Music

Which 2023 Latin Tour Are You Excited For? Vote for Kenia OS, Eladio Carrion & More

It’s officially 2023, and you know what they say: new year, new tour.

This year, a wave of Latin artists across different genres will hit the road, including urban hitmakers like Anuel AA with his rescheduled Las Leyendas Nunca Mueren Tour; Eladio Carrión with The Sauce Tour; and Rauw Alejandro with his Saturno World Tour, where he will be joined by renowned dance crew Jabbawockeez.

Latin pop music is also well-represented with promising U.S. tours by Bacilos (Back in the USA ’23), Ha*Ash (Mi Salida Contigo), Kenia OS (The K23), and power couples Greeicy and Mike Bahía (Amantes: Kai) and Kim Loaiza and JD Pantoja (Bye Bye), to name a few.

Meanwhile, some Regional Mexican acts that unveiled their 2023 treks are Los Temerarios and Ivan Cornejo who’s “super excited to go on my first tour” and “wanted intimate venues, because now more than ever, the connection to the fans is super important.” (See the complete 2023 Latin Tours list here.)

Last year, Billboard asked readers to vote for the best tour of 2022, with fans ultimately crowning Bad Bunny’s World’s Hottest Tour with more than 27 percent of the votes, followed by Karol G’s $trip Love Tour with 19 percent. The former closed out the year with a record-breaking $435 million in tour grosses that combine more than 80 concerts from two separate treks (El Último Tour del Mundo and The World’s Hottest Tour). The latter became the highest-grossing U.S. tour by a female Latin act, earning $69.9 million and selling 410,000 tickets across 33 shows in North America.

Now, with new acts hitting the road in 2023, who are you excited to see in concert? Vote below!

Renée Elise Goldsberry Hilariously Mistakes Laura Benanti’s COVID Test for Pregnancy Announcement

Oops! Renée Elise Goldsberry jumped into the comments section on Laura Benanti‘s latest social media post Monday to congratulate her for… catching COVID?

The LOL-worthy gaffe occurred when Benanti shared her positive coronavirus test on Instagram after taking her daughter Ella on a trip to the New York City Ballet, writing, “Happy New Year? (I tested the day of the ballet and was negative…I also wore my mask so everyone is safe, don’t worry!).”

However, the original Hamilton cast member appears to have thought her fellow Broadway star was sharing a positive pregnancy test on her feed, and mistakenly wrote, “AAAAAAH! Congratulations!” in a now-deleted comment, all while other Broadway stars like Kristin Chenoweth and Jessica Vosk added their commiseration and well-wishes for Benanti’s speedy recovery.

On Tuesday (Jan. 3), Goldsberry offered some hysterical context for her mistake via Twitter, writing, “Drunk scrolling on my birthday… Wrong positive test…” with a facepalm and laughing emoji before adding, “Love you, Laura! Feel better!”

For her part, Benanti seemed focused on making sure her recovery was as low-key and relaxing as possible. “Dear Laura: you do not need to spend this quarantine writing the great American novel, or a pilot, or a play, or a song,” the Tony winner wrote on her Instagram Story. “You do not need to clean and organize your basement. You do not need to organize your email into categories. You do not need to return the thousands of unread emails in your inbox. You do not need to journal, or reflect or read books that challenge you. You can rest and watch tv and read cheesy novels and that doesn’t make you lazy. K?”

Back in October, Goldsberry’s musical sitcom Girls5eva was officially renewed for a third season and will find a new home on Netflix after originating its first two seasons on Peacock.

See Benanti’s post lamenting her positive COVID test and Goldsberry’s amusing response to her accidental congratulations below.

Here’s the Top-Grossing Film for Each Year From 1977 to 2022

Most Billboard readers have at least a rough idea of the top albums and songs of each year but may be less familiar with the top box-office hits from each year. Fortunately, boxofficemojo.com has that information for each year dating back to 1977.

So what do we learn scrolling through the list of top-grossing films for each year since Jimmy Carter became president and Elvis Presley died? One thing that comes across loud and clear is the degree to which sequels and franchises have come to dominate the marketplace. Just four of the year-end box-office champs were films that were not part of franchises (or did not spark a franchise or a reboot of some kind). Those four films that stand alone are E.T. the Extra-Terrestrial, Who Framed Roger Rabbit, Ghost and Titanic.

