Music

BTS Movie Chronicling Busan Concert, ‘BTS Yet to Come in Cinemas,’ Due Out in Early 2023

If you missed out on BTS‘ Oct. 15 show at Busan’s World Expo 2030 bid on Oct. 15 then you’ll have another chance to re-live the magic in early 2023. The on-hiatus K-pop superstars will release BTS: Yet to Come in Cinemas in movie theaters worldwide on Feb. 1.

According to a release announcing the movie the footage from the concert has been fashioned into a “special cinematic cut, re-edited and remixed for the big screen,” complete with new close-ups and a “whole new view” of the entire show. The concert in front of a huge crowd in Busan, South Korea featured the band’s members — Jin, RM, Jimin, V, J-Hope, Suga and Jung Kook — playing some of their most beloved hits, including “Dynamite,” “Butter” and “Idol,” as well as the first concert performance of “Run BTS” from June’s Proof album.

The movie presented by HYBE, Trafalgar Releasing and CJ 4DPlex will hit screens for a limited run in more than 110 countries and territories, with a special Feb. 4 event dedicated to “light stick screenings,” during which ARMY members can light up the theaters with the group’s signature glow devices. In addition to standard formatting, Yet to Come will also be released in a number of special versions, including immersive 270-degree field of view ScreenX, 4DX, which mimics the effects of the concert’s live atmosphere and 4DX Screen, which combines both formats.

“We look forward to collaborating once again with the teams at CJ 4DPlex, and HYBE to bring BTS’ awe-inspiring Busan concert to the big screen in this special cinematic cut,” said Trafalgar Releasing CEO Marc Allenby in a statement. “The group’s engagement with audiences has always been perfectly suited to the cinema, and we are excited to welcome fans from all corners of the globe to this must-see celebration.”

Tickets for the screenings will go on sale here beginning Jan. 10 at 7 p.m. ET.

“We are thrilled to announce our second ScreenX collaboration and first 4DX, 4DXScreeen collaboration with BTS,” added Jong Ryeol Kim, CEO of CJ 4DPLEX. “This film is made for both special formats, which fans can experience our movie completely through enlarged screens with 3 different angles and moving motion seats aligning to BTS’s music.”

Yet to Come is Trafalgar’s fifth release with BTS, following on the heels of this year’s BTS Permission to Dance on Stage — Seoul: Live Viewing, as well as 2020’s Break the Silence: The Movie, 2019’s Bring the Soul: The Movie and 2018’s Burn the Stage: The Movie. The one-off concert in Busan was BTS’ final performance together for the immediate future as the elder members of the group are facing enlistment for South Korea’s mandatory military service: oldest member Jin enlisted for active duty earlier this month.

NewJeans Follow Up Explosive K-Pop Debut With Subtle Winter Single ‘Ditto’: Watch

As 2022’s most successful K-pop debut with the triple-punch release of surprise singles “Attention,” “Hype Boy” and “Cookie,” NewJeans have followed up with the new track “Ditto” that shows off a cooler and more subtle pop approach suitable for the winter months.

While their NWJNS EP was more focused on effervescent pop hooks suited for the sunshine, “Ditto” is more subtle while remaining true to the sweet style NewJeans established at the start. Over a soft, chopped-staccato beat somewhat reminiscent of the Baltimore club style, members Minji, Hanni, Danielle, Haerin and Hyein mix eerie, dulcet harmonies with fun and fast melodies to match the breakbeat. The quintet spill about the rush of hoping to take the next step in a relationship and having their feelings reciprocated: “I don’t want to stay in the middle, like you a little/ Don’t want no riddle…/ Say it back, oh say it ‘ditto’/ I want you so I want you/ So, say it ‘ditto.’”

While Danielle wrote on “Attention” and Hanni wrote on “Hype Boy,” this time eldest member Minji helped write “Ditto,” giving three of the five members songwriting credits just five songs into their career. As the group told Billboard in an earlier interview, NewJeans label CEO Min Hee Jin gives the group “plenty of opportunities to participate” in different ways in their music despite being so new in the industry.

