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Charli XCX is extending Brat summer into Brat spring. The singer announced a run of five 2025 U.S. arena dates on Friday (Nov. 22). The Charli XCX – Brat 2025 – Arena tour is slated to kick off on April 22 with a gig at the Moody Center in Austin, TX , followed by a stop at the Target Center in Minneapolis, MN and an April 28 show at the Allstate Arena in Rosemont, IL.
The quick-hit run — her first solo U.S. arena tour — will wind down with a two-fer at the Barclays Center in Brooklyn on April 30 and May 1.
Fans can register for first access to tickets in the artist presale which is open how here; the artist presale will being on Tuesday (Nov. 26) at 10 a.m. local time with a general onsale beginning on Tuesday at 2 p.m. local time here. At press time no supporting acts had been announced.
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Fans got buzzing about a possible large-scale tour earlier this week when billboards featuring the album’s signature lo-fi font and lime green color scheme that read “Chicago,” “Minneapolis” and “Brooklyn” in those cities; Charli used a similar scheme in October to tease her Brat remix album, Brat and It’s Completely Different But Also Still Brat.
Charli and Troy Sivan criss-crossed the North America on their joint 22-city Sweat tour in September and October, hitting venues from Detroit to Toronto, New York, Philadelphia, Boston, Nashville, Atlanta, Miami, Orlando, Dallas, Denver, Phoenix, L.A., San Diego, San Francisco and Portland before winding down in Seattle on Oct. 23.
After hosting and performing as the musical guest on Saturday Night Live last weekend the singer pulled off a surprise pop-up show in New York’s Times Square on Monday night.
The dates will come amidst a busy 2025 for the “365” singer, who is also co-executive producing the score for the A24 movie Mother Mary with Jack Antonoff, as well as producing original music for Benito Skinner’s Amazon Prime Video series Overcompensating. She is also slated to star in Daniel Goldhaber’s remake of the 1978 cult horror film Faces of Death and Greg Araki’s erotic thriller I Want Your Sex.
Check out Charli’s announcement below.
Jelly Roll has had a stellar year, seeing his album Beautifully Broken debut at No. 1 on the all-genre Billboard 200, notching No. 1 Country Airplay hits such as “I Am Not Okay” and “Halfway to Hell” and embarking on his first headlining arena trek, The Beautifully Broken Tour. Plus, he turned in a pair of top-shelf performances at this week’s CMA Awards, including a moving version of “Believe” with Brooks & Dunn.
However, though he had multiple nominations leading into this year’s CMAs, his name wasn’t among this year’s winners. Jelly Roll was nominated for entertainer of the year (which ultimately went to Morgan Wallen, marking his first win in the category), male vocalist of the year (which saw Chris Stapleton pick up his eighth win in that category) and album of the year (Jelly Roll’s Whitsitt Chapel was nominated, but Cody Johnson’s Leather was declared the victor in the category). Notably, Jelly Roll is featured on Leather, collaborating with Johnson on the song “Whiskey Bent.”
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Jelly Roll may not have walked away from this year’s CMAs with any new hardware in his arsenal — he won the CMA new artist of the year accolade in 2023 — but he’s not letting that get him down. Instead, he’s determined to work even harder ahead of next year’s CMA Awards, and he had plenty of praise for this year’s winners.
In a social media post, Jelly said he was grateful for his performance alongside Brooks & Dunn, showered praise on Wallen, Johnson and Stapleton, thanked his family, and revealed a moment of inspiration he took from watching Taylor Swift.
“Standing next to the two people that matter the most to me, we walked into the Bridgestone Arena for my second CMA ever as a nominated artist,” he wrote. “On the biggest night in country music on the biggest stage in Nashville I had the opportunity to stand next to a couple of living legends and praise Jesus in front of the world. Thank you Kix Brooks and Ronnie Dunn, y’all could’ve picked any artist in the world bigger than me, I’ll never be able to thank y’all enough for giving me an opportunity to shamelessly stand on my faith in front of the world.”
He added of this year’s CMA Awards winners, “I know I don’t have to say this but, just so we are clear – Chris Stapleton was and always will be the Male Vocalist of the year as long as he is alive and I think we all agree about that. MORGAN WALLEN MY EAST TENNESSEE BROTHER finally got the flowers he deserves, no one has done more for country music in the last quarter of a century than Morgan has. And Cody, my brother and one of my best friends Cody Johnson, your album Leather is truly one of my favorite albums recorded in the last decade, any win for you is a win for me, you deserved this one, and now I can brag that I’m one of the only features on the CMA album of the year. To my wife and daughter, thank you both. You both stood by me when I wasn’t worth standing by I’m glad we are enjoying this rocket ride together.”