Star Wars is the top franchise on this recap, with six installments that have been the year’s top-grossing film. Batman is runner-up, with four installments that finished first for the year. Spider-Man is third, with three installments that yielded the year’s top box-office hit.

James Cameron and George Lucas are tied as the only directors who each directed three films that took the year-end crown. Tim Burton, Sam Raimi, Tony Scott, Steven Spielberg, Andrew Stanton and Robert Zemeckis are tied for second place, each having directed two year-end champs.

John Williams is far and away the top film scorer. The legendary composer scored 10 films that took the year-end box-office crown. Danny Elfman and Alan Silvestri have each scored films that finished first four times. (Hans Zimmer will join them if Top Gun: Maverick, on which he teamed with Harold Faltermeyer and Lady Gaga to provide the music, finishes first for the year.)

Lucas and Williams are the only director/composer team to collaborate on three year-end box-office champs. Six other such teams have collaborated on two year-end champs: Spielberg and Williams; Zemeckis and Silvestri; Scott and Faltermeyer; Cameron and James Horner; Burton and Elfman; and Stanton and Thomas Newman.

Top Gun: Maverick took the box-office crown for 2022, with a domestic (U.S. and Canada) gross of more than $718 million. The rest of the top five consisted of Black Panther: Wakanda Forever, Doctor Strange in the Multiverse of Madness, Avatar: The Way of Water and Jurassic World: Dominion.

Let’s scroll back through the films that had the most success at the domestic box office (that’s the U.S. and Canada) in each calendar year since 1977, when Annie debuted on Broadway, Laverne & Shirley was the top TV show and Fleetwood Mac’s Rumours dominated the Billboard 200.

Angela Simmons Is ‘Happier Than I Ever Been’ After Sharing Yo Gotti Relationship

Angela Simmons is going into the new year with a glow. The star took to her Instagram Stories on Monday (Jan. 2) to share a sweet sentiment.

“Happier than I ever been,” Simmons wrote on a black screen, adding a pink heart emoji. The post comes just a day after she made her relationship with rapper Yo Gotti Instagram official with a series of sleek professional photos.

“You are all I need and more,” she captioned the post, in which the happy couple is seen dressed up in dazzling looks as they pose against a black Rolls Royce.

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Gotti has been open about his crush on Simmons for years. On his 2015 hit “Down in the DM,”  he raps, “And I just followed Angela (Simmons) / Boy, I got a crush on Angela Simmons / They like, ‘Damn Gotti, you bold’ / F— it, I’m gon’ let the world know.”

Later, in 2017, Gotti shoots his shot again in “Save It For Me,” which was release after Simmons got engaged to Sutton Tennyson. “Passed my number to Angela / I thought I had her / Her n—- cuffed her, married, it made me madder/ I respect it, I’m moving on, but the truth is I want her badder / Maybe me sayin’ her name made him move faster,” he raps.

Willy Chirino Talks Celebrating 50 Years in Music With First Album in Over a Decade, ‘Sigo Pa’lante’

Willy Chirino is celebrating his 50-year music career with a series of tributes, activities and releases — including a mural in Miami’s Calle Ocho, a street with his name in New Jersey, a museum exhibition, a concert and a new album.

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The singer-songwriter behind salsa classics like “Medias Negras” and “Pobre Diabla” was waiting for the right moment to release Sigo Pa’lante, his first studio album in more than a decade, which finally came out in December. With reggaetón becoming more and more entrenched in popular taste, he says he was taking his time to study the landscape.

“There was a transition in music after my last album that was very dramatic,” he explains to Billboard Español about his hiatus. But the 50th anniversary, with all the fanfare and the news surrounding it, was the perfect occasion to release the album he’d been working on for the past three years.

Although he wasn’t really hibernating — in recent years he’d released an album of traditional Latin American songs with his wife Lissette (Amarraditos), two Christmas albums (Llegó la Navidad and Willy & Lissette Navidad En Familia) and other covers sets (My Favorites and My Beatles Heart) — Sigo Pa’lante (which means “I keep going”) is his first project of new music since 2008’s Pa’lante.

Composed of 12 tracks, it opens with the joyous “Imagínate” and includes collaborations with Gilberto Santa Rosa (on the first single “La Música”), Leoni Torres (“Para Mi Viejo”), El Chacal (the album’s title track), Lissette (“Mi Corazón Es Un Pueblo”) and his daughter Jesse (“Agua De Marzo,” a cover of the Brazilian classic “Aguas De Marzo” by Antonio Carlos Jobim).

