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There are typically two ways to pull off a perfect cover: by either channeling the original as closely as possible in your own voice, or by completely re-imagining it. Bruce Springsteen found a new, third way on his cover of Jesse Malin‘s “She Don’t Love Me Now.”
The song from punk stalwart Malin’s 2015 album New York Before the War originally had a strolling blues rock vibe spiked by horn stabs and pointedly down-strummed electric guitars. In The Boss’ hands, the latest single from the upcoming Malin benefit album Silver Patron Saints: The Songs of Jesse Malin (Sept. 20) sounds like it could have easily fit on Springsteen’s 2022 R&B/soul covers LP, Only the Strong Survive.
“Bruce gave it that Stax-soul-thing that we were dreaming of when we recorded the original. It’s so surreal to me,” said Malin in a statement. Indeed, in Springsteen’s hands — and with the backing of Malin’s band — the song sounds like a lost soul classic, complete with tasty Hammond organ and a perfectly placed saxophone solo from the E Street band’s Jake Clemons.
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“Oh, you don’t love me when you say/ Oh, all I got is lost/ I’m hanging on that cross/ All I got and all I wanna and all I got is/ Oh, she don’t love me now, she don’t love me now,” Springsteen croons on the song that will appear on the all-star album whose proceeds will benefit Malin’s Sweet Relief artist fund as the beloved punk troubadour continues his recovery from a spinal stroke he suffered last year that left him partially paralyzed.
In addition to Springsteen, the album will feature covers of Malin’s songs by Green Day’s Billie Joe Armstrong, Lucinda Williams and Elvis Costello, Butch Walker, Dinosaur Jr, The Hold Steady, Rage Against the Machine guitarist Tom Morello with late MC5 guitarist Wayne Kramer, the Kills’ Alison Mosshart and the E Street Band’s Steven Van Zandt, Alejandro Escovedo, Spoon, Graham Parker, Ian Hunter, Low Cut Connie, Rancid, Agnostic Front, Murphy’s Law and more (see full track list below).
“Bruce’s generosity, honesty and support are equally as powerful as his songwriting and performing,” Malin added of the rock icon who in 2007 recorded a duet on a song Malin wrote for his later mother, “Broken Radio.” “Bruce is one of the guys. He walks it like he talks it. You spend some time with him, and it feels like you’ve known him for years. He’s like my friends in Queens, sitting around talking about Sinatra, the Clash, and the Pogues. He has that passion and excitement for life.”
The 57-year-old former D Generation lead singer and solo artist said that while he was working on his recovery from the stroke in Argentina last year he had no idea his friends and the album’s producers were reaching out to so many A-list artists for cover versions of his songs. “When I heard these versions, especially ‘She Don’t Love Me Now,’ it took me out of a dark time. I felt excited about life again, in a way that only music can do,” Malin said.
Previously released singles include Armstrong’s take on “Black Haired Girl” and “Prisoners of Paradise” by Bleachers.
After a long break during his recovery, Malin will return to the stage at the Beacon Theatre in New York for one of the biggest hometown shows of his career on Dec. 1 and 2, with tickets still available for the second night. After a full set from Malin and his band, special guests at each show will perform their versions, including Lucinda Williams, Jakob Dylan, Butch Walker, J Mascis, Adam Duritz and David Immergluck of Counting Crows, The Hold Steady, and Alejandro Escovedo and more guests to be announced.
Watch the lyric video for “She Don’t Love Me Now” below.
