Music

Mariah Carey Leads Christmas Trifecta on Midweek U.K. Chart

The Christmas takeover is about to begin on the U.K. chart, with three holiday classics jostling for the crown.

Based on sales and streaming data published by the Official Charts Company, Mariah Carey’s “All I Want For Christmas Is You” (Columbia) holds the edge at the halfway point, ahead of Wham’s “Last Christmas” (RCA) and Ed Sheeran & Elton John’s “Merry Christmas” (Atlantic), respectively.

Just 1,000 chart sales separate the three tracks at the midweek point, the OCC reports.

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All three tracks have led the Official U.K. Singles Chart, with Carey’s 1994 classic the current No. 1.

They’ll face some stiff competition for the coveted Christmas No. 1 in the form of LadBaby. The husband and wife duo of Mark and Roxanne Hoyle last year made history with a fourth consecutive U.K. Christmas No. 1, a streak they intend to extend with a fundraising cover of Band Aid’s “Do They Know It’s Christmas?”

The single will drop this Friday (Dec. 16), with proceeds from it divided equally between food bank charity The Trussell Trust and the Band Aid Trust.

This year’s countdown to the Christmas No. 1 will be revealed on Friday, Dec. 23.

Meanwhile, the original Band Aid all-star recording is one of many Christmas songs which stuff the Official Chart Update, as classics by Brenda Lee, Michael Buble, the Pogues featuring Kirsty MacColl, and Bobby Helms rise in the top 10.

Also noteworthy is Lizzo’s cover of Stevie Wonder’s “Someday At Christmas” (Atlantic), an Amazon Music “Original,” which eyes a new peak, up 21-13 on the chart blast, while Kelly Clarkson’s “Underneath The Tree” (RCA) could land its highest spot on the chart, at No. 14.

The highest debut on the chart should belong to SZA, whose “Kill Bill” (RCA/Top Dawg) bows at No. 24 at the midweek point, and “Nobody Gets Me” is set to start at No. 28. Both are lifted from the U.S. R&B artist’s long-awaited sophomore album, SOS, which dropped last Friday.

Sam Ryder Leads U.K. Chart Race With ‘Space’

Sam Ryder is up, up and away in the U.K. albums chart race.

The hirsute Eurovision contestant leads the midweek chart with There’s Nothing But Space, Man! (via Parlophone), his debut album.

Space, Man holds an advantage of almost 2-to-1 over its nearest competitor, SZA’s SOS, the Official Charts Company reports.

Ryder represented England at Eurovision 2022 in May, his entry “Space Man” raking in 466 points for second place behind the winners from Ukraine, Kalush.

“Space Man” went on to peak at No. 2 on the Official U.K. Singles Chart in the same month, losing out to Harry Styles’ mega-hit “As It Was.”

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If it maintains its trajectory, There’s Nothing But Space, Man! would become the first debut album by a solo artist to hit No. 1 in the U.K. since Oliva Rodrigo’s Sour in March 2021, according to the OCC.

Coming in at No. 2 on the Chart Update is SZA’s long-awaited second LP SOS (via RCA/Top Dawg), which is on track to land the U.S. singer a career chart peak and her first U.K. top 10. Regardless of where it enters, SOS should top the No. 45 best for her critically-regarded debut Ctrl from 2017. 

English singer and songwriter Sam Fender could nab two top 10 titles this week, with Live From Finsbury Park (Polydor) set to debut at No. 7, and his former leader Seventeen Going Under on course to lift 45-9. Earlier in the week, Fender was announced as a headliner for the 2023 edition of Britain’s Reading and Leeds Festivals.

Also eying a top 40 U.K. debut is A Boogie Wit Da Hoodie’s fourth album Me Vs Myself (Atlantic), which currently sits at No. 21. The U.S. rapper hit No. 11 with his previous collection, 2020’s Artist 2.0.

As the U.K. enters a cold snap, Christmas tunes are dominating playlists at home. No less than four holiday-themed albums appear in the top 10 of the chart blast, led by Michael Buble’s Christmas (via Reprise), up 5-4.

All will be revealed when the weekly chart is published Friday.

BTS’ Jin Shares Photo of Buzzed Haircut Ahead of Military Enlistment

Jin shared a private moment with fans ahead of his mandatory military enlistment on Tuesday.