It closes with an anthem of freedom for Cuba, “Que Se Vaya Ya,” a song as energetic as it is emotional, released in September 2021 with contributions from Lenier, Micha, Chacal, Osmani García and Srta. Dayana. “Let them take all the bad things/ Let them go, let them go/ We can’t take the beatings anymore/ Let them leave now/ Because the people suffer and keep quiet/ Let them go, let them go/ Let them take the shrapnel/ Let them go now ”, they sing in Spanish.

Chirino, in fact, dedicates Sigo Pa’lante to his fans in Cuba, where he says that people continue to listen to his songs “despite all the mishaps they have suffered to do so.”

“They’ve payed a price that is not money, because listening to my music for a long time was totally prohibited,” the artist continues, adding that “when they found them listening, [the authorities] beat them, imprisoned them, took their boomboxes away. In other words, they were mistreated simply for the fact of listening to my music. So that for me has a special recognition”.

Although he clarifies that his songs are not currently banned in his native country, he says that his anti-Castro stance has made him persona non grata, and that his requests to perform in the island have never been answered.

Chirino debuted in 1974 with the album One Man Alone, and has released more than twenty albums since — but his career began earlier, as part of different bands and orchestras. The 50th anniversary dates back to 1972, when he says he began to use his own name when creating music as a solo artist.

On the Billboard charts, he’s scored 13 entries on the Tropical Albums listing, seven of which reached the top 10: Sarabanda in 1986, Acuarela del Caribe in 1990, Oxígeno in 1991, South Beach in 1993, Cubanísimo in 2005, Pa’lante in 2008 and Llegó la Navidad in 2012. He’s also had six entries on the Hot Latin Songs chart, two on Latin Airplay, and two on Top Latin Albums.

To mark his half century in music, the winner of awards such as the Latin Grammy Lifetime Achievement Award and the Billboard Latin Spirit of Hope Award has been honored in his adoptive city of Miami with a mural in Little Havana’s Calle Ocho. The 60 by 55 foot work was commissioned by the Miami Mayor’s Office to Chilean artist Alexandra Seda and was unveiled on October 28.

Additionally, the city of West New York, NJ paid tribute to Willy Chirino on December 15 by naming a street after the Cuban salsa star. Accompanied by personalities such as Paquito D’Rivera, the singer (along with mayor Gabriel Rodriguez) unveiled the blue sign for the Willy Chirino Way — at the corner of 54th Street and Boulevard East.

Willy-Chirino-Gabriel-Rodriguez

Gonzalo Rodriguez

And the celebrations continue in 2023 with a retrospective exhibition of his career at the HistoryMiami Museum that will be open to the public from January 27 to September 10, and a big concert on March 11 at the James L Knight Center in Miami.

“It really feels great, and to see the people’s reaction is really beautiful,” says Chirino. “I thank God for this extraordinary life that he has given me … For having my family healthy and well, but also for the number of people throughout the world who listen to my music, who dance to it — because that’s what it was made for.”

Grammys 2023: Harry Styles or Doja Cat Could Have the Shortest Record of the Year Winner in 55 Years

If Harry Styles’ “As It Was” or Doja Cat’s “Woman” wins record of the year at the 65th Annual Grammy Awards on Feb. 5, it would become the single with the shortest playing time to win in that marquee category since The 5th Dimension’s “Up, Up and Away,” which won at the Grammy ceremony in 1968. “Woman” runs 2:52. “As It Was” is even shorter – a brisk 2:47. The 5th Dimension’s sunshine-pop classic ran just 2:40.

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A third record of the year nominee at next month’s Grammy telecast run less than three minutes. Mary J. Blige’s “Good Morning Gorgeous” runs 2:54 and would be the shortest record of the year winner since Sam Smith’s “Stay With Me (Darkchild Mix),” the winner eight years ago, which also ran 2:54.

The first record of the year winner, Domenico Modugno’s lounge staple “Nel Blu Dipinto Di Blu (Volare)” (which won at the ceremony in May 1959) ran 3:29. The second, Bobby Darin’s suave “Mack the Knife” (which won at the ceremony in November 1959 — yep, there were two ceremonies that year) ran 3:03.

