Music

Here Are the Lyrics to Luke Combs‘ ’Going, Going, Gone’

Luke Combs is crooning about a girl who moves on easy with “Going, Going, Gone” off his popular 2022 album, Growin’ Up.

“Sometimes I feel like a college kid, and some days I feel like I’m 65 or 70 — I wouldn’t say I’m middle-aged, but it’s like I feel like a real adult,” the CMA Awards reigning entertainer of the year previously told Billboard of his skyrocketing career. “When I walk into a room, no one’s like, ‘That can be a guy in college.’ Nobody thinks that… It’s like, time to kind of get it together fully, and dig into this life thing.”

If you need a guide to follow along with Luke Combs’ “Going, Going, Gone,” find the lyrics below:

Some things in life are meant to fly
And others, they were born to run
You can’t tie down up and leaving
Like the changing of the seasons
Good things, they come and then they go

Like a runaway southbound train
Like an Arizona desert rain
Like lightning in the sky
Like fireworks in July
Like a left field home run ball
Like a whiskey shot at last call
It’s like she was made for moving on
That girl is going, going, gone

I could say it wasn’t meant to be
But maybe meant to be’s misunderstood
Can’t hold on to letting go
Change the way the river flows
Loving her’s like roping in the wind

Like a runaway southbound train
Like an Arizona desert rain
Like lightning in the sky
Like fireworks in July
Like a left field home run ball
Like a whiskey shot at last call
It’s like she was made for moving on
That girl is going, going, gone

She ain’t got one bit of stick around
There’s no sense in trying to slow her down

Like a runaway southbound train
Like an Arizona desert rain
Like lightning in the sky
Like fireworks in July
Like a left field home run ball
Like a whiskey shot at last call
It’s like she was made for moving on
That girl is going, going, gone

Going, going, gone
Going, going, gone

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC

Written by: James Mcnair, Luke Albert Combs, Ray Fulcher

Here Are the Lyrics to Stephen Sanchez’s ‘Until I Found You’

Stephen Sanchez notched his first hit on the Billboard Hot 100 songs chart with “Until I Found You,” which peaked at No. 38 on the chart.

“I was in a serious relationship at the time,” Sanchez previously told Billboard of writing the song. “There was a lot of back-and-forth toward the beginning because I was super fearful of it, and I pushed her away because of that. We had established a very solid friendship before then, and it isolated us from even having that. I moved to Nashville months later, we reconnected and I took her out on a date. The song is just reflecting that time: When I was without her friendship and loving, it was so hard. I just remember how shallow that time felt in my life. [When] I wrote the song, we were very much in love, and it made that moment of our lives more beautiful.”

If you need a guide to follow along with Stephen Sanchez’s “Until I Found You,” find the lyrics below:

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Georgia, wrap me up in all your
I want you in my arms
Oh, let me hold you
I’ll never let you go again like I did
Oh, I used to say

I would never fall in love again until I found her
I said, “I would never fall unless it’s you I fall into”
I was lost within the darkness, but then I found her
I found you

Georgia pulled me in, I asked to
Love her once again
You fell, I caught you
I’ll never let you go again like I did
Oh, I used to say

I would never fall in love again until I found her
I said, “I would never fall unless it’s you I fall into”
I was lost within the darkness, but then I found her
I found you

I would never fall in love again until I found her
I said, “I would never fall unless it’s you I fall into”
I was lost within the darkness, but then I found her
I found you

Lyrics licensed & provided by LyricFind

Lyrics © DistroKid, Universal Music Publishing Group, Sony/ATV Music Publishing LLC

Written by: Emily Mahin Beihold, Stephen Sanchez

Here Are the Lyrics to Metro Boomin, The Weeknd & 21 Savage’s ‘Creepin’’

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’” leapt 22-6 on the Billboard Hot 100 dated January 14, after it debuted at its No. 5 high in December.

The track, a slick re-creation of Mario Winans’ 2004 hit, “I Don’t Wanna Know,” seamlessly blends the talents of all three artists, allowing for a TikTok viral track.

