023-2024 Live Nation-promoted tour on Monday (Nov. 28), during which they will play two nights in every city they visit, with each No Repeat Weekend featuring two completely different setlists and support acts. The M72 world tour will feature an in-the-round stage set-up that will move the signature up-close Metallica Snake Pit section to center stage. The tour will also feature discounted tickets for fans 16 and under.

The world trek is currently slated to kick off on April 27 with a pair of shows at the Johan Cruijff Arena in Amsterdam, followed by two-night stands in Paris, Hamburg (Germany) and Gothenburg (Sweden) before hitting U.S. shores on Aug. 4 at MetLife Stadium in East Rutherford, N.J. for a series of North American gigs currently slated to run through a Nov. 12 show at Ford Field in Detroit. The outing will pick up again on May 24, 2024 with another European swing before returning to North America in August 2024.

Among the rotating group of opening acts slated to join them are: Architects, Mammoth WVH, Five Finger Death Punch, Ice Nine Kills, Volbeat, Pantera and Greta Van Fleet.

Watch the “Lux Æterna” video and check out the 72 Seasons track list and 2023-2024 tour dates below.

72 Seasons track list:

“72 Seasons”

“Shadows Follow”

“Screaming Suicide”

“Sleepwalk My Life Away”

“You Must Burn!”

“Lux Æterna”

“Crown of Barbed Wire”

“Chasing Light”

“If Darkness Had a Son”

“Too Far Gone?”

“Room of Mirrors”

“Inamorata”