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Silver Patron Saints: The Songs of Jesse Malin track listing:1. Prisoners of Paradise (feat. Bleachers) 2. Oh Sheena (feat. Counting Crows) 3. She Don’t Love Me Now (feat. Bruce Springsteen)4. Black Haired Girl (feat. Billie Joe Armstrong)5. Brooklyn (feat. Dinosaur Jr.)6. About You (feat. Frank Turner) 7. Turn Up the Mains (feat. Alison Mosshart, Wayne Kramer, Tom Morello, Steven Van Zandt, Mike Watt & Joey C.)8. Room 13 (feat. Lucinda Williams and Elvis Costello)9. Don’t Let Them Take You Down (Beautiful Day) (feat. The Wallflowers)10. The Way We Used to Roll (feat. Spoon) 11. Shane (feat. Rocky O’Riordan) 12. In the Modern World (feat. Butch Walker) 13. High Lonesome (feat. Susanna Hoffs) 14. Greener Pastures (feat. Graham Parker) 15. Meet Me At The End of the World (feat. Alejandro Escovedo) 16. Death Star (feat. The Hold Steady) 17. Riding on the Subway (feat. Tommy Stinson and Ruby Stinson)18. St. Mark’s Sunset (feat. The Walker Roaders)19. Dead On (feat. Ian Hunter) 20. Almost Grown (feat. Danny Clinch and Christopher Thorn with Daniel Donato’s Cosmic Country)21. Shining Down (feat. Aaron Lee Tasjan) 22. When You’re Young (feat. Low Cut Connie) 23. All The Way From Moscow (feat. Willie Nile) 24. No Way Out (feat. Rancid) 25. You Know It’s Dark When Atheists Start to Pray (feat. Gogol Bordello)26. God Is Dead (feat. Agnostic Front) 27. Frankie (feat. Murphy’s Law)
Spotify is bringing its homegrown playlist to life as it launches the homegrown presents concert series with Dylan Gossett and Wyatt Flores.
Gossett kicks off the series with a Sept. 8 concert in his hometown of Austin, Texas, while Flores follows with an Oct. 7 show in Stillwater, Oklahoma. More concerts will take place in the coming months. Free tickets will be dispersed via email through Spotify’s Top Listeners program.
The homegrown playlist caters to the next generation of country listeners, featuring acoustic-oriented artists like Gossett, Flores, Zach Bryan, Ella Langley, Lainey Wilson and Noah Kahan. The artists share an authenticity, according to Spotify, but aren’t limited to traditional country genre lines.
“homegrown is all about authentic connections to music, celebrating your roots, and never forgetting where you came from,” says Claire Heinichen, Spotify’s editor of country music. “Tying these songs and artists to the places that made them felt like the perfect way to bring fans in to experience the playlist in real life. We’re so excited to celebrate the official launch of homegrown with Dylan & Wyatt and can’t wait for fans to see all we have in store!”
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“As an Austin native, it feels special to be able to bring my fans together in a place that’s had such a deep impact on my songwriting,” Gossett tells Billboard. “I’m thankful to Spotify homegrown for making it possible.”
Gossett is signed to Big Loud Texas, Miranda Lambert and Jon Randall’s Big Loud imprint, and Mercury Records. His breakthrough song “Coal” has been certified gold by the Recording Industry Association of America.
Flores, who is signed to Island Records and made his Grand Ole Opry debut earlier this year, added, “Stillwater is where it all started for me. It’s the home of Red Dirt. To be releasing my debut album, Welcome to the Plains, about my search for home and who I am in the much larger world I’ve found myself in; I can’t think of a better time to go back to Stillwater. It means the world to me to have Spotify’s homegrown presents help me tell that story.”
When Maren Morris began working on music for The Wild Robot, the animated adaptation of the beloved best-selling middle-school-aimed book by Peter Brown, all she had to do was put on her mom hat.
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“I was so emotionally moved by this story as a mother. Writing the songs for this film was such an honor because it made me feel even closer to my son, especially when I’m touring and sometimes have to be far away from him,” she tells Billboard. “The entire Wild Robot team has been so supportive of the creation of these songs and I’m so excited for the world to see this film.”
The movie tells of a shipwrecked robot, Roz, who lands on an uninhabited island and learns how to build relationships with the animals there, including an orphaned gosling, Brightbill, whom Roz adopts and watches become independent.
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Morris, who is mom to 4-year old Hayes, sings and co-wrote “Kiss the Sky,” which plays over a pivotal scene in the film. The uplifting song and video premiere below and show Roz helping Brightbill fulfill his destiny by teaching him to fly. DreamWorks Animation will release the film Sept. 27, while Back Lot Music will put out the soundtrack, which features a score by Kris Bowers, the same day.