He ended his post by recalling inspiration he has taken from Taylor Swift, when Swift was in a similar situation, after her 2017 album Reputation did not receive a Grammy nomination in the album of the year category — though Reputation did pick up a nomination for best pop vocal album.
Jelly Roll wrote, “Lastly I seeen [sic] a clip the other day of Taylor Swift when she found out her album Reputation was not nominated for album of the year at the Grammys and her first response was “it’s ok, I just have to make a better record” – man that lit a fire under me in a way I’ve never had lit,” he said. “That was ultimate accountability in action in the real moment and that’s why Taylor is the legend she is. That was all said to say, I’m going to write a better album, I’m going to work harder and I’ll be back baby, I will be back. PS REPUTATION was one of the greatest albums ever written.”
See Jelly Roll’s post below:
Miley Cyrus has six new pieces of hardware in her collection, one for each of her biggest hits. And in a new episode of Spotify‘s Billions Club: The Series, the 31-year-old pop star opened up about each of her tracks that have crossed into 10-digit territory on the streaming service, including 2009’s “Party in the U.S.A.” — which she lovingly referred to as the “ultimate grocery aisle music” — 2013’s “We Can’t Stop,” 2018’s “Nothing Breaks Like a Heart” with Mark Ronson and 2020’s “Angels Like You.”
The celebration of her milestones comes as her first-ever Billboard Hot 100 No. 1 single, “Wrecking Ball,” becomes her sixth track to reach a billion listens.
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While discussing the pop-rock heartbreak anthem with sister Brandi Cyrus, Miley revealed the straightforward inspiration behind “Wrecking Ball”: “My man wasn’t acting right.”
Released in 2013, the song is widely believed to be about the star’s ex-husband, Liam Hemsworth — as is “Flowers,” her second-ever Hot 100 chart-topper and the fastest of her tracks to reach a billion streams. It was also Spotify’s most-streamed song of 2023 and earned Miley her first and second Grammy Awards (record of the year and best pop solo performance) earlier this year.
Of the speculation into the subject matter of “Flowers,” Miley quipped, “The only rumor I can confirm to be true is that the gold dress I am wearing is museum-quality from Yves Saint Laurent that is in an exhibition in Paris right now.”
In another clip from the shoot shared exclusively with Billboard on Thursday (Nov. 21), the Hannah Montana alum reflected on how she’s inspired younger stars such as Chappell Roan, Sabrina Carpenter and Olivia Rodrigo. “You never think about in the future, someone replicating what you do,” she said in the snippet. “You’re just doing it because it’s honest in the moment … It’s really important they do it their own way, because that’s what my career has represented above all else.”
Miley’s Billions Club episode makes her just the latest artist to be honored by the series, with past installments focusing on Ariana Grande, Cardi B, Billie Eilish, Ed Sheeran and more.
Watch Miley’s Billions Club episode above.
Model Cara Delevingne is opening up about one of her former A-list roommates. In a chat with comedian and uber-Swiftie Nikki Glaser for Interview magazine, the two, naturally, got around to talking about Delevingne’s longtime friend Taylor Swift, with Cara assured Glaser that the singer is exactly the kind of caring friend you want to […]
London DJ PAWSA has announced his biggest U.K. show to date, with a homecoming gig at the city’s Gunnersbury Park next summer.
The dance producer, born David Esekhile, will host PAWSA In The Park – All Day Long in the capital’s Gunnersbury Park on Aug. 8, with more acts to be revealed at a later date. The news follows the 34-year-old’s recent viral success with his latest single, a reimagined version of The Adventures of Stevie V’s iconic 1989 track “Dirty Cash (Money Talks).” Watch the video below.
A fan presale will begin at 10 a.m (GMT) on Nov. 27. General tickets are set to go live at 10 a.m on Nov. 29 via Ticketmaster.
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As one half of the duo behind scene-leading label Solid Grooves, PAWSA has enjoyed an ever-burgeoning career over the past decade. Since 2016 he has held annual residencies in Ibiza and regularly tours clubs across mainland Europe. In 2021, he won Best Producer at DJ Mag’s Best of British Awards.
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PAWSA released his debut EP, Pilot, in 2014 via the renowned Lost Records label, a key player in the U.K.’s techno and house music scenes. The following year, he founded Solid Grooves alongside DJ Michael Bibi – the sister company of Solid Grooves club night, which hosts regular happenings in London, Ibiza and Berlin.