M72 2023-2024 tour dates

April 27 – Amsterdam NL @ Johan Cruijff Arena

April 29 – Amsterdam NL @ Johan Cruijff Arena

May 17 – Paris FR @ Stade de France*

May 19 – Paris FR @ Stade de France

May 26 – Hamburg DE @ Volksparkstadion

May 28 – Hamburg DE @ Volksparkstadion

June 16 – Gothenburg SE @ Ullevi Stadium**

June 18 – Gothenburg SE @ Ullevi Stadium

August 4 – East Rutherford, NJ @ MetLife Stadium

August 6 – East Rutherford, NJ @ MetLife Stadium

August 11 – Montreal, QC @ Stade Olympique

August 13 – Montreal, QC @ Stade Olympique

August 18 – Arlington, TX @ AT&T Stadium

August 20 – Arlington, TX @ AT&T Stadium

August 25 – Inglewood, CA @ SoFi Stadium

August 27 – Inglewood, CA @ SoFi Stadium

Sept. 1 – Glendale, AZ @ State Farm Stadium

Sept. 3 – Glendale, AZ @ State Farm Stadium

Nov. 3 – St. Louis, MO @ The Dome at America’s Center

Nov. 5 – St. Louis, MO @ The Dome at America’s Center

Nov. 10 – Detroit, MI @ Ford Field

Nov. 12 – Detroit, MI @ Ford Field

May 24, 2024 – Munich DE @ Olympiastadion

May 26, 2024 – Munich DE @ Olympiastadion

June 7, 2024 – Helsinki FI @ Olympic Stadium

June 9, 2024 – Helsinki FI @ Olympic Stadium

June 14, 2024 – Copenhagen DK @ Parken Stadium

June 16, 2024 – Copenhagen DK @ Parken Stadium

July 5, 2024 – Warsaw PL @ PGE Narodowy

July 7, 2024 – Warsaw PL @ PGE Narodowy

July 12, 2024 – Madrid ES @ Estadio Cívitas Metropolitano

July 14, 2024 – Madrid ES @ Estadio Cívitas Metropolitano

August 2, 2024 – Foxborough, MA @ Gillette Stadium

August 4, 2024 – Foxborough, MA @ Gillette Stadium

August 9, 2024 – Chicago, IL @ Soldier Field

August 11, 2024 – Chicago, IL @ Soldier Field

August 16, 2024 – Minneapolis, MN @ US Bank Stadium

August 18, 2024 – Minneapolis, MN @ US Bank Stadium

August 23, 2024 – Edmonton, AB @ Commonwealth Stadium

August 25, 2024 – Edmonton, AB @ Commonwealth Stadium

August 30, 2024 – Seattle, WA @ Lumen Field

Sept. 1, 2024 – Seattle, WA @ Lumen Field

Sept. 20, 2024 – Mexico City MX @ Foro Sol***

Sept. 22, 2024 – Mexico City MX @ Foro Sol

Sept. 27, 2024 – Mexico City MX @ Foro Sol***

Sept. 29, 2024 – Mexico City MX – Foro Sol

Show 1 Support Europe: Architects & Mammoth WVH**
Show 2 Support Europe: Five Finger Death Punch & Ice Nine Kills
*Five Finger Death Punch/Ice Nine Kills play show 1 in Paris, Architects & Mammoth WVH play show 2 in Paris 
**Volbeat replaces Architects on show 1 in Gothenburg

Show 1 Support North America: Pantera & Mammoth WVH***
Show 2 Support North America: Five Finger Death Punch & Ice Nine Kills
***Greta Van Fleet replaces Pantera on show 1 both weekends in Mexico City

Billie Eilish, Finneas, Chloe x Halle, Annie Lennox and Ellie Goulding to Perform at 2022 Earthshot Prize Ceremony

This year’s Earthshot Prize awards ceremony will be taped in Boston on Friday (Dec. 2) and feature performances from Billie Eilish and her brother/producer, Finneas, as well as Chloe x Halle, new Rock and Roll Hall of Fame member Annie Lennox and Ellie Goulding.

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The ceremony celebrating the environmental organization founded by England’s Prince William — who will attend alongside wife Princess Kate Middleton — will be co-hosted by TV presenter Clara Amfo and actor/director Daniel Dae Kim. The five winners will be announced by presenters including the Princess of Wales, as well as Oscar-winner Rami Malek, comedian/screenwriter Catherine O’Hara and actor/advocate Shaileen Woodley.

According to a release, the Prince of Wales will deliver remarks at the end of the ceremony, which will also feature comments from natural historian and Earthshot Prize Council member Sir David Attenborough. “I am a big supporter of the Prince of Wales’ passion for the environment and share in The Earthshot Prize’s mission to protect and restore our planet,” said Goulding in a statement. “I am particularly excited for viewers around the world to learn about the innovative solutions presented by this year’s cohort of Finalists.”

Lennox added, “The urgent need to protect and restore our Earth’s damaged environmental systems is essential for future survival. The objective of The Earthshot Prize is powerful in terms of building a ‘Waste-Free World’ and ‘Reviving Our Oceans.’ I’m therefore honored to lend my voice in support of this ambitious mission.”

Co-host Dae Kim also weighed in on participating in the event that offers up an ambitious prize aimed at finding the best solutions to help repair the planet within the remaining decade. “I’m honored to be co-hosting this year’s Earthshot Prize,” Dae Kim said. “The ground-breaking, innovative work of the 2022 Finalists leaves me inspired and hopeful that we can solve the significant challenges facing us today. Whether it’s taking care of our planet or healing our communities, each of us can and must step up to do our part. Thank you to this year’s Finalists for leading the way.”

The Prize’s five “Earthshot” goals are: protect and restore nature, clean our air, revive our oceans, build a waste-free world and fix our climate. Prince William recently announced the 15 finalists for the $1.2 million award whose widely ranging efforts aim to protect orangutans in Malaysia, build cleaner-burning stoves in Kenya, intercept plastics before they reach oceans and create leather out of floral waste, among other innovations. The ceremony will stream in the U.S. on Dec. 5 at beginning at 2 p.m. ET on PBS.org and the PBS app and at 8 p.m. ET on the PBS YouTube channel.

Miley Cyrus Is All Smiles at Her 30th Birthday Party: ‘Thankful For All the Love’

Miley Cyrus was all smiles at her 30th birthday party. The singer, who turned 30 last week, posted a pic from her celebration on Sunday (Nov. 27), cheesing it up while posing in front of a cake topped with candy bars and white frosting. “30. Thankful for all the love and kind birthday wishes,” she wrote alongside the snap.

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Some of her celebrity pals offered up some wishes as well, with Mötley Crüe drummer Tommy Lee commenting, “Happy f—ing Bday dude!!!! and Lisa Rinna writing, “Happy birthday Gorgeous!!!” Miley’s actual birthday was on Nov. 23, and that’s when her godmother, country superstar and brand new Rock and Roll Hall of Fame member Dolly Parton commented, posting a pair of pics of the two in glittering gowns surrounded by golden balloons.