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“When we were approached to write the song for the flight scene in The Wild Robot we understood how pivotal the moment was in the film,” says co-writer Michael Pollack, who penned “Kiss the Sky” with Morris, Ali Tamposi, Delacey, Stefan Johnson and Jordan K. Johnson. “The scene is literally Brightbill learning how to fly and eventually taking flight, but also metaphorically felt like a lifting off point to the back half of the movie. It was important for the song itself to feel uplifting and have triumphant elements but at the same time it had to evoke the struggles Brightbill was enduring at this point in the story. In a way the melodic arc of the song mirrors the actions of a bird taking flight, as it rises from section to section, ultimately soaring in the post-chorus.”
Morris also penned the end-title song, “Even When I’m Not,” with the same co-writer (with additional writing by Isaiah Tejada). Both songs were produced by The Monsters & Strangerz production team and Tejada. Kris Bowers handled orchestration and served as the movie’s composer.
The Wild Robot stars Academy Award winner Lupita Nyong’o as Roz; Emmy and Golden Globe nominee Pedro Pascal) as fox Fink; Emmy winner Catherine O’Hara as opossum Pinktail; Oscar nominee Bill Nighy as goose Longneck; Kit Connor as Brightbill and Oscar nominee Stephanie Hsu as robot Vontra.
With seven singles on the Billboard Hot 100 and her debut album occupying the No. 2 slot on the Billboard 200, Chappell Roan‘s music has never been more relevant. Now, fans are finding out when they might expect to hear new music from the singer.
In an interview with Music Business Worldwide, Roan’s manager Nick Bobetsky revealed that the singer is currently “busy writing” new songs, and talked about when fans might be able to hear some of the star’s new work. “I do think that we’re likely going to embrace a very similar plan that we did for this album, which is that when she finishes a song she loves, we put our heads together and quickly work to get that music out,” he said. “That’s what we did with ‘Good Luck, Babe!’”
Describing Roan as an “album artist,” Bobetsky said that high demand from fans doesn’t necessarily mean a full album is coming soon. “It’s partly a question of when the fans are asking for an album, and we have a lot of insight into that sort of thing,” he said. “I think right now Chappell wants to feel free to put music out when it’s ready and when she’s excited about letting people hear it. And I think that’s what the fans want as well.”
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Fans got their first tease of a new Chappell Roan song during the star’s head-turning set at Governors Ball 2024. Performing an unreleased track titled “Subway,” Roan changed into a taxi cab-inspired outfit and delivered the heartbroken ballad to an audience of screaming fans.
Recently, Roan has spoken out about inappropriate, “predatory” interactions she’s had with people in public, asking her fans not to harass her when she’s not performing. “When I’m on stage, when I’m performing, when I’m in drag, when I’m at a work event, when I’m doing press … I am at work. Any other circumstance, I am not in work mode,” she wrote in a note posted to her Instagram. “I don’t agree with the notion that I owe a mutual exchange of energy, time, or attention to people I do not know, do not trust, or who creep me out — just because they’re expressing admiration.”
In his MBW interview, Bobetsky also reflected on Roan’s rapid rise to fame, explaining that the singer’s success, in part, comes from the way she works with her fans. “The success hasn’t taken her away from her core fans, she’s taken them with her; they are part of it,” he said. “And it’s part of our core strategy. It’s not ‘Let’s do everything, let’s maximize every ounce of the success that’s currently happening’; that’s not the point.”
Clams Casino doesn’t believe in the age-old adage of having to finish what you start — at least in a single recording session. Born Michael Volpe (no relation to the New York Yankees shortstop and fellow New Jersey native Anthony Volpe), he rose to prominence serving as the sonic architect behind a majority of A$AP Rocky’s seminal 2011 Live. Love. A$AP mixtape, which ushered in a new era of NYC rap and kicked off the A$AP Mob frontman’s Harlem Renaissance.
