Music

The 26 Best Winter Songs for the Season

The days are shorter, the nights are colder and the trees are bare. Inside, fireplaces are crackling to shield loved ones from the chilly air. When winter makes its way back around, sunny days can sometimes feel like distant, made-up memories.

While the gloom can lead to long hours inside as you avoid muddy snow and frostbitten fingers, those languid evenings can transform into quite the cozy affair, given the right soundtrack. That’s why Billboard has put together a list of 26 essential tracks for your wintertime listening pleasure.

We know December marks the beginning of celebrations for “the most wonderful time of the year.” But a good winter playlist goes beyond Christmas trees and jingling bells. The mix should be one you’d listen to all season long — weeks and months after unwrapping your final gift. So no, you won’t find Mariah Carey’s “All I Want For Christmas Is You” nor any of your holiday favorites below (for that, you can check out Billboard’s Greatest of All Time Holiday 100 list based on our charts).

Keep reading to discover tunes consistent with the mood shift that — for many of us — rolls in with the cold front. The increased time spent with our own thoughts brings on a brooding self-reflection that can feel as comforting as it can feel overwhelming. Artists from Taylor Swift to Bob Dylan to The Weeknd have captured that feeling, crafting riveting wintery melodies ideal for introspection, whether you’re curled up with your favorite blanket or venturing out into the snow.

Blake Shelton Explains Why Gwen Stefani Was ‘Literally Sobbing’ During ‘The Voice’ Finale

That’s a wrap! Season 22 of The Voice concluded on Tuesday night (Dec. 13) and saw contestant Bryce Leatherwood Tuesday night’s (Dec. 13) finale marked Stefani’s last appearance on the show. and add yet another victory notch to Blake Shelton‘s belt. But when the cameras stopped rolling, fellow coach Gwen Stefani — who is married to the country star — was inconsolable, and not because she lost.

“I walked over to Gwen’s chair after the cameras went off and she’s over there literally sobbing,” the country singer told Entertainment Tonight of the No Doubt singer, who has coached on and off since season seven. “She was like, ‘This is our last time that we’re going to do this together.’”

Shelton added, “It will be the last time she and I do this together, and it is crazy to think of how the show changed my life.” The couple met on the show in 2014 during season seven. “I was so wrapped up in this that I didn’t even think about that.”

Earlier in the month, the “Hollaback Girl” singer spoke with ET about how bittersweet it has been working with Shelton on season 22 of The Voice has been, as the upcoming season 23 will be the country star’s last as a coach. “It’s just been a really amazing season, too short,” the 53-year-old said on Dec. 6 just before the show’s semifinals, getting teary-eyed. “It’s mine and Blake’s last season … I can’t even get the words out of my mouth ’cause it sucks.”

Following the show wrapping on Tuesday night, Stefani took to Twitter to celebrate the end of season 22. “Aaand that’s a wrap!!! forever thankful to @NBCTheVoice, this show has changed my life in more ways than i can count. szn 22 forever !!!! ❤️ gx #TheVoice,” she wrote, later adding “tonight is so bittersweet” in a massage to a fan.

See Stefani’s tweets below.

Trending Up: ‘White Lotus’ Theme Gets Finale Bump, Mac DeMarco Fans Lose ‘Heart’ Over His Rumored Retirement & More

Welcome to Billboard Pro’s Trending Up column, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. 
 
This week: Viewer fascination with HBO’s
White Lotus spills over onto streaming, one TikTok user’s cosign changes a band’s commercial fortunes and Mac DeMarco fans get emotional over his (extremely unconfirmed) retirement.

Listeners Not Ready to Leave White Lotus Theme

One of the year’s most buzzed-about television seasons wrapped on Sunday (Dec. 11), as the much-anticipated finale of season two of HBO’s intriguing destination drama The White Lotus aired. Though none of the show’s many syncs — largely consisting of older Italian pop songs appropriate to its Sicily location — found viral success over the course of the season, the show has shown steady gains for its fan-favorite theme song, an elegant, lush and unexpectedly pulsing work from Chilean-born Canadian film and television composer Cristobal Tapia De Veer.