The superstar uploaded a selfie to BTS’ fan-community WeVerse site showing his new buzzed haircut. Gone are his long signature locks that were on full display in his recent “Astronaut” music video and instead, the 30-year-old is rocking a super-short style, commonly known as the “induction cut,” as the hairstyle used by many country’s armed forces including the United States. Jin captioned the photo laughing, saying that he found the new cut “cuter than I thought.”

Unlike a buzzcut from the barber, the military haircut doesn’t keep regard for length or facial features but is cut equally all around one’s head. All recruits in South Korea must have their hair cut short before weeks of basic-training programs at the start of their service. Per national law, all able-bodied South Korean men must serve in the armed forces for at least 18 months with varying lengths of service time. While the draft begins once they turn 18, men may postpone it until age 28. In December 2020, the Korean National Assembly passed a motion (nicknamed the “BTS law”) to allow top K-pop stars to postpone service until age 30 with a recommendation from the culture minister.

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BTS’ management label BIGHIT MUSIC recently shared a notice to fans that there will be no “official event” to mark the star’s enlistment.

“Jin will fulfill his required time with the military by enlisting in the army,” read a note from BIGHIT on BTS’ Weverse. “Please note that we will not be holding any kind of official event on the day of his recruitment. The entrance ceremony is a time to be observed by military personnel and their families only. In order to prevent any issues that might occur from crowding, we ask fans to please refrain from visiting the site. Instead, we ask you to keep your heartwarming words of support and farewell in your hearts.”

Jin is the first of the seven BTS members to fulfill his mandatory obligations.

Click here to see Jin’s new photo.

Caroline Polachek Announces 2023 North American & European Tour

Just a week after Caroline Polachek announced that her new album Desire, I Want to Turn Into You will be arriving in February, the singer revealed her list of 2023 tour dates on Monday (Dec. 12).

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The North American and European run, called the Spiraling Tour, features a number of opening guests that will take part in certain dates of the tour, including Doss, Alex G, Ethel Cain, Sudan Archives, Magdalena Bay, George Clanton and Toro y Moi.

The tour will kick off on February 10 in Brighton, England, and stretch through February 27 in Antwerp, Belgium. The live shows will then head across the pond on April 14, when Polacheck will begin her North American tour in Philadelphia, Penn. The “Hit Me Where It Hurts” singer will perform in major cities across the continent including Boston, Mass.; Austin, Texas; Los Angeles, Calif.; Chicago, Ill.; Nashville, Tenn. and more before wrapping up in New York City on May 20.

Fans can sign up for ticket pre-sale via Polachek’s website here beginning on Wednesday (Dec. 14) at 10 a.m. local time. General onsale goes live on Friday (Dec. 16).

Polacheck’s upcoming album Desire, I Want to Turn Into You, arrives on Feb. 14, 2023, and follows her 2019 album, Pang, which featured singles “Door,” “Ocean of Tears,” “Parachute” and “So Hot You’re Hurting My Feelings.”

See Polachek’s announcement, which includes the full list of tour dates, below.

Lizzo Is ‘100% That Grinch’ in Festive Bondage Outfit

‘Tis the season to get sexy. Lizzo took to Instagram over the weekend (Dec. 10) to share her spicy take on a popular holiday character.

“100% THAT GRINCH,” she captioned a video in which she’s dressed as The Grinch, rocking a green wig and matching smokey eye, along with a bondage-style jumpsuit, with fur and chains all down the bodice. In the clip, she twerks along to the chorus of Shelby Swain’s “Mrs. Grinch,” in which she raps, “I’m a bad b—-, Mrs. Grinch / I’m a real one, I don’t f— with them / All wrapped up in designer, from n—-s I don’t got time for / Mrs. Grinch, Mrs. Grinch.” Swain also created Lizzo’s hair look for the Grinch transformation.

Lizzo is set to step in for previously announced performers Yeah Yeah Yeahs on next weekend’s Saturday Night Live as the final musical guest of 2022, as the band had to cancel because guitarist Nick Zinner is still recovering after contracting pneumonia last month. When the “About Damn Time” singer joins host Austin Butler on the Dec. 17 episode, it will mark the third time the pop-rap star has performed on the show.

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“SURPRISE,” Lizzo wrote on her Instagram on Dec. 11 announcing the news. In April, the three-time Grammy winner pulled double duty on Saturday Night Live, hosting and performing the self-love anthem “Special” and “About Damn Time.”