If you need a guide to follow along with Metro Boomin, The Weeknd and 21 Savage’s “Creepin’,” find the lyrics below:

Ooh, ooh-ooh
Ooh-ooh-ooh, ooh, ooh-ooh (just can’t believe this, man)
(Metro Boomin want some more, nigga)

Somebody said they saw you
The person you were kissin’ wasn’t me
And I would never ask you
I just kept it to myself

I don’t wanna know
If you’re playin’ me, keep it on the low
‘Cause my heart can’t take it anymore
And if you’re creepin’, please, don’t let it show
Oh, baby, I don’t wanna know
Oh-oh, oh-oh, ooh-whoa
Oh-oh, oh-oh, oh-oh

Oh, yeah
I think about it when I hold you
When lookin’ in your eyes, I can’t believe
And I don’t need to know the truth
Baby, keep it to yourself

I don’t wanna know
If you’re playin’ me, keep it on the low
‘Cause my heart can’t take it anymore
And if you’re creepin’, please, don’t let it show
Oh, baby, I don’t wanna know

Did he touch you better than me? (Touch you better than me)
Did he watch you fall asleep? (Watch you fall asleep)
Did you show him all those things, that you used to do to me?
If you’re better off that way (better off that way)
There ain’t more that I can say (all that I can say)
Just go on and do your thing and don’t come back to me
Ooh, ooh-ooh
Ooh-ooh-ooh, ooh-ooh, ooh-ooh

Whoa, whoa, whoa, 21
Had me crushin’, I was cuffin’ like the precinct
How you go from housewife to a sneaky link?
Got you ridin’ ’round in all type of Benzes and Rovers
Girl, you used to ride in the rinky dink
I’m the one put you in Eliantte (on God)
Fashion Nova model, I put you on the runway (on God)
You was rockin’ Coach bags, got you Chane’-ne’
Side bi— in Frisco, I call her my baby (21)
I got a girl, but I still feel alone (on God)
If you playin’ me that mean my home ain’t home (on God)
Havin’ nightmares of goin’ through your phone (21)
Can’t even record, you got me out my zone

I don’t wanna know
If you’re playin’ me, keep it on the low
‘Cause my heart can’t take it anymore
And if you’re creepin’, please, don’t let it show
Oh, baby, I don’t wanna know
If you’re playin’ me, keep it on the low
‘Cause my heart can’t take it anymore
And if you’re creepin’, please, don’t let it show
Oh, baby, I don’t wanna know

If you creepin’, just don’t let me find out (on God)
Get a hotel, never bring ’em to the house (on God)
If you’re better off that way
Baby, all that I can say
If you’re gonna do your thing then don’t come back to me

Lyrics licensed & provided by LyricFind

Lyrics © Spirit Music Group

Written by: Chauncey Lamont Hawkins, Eithne Patricia Brennan, Erick S. Sermon, Mario Winans, Michael Carlos Jones, Nicholas Domini Ryan, Parrish Joseph Smith, Roma Shane Ryan

Kate Hudson Signs With Sandbox for Music Management Ahead of Album Release

Actress, singer, producer, entrepreneur and author Kate Hudson has signed with Jason Owen and Sandbox Entertainment Group for music management, the company announced Monday (Jan. 9).

Hudson is known for her work in films including Almost Famous, How to Lose a Guy in 10 Days and Glass Onion: A Knives Out Mystery, but has also showcased her vocal talent in films including Nine and Music (which earned Hudson a Golden Globe nomination for best actress in a comedy or musical), as well as episodes of the hit television show Glee.

In signing with Sandbox, Hudson joins a talent roster that includes Kelsea Ballerini, Dan+Shay, Faith Hill, Kacey Musgraves, Little Big Town and the Johnny Cash estate.

“Music has always been my touchstone,” Hudson said in a statement. “To finally feel ready to share mine is deeply personal to me, almost like a musical memoir. Writing this album over the past year and a half has been the most gratifying and immersive experience and I couldn’t be more excited to partner with Jason to bring it into the world.  I can’t wait to hit the ground running with him on this and other creative ventures.”

“Kate Hudson is a superstar of our generation,” Owen added. “Much like other icons in film and stage — from Judy Garland to Lady Gaga — Kate is a multifaceted entertainer who clearly has a deep connection to music. I could not be more honored and excited to help bring her brilliant music to the world and to work with such an incredible talent but mostly a such wonderful person. Big things are coming.”

Hudson will continue to be represented by CAA, Untitled Entertainment, Full Coverage Communications and Jackoway Austen Tyerman Wertheimer Mandelbaum Morris Bernstein Trattner & Klein.

During a recent episode of The Tonight Show Starring Jimmy Fallon, Hudson said that she’s been making an album for over a year, and revealed that she’s been writing music since age 19, though she had never publicly shared her own music.