“Happy birthday @MileyCyrus!,” Parton wrote. “I can’t wait to celebrate with you and ring in the new year!!” The kind note from Parton came just days after the two stars announced that they’d be co-anchoring NBC’s annual New Year’s Eve special.

NBC also shared a fun promotional video of Cyrus and Parton on the network’s official Instagram page, in which the former states, “Miley’s New Year’s Eve party is about getting glamorous and dressing your best.”

“Well, we do that every day — don’t we, Miley?” Parton chimes in, to which her goddaughter replies, “You taught me well” before their duet version of “Jolene” kicks in. Set to air Dec. 31 live from Miami, the sophomore outing of Miley’s New Year’s Eve Party will mark the second straight year Cyrus has lorded over NBC’s year-end festivities. Last year, she co-hosted the special alongside Pete Davidson with performances by Anitta, Billie Joe Armstrong, Jack Harlow, Brandi Carlile, Saweetie, 24kGoldn and more.

Check out Miley’s bday post below.

Australia Music Biz Teams With Ad Industry on ‘Our Soundtrack’ Campaign, New ARIA Award

BRISBANE, Australia — With the 2022 ARIA Awards now done and dusted, organizers are looking ahead to next year’s edition — and a brand-new category.

The Australian recorded music industry’s 37th annual ceremony will debut an award that celebrates the best use of Australian music in the creative and advertising space.

The new trophy coincides with the launch of Our Soundtrack Our Ads, a call-out to the Australian advertising industry to invest their music budgets into homegrown artists to soundtrack their work.

Spearheaded by ARIA Award-nominated recording artist Holly Rankin, the singer, songwriter and entrepreneur otherwise known as Jack River, Our Soundtrack Our Ads is the platform through which brands and creatives can gain eligibility for the new award.

It’s “an exciting opportunity for brands, creatives and the music industry to unite with a common goal of championing local music and local storytelling,” comments Rankin, whose debut full-length album Sugar Mountain opened at No. 11 on the ARIA Album Chart in 2018, and earned three ARIA Award nominations.

“We have such amazing talent here in our backyard, so getting to hear new and upcoming voices across more commercials, social media campaigns and creative content is exciting for the next generation of artists, brands and music lovers alike.”

Rankin got the ball rolling when, during the Olympic Games in July 2021, she noticed so many of the Aussie triumphs in Tokyo were beamed back home to the soundtrack of popular tunes from abroad.

So she took a stand.

Local businesses and media should do more to champion Australian music through its outlets and on commercials, she wrote in a PSA. “We need you more than ever. We wanna be your soundtrack,” read a post on her socials.

The essay went viral, commitments were made, and Our Soundtrack Our Stories was launched, to promote the use of Australian music across local businesses and media.

“We’ve been workshopping for the last 12 months, just feeling out how this would work, and making sure it would be super-authentic to both industries. And a true partnership,” explains Saynaree Oudomvilay, PR & Communications Senior Account Director at M&C Saatchi Sport & Entertainment, a partner in the new initiative.

Our Soundtrack our Ads is “really an extension of the legacy Holly has created,” she continues.

The ARIA Award should create some healthy competition. “We wanted to make (the campaign) super-accessible, and not just put out a lofty claim but back it with something tangible. The award does that,” Oudomvilay tells Billboard. “It’s also good to hold everyone accountable and make sure everyone puts their money where their mouth is in making those campaigns and engaging artists and supporting local.”

Early next year, partners in the campaign expect to share more details on what the initiative looks like, how brands can get involved, and more. In the meantime, brands, creatives and agencies can view the “pledge” and sign up for more information at the official ARIA website.

“Advertising has such an important role in impacting change across society. It creates ideas and tells stories that leave an important mark on culture. Music is no different,” comments ARIA CEO Annabelle Herd.

“I’m thrilled to celebrate talent and creativity across the two industries with this first-of-its-kind award in 2023.”

With the support and influence of Australia’s ad industry, she continues, “we can continue to create opportunities for Australian music to be heard in all its forms, by all who create it.”