In the four weeks leading up to the chart week ending Dec. 8, weekly official on-demand U.S. streams of the striking theme (officially titled “Renaissance (Main Title Theme)”) rose from 82,000 to 283,000, according to Luminate — a 244% hike. After Dec. 11, viewers rushed to play the song like Lucia played Albie in the finale, with the song seeing a daily jump of 83% (from 53,000 to 97,000) on Monday. And though the White Lotus season is now over, interest in the theme may not be; it just received a new house remix from producer Enamour.


“Musta Been” a TikTok Endorsement Causing Próxima Prada to Go Viral

For all the random reasons a song can explode on TikTok, it seems pretty rare that it happens as a virtue of one user telling their followers, “Hey, listen to this song.” But that’s basically what happened with San Luis Obispo, Calif. band Próxima Prada and their unexpectedly viral song “Musta Been a Ghost,” which user Matt Firestone featured a short clip of in a video titled “Songs You Never Would Have Found Because Life Gets Really Busy Sometimes Part 2.” The video, posted on Dec. 9, ended up being over nine million times — leading to “Ghost” spiking from under 3,000 daily on-demand official U.S. streams to over 178,000 on Dec. 12, according to Luminate, a whopping 5,884% gain.

“I love how @fuego.stine (a guy we had never met or spoken to) made this short, simple video about our song and it went viral,” the band wrote on their Instagram page of the feel-good surge. “Real people sharing our music with other real people is how we’ve been able to slowly but surely grow. SO THANK YOU!”


Fans Have a “Heart to Heart” Over Mac DeMarco Retiring (Or Not)

Mac DeMarco has always performed well on streaming, but recently the indie singer-songwriter-guitarist’s 2019 track “Heart to Heart” (from Here Comes the Cowboy) has proved particularly explosive — doubling its weekly official on-demand U.S. streams over the last two weeks to 939,000, according to Luminate, and even making its way onto Spotify’s Daily Top Songs USA chart for Dec. 12 and 13. Look for the song on TikTok, and you’ll find thousands of videos of emotional conversations being set to the song, many with captions (or users in the comments) bemoaning rumors of DeMarco’s retirement from music, whispers of which have swept through social media the past few weeks.

Is there any truth to them? Probably not — at least not officially, as DeMarco hasn’t announced anything besides some postponed tour dates while he works on his upcoming album, and there’s little sourcing on the internet for news of his supposed music-industry departure beyond anonymous quotes. But the whisper-down-the-lane effect of social media appears to have helped him score another viral hit, which should make for a nice early retirement gift if and when he does decide to hang up his six-string.

Kate Hudson Opens Up About ‘Taking Accountability’ After Matt Bellamy Breakup

Kate Hudson has learned a lot about herself thanks to her relationships with others. That especially goes for her difficult breakup from Muse frontman Matt Bellamy, which the Glass Onion: A Knives Out Mystery actress opened up about in a recent appearance on Josh Smith’s Reign podcast.

Things got deep when Smith asked Hudson about the ways she is similar to an onion, a funny reference to the title of her newest film, which arrives on Netflix Dec. 23 following a one-week theatrical release in November. “I’m still peeling back those layers,” she laughed.

“I think we all are,” continued the actress, who landed a spot on Billboard‘s Digital Song Sales chart in September 2012 when her feature on the Glee cast’s song “Americano/Dance Again” peaked at No. 61. “We all have to figure out what’s at the core of our own little onion. I think that’s when things started changing for me — when I started taking far more accountability for my own s–t.”

When Smith pressed the Almost Famous star for a life moment that prompted her to start taking accountability — something she said is “liberating” — Hudson brought up her split from Bellamy, with whom she shares 11-year-old son Bing.