Just like how “Hype Boy” and “Attention” were released in multiple music video versions to help tell the group’s stories, “Ditto” comes with two different visuals. The video’s “Side A” and “Side B” versions both focus on a look back to the five NewJeans members playing and dancing in younger school days alongside a sixth, faceless friend in an arm cast who tends to record their dance rehearsals. While the viewer never gets to see the sixth friend’s face fully, we follow her journey which includes a crush on a schoolmate and reminiscing on her time with the girls by looking through old VHS tapes as an adult.

Visually, the “Ditto” video does a fantastic job in capturing not just the technology middle ground of the ’90s/’00s, where memories lived on fuzzy video cameras and grainy VHS tapes, but in the loneliness and awkwardness one can feel in adolescence, even when surrounded by friends. Lyrically, “Ditto” might be initially thought to be about a romantic crush, but the visual offers the possibility of hoping a new friend reciprocates your feelings to take a friendship to the next level too.

As previously reported, “Ditto” is NewJeans’ pre-release buzz track ahead of the new single “OMG” dropping on Jan. 2. Check out both the “Side A” and “Side B” versions of “Ditto” below:

Justin Bieber Claims H&M Released Merch Collection Without His Permission

Justin Bieber is calling out retail clothing company H&M for selling products featuring his image and song lyrics, claiming that the items were released without his approval.

“I DIDNT APPROVE ANY OF THE MERCH COLLECTION THAT THEY PUT UP AT H&M,” Bieber wrote in an Instagram Story on Monday afternoon (Dec. 19), adding that it was done “all without my permission and approval SMH I WOULDNT BUY IT IF I WERE YOU.”

“The H&M MERCH THEY MADE OF ME IS TRASH AND I DIDNT APPROVE IT DONT BUY IT,” he emphasized in a second Instagram Story.

Bieber was referring to items that appeared online on H&M’s website including a tote bag, a sweatshirt, a sweatshirt dress and more. On a fan Instagram account that shared images of some of the products, Bieber left the comment “When everyone finds out I didn’t approve any of this merch smh.”

Billboard reached out to H&M for comment on Bieber’s allegation.

“As with all other licensed products and partnerships, H&M followed proper approval procedures,” a representative for H&M said in a statement via email Monday night.

‘Almost Famous’ to Close on Broadway in January

The musical stage adaptation of Almost Famous will play its final Broadway performance on Jan. 8, the production announced Monday (Dec. 19).

The musical, an adaptation of Cameron Crowe’s 2000 film, began previews at the Bernard B. Jacobs Theatre on Oct. 3 and opened on Nov. 3.

This is the latest Broadway show to announce its closure, following KPOP, which closed on Dec. 11, two weeks after opening, and Ain’t No Mo, which received a closing notice, but is now extended through Dec. 23 after the production and celebrities backers rallied around the show.

The closing notices come as tourism remains down in New York and as Broadway shows grapple with higher running costs and changing audience behavior. Almost Famous also received mixed to poor reviews, with The Hollywood Reporter‘s David Rooney highlighting its “infectious energy” while asking, “Did it need to become a stage musical? Debatable.” Grosses have been fairly average, with the musical bringing in $765,060 in the week ended Dec. 11, but while playing to theaters at 74 percent capacity.

Almost Famous, like the music it celebrates, will endure. We look forward to the release of the cast recording on March 17, and to the many productions in communities across the country and world, for years to come,” said producers Lia Vollack and Michael Cassel.

The musical features a book by Crowe, a score by Tom Kitt, direction by Jeremy Herrin and choreography by Sarah O’Gleby.

The Broadway production stars Chris Wood as Russell Hammond, Anika Larsen as Elaine Miller, Solea Pfeiffer as Penny Lane, Drew Gehling as Jeff Bebe and Casey Likes as William Miller.

This article originally appeared on The Hollywood Reporter.

NCT DREAM Remake ‘90s K-Pop Classic for Sweet Holiday Single: Watch ‘Candy’

After a significant 2022 that included NCT DREAM‘s first Billboard 200 entry, first KCON appearance and first international movie release, the boy band closes the year with a holiday album for worldwide fans that also pays homage to a formative song for the Korean-pop industry.