Taylor Swift’s ‘Anti-Hero’ Leads U.K. Chart Race Following ‘Acoustic’ Release

First, the album version, then the cut featuring Jack Antonoff’s Bleachers. Now, Taylor Swift’s acoustic cut of “Anti-Hero” is keeping the pop superstar’s Midnights hit on high rotation.

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Swift dropped “Anti-Hero (Acoustic Version)” last week, when Americans were tucking into their Thanksgiving turkey.

The impact can be felt across the Atlantic where, in the U.K., “Anti-Hero,” is on track for a sixth week at No. 1.

“Anti-Hero” completed a fifth week atop the Official Chart, published last Friday (Nov. 25), and it remains in pole position on the U.K.’s First Look chart, which ranks singles based on sales and streams from the first 48 hours.

“Anti-Hero” has led the chart every week since its release Oct. 21. A fresh version, featuring Bleachers, dropped on Nov. 7.

Meanwhile, Meghan Trainor’s “Made You Look” is showing strength and stamina in the U.K., where its challenging “Anti-Hero” for the chart crown.

Trainor’s doo-wop number is inching closer and lifts 3-2 on the chart blast, for what would be a chart peak.

If “Made You Look” unseats “Anti-Hero,” it would be Trainor’s third leader and first in seven years; her last was 2015’s Charlie Puth collaboration “Marvin Gaye.”

With England getting their World Cup campaign away to winning start, Baddiel, Skinner & The Lightning Seeds’ “Three Lions” looks set to kick another goal. The former chart leader is rolling towards the top 10, up 20-12 on the chart blast, and should enjoy a lift in the leadup to England’s final Group B fixture against Wales on Tuesday (Nov. 29).

A holiday-themed version of the track, “Three Lions (It’s Coming Home For Christmas),” could keep the song in the chart for the weeks ahead.

“Three Lions” would have company, with several Christmas classics making their annual march up the chart. Mariah Carey’s “All I Want For Christmas Is You” (up 18-8 on the chart blast) and Wham’s “Last Christmas” (23-10) are set to return to the top 10. Not far behind is Ed Sheeran & Elton John’s “Merry Christmas,” which hit No. 1 last December and lifts 40-16 on the chart blast. 

All will be revealed when the Official U.K. Singles Chart is published Friday (Dec. 2).

Dermot Kennedy’s ‘Sonder’ Starts at No. 1 In U.K.

Dermot Kennedy makes it two-from-two as Sonder (via Island) debuts at No. 1 on the U.K. albums survey.

The Irishman bows at the summit of the Official Albums Chart, published Nov. 25, and shifts a market-leading volume on vinyl.

Sonder equals the peak position of his 2019 debut, Without Fear, which saw the Dublin-born singer and songwriter became the first Irish act to top the U.K. chart with their debut album in over 20 years, the OCC reports.

The Christmas chimes are ringing in the top 5, as André Rieu and the Johann Strauss Orchestra enter at No. 4 with Silver Bells (Decca), a Christmas classics collection. It’s the Dutch classical crossover artist’s 13th U.K. top 10 album entry.

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Meanwhile, Queen enjoys a miracle return to the top 10. The legendary rock act’s 1989 LP The Miracle (Virgin) blasts to No. 6 on the latest list, thanks to an eight-disc reissue featuring previously-unreleased cuts, some with the late Freddie Mercury’s vocals. The Miracle led the U.K. chart following its original release in 1989.

Nickelback roll into the top 10 with Get Rollin’ (BMG), the Canadian rockers’ tenth studio album. It’s the band’s seventh top 10 appearance and first since 2017’s Feed The Machine went to No. 3.

Manchester rapper Meekz lands a career-best with his mixtape Respect The Come Up (Neighbourhood Recordings), new at No. 12, while U.S. heavy metal veterans Disturbed earn a fifth top 40 appearance with Divisive (Reprise), new at No. 17.

The late master David Bowie lands a 68th U.K. top 40 with the Moonage Dream OST, the companion to Brett Morgen’s feature length documentary film of the same name. The posthumous recording is new at No. 20.

Christmas is less that one month away, and that mean another burst of energy for Michael Bublé’s festive collection. The multi-platinum Christmas (Reprise) set soars 50-26, and will likely continue in that trajectory for the weeks ahead.