“After my second failed baby-daddy relationship,” she said. “That moment for me was like, ‘Now I have to figure this out.’”

Hudson welcomed her first child, now 18-year-old son Ryder, in 2004 with The Black Crowes’ Chris Robinson, to whom she was married from 2000 to 2007. She was engaged to Bellamy from 2011 to 2014.

“That was really hard for me because I didn’t want that to end,” she said of her relationship with the Muse singer. “I need to figure out what this is in my life, this pattern I keep repeating, and take accountability for it. I think the issue is when people blame everybody else for any challenges or hardships. I don’t want to be friends with that person.”

The Bride Wars star is now engaged to Danny Fujikawa, and the two share 4-year-old daughter Rani.

The Exploited Cancel Remaining 2022 Dates After Singer Wattie Buchan Collapses on Stage

Veteran Scottish punk band The Exploited have canceled their remaining 2022 tour dates following an onstage health incident that affected singer Wattie Buchan during a show in Bogota, Colombia on Saturday. “Yesterday, December 10th, 2022 during the end of the set Wattie collapsed on stage in Bogota, COL and was rushed into hospital by ambulance,” the band wrote in a Facebook post on Sunday.

“Thankfully Wattie is feeling better now and is resting in a hotel in Bogota… Due to doctor’s orders all remaining shows for 2022 have been cancelled, including tonight’s performance in Cali, COL,” the band continued, noting that they were preparing to return home to the UK while also offering an apology to fans and promoters for the sudden cancellation; the group’s planned show on Friday (Dec. 16) in London has also been scotched.

“We are sorry about this but Wattie is exhausted and told to cancel all upcoming gigs for this year,” they added alongside a video from the Bogota show in which Buchan, 65 — rocking his signature towering liberty spike hairstyle — is seen doubling over with his hands on his knees before collapsing to the stage and being attended to by stagehands. An Instagram post featured pictures of Buchan in the back of an ambulance with an oxygen tube in his nose.

Back in Feb. 2014, Buchan collapsed on stage during a show in Lisbon, Portugal after suffering a heart attack and was hospitalized in Belgium in 2017 after suffering a heart issue while on tour. A band spokesperson reportedly told Scottish broadcaster STV that, “Wattie had another suspected heart attack. He tried playing on but had to actually stop a couple of songs until he eventually collapsed. He got taken away to hospital in an ambulance but over 900 people refused to leave the venue until he heard he was alright. The Exploited are held as idols over here, and Wattie is seen as the king of punk. He has kept the punk movement alive when everyone in the press said it was dead. He is actually a living legend.”

Back in March 2020, the hard-touring band steadfastly refused to cancel their planned 40th anniversary tour in the midst of the then-exploding COVID-19 pandemic. “F–k coronavirus! I have had five heart attacks, a quad heart bypass and a heart pacemaker fitted,” Buchan told tour promoter DRW Entertainment, who shared the rocker’s thoughts in a Facebook post at the time. “Cancel gigs for a virus? We ain’t f–king Green Day — we are the real deal. No danger will we be canceling our upcoming gigs. Punk’s not dead!”

The beloved punks formed in Edinburgh in 1979 and released their full-length debut, Punks Not Dead, in 1981; Buchan is the sole remaining original member.

See the band’s post below.

Puerto Rican Salsa Singer Lalo Rodriguez Dead at 64

Salsa singer Lalo Rodríguez, known for the 1998 hit “Ven devórame otra vez,” has died. He was 64 years old.

Rodríguez was found dead on Tuesday (Dec. 13) at a public housing project in his native Puerto Rico, police said, according to The Associated Press.

Authorities stated that there were no visible signs of violence, and that an autopsy would be performed to determine the cause of death. The singer had struggled for years with drug and alcohol problems and had been charged with cocaine possession, the AP reported.