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For NCT DREAM’s special winter album Candy, the septet reinterpreted the classic K-pop song of the same name for its title track single. “Candy” was originally released in 1996 by the five-member boy band H.O.T., credited as the first “idol” group in Korea’s music industry and setting the formula still used today. From their debut track “Warrior’s Descendant” tackling school bullying, H.O.T. released music that acted as social critique, but it was their saccharine single “Candy” that became the band’s breakout hit. The group disbanded in 2001, but “Candy” is considered a quintessential track in any K-pop primer.

Now, more than 25 years after H.O.T. released “Candy” under SM Entertainment, the K-pop super label brings back the bubblegum classic with its youngest group, NCT DREAM. The ’90 track is a perfect fit for the bouncy, youthful energy DREAM brings into their music with the track reinterpreted with a slightly updated arrangement. The accompanying music video has a glossy look that K-pop is known for today but pays tribute to H.O.T.’s original visual for “Candy” with the fashion (like Jeno’s very fuzzy, very ’90s yellow hat) and the sets (including filming in an amusement park just like the original).

Candy delivers more treats for listeners as well, including the standout R&B cut “Graduation” and the synth-pop throbber “Tangerine Love (Favorite),” with member Mark co-writing the winter-themed, mid-tempo track “Take My Breath.” The new release follows Glitch Mode, which debuted at No. 50 on the Billboard 200 in April. The LP bore a deluxe repackage titled Beatbox, which included the new single of the same name.

Check out NCT DREAM’s “Candy” and the original “Candy” music video by H.O.T. in its newly remastered version shared by SM Entertainment just two weeks ago.

Shirley Watts, Widow of Rolling Stones Drummer Charlie Watts, Dies at 84

Shirley Ann Watts, a former art student and prominent breeder of Arabian horses who met drummer Charlie Watts well before he joined the Rolling Stones and with him formed one of rock’s most enduring marriages, has died. She was 84.

“Shirley died peacefully on Friday 16th December in Devon after a short illness surrounded by her family,” her family announced Monday (Dec. 19). The Rolling Stones’ Ronnie Wood was among those mourning her.

“We will miss you so much, but take comfort that you are reunited with your beloved Charlie,” Wood wrote on Facebook.

While Wood, Mick Jagger and Keith Richards all have had multiple wives and girlfriends, Charlie and Shirley Watts remained together for more than 50 years, until Charlie died in 2021. Their only known crisis happened in the mid-1980s, when Charlie Watts struggled with heroin addiction, a time he would later say nearly cost him his marriage. He was otherwise regarded as so devoted to his wife, and daughter Seraphina, that journalists essentially left him alone.

“I’ve always wanted to be a drummer [and] as long as it’s comfortable with my wife, I’ll continue to do it,” he told Rolling Stone magazine in 1996.

When Charlie wasn’t touring or recording, he and his family lived on a 600-acre, 16th century estate in Devon, where they were better known for their Polish Arabian horses and for rescuing animals than for the drummer’s singular place in rock history. Stories about the Watts were as likely to appear in Arabian Horse World as they were in a music publication.

According to Charlie, his wife had warm relations with Jagger and Richards and, unlike him, would play the Stones’ music around the house. But Shirley herself expressed ambivalent feelings, telling Vanity Fair in 1989 that the band’s drug use affected her life “very, very deeply” and that she otherwise had little use for the rock star world.

“It was quite appalling being pitched into the life of the Rolling Stones,” she said. “I really got lost for about 25 years and I’ve never been able to cope with it. There’s been lots of anger, much of it very, very deep. I like the people in the group — up to a point. But I’ve always hated the way rock music and its world treat women and particularly the Rolling Stones’ attitude. There is no respect.”

Shirley Ann Shepherd was born in London in 1938 and was studying sculpture at the Royal College of Art in the early ’60s when she first saw her future husband, who at the time was part of the emerging blues and jazz scene in England that also included Jagger and Richards. They were already dating when Watts joined the Stones early in 1963, and married the following year, just as the band had established itself as second only to the Beatles in local popularity.