But nearly 15 years later, Volpe’s atmospheric beats has continue to leave an impact on the next generation of artists. Being a fan of his work with Rocky, Clams Casino was already on The Kid LAROI’s radar when a mutual collaborator, Billy Walsh, connected the producer to the Australian musician when he was just 17 years old. Though nothing came of the initial studio session link-up, a year-and-a-half later, Clams Casino cooked up another intoxicating beat that he felt matched the vibe LAROI was looking for, and he turned out to be right.
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“I hadn’t spoken to LAROI in a long time and I just had a feeling,” he tells Billboard. “I sent him that one and he immediately responded that he loved it and went right in, recorded it on his own and sent it back in like a day.
“He used the MP3 I sent him as-is,” he continues. What came out was pretty much the original demo, which is cool about.” That result is the euphoric “Nights Like This,” which ended up landing on The Kid LAROI‘s debut album, The First Time, last November. And while it didn’t take off immediately, the track would slow-burn to success with the help of TikTok and break through in July on the Billboard Hot 100, where it has remained for the summer and currently sits at No. 67 in its ninth week on the chart.
The 37-year-old producer and LAROI then continued their magic with “Nights Like This Pt 2,” a heart-racing second installment that on The First Time‘s deluxe edition, released in August.
Below, Clams Casino breaks down all things surrounding “Nights Like This,” what stood out to him about The Kid LAROI and working with A$AP Rocky throughout his career.
How did “Nights Like This” come together? How did you originally get onto The Kid LAROI’s radar?
Clams Casino: It was a few years in the making. LAROI first reached out to me online when he was like 17. He was in the studio working with a mutual collaborator, Billy Walsh — I think he played him some of my stuff, and they were brainstorming and brought me out to [Los Angeles]. LAROI knew a lot of the music that I had done. Later on, he told me he was a big fan of the [A$AP] Rocky stuff. I went out to L.A. and we met up in the studio and we talked and played some stuff, but nothing really came out of that first time we met up. I kept it in the back of my mind.
I think it was a year-and-a-half later, and I was at my own studio in New York making beats. That [beat] came up, and I just thought this was the one to send to him. This is kind of what they were talking about what they wanted [during the initial session] and the sound they were referencing. I just sent that one beat. He was excited about it. I had a feeling this was the one and it worked out. Once it happened, it was quick, but the roots were a long time in the making.
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Do you remember actually cooking up that specific beat before getting it into his hands?
I had the melodic stuff sitting around a little bit. I knew it was a special one. I didn’t really know what to do with it. I had half of the beat kind of put away. I was like, “When the time is right, I’ll come back to it.” I don’t do full things in one sitting. A lot of stuff, I’ll come back to it months or years later. I messed around trying to do a different arrangement, and I think he was just stuck on the original demo. There was something about it; he kept going back to that. He was right about it. I tried some other things out, but he just wanted that original version, which is cool looking back on it.
What stands out about his artistry?
What’s exciting for me when I hear his music is that he has a very unique sense of melody — his delivery and his vocals. There’s something melodically that just feels like he’s delivering in the tones of his voice [with] a genuine feeling and it connects with his music because of that.
“Nights Like This” was teased back in 2022 and released in November. What do you think about its slow burn onto the charts?
It spread around very organically and I think that’s the best way it could happen. There was like zero push from the label at the beginning — they thought, like, “This is a little interlude or something.” I don’t think anyone took it seriously. From the beginning, I knew it was a really special thing and he did too. He was really excited about it. We had the freedom to do exactly what me and him wanted to do. People really connected with that.
Was there a moment you realized the record was taking off, and saw the fan reaction really moving?
I started seeing headlines, and all of a sudden, it was getting jumps in streams. I started seeing things online with people saying it was going crazy on TikTok. It just slowly started building. That’s how it really happened. I’m glad everyone’s hearing it now and they got around to it because that’s how I felt about it when it came out. I was happy and really excited and proud of that. Even just for it to come out in the first place I was happy, but I’m glad it got to that point. I always knew it was special. I’m glad it really connected with everybody else.