Born on May 16, 1958, in Carolina, Puerto Rico, the artist — whose legal name was Ubaldo Rodríguez Santos — began singing as a child at festivals and radio and television shows in Puerto Rico. At age 15, in the ’70s, he joined Eddie Palmieri’s band. He recorded Palmieri’s Grammy-winning albums Sun of Latin Music and Unfinished Masterpiece as lead vocalist before launching his solo career in 1980.

“It is with deep sadness that I learn of the death of Lalo Rodríguez,” Palmieri wrote on Twitter along with a photo of the two. “I don’t need to tell you how much he has meant to me, our music and culture, and the global community. He was a giant in so many ways. We will miss him dearly and treasure his memory.”

In 1988, Rodríguez released his biggest hit, “Ven devórame otra vez”, which was part of his album Un Nuevo Despertar. Written by the Dominican Palmer Hernández, the song became a classic of romantic salsa with its famous chorus: “Devórame otra vez, ven, devórame otra vez / Ven, castígame con tus deseos, más / Que el vigor lo guardé para ti, ay, ven / Devórame otra vez, ven, devórame otra vez / Que la boca me sabe a tu cuerpo / Desesperan mis ganas por ti”.

On the Billboard charts, the song reached No. 10 on Hot Latin Tracks. In 1990, a version by Spanish female duo Azúcar Moreno also made the list, peaking at No. 9. And in 2004, the song reappeared in the voice of Charlie Cruz, who reached No. 10 on the Latin Tropical Airplay.

In 2018, “Ven, devórame otra vez” was included among Billboard’s top 15 salsa songs of all time.

‘Grammy Salute’ to Paul Simon Will Feature Dave Matthews, Brad Paisley & More Performances

UPDATE (Dec. 14): CBS will air Homeward Bound: A Grammy Salute to the Songs of Paul Simon on Dec. 21 from 9 p.m. to 11 p.m. ET/PT. The show will be available to stream live and on demand on Paramount+. Garth Brooks and Trisha Yearwood, Eric Church, Susanna Hoffs, Jonas Brothers, Sting and Stevie Wonder performed on the show, in addition to the previously announced artists.

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Jimmy Cliff joined the previously announced Shaggy for a performance. Brandi Carlile, originally announced as a performer, is not included in the final lineup. Presenters and special appearances include Sofia Carson, Herbie Hancock, Woody Harrelson, Dustin Hoffman, Elton John, Folake Olowofoyeku and Oprah Winfrey.

PREVIOUSLY (March 24): On April 6, three days after the 2022 Grammy Awards telecast in Las Vegas, the Recording Academy will tape a salute to the songs of Paul Simon at the Pantages Theatre in Hollywood.

Brandi Carlile, who was in the first batch of performers announced for the April 3 Grammy telecast, will also perform on this concert special, which is titled Homeward Bound: A Grammy Salute to the Songs of Paul Simon. Other performers set for the show — all current or past Grammy nominees — are Rhiannon Giddens, Angélique Kidjo, Little Big Town, Dave Matthews, Brad Paisley, Billy Porter, Shaggy, Take 6, Irma Thomas and Trombone Shorty.

Simon will make a “special appearance” at the tribute, which joins a long line of Grammy salutes, including The Night That Changed America: A Grammy Salute to The Beatles, Let’s Go Crazy: The Grammy Salute to Prince, Stayin’ Alive: A Grammy Salute to the Music of The Bee Gees, and We Will Always Love You: A Grammy Salute to Whitney Houston.

The Simon salute is produced by Ken Ehrlich Productions. Ehrlich, who was producer or executive producer of the Grammy Awards telecast for 40 years, from 1980 through 2020, is executive producer.

Tickets will go on sale to the public on Saturday March 26 at 10 a.m. PT. The public link to purchase tickets will be active here on that date.

The show will air on CBS later in 2022.