“I have no expectations. I just want to put a record out,” she said during the interview. See the clip here:

Gordy Harmon, The Whispers Founding Member, Dies at 79

Gordy Harmon, a founding member of the beloved R&B group The Whispers, died on Thursday (Jan. 5). He was 79 years old.

The news of his death was initially reported by ABC7, who noted that the soul musician died peacefully in his sleep, and that his family believes he died of natural causes and had no serious illnesses.

Harmon founded The Whispers in the Watts neighborhood of Los Angeles with twin brothers Wallace and Walter Scott, Marcus Hutson and Nicholas Caldwell in 1964. 

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During Harmon’s time in the group, The Whispers took over the R&B world with albums like Life and Breath, as well as 1972’s The Whispers’ Love Story, which climbed up to No. 34 on Billboard’s Top R&B/Hip-Hop Albums chart and featured Hot R&B/Hip-Hop Songs charting singles “Can’t Help But Love You” (No. 35), “I Only Meant to Wet My Feet” (No. 27), “Your Love Is So Doggone Good” (No. 19) and “There’s a Love for Everyone” (No. 31).

Unfortunately, Harmon’s time in The Whispers was cut short in 1973, when he suffered a larynx injury after a driving accident, according to the Los Angeles Sentinel. He was replace by Leaveil Degree.

The Weeknd Feels ‘Honored’ to Be Shortlisted in Oscars Best Original Song Race

The Weeknd opened up about “Nothing Is Lost (You Give Me Strength),” his theme song from Avatar: The Way of Water, being shortlisted for the 2022 Oscars race in a new interview on Monday (Jan. 9).

“I feel honored to be part of that list. Any kind of recognition for it feels like a blessing,” the R&B crooner told The Hollywood Reporter. Should his Na’vi-inspired ballad make the leap from the best original song shortlist to official nominee, it would mark the second time the artist otherwise known as Abel Tesfaye has earned a nod from the Academy following his nomination for “Earned It” from 2015’s Fifty Shades of Grey. “It’d be great,” he added of clinching another nomination. “But I’m just happy that I got to be part of such a historic film.”

However, The Weeknd clarified during the chat that the process behind crafting “Nothing Is Lost” was markedly different from writing the slow jam for the story of Anastasia Steele and Christian Grey. “The song in the film for Fifty Shades of Grey is just so sexy and sexual,” he said. “Working on this song was fun as well, but that felt a little bit more fun and loose, while this one felt a little bit more scientific. I couldn’t veer away from what [director James Cameron wanted]. Because the song is so connected with the film, I had to make sure that it didn’t feel like we just plopped in a pop song at the end of the credits. I couldn’t be as vague as ‘Earned It.’”

Even with a more rigorous set of guidelines, the singer had nothing but good things to say about being enlisted by the Oscar-winning filmmaker for the soundtrack to the long-awaited sequel. “He is a genius, and I just felt honored that I got to collaborate with him,” he said. “The best part about writing the song was getting notes from James and making sure that all the lyrics and the tones fit the themes of the film. I think I rewrote the song maybe six times to make sure it was perfect.”

The Weeknd also notched his 16th career top 10 hit this week as his 2016 Starboy-era single “Die For You” surged to No. 8 on the Hot 100 (chart dated Jan. 14) and released the music video for “Is There Someone Else?” on the one-year anniversary of 2022’s Dawn FM.

Read The Weeknd’s complete chat with THR here.

Meek Mill Apologizes for Filming Music Video in Ghanaian Presidential Palace

Following backlash against his music video filmed at the Jubilee House government building in Ghana, Meek Mill issued a heartfelt apology on Twitter.

“To the people of Ghana no video I drop is ever meant to disrespect the people of Ghana …. The fastest way to make connection is thru music and I wanted to do that with displaying art,” his initial tweet reads.

He went on to “take responsibility for [his] mistake” and expressed his desire to “make the connection between black people in America and Africa.”

The criticisms arrived full-steam Monday morning (Jan. 9) when Ghana’s former deputy education minister Sam Okudzeto Ablakwa tweeted screenshots of the music video, expressing his outrage.

“All those responsible for this despicable desecration of the Jubilee House by Meek Mill must be fired immediately,” wrote Ablakwa. “How do those explicit lyrics from the president’s lectern project Ghana positively? Is Ghana’s seat of government no longer a high security installation?”