How did this lead into “Nights Like This Pt 2”?
The beginning of that idea came from something I made for myself. An instrumental solo project — that was the first thing when I was starting on my own new stuff. When I was listening back, I was going to save it for myself, and I was like, “Something about it feels like this should be the part two.” This was in March or earlier this year. So, a few months after the first was released. I sent LAROI not the full beat or anything, but melody stuff and it was a start.
He loved it, and he immediately started teasing it online. Ten minutes after I sent it to him, he was on Twitter saying, “Part two coming!” I was laughing about that — he was real excited about it. There was a little bit of back-and-forth after that. Him and [co-producer] Dopamine recorded it and did some other production and sent it back to me. We sent it back a few times. Dopamine did a lot of work on it and we went back a few times. We got it finished up.
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When did The First Time track “Strangers (Interlude)” come into play?
I actually didn’t know about that. I had no idea about that until the album came out. They had done that on their own. I felt like it set up [“Nights Like This”] really nicely. I love how it sounds sequenced on the album. It’s a clip from “Nights Like This” — just the intro to it and filtered out a little and a little skit on it.
Is there more to come from you guys?
Yeah, it feels like we’re just starting to figure it out. We’re both really excited. I’m like such a fan of his music and I’m happy that I’m able to bring what I bring to it. It just makes sense and it’s a beautiful thing. I’m always working on more that I want to send to him and we got some other stuff that we’re going to keep going [at] hopefully.
Outside of those collabs, what else are you working on?
I’ve been working on different stuff, like getting into scoring things. I worked on some original music for an independent movie that premiered at Cannes a few months ago. [It’s called] It Doesn’t Matter and the director is Josh Mond. I’ll definitely be doing more of that. In the meantime, I really have been having fun getting in with a lot of young producers and young people I’m inspired by. A lot of them have been inspired by me since they were younger, and now they’re coming up doing their own thing. It’s really crazy. I just been having fun getting in with all these new guys and seeing what happens. Producers [like] Evilgiane, who did the Earl Sweatshirt song recently. [I] been working with other guys like Ok. I did some stuff on the JT album with Aire Atlantica. I’m always experimenting and having fun doing stuff I haven’t done before. That’s what keeps me going.
Did you work on A$AP Rocky’s upcoming album?
We did work [on Don’t Be Dumb]. I don’t know what’s going to be used or not. It always seems up in the air until the last minute. We definitely had some things in the works. I don’t know what’s going to be released or not.
Can you speak to Rocky’s influence and his enduring legacy as a 2010s rap titan?
I’m just happy to be part of his story and the ride of his career. Seeing it from the beginning when we first met to where he’s at it now, it’s an amazing story. Remembering where it started and seeing where he’s at now, it’s awesome. I’m just happy to be able to see some of that and some of the behind-the-scenes things.
What do you think makes him special as an artist?
Overall, he has a clear sense of vision for everything. All aspects of it. The music, visuals and everything else. He’s always developing and sharpening that. I don’t really know what it is, but he’s got it.
Do you have a favorite collaboration over the years?
All of the first mixtape stuff [Live. Love. A$AP] is super important to me. That whole time, we weren’t really working in the studio. I was sending stuff, but then I’d come meet up with him every couple weeks and he’d play me what he did, but he was recording it [on his own]. The first song we officially did together was “Wassup.” Then we did “Bass” and “Palace” and all that stuff. It was happening one at a time over the spring and the summer leading up to the mixtape. I didn’t know what was going on, but I knew something good was happening. Those songs are really special. There was an energy there that something was happening. For me, it was exciting and I didn’t know what was going to happen, and we just kept following it.
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For me, I think I gotta go “LVL.”
That was a little bit after the mixtape. That’s another special one doubling down on the sound that we started. That’s when it went from this internet mixtape thing to a major label and we were doubling down on the sound like, “This is what we’re doing.” That’s one of my favorites too.
A version of this story appears in the Aug. 24, 2024, issue of Billboard.