Taylor Swift’s ‘Anti-Hero’ Remains Unbeaten on U.K. Chart

Taylor Swift’s “Anti-Hero” (via EMI) continues to beat-up the opposition in the U.K., where it enters its fifth week at No. 1.

“Anti-Hero,” the first track from Swift’s chart-topping tenth studio album, Midnights, dominates the latest Official U.K. Singles Chart, published Nov. 25, with a market-leading 5.2 million streams, the OCC reports.

It becomes the longest-reigning song by a solo female artist since Olivia Rodrigo spent five weeks at No. 1 in 2021 with “Good 4 U,” and it’s among the biggest No. 1 hits of 2022.

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Just three songs have enjoyed longest stints at the U.K. summit this year: Encanto’s “We Don’t Talk About Bruno” (seven weeks), LF SYSTEM’s “Afraid To Feel” (eight weeks) and Harry Styles’ “As It Was” (10 weeks). 

Meanwhile, Meghan Trainor continues to climb on the latest tally with “Made You Look” (Epic), which makes its peak position of No. 3, up one position.

The highest new entry this week belongs to London rapper Clavish with “Rocket Science” (Polydor) featuring D-Block Europe. “Rocket Science” lifts off for a No. 9 debut, Clavish’s first appearance on the U.K. top 40, and D-Block Europe’s 27th appearance (including two top 10s).

The Christmas tunes are coming. Just one week removed from its earliest-ever return to the top 40, Mariah Carey’s “All I Want For Christmas Is You” (Columbia) is getting a move on, up 36-18. Good enough for the OCC’s “biggest gainer” honors.

Close behind are two holiday-themed chart-toppers in Wham’s “Last Christmas” (RCA), up 42-23, and Ed Sheeran and Elton John’s “Merry Christmas” (Atlantic), which reennters at No. 40.

Christmas isn’t the only major event on British minds right now.

The World Cup of soccer is in full swing, with England and Wales both active in the early rounds. Following England’s first-up demolition job on Iran, 6-2, David Baddiel, Frank Skinner and the Lightning Seeds’ “Three Lions” reenters the chart, at No. 20. The unofficial England football anthem and former leader gets a boost from a new cut, “Three Lions (It’s Coming Home For Christmas).”

Finally, British singer and songwriter Raye lands her 10th top 40 single with “Escapism” (Human Re Sources), a collaboration with U.S. electronic artist 070 Shake, new at No. 31; while another collaboration, Meekz and Dave’s “Fresh Out The Bank” (Neighbourhood Recordings), cracks the top 40 on debut, at No. 35.  

Jon Batiste to Sing for Macron at Biden’s First State Dinner

Musician Jon Batiste is on tap to perform at President Joe Biden’s first White House state dinner on Thursday that will highlight long-standing ties between the United States and France and honor President Emmanuel Macron.

“An artist who transcends generations, Jon Batiste’s music inspires and brings people together,” said Vanessa Valdivia, a spokesperson for first lady Jill Biden, whose office is overseeing dinner preparations.

“We’re thrilled to have him perform at the White House for the first state dinner of the Biden-Harris administration,” Valdivia said.

The black-tie dinner for Macron will be part of what is shaping up to be a busy social season at the White House. The Bidens’ granddaughter Naomi was married on the South Lawn earlier this month. And first lady Jill Biden was set on Monday to unveil the White House decorations that will be viewed by thousands of holiday visitors over the next month.

Reporters returning to the White House on Sunday with the president saw large wreaths studded with shiny Christmas tree ornaments and red bows suspended from the south side of the White House. Wreaths also were hung on the Pennsylvania Avenue side of the building. White lights were draped over the shrubs and other landscaping on the South Lawn. A Christmas tree could be seen through the windows of the Oval Office.

Batiste will be adding White House entertainer to an already long list of roles, including recording artist, bandleader, musical director, film composer, museum creative director and scion of New Orleans musical royalty.

He won five Grammy Awards this year, including for album of the year for “We Are.” During the awards show in April, Batiste ended his dance-filled performance of “Freedom” by jumping up on Billie Eilish’s table.

Batiste, 36, most recently was bandleader and musical director of The Late Show with Stephen Colbert, leaving the broadcast after a seven-year run.