Many Ghanaians chimed in, with some assigning blame to the country’s government rather than Meek. The 35-year-old rapper rushed to Ghana President Nana Akufo-Addo’s defense, adding, “I don’t think they knew it was video footage when we asked to shoot. Its a small camera and one kid … in America we didn’t know this existed and [I] was excited to show [it] because they don’t show Ghana on our media much.”

Meek expressed that he had no ill intention and continues to support positive community efforts both within his hometown of Philadelphia and in Ghana, where the rapper recently found out he has heritage.

John Mayer Honors Bob Saget One Year After His Death: ‘I Loved That Guy & I Always Will’

It’s been one year since comedian and Full House star Bob Saget died at age 65, and John Mayer took to Instagram on Monday (Jan. 9) to honor his late friend.

“One year ago today, we lost Bob Saget. I loved that guy. I love saying ‘I loved that guy,’” the “New Light” singer captioned a sweet photo of Saget, smiling at the camera as the duo seemingly are about to board a plane. “Soon after he left us, I couldn’t finish those three words without falling apart, but now I say it with all the simplicity and complexity that love itself entails.”

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Mayer continued, “I knew he was otherworldly while he was here. Every moment we spent together was the stuff of Old Hollywood Magic, of dinners and drinks and stories and laughs and memories you knew were cutting deep grooves into your soul as the lathe was turning. Grief is a journey, and it’s a profound trip that someone you lose takes as well; they leave the space around you and slowly climb a staircase to find a space within you. I miss him all the time, but those memories? They’re solid objects. And today we’ll take them out and hold them and trade them and remember how much Bob Saget meant to us.”

The star concluded by noting, “I loved that guy, and I always will.”

Saget’s wife, Kelly Rizzo, took to the comments section to write in response, “Man, did he love you. And he always will. I mean look at his face… that sheer happiness is the look of ‘yay I get to fly home with John!’ – so happy you captured that.”

Following his death, the late Full House star’s relatives confirmed that authorities have determined the cause of death to be head trauma. The message added that drugs and alcohol were not involved. “They have concluded that he accidentally hit the back of his head on something, thought nothing of it and went to sleep,” the family stated of the investigation into Saget’s death. The comedian was found dead in his Orlando hotel room on Jan. 9, 2022.

See Mayer’s full tribute below.

Rihanna’s ‘Lift Me Up,’ Alexandre Desplat’s ‘Pinocchio’ Score to be Honored by American Cinematheque: Full List

Rihanna’s “Lift Me Up” and Alexandre Desplat’s score for Guillermo del Toro’s Pinocchio lived up to their front-runner status for the 2023 Academy Awards on Monday (Jan. 9) when they were chosen as the year’s best song and score, respectively, by The American Cinematheque. They will be among the honorees at the second annual Tribute to the Crafts, which will take place Thursday, Feb. 9, at the Aero Theatre in Santa Monica, Calif.

The event, co-hosted by American Cinematheque board members Stephanie Allain and Paula Wagner, will celebrate individuals in 15 categories. The honorees were selected by a jury of cinephiles, film historians and journalists.

“Honoring the wide array of talent from these extraordinary films is exactly in line with the AC’s mission,” Grant Moninger, American Cinematheque’s director of film programming & creative, said in a statement. “This event showcases the achievements of those behind the camera who bring these incredible films to life.”

In documentary awards, Terence Blanchard will be honored for his score for Louis Armstrong’s Black & Blues.

Several of the American Cinematheque’s choices were shortlisted for Oscars on Dec. 21. In addition to “Lift Me Up” (shortlisted for best original song) and Guillermo del Toro’s Pinocchio (shortlisted for best original score), AC honorees that were shortlisted for Oscars are Top Gun: Maverick (sound), Avatar: The Way of Water (visual effects) and The Whale (makeup and hairstyling).

The AC event is being produced by Madelyn Hammond and Javier Infante of Madelyn Hammond & Associates. Event production will be handled by Gina Wade Creative.

Established in 1984, the American Cinematheque is a member-supported 501(c)(3) non-profit cultural arts organization dedicated to building an engaged film community through immersive film curation, conversation and presentation.

The announcement of the AC honorees may potentially impact Oscars voting. Nominations round voting for the 2023 Oscars extends from Jan. 12 to 17. Nominations will be announced on Jan. 24. Final round voting extends from March 2-7. The awards will be presented on March 12.