International music icon Alejandro Sanz will join the lineup of legendary talent at the 2024 Billboard Latin Music Week. Billboard announced Wednesday (Aug. 28) that the four-time Grammy and 22-time Latin Grammy-winning Spanish superstar will sit down for an exclusive Icon Q&A.
Sanz joins a star-studded lineup for the five-day event, featuring exclusive panels, conversations and performances by Latin music’s biggest stars. Previously announced participants include Bad Gyal, Belinda, Camila Fernández, Chiquis, DANNA, Danny Ocean, Dei V, Domelipa, Eslabon Armado, Fat Joe, Gloria Estefan, J Balvin, JOP, Keityn, Kunno, Lele Pons, Luis Alfonso, Lupita Infante, Majo Aguilar, María Becerra, Marko, Mau y Ricky, Mon Laferte, N.O.R.E., Omar Courtz, Paola Jara, Peso Pluma, Pipe Bueno, Sophia Talamas, Yahritza y Su Esencia, Yeison Jiménez, Yeri Mua and Zhamira Zambrano, with more to be announced in the coming weeks.
“It’s an honor to welcome Alejandro as he prepares to release new music,” says Leila Cobo, Billboard’s Chief Content Officer for Latin and Español, in a press release. “We pride ourselves in being a home for artists where they can speak creatively and openly, and we can’t wait to hear what Alejandro has to say.”
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Sanz’s Icon Q&A marks his return to Latin Music Week after he sat for an exclusive conversation in 2003.
From his debut in 1991 with Viviendo Deprisa to his album of the year Latin Grammy-nominated latest studio album SANZ, released in December 2021, Alejandro Sanz has established himself as one of the most well-known and influential artists around the world. With more than 25 million records sold, all his albums have obtained multi-platinum status in Spain, Latin America and the United States.
Throughout his career, Sanz has collaborated with renowned artists from all over the world, from Alicia Keys to Shakira, Destiny’s Child, Laura Pausini, Ivete Sangalo, Juanes, Juan Luis Guerra, Marc Anthony and many more. Among his latest releases are “NASA” with Camilo; “La Despedida,” included in the soundtrack of the movie Bullet Train; and “Yo Soy” with Eros Ramazzotti. He recently obtained his own star on the Hollywood Walk of Fame and was honored by his hometown of Andalucía with the city’s highest distinction, a medal with the title of “Favorite Son.”
Celebrating its 35th anniversary, Billboard Latin Music Week will take place Oct. 14-18 at The Fillmore Miami Beach at the Jackie Gleason Theater. Tickets are available for purchase here.
Billboard Latin Music Week will coincide with the Billboard Latin Music Awards, which will air on Telemundo. Latin Music Week tickets will not include access to the awards show this year. Instead, Billboard will host a special 35th-year anniversary celebration on the evening of Oct. 18, where INSIDER badge holders will receive exclusive invitations to this star-studded event.
For more information on Billboard Latin Music Week, updates on the schedule and more exciting announcements, visit BillboardLatinMusicWeek.com.
Back in the day, when Mötley Crüe rolled into town, it wasn’t unusual to hear about their rowdy antics. But these days the group — whose original members are all in their early to mid-60s — are more likely to bring their pups on the road than toss TVs out of windows.
The proof is in newest member guitarist John 5’s campaign promoting pet adoption in collaboration with PETA, which the non-profit organization is sharing with Billboard first.
In a video starring John’s adorable adopted hairless Chinese crested mix rescue Churro, the rocker strikes a series of poses with the so-ugly-he’s-adorable dog, whose spiky mohawk looks like a rock-star affectation, but is actually all natural. “It just sticks up like that,” John says in the 90-second clip in which he tells the tale of how Churro was found near death in a box in the San Bernardino desert.
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“If was in there a few more hours he wouldn’t have made it,” John continues. “It’s heartbreaking to even think about. We had to get Churro — there were no ifs, ands, or buts. We were lucky enough to adopt him, and he’s just the best … We literally can’t go anywhere without him — he’s always with us. He’s just a part of the family.”