“She was so funny and clever, and she had the most infectious laugh you’d ever heard,” Charlie Watts said of her when interviewed by The Guardian in 2000. “And I loved the world she was in, the world of art and sculpting. I just admired Shirley very, very much.”

The biggest scandal about their marriage was their decision to get married. Rock star weddings were considered bad business at the time, a turnoff to young female fans — the Beatles’ John Lennon was among those who hedged when reporters asked him about his domestic life.

Without informing the other Stones, the Watts married in Bradford and had a quiet lunch at a nearby pub. According to Paul Sexton’s Charlie’s Good Tonight, a 2022 biography of the late drummer written with his family’s cooperation, Charlie Watts initially denied reports that he was married, telling the Daily Express that “it would do a great deal of harm to my career if the story got around.” But Shirley happily confirmed the news, saying they could not “bear to live separately any longer.”

Neither Charlie nor Shirley liked drawing attention to themselves, but at times they did so anyway. Shirley Watts was arrested at the Nice airport in 1971 for attacking customs officials after they had reportedly singled out her husband for attention. In 2016, she threatened to sue Polish government officials over the alleged mistreatment of two Arabian mares at a state-run farm.

Shirley Watts also endured a battle with alcoholism, one she helped overcome by hours of sculpting horses and dogs. The Watts’ shared interest in horses grew from collecting figurines to raising hundreds of Arab horses, a passion that began after Charlie purchased a part-bred stallion for his wife.

“I much prefer my life here with the horses. I love the hunt. The sense of power one gets on a horse,” she told Vanity Fair. “It’s a very primeval instinct. When you hear the hounds — they call it the music — when you hear the hounds’ music, it’s bloodcurdling it’s so thrilling. And it affects both you and the horse. There’s nothing like it. It’s dangerous. It’s exciting.”

She added, with a laugh, “It sounds rather like a rock ‘n’ roll concert.”

Kelly Clarkson Serves Up Holiday Sisterhood in Hilarious ‘White Christmas’ ‘Kellyoke’

Lord, help the mister who comes between me and my sister! Kelly Clarkson paid tribute to the holiday classic White Christmas on Monday (Dec. 19) with a “Kellyoke” cover of “Sisters.”

Enlisting help from her backup singer Jessi Collins, the talk show host recreated the scene made famous by Rosemary Clooney and Vera-Ellen in the beloved 1954 movie musical — all the way down to the elegant blue dresses and giant feathered fans. “Sisters, sisters, there were never such devoted sisters/ Never had to have a chaperone, no sir/ I’m here to keep my eye on her/ Caring, sharing, every little thing that we are wearing/ When a certain gentleman arrived from Rome/ She wore the dress, and I stayed home,” the two sang in perfect harmony.

Halfway through the number, two male members of Clarkson’s band Y’All stole the singers’ fans to dance around and lip sync — a la Bing Crosby and Danny Kaye’s characters in the film — before all four finished with some soft-shoe choreography.

As Christmas draws closer, Clarkson has gone all in on the yuletide tunes, performing everything from her own original songs like “Merry Christmas (To the One I Used to Know)” and “Christmas Isn’t Canceled (Just You)” to “Santa Can’t You Hear Me” sans duet partner Ariana Grande and a cover of “I’ll Be Home for Christmas.”

After the new year, Clarkson is set to return to The Voice for her ninth season as a coach after sitting out the recently wrapped Season 22.

Watch Clarkson and Collins’ pitch-perfect recreation of “Sisters” below.

Gwen Stefani Says a No Doubt Reunion Is Possible: ‘Anything Can Happen’

Gwen Stefani opened up on Monday (Dec. 19) about the possibility of No Doubt getting back together, her favorite holiday traditions and more.

“What are the odds of anything?” the star said in a profile for the Wall Street Journal when it came to a reunion with her old bandmates. “I was just on The Drew Barrymore Show. She was one of my favorite celebrities when I was a little girl, and now I was just on the show with her. Anything can happen. I have no idea what’s going to happen with No Doubt. We haven’t really talked about doing anything, but it feels like everyone is, right? All the ’90s people — Blink-182 did an eight-month tour that sold out in like five minutes.”