Say ‘Arriverderci’ to ‘White Lotus’ Season Two With This House Edit of the Show’s Theme Song

As we collectively process yesterday’s season finale of The White Lotus — What happened between Ethan and Daphne on Isola Bella? Will Greg still inherit Tonya’s money? Did Cameron ever get his suitcase? — the show’s theme song has gotten a house remix from Los Angeles-based producer Enamour.

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On the edit, which you can listen to here, Enamour artist adds layers of percussion and a house bounce to the already hypnotically strange original, “Renaissance (Main Title Theme).” The remix extends the track to six and half minutes, making good use of the source material’s spooky turkey gobble vocals.

The Enamour remix has gotten rinsed by Mikey Lion, who played it during a set last weekend in Los Angeles. Forthcoming Enamour releases are coming via Factory 93, Anjuadeep, Days Like Nights.

The original White Lotus season two theme was composed by Cristobal Tapia De Veer, a Chilean-born Canadian film and television composer, arranger, producer and multi-instrumentalist who’s also worked on the scores for Utopia, Black Mirror and the first season of White Lotus, the theme song for which was a variation on that for season two.

For the second season, Tapia De Veer beefed up the theme’s beat and added some primal urgency to the shrieking vocals, with this original serving as something of a dance track in and of itself.

In related news, White Lotus star Jennifer Coolidge took part in a conversation with Ariana Grande during which she credited the pop star for helping launch her recent career renaissance.

“I’m curious if you know that when people ask about how my life has changed … Yes, I got to do White Lotus, but I think it really started with you asking me to be in the ‘Thank U, Next”‘ video,” the actress told Grande as part of her Entertainment Weekly Entertainers of the Year cover story published today (Dec. 12).

“I mean, from there I got Promising Young Woman and this whole thing,” she continued. “You were sort of the instigator. I really believe that. I think if you hadn’t put me in ‘Thank U, Next’ and done that imitation, I don’t think I would be here where I am.”

Rihanna, Tems & More React to Golden Globes Nominations: ‘God Be Showin Out!’

The Golden Globes revealed its list of jam-packed nominees for the 2023 ceremony on Monday (Dec. 12), and Rihanna, Tems, Taylor Swift, Selena GomezZendaya, Lady Gaga and Donald Glover (aka Childish Gambino) are among the artists nominated for awards.

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Rihanna and Tems are nominated for best song – “Lift Me Up” from Wakanda Forever; Lady Gaga is up for an award in the same category – “Hold My Hand” from Top Gun: Maverick; Gomez is nominated for best actress in a television series – musical or comedy for Only Murders in the Building; Zendaya for best actress in a television series – drama for Euphoria and Glover for best actor in a television series – musical or comedy for Atlanta.

Jerrod Carmichael is set to host the 80th Annual Golden Globe Awards. The three-hour telecast will air live coast-to-coast on Tuesday, Jan. 10, 2023, at 8 p.m. ET/5 p.m. PT from The Beverly Hilton in Beverly Hills, Calif., on NBC and Peacock.

Following the nominations announcement, a number of stars took to social media to express gratitude and excitement over the honor. See reactions from Rihanna, Tems, Hugh Jackman and more below.

Jewel Takes Over ‘Kellyoke’ for ‘Merry Little Christmas’ Cover

It’s the most wonderful time of the year for Jewel to take the reins at The Kelly Clarkson Show. With Kelly Clarkson home sick, the pop star stepped in to deliver a “Kellyoke” cover of “Have Yourself a Merry Little Christmas” on Monday (Dec. 12).

“As always, we’re gonna dive straight in with music,” the host announced via satellite from her home, “except this is a little different — I’m very excited. Instead of a standard ‘Kellyoke,’ I have a good friend and super talented singer, she’s right there to lift you up with a signature song of the season.”

From there, Jewel launched into a wistful, jazz-tinged rendition of the holiday standard, singing, “Have yourself a merry little Christmas/ Let your heart be light/ From now on, our troubles will be out of sight/ Through the years, we all will be together/ If the fates allow/ So hang a shining/ Hang a shining star upon the highest bow/ And have yourself a merry little Christmas now.”

(Billboard can confirm that Jewel’s episode was taped on Dec. 2 and a fully recovered Clarkson is now back on set.)

Right after Jewel’s performance, Clarkson interviewed her fellow singer remotely about holiday traditions, music, Dolly Parton and more. “We grew up without television, without radio,” The Masked Singer champ said. “And so singing was, like, our main tradition. So tons of Christmas songs and folk songs and Swiss-German songs, all kinds for the holidays.”