These days, John tells Billboard, it’s Churro who rips things up when the band hits the road. “When we’re on tour, it’s really a lot of fun. [Singer] Vince [Neil] has dogs, [drummer] Tommy [Lee] and [wife] Brittany [Furlan] have dogs, and now we’re bringing Churro,” he says. “It’s like a non-stop party after the show. Speaking of trashing hotel rooms, these [dogs] are the ones that do it.”
The campaign video is part of a push to urge animal lovers to adopt dogs and cats from shelters and to never buy animals from pet shops or breeders, “which churn out litter-after-litter of puppies and kittens into a world already bursting at the seams with homeless ones,” according to PETA. The organization also notes that there are around 70 million homeless dogs and cats in the U.S. at any given time.
PETA shared in a press release that Churro’s story highlights the fact that “virtually any breed of dog can be found in a shelter or through a breed-specific rescue group,” warning that some shelters have policies they say warehouse dogs for months, or years while turning away some animals, leaving the most vulnerable ones with nowhere to go. “That’s why PETA urges shelters to accept all animals in need, advises guardians to have their animal companions spayed or neutered, and asks everyone to adopt animals instead of buying them from breeders or pet stores.”
“It’s so important to adopt, because you see these helpless animals in there and they just want to be loved,” John 5 says in the video. “You can see it in their face. When you adopt, it will enrich your life so much.”
The guitarist joins other celebrities who’ve teamed with PETA to promote pet adoption in the past, including John Stamos, Kathy Griffin, Ron Perlman, Tom Hardy and Cristin Milloti, among others.
John 5 will launch his 2024 Strung Out solo tour on Sunday (Sept. 1) at City Winery in Boston, and he appears on the Crüe’s upcoming Cancelled EP (out Oct. 4), which features the band’s amped-up cover of the Beastie Boys’ “Fight for Your Right.”
Watch John 5’s “Adopt! Never Buy” video below.
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Elevation Worship’s “Praise,” featuring Brandon Lake, Chris Brown and Chandler Moore, reaches a milestone 25th week at No. 1 on Billboard’s streaming-, airplay- and sales-based Hot Christian Songs survey (dated Aug. 31).
“Praise,” co-penned by Elevation Worship frontman Brown with Lake and Moore, as well as Pat Barrett, Cody Carnes and Steven Furtick, becomes just the sixth title to have dominated Hot Christian Songs for 25 frames or more over the survey’s 21-year history.
When “Praise” initially topped Hot Christian Songs in March, Brown told Billboard, “We’re blown away by what God has done with ‘Praise,’ and we’re thankful for everyone who has streamed, tuned in and shared the song. We hope it is a great reminder of all the reasons to praise God not just for what He’s done, but for who He is.”
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“Praise” drew 13.8 million airplay audience impressions and 3.4 million official U.S. streams and sold 1,000 Aug.16-22, according to Luminate.
Here’s a look at the longest-leading Hot Christian Songs No. 1s:
132 weeks, “You Say,” Lauren Daigle, beginning in July 2018
61 weeks, “Oceans (Where Feet May Fail),” Hillsong United, beginning in June 2013
37 weeks, “What a Beautiful Name,” Hillsong Worship, beginning in February 2017
28 weeks, weeks, “Gratitude,” Brandon Lake, beginning in February 2023
26 weeks, “Something in the Water,” Carrie Underwood, beginning in October 2014
25 weeks (to date), “Praise,” Elevation Worship, Brandon Lake, Chris Brown, Chandler Moore, beginning in July 2024
Dillard Has a ‘Hold On’ Radio
Singer-songwriter Ricky Dillard scores his fourth Gospel Airplay No. 1 with “Hold On.” The song advanced by 10% in plays during the tracking week.
“Hold On,” which Dillard wrote with Duane C. Shipley and produced with Zeke Listenbee and Quadrius Salters, is his third straight No. 1, after “All of My Help” led for a week in July 2022 and “Release,” featuring Tiff Joy, ruled for a week in August 2020.