The next eight record of the year winners in a row clocked in at less than three minutes. The shortest of them all – and the shortest winner in Grammy history – was Henry Mancini’s recording of his classic film title song “Days of Wine and Roses,” which won in 1964. The melancholy ballad ran just 2:05.

The other winners in that eight-single streak that proved that you can be concise and still make a big impact were Percy Faith and His Orchestra’s “Theme From ‘A Summer Place’” (1961, 2:24), Mancini’s “Moon River” (1962, 2:41), Tony Bennett’s “I Left My Heart in San Francisco” (1963, 2:51), Stan Getz and Astrud Gilberto’s “The Girl from Ipanema” (1965, 2:44), Herb Alpert & the Tijuana Brass’ “A Taste of Honey” (1966, 2:42), Frank Sinatra’s “Strangers in the Night” (1967, 2:36) and the 5th Dimensions aforementioned “Up, Up and Away” (1968, 2:40).

The first record of the year winner to crack the four-minute barrier was Simon & Garfunkel’s “Mrs. Robinson” (1969, 4:00). Its status as the longest-running record of the year winner in history lasted just one year. The 5th Dimension’s “Aquarius/Let the Sunshine In” (1970), a sleek coupling of two songs from Hair, ran 4:49. It also held the record as the lengthiest winner for just one year. Simon & Garfunkel’s power ballad “Bridge Over Troubled Water,” the winner in 1971, ran 4:52.

The first record of the year winner to top both five and six minutes was Eagles’ “Hotel California” (1978, 6:08), which was also the first rock (as opposed to pop) track to win for record of the year. The longest winner ever was a special case, USA for Africa’s star-studded “We Are the World” (1986, 6:22).

In recent years, the music industry has rediscovered the virtues of brevity. Norah Jones’ jazzy ballad “Don’t Know Why,” the winner in 2003, ran just 3:01, the shortest playing time for a record of the year winner since “Up, Up and Away.” Smith’s “Stay With Me (Darkchild Mix),” the winner in 2005, was even shorter than Jones’ hit — as noted above, it ran just 2:54. (The primary version of Smith’s hit ran 2:51, but the Grammy specifically went to the Darkchild Mix.)

You could play both of “As It Was” and “Woman” in 5:39, which is less time that it would take you to get through not only “We Are the World” (6:22) and “Hotel California” (6:08), but also Robert Plant & Alison Krauss’ “Please Read the Letter,” the winner in 2009 (5:57).

Eight of this year’s 10 record of the year nominees run four minutes or less. The only songs to exceed that time are Beyoncé’s “Break My Soul” (4:38) and Kendrick Lamar’s “The Heart Part 5” (5:32).

Here are the 15 shortest and longest record of the year winners in Grammy history.

The 15 shortest record of the year winners:

(counting down from the shortest)

Henry Mancini’s “Days of Wine and Roses,” 1964 (2:05)

Percy Faith and his Orchestra’s “Theme from A Summer Place,” 1961 (2:24)

Frank Sinatra’s “Strangers in the Night,” 1967 (2:36)

The 5th Dimension’s “Up, Up and Away,” 1968 (2:40)

Henry Mancini’s “Moon River,” 1962 (2:41)

Herb Alpert & the Tijuana Brass, “A Taste of Honey,” 1966 (2:42)

Stan Getz and Astrud Gilberto, “The Girl From Ipanema,” 1965 (2:44)

Tony Bennett’s “I Left My Heart in San Francisco,” 1963 (2:51)

Sam Smith’s “Stay With Me (Darkchild Mix),” 2015 (2:54)

Norah Jones’ “Don’t Know Why,” 2003 (3:01)

Bobby Darin’s “Mack the Knife,” 1959 (3:03)

Billie Eilish’s “Bad Guy,” 2020 (3:14)

George Benson’s “This Masquerade,” 1977 (3:17)

Natalie Cole featuring Nat King Cole’s “Unforgettable,” 1992 (3:23)

Captain & Tennille’s “Love Will Keep Us Together,” 1976 (3:24)

The 15 longest record of the year winners:

(counting down from the longest)

USA for Africa’s “We Are the World,” 1986 (6:22)

Eagles’ “Hotel California,” 1978 (6:08)

Robert Plant & Alison Krauss’ “Please Read the Letter,” 2009 (5:57)