Watch Jewel soar through “Have Yourself a Merry Little Christmas” below.

10 Cool New Pop Songs to Get You Through the Week: Rebecca Black, UPSAHL, Cuco & More

Looking for some motivation to help power you through the start of another work week – particularly as we get within striking distance of the end of the year? We feel you, and with some stellar new pop tunes, we’ve got you covered.

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These 10 tracks from artists like Rebecca Black, UPSAHL, Bree Runway & Stormzy, Cuco, BLK ODYSSY & BNXN (fka Buju) will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.

UPSAHL, “Kickflip”

UPSAHL’s new EP Sagittarius explores complementary and contradictory facets of her personality. Opening track “Kickflip” finds the alt singer-songwriter in an uncompromised state of casual confidence as she declares, “Wow, I just fell in love with myself” over a shuffling rhythm and some fuzzy little guitar hiccups.  – Joe Lynch

Porsh Bet$, “364”

Rising independent talent Porsh Bet$’s returns with “364,” a gentle, contemplative tribute to a relationship that ended just one day shy of a calendar year. Bet$’s voice is marinated in sweet melancholy, as if he knows the goodbye is final but hasn’t yet finished sneaking a few glimpses in the rearview mirror. – J. Lynch

BLK ODYSSY & BNXN fka Buju, “Lay Low”

BLK ODYSSY’s (Sam Houston) aptly titled “Lay Low” is a smooth, syncopated slice of lush R&B with elements of cool jazz and Afrobeats, the latter thanks in part to Nigerian singer-songwriter BNXN, who keeps the energy percolating even while the vibes remain chill. – J. Lynch

Bree Runway feat. Stormzy, “Pick Your Poison”

Fresh off a five-track EP titled Woah, What a Blur!, Bree Runway said in a statement she is “pressing restart after what a blurry year this has been … I became alive again putting this together.” Standout track “Pick Your Poison” features a more meditative Stormzy, as he opens with a simple wish in his warm and calming tone: “When you pick your poison, I just hope it’s me.” – Lyndsey Havens

Daniel Seavey, “Runaway”

After making his solo debut with the explosive “Can We Pretend That We’re Good?” the Why Don’t We co-founder is back with the similarly punchy and experimental “Runaway.” The self-produced song seamlessly slithers through thunderous production to tinnier, grittier beats before closing with an unexpected piano melody. With Seavey on his own, it’s clear he’s overflowing with ideas — and wasting no time exploring them all at once. – L. Havens

Rebecca Black, “Look at You”

Written about a best friend, Rebecca Black’s latest single, the uptempo “Look At You,” gives fans a crisp idea of what to expect from her upcoming debut album. Equal parts confessional (“I’m so jealous of you”) and rallying (“She’s got nothing on you, I hope you see that now”), the electric riffs help Black’s delicate, airy vocals hit home. – L. Havens

Ella Jane and Charlie Hickey, “Sore Loser”

Brooklyn-based newcomer Ella Jane tapped Saddest Factory’s Charlie Hickey for “Sore Loser,” a raw and clever ode to those who aren’t often victorious in the game of love (or life). “I’m getting kinda sick of watching the scoreboard … I don’t think I can play you anymore,” Jane admits. Hickey’s own verse finds victory in being vague, leaving the listener to decide if the two are opponents or teammates. – L. Havens

Cuco, “Pendant”

Loss is never easy to experience and can be even harder to articulate, but Cuco does so on new track “Pendant” with humility, grace and reverence for the person who is no longer with him. The track kicks off with a forlorn piano melody, which accompanies the Mexican-American artist’s dreamy delivery as he sings, “Crawlin’, now you’re walkin’/ Then you’re running out of time/ Forgot to reminisce/ But don’t forget to say goodbye.” Sometimes, there’s freedom and bliss in letting go, as seen in this song’s seismic shift to an uplifting psychedelic groove where Cuco assures himself, “I’ll find my way, I’ll be okay.” – Starr Bowenbank

Surf Rock Is Dead, “pretenders”

The plucky electric guitar notes and booming drumbeats of Surf Rock Is Dead’s “pretenders” (the opening song on the band’s new EP, Drama) lets listeners know that tension is on the horizon. According to the band, the song — through a fuzzy blanket of psychedelic rock — explores the ennui and despair of knowing a relationship is reaching its end. – S. Bowenbank