Here’s a full list of Tribute to the Crafts honorees:

FEATURE FILM

Song: Black Panther: Wakanda Forever (Ludwig Göransson, Rihanna, Ryan Coogler and Tems – “Lift Me Up”) – Marvel Studios

Score: Guillermo del Toro’s Pinocchio (Alexandre Desplat) – Netflix

Casting: Women Talking (John Buchan and Jason Knight) – UAR

Choreography: RRR (Prem Rakshith) – Variance Films/ Sarigama Cinemas

Cinematography: Nope (Hoyte van Hoytema) – Universal Pictures

Costume Design: Black Panther: Wakanda Forever (Ruth E. Carter) – Marvel Studios

Editing: Everything Everywhere All at Once (Paul Rogers) – A24

Hair and Makeup: The Whale (Adrien Morot, Annemarie Bradley and Judy Chin) – A24

Production Design/Set Decoration: Babylon (Anthony Carlino and Florencia Martin) – Paramount Pictures

Sound: Top Gun: Maverick (Al Nelson, Chris Burdon, James H. Mather, Mark Taylor and Mark Weingarten) – Paramount Pictures

Stunts: The Woman King (Danny Hernandez) – TriStar Pictures and Entertainment One

Visual & Special Effects: Avatar: The Way of Water (Daniel Barrett, Eric Saindon, Joe Letteri and Richard Baneham) – 20th Century Studios

DOCUMENTARY

Cinematography: Fire of Love (Katia and Maurice Krafft) – National Geographic Documentary Films

Editing: Good Night Oppy (Helen Kearns and Rejh Cabrera) – Amazon Studios

Score: Louis Armstrong’s Black & Blues (Terence Blanchard) – Apple Original Films

Lady Gaga’s 2011 Deep Cut ‘Bloody Mary’ Debuts on Hot 100, Thanks to ‘Wednesday’ Hype

Lady Gaga’s 2011 Born This Way track “Bloody Mary” enters at No. 68 on the latest Billboard Hot 100 (dated Jan. 14).

The song debuts over a decade after its release thanks, initially, to hype on TikTok sparked by the new Netflix Addams Family spin-off series Wednesday, despite the fact that the song isn’t actually featured in the show. (TikTok does not presently contribute directly to Billboard‘s charts.)

In the series, the titular character appears in a dance sequence soundtracked by The Cramps’ 1981 single “Goo Goo Muck.” Fans took the clip to TikTok but replaced “Goo Goo Muck” with a sped-up version of “Bloody Mary,” which then went viral. The song has been used in nearly 4 million videos on the platform to date. Lady Gaga herself participated in the trend, in which she re-created the dance, garnering more than 12 million views.

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The song’s renewed attention has helped it steadily gain in recent weeks, leading to its Hot 100 arrival (also aided by the post-Christmas drop-off of holiday songs) with 6.1 million U.S. streams (up 13%), 4.3 million radio airplay audience impressions (up 28%) and 2,000 downloads sold in the Dec. 30-Jan. 5 tracking week, according to Luminate.

The track is now also being promoted by Interscope Records to pop radio. As such, it rises 36-32 on the Pop Airplay chart, becoming Lady Gaga’s 23rd entry at the format upon its debut two weeks earlier. Born This Way generated five Pop Airplay hits during its original run: “Born This Way” (No. 1 for a week in April 2011), “Judas” (No. 15), “The Edge of Glory” (No. 3), “You and I” (No. 7) and then “Marry the Night” (No. 14).

Born This Way debuted at No. 1 on the June 11, 2011-dated Billboard 200 and spent two weeks on top, marking Lady Gaga’s first of six No. 1 albums. It went on to receive Grammy nominations for album of the year and best pop vocal album.

“Bloody Mary” earns Lady Gaga her 36th career entry on the Hot 100, and first since last year’s Top Gun: Maverick anthem “Hold My Hand,” which reached No. 49. She has banked five No. 1s: “Just Dance,” featuring Colby O’Donis (2009), “Poker Face” (2009), “Born This Way” (2011), “Shallow, with Bradley Cooper (2019), and “Rain on Me,” with Ariana Grande (2020).

Wednesday premiered on Netflix on Nov. 23, and its effect on “Bloody Mary” was almost immediate. In the Nov. 25-Dec. 1 tracking week, the song surged 424% in official on-demand U.S. streams, from 526,000 to 2.7 million, and 955% in digital song sales.

Further, “Bloody Mary” hits new highs on the Jan. 14-dated Billboard Global Excl. U.S. (No. 28) and Billboard Global 200 (No. 31) charts, after it first reached the former tally’s top 40 in December.