The So Cal-based foursome last came together a full decade ago for 2012’s Push and Shove, which itself was released 11 years after their previous album, 2001’s Rock Steady. Of course, since then, Stefani has served as a six-time coach on The Voice, met and married her husband Blake Shelton, launched a Las Vegas residency and released two more solo albums —2016’s This Is What the Truth Feels Like and 2017’s You Make It Feel Like Christmas.

“Blake likes to make new traditions every year,” Stefani added of celebrating the holidays with her country star hubby and three sons. “We do this thing called a timpano dome, which is an Italian dome, it’s kind of like a lasagna within a pizza. We’ve been doing that ever since I met him. It was in a famous movie [1996’s Big Night]. You can put anything in it.”

The couple also took a trip to Disneyland over the weekend, which the “Let Me Reintroduce Myself” singer happily shared on Instagram. “Had the most magical time at @disneyland!! all the pretty lights + decor felt like i was walking thru a winter wonderland !!” she captioned a video of the family’s Christmastime adventures in the Happiest Place on Earth.

Check out Gwen’s sweet trip to Disneyland below.

Country Radio Hall of Famer Charlie Monk, Known as ‘The Mayor of Music Row,’ Dies at 84

Country Radio Hall of Fame member Charlie Monk, known affectionately within the Nashville music industry as “The Mayor of Music Row,” died at his home in Nashville on Monday (Dec. 19). He was 84.

During his 60-plus-year career, Monk impacted the careers of numerous artists, including Randy Travis, Kenny Chesney, Reba McEntire, George Strait, Tim McGraw, Miranda Lambert and Faith Hill. Monk was inducted into the Country Radio Hall of Fame in 2019.

Born Charles Franklin Monk on Oct. 29, 1938, in Geneva, Alabama, his career in entertainment began in high school in the 1950s, when he started sweeping floors at his hometown radio station WGEA. He quickly landed a weekend on-air shift as a disc jockey.

He went on to serve in the U.S. Army but was quickly drawn back to radio. He became a DJ on WTBF radio while attending Troy State University, followed by a stint on WKRG radio and television in Mobile, Alabama. He became program director and afternoon personality at WACT in Tuscaloosa, before returning to Mobile as a program director at WUNI. Monk would lead the station to become the top-ranking station in the market.

During his time at WUNI, he appeared as a guest announcer on WSM’s Grand Ole Opry. In 1968, he moved to Nashville and WMTS radio in Murfreesboro, where his free-form music and talk show for the station became the first daily radio broadcast from Nashville’s Music Row.

In 1969, he was a founder of Country Radio Seminar, an annual multi-day educational event which has offered networking and career growth opportunities for the music industry professionals for more than 50 years while also serving as a top showcase event for new and emerging artists.

Monk produced and hosted the annual New Faces Show for 40 years and in the process, helped launch the careers of artists including McEntire, Travis, Alabama, Brooks & Dunn, McGraw, Hill, Toby Keith, Jason Aldean, Vince Gill, Lambert, Strait and many others.

Monk also joined the staff of performing rights organization ASCAP in 1970 and began learning every aspect of the music business, while at the same time establishing relationships across the city’s country and gospel music industries.

In 1977, Monk became the Nashville chief of CBS Songs, which swiftly became one of Nashville’s top three publishers. He formed his own music publishing company, Monk Family Music Group, in 1983. He took a leave of absence in 1988 to spearhead the return of Acuff-Rose Music to the upper echelons of the industry, becoming the first publisher to win both ASCAP and BMI “Most Performed Song of the Year” in the same year.

In 1983, Monk signed a singer-songwriter by the name of Randy Traywick—now known as Country Music Hall of Fame member Randy Travis. Other songwriters and artist-writers Monk signed include Marcus Hummon, Holly Dunn, Jim McBride, Keith Stegall, Aaron Tippin, Chris Waters and Chesney.