The Greeting Committee, “Anything But You”

The Greeting Committee’s latest effort “Anything But You” sums up falling in love – the stolen kisses, moments spent waiting by the phone, sloppy dances and more – in song form. The instrumentation matches the lyrics’ sunny vibes perfectly, flitting between sappy acoustic and electric guitar as well as a small but noticeable element of country twang throughout the indie gem. – S. Bowenbank

Kaskade & Deadmau5 Shrug Off ‘Exploding Generators’ at Debut Kx5 Stadium Show

Not even a power outage caused by a generator fire or an impending rainstorm could slow down Kx5 from taking over the Los Angeles Memorial Coliseum on Saturday.

Kx5 – a collaboration between Kaskade and Deadmau5 — did their second stadium show of the year in Los Angeles, following Kaskade’s inaugural public concert in July 2021 at the new SoFi Stadium, when Kaskade invited the Mau5 to open the show and the Kx5 project was first teased.

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The Coliseum concert, which Kx5 representatives say drew 46,220 fans, marks the biggest ticketed global dance event of 2022 for a headline artist, according to Billboard Boxscore.

The scheduled two-hour show was marred by a power outage to the stage around the midpoint that forced a nearly half-hour delay. When the duo retook the stage, Deadmau5 told the crowd that “a generator caught fire” and the duo poked fun at the power company. “A little fire is not going to stop a good time,” Deadmau5 said. “I’m actually kind of surprised how quickly we got that back up, considering.”

(Deadmau5 later posted an all-black screen on his Instagram, quipping that “here’s some footage of the stage production when the generator caught fire,” drawing a “hahahahahahahaha” from Kaskade.)

A spokesperson for Deadmau5 and Kx5 tells Billboard that the main generator powering the stage production “caught fire due to overheating, and due to safety reasons they had to wait until flames were put out before the backup generators kicked in.” (The spokesperson adds that the Coliseum allowed the duo to play past their curfew to complete the show.)

The temporary loss of power only impacted the stage production and had no effect on the rest of the venue, Kevin Daly, the Coliseum’s assistant general manager, tells Billboard.

The stadium show capped a year in which Kx5 released several singles together, including “Escape,” “Alive” and “Take Me High.” They plan to release an album together in 2023, a spokesperson confirms to Billboard

Joel Zimmerman, the Toronto-based producer known as Deadmau5, and Ryan Raddon, the Chicago-born and LA-based Kaskade, have a long history of producing together, dating back to the 2008 dance hit “I Remember” and 2014’s “Move for Me,” songs that helped define the EDM explosion in the U.S. They also performed as Kx5 at this year’s Electric Daisy Carnival in Las Vegas.

Saturday’s event featured a mix of Kaskade and Deadmau5 hits, including “Ghosts ‘n’ Stuff” and “The Veldt,” and their Kx5 collaborations. It ended with an encore of “Escape,” the Kx5 track that topped the Billboard Dance/Mix Show Airplay chart in April. British singer Hayla emerged onstage in a glittering silver dress to sing along as fireworks burst from the top of the stage for nearly a full minute. A steady drizzle finally kicked in just as fans were exiting the venue.

Aside from their new musical productions, the duo’s onstage performance on Saturday showcased high-level production, including frequent fireworks and other pyrotechnics and several aerial drone-writing moments, including one depicting the entrance to the Coliseum and another of the outline of the state of California. 

The production also leaned into elements of Deadmau5’s previous live appearances featuring the Cube v3 – which he designed and helped write code for — that have earned the Canadian DJ-producer a reputation as a live-event technical innovator. For the Kx5 show the duo took the stage atop separate cubes that moved side-to-side on tracks, spun 360 degrees and could elevate about 10 feet in the air. The cubes occasionally joined up together where the DJs could interact with each other and appear on camera together for the audience.

Saturday’s show also marked the first time that Kaskade had performed in the Coliseum since 2010, when he headlined the last Electric Daisy Carnival to be held in Los Angeles. The two-day festival was scarred by the death of 15-year-old Sasha Rodriguez, who died of a suspected drug overdose after attending the event, leading Insomniac to move EDC to Las Vegas in 2011, after 13 years at the LA Coliseum.

“What was that, a gap of 12 years?” Deadmau5 asked Kaskade in Saturday’s waning minutes. “Holy shit.”