Batiste composed music, consulted on and arranged songs for Pixar’s animated film Soul. He won a Golden Globe for the music alongside Trent Reznor and Atticus Ross of Nine Inch Nails. The trio also earned the Academy Award for best original score. For their work on Soul, Batiste, Reznor and Ross won the Grammy for best score soundtrack for visual media.

The Washington Post was first to report that Batiste will perform at the dinner.

Gene Cipriano, Famed Session Musician and Woodwind Player in Hollywood, Dies at 94

Gene Cipriano, the always busy woodwind player who soloed on tenor sax for Tony Curtis in Some Like It Hot and recorded with everyone from Miles Davis, Rosemary Clooney and Frank Sinatra to Glen Campbell, Paul McCartney and Olivia Newton-John, has died. He was 94.

Cipriano died Nov. 12 of natural causes at his home in Studio City, his son Paul told The Hollywood Reporter.

Perhaps the most recorded woodwind player in show business history, Cipriano played soprano, alto, tenor, baritone and bass saxophones, all the clarinets and flutes, the oboe and bass oboe, the piccolo and the English horn.

Affectionally known as “Cip,” the session musician performed as a member of the Academy Awards Orchestra in the neighborhood of 60 times since 1958. (At the 1977 show, he exchanged “yo’s” with Barbra Streisand, who had just arrived at the podium after having won for “Evergreen.”) 

Cipriano on oboe is heard at the start of Sinatra’s melancholy “It Was a Very Good Year,” and he performed on several of Campbell’s early hits, including “Wichita Lineman” and “By the Time I Get to Phoenix.”  

Like Campbell, he was an occasional member of The Wrecking Crew, the fabled set of studio musicians who recorded with the likes of The Beach Boys, Jan & Dean, The Monkees, Nancy Sinatra and Sonny & Cher.

“It was a lot of fun because a lot of times the composer would say to the rhythm section, ‘Think of something wild that would fit this particular piece of music,’” Cipriano recalled in a 2019 interview for the website Making Life Swing. “They would think of something and then they’d ad lib and tell us what to play. Sometimes we’d make up music right on the spot.”

Shortly after moving from New York to California in the 1950s, Cipriano was hired by Henry Mancini to play flute on the new NBC crime series Peter Gunn. The pair then collaborated on CBS’ Mr. Lucky and in films including The Days of Wine and Roses (1962), Hatari! (1962), Charade (1963) and The Hawaiians (1970).

Cipriano worked alongside Johnny Mandel on The Sandpiper (1965) and with Michel Legrand on The Thomas Crown Affair (1968) and was heard on West Side Story (1961), Cleopatra (1963), The Americanization of Emily (1964), Point Blank (1967), The Wild Bunch (1969), The French Connection (1971), Marathon Man (1976), One From the Heart (1981), The Karate Kid (1984), Up (2009) and more.

Born on July 6, 1928, in New Haven, Connecticut, Cipriano started taking clarinet lessons from his father, Fred, who played on Broadway and with the New Haven Symphony.

“He put a clarinet in my hands when I was 8 years old,” he said. “I began to listen to Benny Goodman and Artie Shaw, and I said, ‘That’s what I want to do.’”

As a junior in high school, Cipriano landed a gig with Ted Fio Rito’s orchestra, where he met trumpeter Doc Severinsen. After he finished school, he worked with Clooney and her sister Betty in The Tony Pastor Band, with pianist Mancini in The Tex Beneke Band and with singer Frances Irvin, his soon-to-be wife, in the Tommy Dorsey Orchestra.

After he relocated to California, Mancini gave him his big break on Peter Gunn. “That got me started because it became such a hot item and then all the other leaders said, ‘Well, get me those guys who played with Henry Mancini,’” he noted in another 2019 interview.

Cipriano also performed on Elvis Presley’s NBC comeback special in 1968. Over the years, he recorded with Shorty Rogers, Harry Nilsson, Neil Diamond, Thelonious Monk, Elton John, Frank Zappa, Gerry Mulligan, Helen Reddy, Barry Manilow and Seth MacFarlane. He also played on many Emmy and Grammy telecasts.

In 2006, Cipriano recorded his own CD, First Time Out, a collection of jazz tunes.

In addition to his son Paul, survivors include his other children, Genie, Suzanne and Fred; grandchildren Grant and Alicia; great-grandchildren Natalie and Emily; and sister Marie.