Adele’s “Hello,” 2017 (4:55)

Bette Midler’s “Wind Beneath My Wings,” 1990 (4:52)

Simon & Garfunkel’s “Bridge Over Troubled Water,” 1971 (4:52)

The 5th Dimension’s “Aquarius/Let the Sunshine In,” 1970 (4:49)

Phil Collins’ “Another Day in Paradise,” 1991 (4:48)

Paul Simon, “Graceland,” 1988 (4:48)

Roberta Flack’s “Killing Me Softly With His Song,” 1974 (4:46)

Seal’s “Kiss from a Rose,” 1996 (4:43)

Celine Dion’s “My Heart Will Go On,” 1999 (4:36)

Whitney Houston’s “I Will Always Love You,” 1994 (4:32)

U2’s “Walk On,” 2002 (4:30)

Eric Clapton’s “Tears in Heaven,” 1993 (4:29)

Notes: All the years shown here refer to the year of the Grammy ceremony (or, starting in 1971, live telecast) in which the record was honored. We took the singles’ running times from Joel Whitburn’s Pop Annual 1955-2016, which lists every single that made the Billboard Hot 100 by year, in ranked order. We took the running times on more recent singles from Wikipedia.  

All the Latin US Tours Announced for 2023 (Updating)

Ever since the touring industry reopened in 2021, Latin music became unbeatable, with some of its biggest acts announcing tours in 2022 — including Bad Bunny, who closed out the year with a record-breaking $435 million in tour grosses that combine more than 80 concerts from two separate treks (El Último Tour del Mundo and The World’s Hottest Tour).

Colombian star Karol G also made history, becoming the highest U.S.-grossing tour by a female Latin act with her $Trip Love Tour, grossing $69.9 million and selling 410,000 tickets across 33 shows in North America, according to numbers reported to Billboard Boxscore. The “Bichota” singer surpassed Jennifer Lopez‘s $50 million grossing It’s My Party World Tour in 2019. 

While Bunny and Karol made the rounds, two of reggaetón’s big dogs, Daddy Yankee and Wisin y Yandel, also kicked off their individual farewell tours. 

The former wrapped his La Última Vuelta World Tour with $197.8 million and 1.9 million tickets sold over 83 shows in 2022, making it the second-biggest tour by a Latin artist in Boxscore history. The latter wrapped the year with a historic residency of 14 sold-out concerts at the Coliseo de Puerto Rico José Miguel Agrelot, part of the duo’s La Última Misión World Tour. 

Other memorable treks last year included Feid, Christian Nodal, Sebastian Yatra, and Rosalía, whose Motomami World Tour grossed $28.1 million through the end of October.

This year, the show must go on, and artists such as Rauw Alejandro, Eladio Carrión, Maná, and Ha*Ash, are all ready to hit the road. See our list of Latin tours that have already been announced for 2023 below.

Here’s What Lewis Capaldi Said After Being Mistaken for Susan Boyle

No, 26-year-old Lewis Capaldi is not 61-year-old Susan Boyle — despite what a fan’s father thought.

It all started on New Year’s Eve (Dec. 31), when Capaldi performed at BBC’s Hogmanay celebrations. After the show, a fan commented on one of the “Before You Go” singer’s TikToks, “Lewis, my dad saw you on TV and thought you were Susan Boyle.”

Capaldi then shared a video response to the comment, joking that the mistaken identity was a “great start to the new year.”

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“I dreamed a dream that ppl stopped telling me i looked like women in their 60s,” he wrote in the caption.

On a more positive note for Capaldi, the singer is gearing up to release his sophomore album, Broken by Desire to Be Heavenly Sent, on May 19, 2023. In addition, the star will be embarking on a global tour, which kicks off on January 14 in Leeds, England, and will stretch across Europe until March 15 in Munich, Germany. On March 30, Capaldi will cross the pond to begin his North American tour in Nashville, Tenn., on March 30. His US dates wrap up on May 11 in Houston, Texas, before he heads off to Australia and New Zealand.

Broken by Desire to Be Heavenly Sent is a follow-up to Capaldi’s debut album Divinely Uninspired to a Hellish Extent, which peaked at No. 20 on the Billboard 200 and spent an impressive 177 weeks total on the chart. The album’s breakthrough single, “Someone You Loved,” landed Capaldi his first Grammy nomination, as it was up for song of the year at the 2020 ceremony.