Songs Monk published have been recorded by Travis, Tippin, Lonestar, McEntire, LeAnn Rimes, Tracy Lawrence, The Mavericks, Cheap Trick, Kenny Rogers, Sandi Patti, Glen
Campbell, Otis Redding, Louise Mandrell, Trick Pony, Ike & Tina Turner, Led Zeppelin, and John Michael Montgomery. Monk also saw his own written song recorded by artists including Jerry Reed, Eddy Arnold, Pat Boone, Mandrell, Jimmy Dean, Charley Pride, Angelo Badalamenti, Travis and Charlie Chase.

After a more than three-decade absence, Monk returned to radio in 2004 to help launch SiriusXM in Nashville, hosting the morning show on Willie’s Roadhouse, as well as a weekend music and interview show on SiriusXM’s Prime Country until 2022. Monk also served on numerous music organizations. He was an alumnus and board member of Leadership Music, a lifetime director of the Country Radio Broadcasters, and a member of the Country Music Association, Academy of Country Music, and the Gospel Music Association. He also served as vice president of the National Academy of Recording Arts and Sciences, vice president of the Nashville Songwriters Association International, vice president of the Gospel Music Association and local president of the American Federation of Television and Radio Artists.

Monk’s honors include induction into the Country Radio Hall of Fame, The Alabama Music Hall of Fame, the University of Alabama College of Communication and Information Sciences
Hall of Fame and a Lifetime Achievement Award from the Tennessee Radio Hall of Fame. He received awards from the Alabama House and Senate, Country Radio Broadcasters, Inc.,
SESAC (1998 Publisher of the Year), BMI (Publisher for “Most Performed Song”) ASCAP (Publisher for “Most Performed Song”) and Nashville Songwriters Association International. He
earned a CLIO Award for commercial voice work, an Addy Award and awards and honors from the Mobile Press Register, the National Academy of Recording Arts and Sciences and the
Nashville Association of Talent Directors. In 2021, Monk became only the ninth recipient of the CMA’s Joe Talbot Award for “outstanding leadership and contributions to the preservation and advancement of Country Music’s values and traditions.”

A lifelong lover of University of Alabama football, Monk is survived by his wife of 63 years, Royce Walton Monk; Sons Charles, Jr. (Sukgi) and Collin (Grace); Daughters Capucine
Monk and Camila Monk Perry (Scott); sisters in law Peggy Walton-Walker Lord (Larry) and Elsie Walton (Colin Hamilton); Grandchildren Sam (Christina), Nathan, Christabel, McKenna,
Theodore, Ella, Walton & Douglas; Great-grandchildren Alexis and Sophia and nieces Clara and Linda and nephews Wayne, Brian and Chip.

In lieu of flowers, memorial contributions may be made to MusiCares, Community Care Fellowship, Calvary United Methodist Church, Rochelle Center or CreatiVets.

JoJo Siwa Reveals She Broke Up With Avery Cyrus After 3 Months of Dating

JoJo Siwa and Avery Cyrus have called it quits just three months after formally announcing they were together on social media. But from the looks of it, the pair remain friendly.

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On Saturday, Cyrus took to TikTok to share scenes from her recent cruise with Royal Caribbean, which contained a major update about her relationship with the Dance Moms alum. A short clip in the video sees Siwa holding up a hot-pink egg from a game room, telling Cyrus (who is behind the camera), “This is my ‘I’m sorry for breaking up with you’ present.” No reason for the split was explained in the video, though Cyrus inserted clips of her swimming in the ocean with Siwa.

Fans in the comments were pleased to see how well the pair was handling the split, with one user writing, “Ok but I love how you guys still hung out like friends and all that while you were there! Super cool!” Another user wrote, “Me, the 1% population who is happy for you guys, together or apart! Put yourselves first, and just be happy. We’re all still young.”

The 19-year-old Siwa initially confirmed her romance with Cyrus in September by sharing a sweet video of them together. In the clip, Siwa and Cyrus were seen posing together in a photo booth, smiling before leaning in for a kiss. “Happiest girl,” the dancer captioned the post.

See Cyrus’ TikTok, in which Siwa reveals they broke up, below.