The Hollywood Palladium was the home of the first live Grammy telecast in 1971 – which was the year Simon & Garfunkel‘s Bridge Over Troubled Water swept the major awards. Simon won seven Grammys that night, which set a new Grammy record which stood until Michael Jackson won eight Grammys at the show in 1984. (Santana tied Jackson’s record in 2000.)

Simon was the first recipient of the Gershwin Prize for Popular Song in 2007. He was inducted into the Songwriters Hall of Fame in 1982; received that organization’s highest honor, the Johnny Mercer Award, in 1998; and its Towering Song award for “Bridge Over Troubled Water” in 2010.

Simon has been voted into the Rock and Roll Hall of Fame twice – with Simon & Garfunkel in 1990 and as a solo artist in 2001.

He has won 16 Grammys, including a record three awards for record of the year, a record-tying three awards for album of the year and one award for song of the year. Simon & Garfunkel received a lifetime achievement award from the Recording Academy in 2003.

Billboard reported on March 18 that Simon is shopping his master recording royalties from his recorded works with Simon & Garfunkel. Simon sold his song catalog to Sony Music Publishing a year ago.

Red Velvet & Aespa Spread Holiday Cheer in ‘Beautiful Christmas’ Video: Watch

SM Entertainment label mates Red Velvet and aespa knew exactly what their fans wanted for Christmas — a song collaboration. The K-pop groups delivered on Wednesday (Dec. 14), releasing a glimmering new track titled “Beautiful Christmas” to celebrate the most wonderful time of year.

The festive visual for the song kicks off with the viewer being given an all-access ticket to the 2022 Winter SMTOWN: SMCU Palace, a holiday party where girl groups that exist in the SM Entertainment Culture Universe convene for some Christmas fun. Red Velvet and aespa, naturally, are the stars and first appear in the “Beautiful Christmas” video decorating an all-white Christmas tree with ornaments, exchanging gifts, and relaxing near the fireplace decked out with candles.

As the song nears its upbeat chorus, the girls then take the fun outside, interacting with snow-covered trees, sitting atop a snowman and happily inspecting ornaments before an energetic group dance number.

“Everybody come have yourself a/ Beautiful Christmas/ One year of flat-out sprinting/ It’s the home stretch now, enjoy/ Everybody come have yourself a/ Beautiful Christmas/ This day we get to be together/ The best time of the year,” the girl groups sing in English and Korean during the chorus.

“Beautiful Christmas” marks the first collaboration between Red Velvet and aespa. Though the groups are label mates, they have been up to very different projects as of late. Red Velvet — which consists of members Irene, Seulgi, Wendy, Joy and Yeri — recently released The ReVe Festival 2022 – Birthday EP on Nov. 28. Aespa — which consists of members Karina, Giselle, Winter and NingNing — dropped its latest EP, Girls – The 2nd Mini Album, in July.

Watch “Beautiful Christmas” in the video above.

Billboard’s Greatest Pop Stars of 2022: No. 6 — Lizzo

For this year’s update of our ongoing Greatest Pop Star by Year project, Billboard is counting down our staff picks for the top 10 pop stars of 2022 all this week. At No. 6, we remember the year in Lizzo — who once again used a runaway viral smash as a springboard to total pop cultural ubiquity.

The year 2022 was not just a ‘Special’ one for Lizzo – it was the year she proved that she could navigate and command the pop landscape alongside splashy newcomers and veterans alike.

Three years removed from her seismic breakthrough with Cuz I Love You, Lizzo had entered the new decade unproven as a major force in pop music. In 2021, she unveiled “Rumors,” a Cardi B-assisted standalone single that debuted at No. 4 on the Billboard Hot 100 and fizzled out too quickly to really maintain the excitement from her previous hit singles “Truth Hurts” and “Good as Hell.” But the brief silence that followed would eventually give way to a year that yielded Lizzo the fastest-moving and highest-charting album of her career — while she expanded her reach in different fields of entertainment and cultivated a coherent and powerful public image to complement her pop stardom.