His wife of 43 years, Frances, died in 1996. Four years later, Cipriano met singer Catherine “Cat” Conner, and they performed all over Los Angeles in a small band. She cared for him until his death.

This article originally appeared on The Hollywood Reporter.

The Real Story Behind Lionel Messi’s Favorite Soccer Song

Following Argentina’s nail-biting 2-0 win over Mexico during the 2022 FIFA World Cup in Qatar on Saturday (Nov. 26), social media was flooded with clips of the team singing triumphantly in the locker room. The song is “Muchachos, Ahora Nos Volvimos a Ilusionar” (which translates loosely to “Boys, We Have Our Hopes Up Again”) by La Mosca, the Argentine nine-piece band that plays a blend of ska, rock and pop, laced with tango pathos.

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“Muchachos” has been on global fans’ radar ever since striker Lionel Messi, widely regarded as the best soccer player in the world, claimed during an interview with an Argentine channel earlier this year that it was his favorite soccer song amongst dozens — and actually sang a bit live. On Saturday, after Argentina averted disqualification from the World Cup with its two goals, one scored by Messi himself, the song was again on the spotlight, and very appropriately so. After all, it mentions Messi in the opening line: “I was born in Argentina, land of Diego and Lionel, of the kids from the Falkland Islands, whom I’ll never forget.”

But it didn’t use to. Originally titled “Muchachos, Esta Noche Me Emborracho” (“Boys, Tonight I’ll Get Drunk”), it was a heartbreak song written in 2003 by La Mosca lead singer Guillermo Novellis and Sergio Cairat. In July 2021, fan Fernando Romero wrote new lyrics celebrating Argentina’s road to the final of Latin American soccer tournament Copa América. A chance encounter with a camera crew outside the final in Brazil made the song with new lyrics go viral, and caught the attention of Messi and his teammates.

It also caught the attention of Novellis and La Mosca, who recorded and released the new version (where Romero gets credit) just two weeks prior to the kickoff of the World Cup. Billboard caught up with Novellis, who, like Messi, is celebrating his high hopes.

Billboard: “Muchachos” is a rather melancholy song. Are you surprised it’s become a soccer anthem?

Guillermo Novellis: It’s a song that has a lot of tango in its lyrics and melody. But like all La Mosca songs, it’s put in a rhythmic, danceable context. Some five, six years ago, a local team Racing Club adapted the lyrics, and then, other clubs did too. But this version started with Copa América, and the new lyrics are really good. They have to do with our frustrations, our success, our hopes, the Falklands, finals lost and finals won. And of course, the hope of being champions again. Maybe that’s why it resonated so much with fans and players.

You released this new version the week prior to the World Cup. When did you decide to re-record the song?

If was something that our manager Santiago Ruiz pushed. We recorded it, and then a couple of weeks before the World Cup, they interviewed Messi and asked him what his favorite song was. He said “Muchachos” and actually sang it. I mean, it’s like arriving in Rome and being introduced to the Pope.

Do you personally know Messi?

Yes. We’ve seen him several times and even played for his birthday party when he turned 20. We’ve crossed paths several times. I can’t say we’re friends, but we’ll likely be from this moment on.

Just last week, Argentina lost against Saudi Arabia. Had you lost on Saturday, you would have been out of the World Cup. How worried were you?

We were all thinking about that match. But things have a way of shaking out. The World Cup is very short, and I want to win every game. You can only lose one match. And Argentina lost it at the very beginning. Argentina was coming from a great run, winning every single match they played, and maybe that bucket of cold water got our pride up again. There’s always a silver lining. Soccer is a marvelous sport and it doesn’t respond to statistics, like tennis or American football. With the band, we have a little mantra: We wish each other a Merry Christmas, because if it’s merry, it means everything fell in place.

Do you think Argentine fans are different from other fans?

I really do. We see it not only in soccer but also in music. The Argentine fan isn’t happy just being a spectator; he wants a starring role, from the stands, from the audience. And that’s great. As far as soccer goes, every single person in Argentina has played soccer at some point in their lives.

You’re in the middle of a tour. Will you also perform in Qatar this year?

That all depends on whether or not we have a Merry Christmas!

Watch the new version of “Muchachos” below.