Dillard, and his choir, New G, first commanded Gospel Airplay with “Amazing Light,” for 30 weeks starting in July 2014, the chart’s second-longest command, after Marvin Sapp’s “Never Would Have Made It” (46 weeks starting in August 2007).
It’s a third win for breakout singer-songwriter Xavi, as he achieves his third No. 1 on Billboard’s Regional Mexican Airplay chart with latest single “#OOTD,” as the song speeds 6-1 to lead the Aug. 31-dated ranking. Explore Explore See latest videos, charts and news See latest videos, charts and news For those not familiar with […]
First the good news: if you have any fantasy of snagging tickets to Oasis‘ 2025 UK reunion tour now is the time to act. Since famously battling brothers Liam and Noel Gallagher shocked the world this week by announcing that they have put their legendary differences in the past for the comeback nobody thought was possible, anticipation for the on-sale for the run of shows across the British Isles has exploded.
And, today (August 28) is the day for the fans who have been digging out their anoraks and Adidas track suits as they freak out over reliving their 1990s Britpop heydays. Registration for the pre-sale ticket ballot is open now and will remain open through 7 p.m. BST (2 p.m. ET) before the proper pre-sale begins on Friday (August 30), followed by a general on-sale on Saturday (August 31). Fans hoping to get in on the early sale must fill out a form with their contact details and answer a general knowledge quiz about the band aimed at beating the bots.
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Upon filling out the general details, fans will be led to a screen that reads: “Hate touts? Please help us keep this fair and fan-focused by answering the following series of questions.” And though they don’t have any bearing on whether the ballot will be accepted, the questions include, “How many Oasis shows have you been to?,” “Who was the drummer in the initial Oasis line-up?” and “Where would you like to see Oasis?”
Given the intense interest in the shows, a final message notes that due to the “extremely high volume of entries” confirmation emails may be delayed. All successful ballot entrants will receive their code by noon BST Friday (7 a.m. ET); if you don’t get a code your application was not successful. Those lucky fans who do get a code can claim only one and the small print notes that the codes have no cash value and are “non-transferable, case-sensitive and good for one-time use only for limited tickets during pre-sale window.” The code has to be used with the email address that it was originally sent to.
The ticket limit for the shows are four per person and only tickets purchased through approved agents will be valid. A not-specified, limited number of tickets will be available in the pre-sale window for all successful pre-sale ballot entrants on a first come, first served basis, with no guarantee that successful pre-sale ballot entrants will be able to buy tickets to any of the dates using their code.
The rules also note that ticket resale is permitted at “no more than the price you paid (face value + booking fees),” with a warning that the only approved resale partners are Ticketmaster and www.twickets.live, with sales made through unauthorized platforms possibly leading to the tickets being cancelled.
At press time there was no official confirmation on ticket prices for the 14 announced shows, though the BBC reported that the costs for GA, as well as Platinum and VIP, will be announced on Thursday (August 29).
After calling it quits more than 15 years ago due to tension between singer Liam Gallagher and the band’s musical fountainhead, guitarist/singer Noel Gallagher, the battling brothers announced on Tuesday that they would be hitting the road for a series of 14 stadium dates in Cardiff, their hometown of Manchester, London, Edinburgh and Dublin next summer. So far no other international dates for Oasis Live 25 have been announced, but a press release promised that “plans are underway for Oasis Live 25 to go to other continents outside of Europe later next year.”
🚨REGISTER FOR THE UK & IRELAND 2025 TOUR PRE-SALE BALLOT🚨A ticket pre-sale will be held on Friday 30th August, ahead of Saturday’s general sale.To ensure the maximum number of fans have a fair opportunity to access tickets, applicants will be selected for the pre-sale via a… pic.twitter.com/spP24NemBV— Oasis (@oasis) August 27, 2024
We are aware that many of you are still waiting on a confirmation email. Rest assured they are on their way, as we process an unprecedented volume of entries. Everyone who has filled out the ballot form by 7pm BST today, Wednesday 28th August, will receive an email where they can…— Oasis (@oasis) August 28, 2024