Billboard’s Greatest Pop Stars of 2022:
Introduction & Honorable Mentions | Rookie of the Year: Steve Lacy | Comeback of the Year: Sam Smith | No. 10: Nicki Minaj | No. 9: Future | No. 8: Jack Harlow | No. 7: Doja Cat

When Lizzo reemerged in 2022, she chose television, not music, as her entry point. Lizzo’s Watch Out for the Big Grrrls, an unscripted reality competition series chronicling the journey to becoming one of Lizzo’s dancers, debuted on Amazon Prime — her first project under her production deal with Amazon Studios. Lizzo smartly used the launch of the show, which was met with a generally positive critical reception, to launch her proper return to the music scene. A day before Watch Out for the Big Grrrls went live, Lizzo announced the release date for “About Damn Time.” 

The following week, in a move straight from the playbook of pop titans past and present, Lizzo previewed yet another venture: This time, she was entering the world of shapewear with Yitty, her collaboration with Fabletics. Through a series of smartly sequenced announcements and releases, Lizzo reemerged as a full-fledged pop star — one whose brand permeated different industries and yielded successful returns in each.

By April, Lizzo fixed her attention squarely on music. “About Damn Time,” an uplifting disco-tinged anthem of affirmation, was released on April 15, alongside the announcement of its parent album, Special. With a quiet debut at No. 50, “About Damn Time” got off to a much slower start on the Hot 100 than “Rumors.” Nonetheless, Lizzo used the familiarity and bottled momentum she accrued on TikTok in 2020 to inform her aggressive promotion of the song on the platform. Thanks largely to added exposure from a dance trend created by TikTok personality Jaeden Gomez, “About Damn Time” reached the Hot 100’s top 10 in its fourth week. 

In a move that shifted Lizzo’s promotional approach from that of a mid-level pop star to one that more closely mirrored a superstar’s, she tapped into how the song connected with audiences on an emotional and political level. Obviously, “About Damn Time” made people feel good, hence the cute dances that Lizzo would often stitch and repost on her official TikTok page. But she also knew that the song would make people feel empowered: In an April 8 TikTok, Lizzo used a snippet of “About Damn Time” to celebrate Justice Ketanji Brown Jackson’s historic appointment to the U.S. Supreme Court. During her performance of the song at the 2022 BET Awards, Lizzo proclaimed, “It’s about damn time we stand in our power. Black people, my people.” This combination of marketing savvy and innate ability to make music that can mean different things to different audiences at different times resulted in “About Damn Time” becoming both Lizzo’s second Hot 100-topper in late July, and ultimately one of the defining hits of 2022.

When “About Damn Time” reached the pole position on the Hot 100, its parent album, Special, zoomed to a No. 2 finish on the Billboard 200. Although the set earned a less rapturous reception than its predecessor, Special earned the best first week of Lizzo’s career so far, with 69,000 units moved. Special debuted alongside “Lizzoverse,” a Twitch-streamed cosmic light show extravaganza that found Lizzo tapping into yet another media platform to expand the reach of her music and brand. 

Although Special was blocked from the top of the Billboard 200 by Bad Bunny’s monstrous Un Verano Sin Ti, the album’s strong performance proved that Lizzo had built herself a legion of fans that were guaranteed to show up for her, regardless of whether her albums were packed with buzzy guest artists. Special also spawned one more minor hit in “2 B Loved (Am I Ready),” which Lizzo spotlighted in a characteristically impressive performance in a medley with “Time” at the MTV Video Music Awards in August. Outside of hit singles, the Special campaign showed how deftly Lizzo could maneuver controversy after, she humbly changed a lyric in “Grrrls,” one of the set’s promotional singles, that was criticized as ableist.