Alan Rankine of The Associates Dies at 64

Alan Rankine, co-founder of Scottish pop band The Associates, died Monday at 64.

The news was first reported by both the BBC and The Guardian after a Facebook post by the multi-instrumentalist’s’ two sons began circulating on the social network. “Callum and Hamish’s message say it all,” Rankine’s ex-wife Belinda Henderson (nee Pearse) wrote to share the sad news. “‘It’s with great sadness that my brother, Hamish, and I announce the passing of our father, Alan Rankine. He died peacefully at home shortly after spending Christmas with his family. He was a beautiful, kind and loving man who will be sorely missed. Callum & Hamish Rankine.’”

Formed in 1979 by Rankine and singer Billy McKenzie, The Associates initially became known throughout their native Scotland thanks to their unauthorized cover of David Bowie’s “Boys Keep Swinging.” After the rendition got them signed to Fiction Records, the duo released their debut studio set The Affectionate Punch in 1980 and became integral in Britain’s New Pop movement. A follow-up compilation titled Fourth Drawer Down arrived the following year and eventually, the band released three more albums: 1982’s Sulk, 1985’s Perhaps and 1990’s Wild and Lonely — though Rankine left the band on the precipice of touring around the final album.

Though none of The Associates’ music broke through on the Billboard charts over the course of their career, though Fourth Drawer Down reached No. 5 on the U.K. Independent Albums Chart and Sulk peaked at No. 23 on the U.K.’s Official Albums Chart thanks to the popularity of its singles “Party Fears Two” and “Club Country.”

Later in his life, Rankine worked as a producer for artists like Cocteau Twins, Paul Haig and The Pale Fountains. He also released a trio of solo albums including The World Begins to Look Her Age in 1986, She Loves Me Not in 1987 and The Big Picture Sucks in 1989.

Read the news of Rankine’s death below.

Don Williams, Last Surviving Member of the Williams Brothers Quartet, Dies at 100

Don Williams, who partnered with Andy Williams and their brothers, Dick and Bob, in a singing foursome that performed on the radio, in the movies and with Bing Crosby and Kay Thompson, has died. He was 100.

Williams died Friday (Dec. 30) of natural causes at his home in Branson, Missouri, his wife, Jeanne, told The Hollywood Reporter.

Born on Oct. 9, 1922, Don was the second oldest of the Wall Lake, Iowa-bred quartet. He and his brothers would work mornings on their own live radio show in Des Moines, Iowa, and then head off to school.

The boys also performed on stations in Chicago and Cincinnati before they came to Los Angeles and backed up Crosby on his 1944 hit “Swinging on a Star.” Later, they teamed with Thompson to form a popular nightclub act.

Thompson, who headed the vocal department at MGM, put the brothers in the studio choir, and they worked on films including Anchors Aweigh (1945), Ziegfeld Follies (1945), The Harvey Girls (1946) and Good News (1947).

They also appeared in the musicals Janie (1944), Kansas City Kitty (1944), Something in the Wind (1947) and Ladies’ Man (1947).

Without his brothers, Don appeared on a 1956 episode of Playhouse 90 and headlined at the Tropicana hotel soon after it opened in Las Vegas in 1957. He also sang in commercials, on The Tonight Show and on programs hosted by Eddie Fisher and Nat King Cole.

Later, he became an agent and manager, with his clients including Mary Tyler Moore and singers Ray Stevens and Roger Miller.

During World War II, he served with the U.S. Merchant Marine with Dick, and both were radio operators on the same tanker.

Don Williams County Park, a recreation area in Boone County, Iowa, is named for him.

Andy Williams, known for his easy-listening hits “Moon River,” “Days of Wine and Roses” and “Where Do I Begin?” and for his long-running TV variety show, was born in 1927 as the youngest of the boys. He died at age 84.

Bob Williams, born in 1918 as the oldest, died in September 2003 at age 85. And Dick, born in 1926, died in May 2018 at age 91.

The four reunited often for Andy Williams’ Christmas specials.

In addition to his wife — they were together for 41 years — Don’s survivors include his twin sons, David and Andy, and a grandson, Harrison. His sons recorded as the Williams Brothers, too, with their songs including “What’s Your Name” and “Can’t Cry Hard Enough.”

This story was originally published by The Hollywood Reporter.