Although the singles campaign for Special seemed to end with “2 B Loved,” Lizzo remained a leading pop culture figure in 2022, and she only continued to amass more cultural capital. In September, Lizzo embarked on her first headlining arena tour; the tour boasted openers such as Latto and Saucy Santana, two rappers who each turned 2022 into career-defining years, and surprise guests at different stops, including Missy Elliott (“Tempo”), Cardi B (“Rumors”), and SZA (“Special”). 

A week into the tour, Lizzo, a classically trained flautist, found herself at the center of a firestorm of controversy when she played James Madison’s 209-year-old crystal flute while twerking onstage. Ultimately, the controversy didn’t stick because, as the Library of Congress tweeted, Lizzo’s performance with the historic instrument was “not all that unusual.” In fact, the controversy did more to expose her detractors’ own misogynoir and fatphobia – and showed that the general public would be quick to come to Lizzo’s defense. Two weeks before she launched the Special Tour, Watch Out for the Big Grrrls took home three trophies at the Primetime Emmy Awards, lifting Lizzo halfway to EGOT status.

As 2022 drew to a close, Lizzo continued to rack up awards and nominations. She earned nods for herself and “About Damn Time” at the American Music Awards, as well as triumphs at the Soul Train Music Awards (best dance performance), MTV Video Music Awards (video for good), and the People’s Choice Awards (song of 2022). At the People’s Choice Awards, Lizzo used her acceptance speech for the People’s Champion award to uplift and amplify the marginalized voices of 17 activists including Tamika Palmer, the mother of the late Breonna Taylor. Yet again, Lizzo found a way to use her passion for activism and political empowerment to continue to transcend and reinvent what pop stardom can look like.

Closing out the year with the premiere of her Love, Lizzo documentary on HBO Max, a writing credit on SZA’s acclaimed SOS album, and five Grammy nominations including album, record, and song of the year, Lizzo ends 2022 a solidified capital-letters Pop Star — and it’s about damn time.

Taylor Swift Spent Her 33rd Birthday ‘In the Studio’: ‘Wouldn’t Have It Any Other Way’

Does Taylor Swift ever take a day off? On the day of her birthday Tuesday (Dec. 13), the newly 33-year-old pop star revealed that she’d celebrated the occasion by doing what she does best: working hard in the studio.

In a photo posted to Instagram on the night of her birthday, Swift sits on the floor in front of stacks of keyboards and control panels, holding up three fingers on each hand in honor of the third year of her third decade of life. Lying across her lap is a huge upright bass, while none other than her go-to producer Jack Antonoff sits to her right, holding an acoustic guitar.

“Thanks for all the beautiful wishes today!!” wrote the “All Too Well” singer in her caption. “I spent my 33rd birthday in the studio of course ? Wouldn’t have it any other way. Love you!”

In the past three years, Swift has released five albums, two re-releases (Fearless and Red) and three brand new LPs (Folklore, Evermore and Midnights). Add to the mix her one-off song “Carolina,” written this year for the Where the Crawdads Sing movie, and her collaborations with Big Red Machine and Ed Sheeran (“Renegade” and “Joker and the Queen,” respectively), and it’s just about impossible to predict exactly what type of project she’s recording next.

That’s exactly how Swift likes it, though — at least, that’s what the sly side-grin emoji she used could imply.

Four days prior to her birthday, it was announced that the 11-time Grammy winner would be making her debut as a feature-length film director for Searchlight Pictures. Few details about the film have been released, but Swift has already written its original script.

Then, one day before her birthday, Swift gave a gift to her fans rather than the other way around. Several Swifties who felt duped by Ticketmaster last month after walking away from the singer’s Eras Tour presale empty-handed despite receiving a special Verified Fan code by the ticketing service, woke up that morning to find that they’d been selected for a special second round of Verified Fan ticket sales.

“Taylor swift going out of her way to make sure ticketmaster gives ALL fans who got a verified boost a chance to get tickets…,” tweeted one happy fan on Monday (Dec. 12). “This is why we love her.”