This past summer has seen PAWSA perform at Circoloco Amsterdam and Chicago’s ARC Music, among many other major festivals. In July, he made a surprise appearance at Bibi’s One Live event at London’s Finsbury Park.
Meanwhile, Gunnersbury Park, which can hold up to 30,000 fans, has become something of a central hub for major British dance music events in recent years. Throughout summer 2024 alone, the park played host to the electronic-focused Waterworks Festival, a drum ‘n’ bass weekender (DnB Allstars), and headline gigs from Annie Mac and Fisher.
Former American Idol contestant Caleb Kennedy was sentenced to eight years in prison this week for a 2022 DUI car crash in South Carolina that killed 54-year-old Larry Duane Parris. According to WSPA, Kennedy, 20, plead guilty to driving under the influence resulting in death on Monday and was sentenced to 25 years in prison […]
The reunion tour rolls on: Oasis have announced a trio of shows to take place in Asia next year, the latest gigs added to their Live ‘25 reunion tour. The Gallagher brothers will head to Seoul, South Korea on Oct. 21. for a show at the Goyang Stadium before heading to Tokyo, Japan for a […]
Sam Fender has announced he’ll embark on a run of huge stadium shows in the U.K. next summer.
After selling out his U.K. and Ireland arena tour slated for December, the 30-year-old will next year perform at London Stadium (June 6) and Newcastle’s St. James Park (June 12 and 14). The former will mark Fender’s first stadium show outside of his home city, and the biggest headline show of his career thus far with a venue capacity of 75,000.
The new dates will also mark the third and fourth time the North Shields musician has performed at St James’ Park, meanwhile, having sold-out two nights there back in 2022. Fender first teased the dates yesterday (Nov. 20), sharing a clip to his Instagram account of a saxophone player performing in the media area of St James Park.
Support for all three shows will come from Mercury Prize-nominated singer CMAT, while Philadelphia rockers The War On Drugs – who produced Fender’s new single “People Watching” – will appear at the London date and night two of the Newcastle leg.
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Details of a special fan presale will be shared with those signed up to Fender’s newsletter, while remaining tickets will go live at 9.30 a.m (GMT) on Nov. 29. Further ticket sale information can be found via Fender’s official website.
Last week (Nov. 15), Fender confirmed news of his third LP People Watching (due Feb. 21 via Polydor Records) alongside sharing its eponymous lead single. The track is on course to debut inside of the Top 10 of the U.K.’s Official Singles Chart later today (Nov. 22).
Following his upcoming arena trek, Fender will then head to New York’s Webster Hall for a show on Feb. 11, before continuing the second leg of the tour in Europe through March 2025. The following month, he’ll return to North America for a further seven dates. He is also confirmed to appear at Germany’s Rock Werchter in early July, fuelling rumors that he may return to Glastonbury Festival in Somerset, south-west England, the week prior (June 25-29).
Fender released his second record, Seventeen Going Under, in 2021, which saw him top the U.K. Official Album Charts and put out a live album of his massive gig at London’s Finsbury Park. Earlier this year, he collaborated with Noah Kahan on joint single “Homesick.”
Sam Fender U.K 2025 tour dates:
June 6 – London, England @ London StadiumJune 12 – Newcastle, England @ St. James’ ParkJune 14 – Newcastle, England @ St. James’ Park
Linkin Park have made a triumphant return to the top of the ARIA Albums Chart with From Zero (via Warner Records and Machine Shop), their eighth studio album and the first release since 2017’s One More Light.
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Their latest milestone Down Under is especially poignant as it marks the debut of their new lineup, featuring Mike Shinoda, Brad Delson, Joe Hahn, Dave Farrell, Emily Armstrong, and Colin Brittain, following the heartbreaking loss of former frontman Chester Bennington in 2017.
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From Zero adds to Linkin Park’s storied ARIA legacy, with every studio album they’ve released landing in the top three. This new chart-topper joins the ranks of Hybrid Theory (2000), Minutes to Midnight (2007), and A Thousand Suns (2010), cementing their place as one of the most successful rock acts in ARIA history.
Australian rapper Illy also delivered a standout performance on the charts, landing at No. 4 with Good Life. As his seventh studio album, Good Life marks his fourth trip to the Top 10, following the successes of Cinematic (No. 4 in 2013), Two Degrees (No. 1 in 2016), and The Space Between (No. 1 in 2021).
On the international front, Shawn Mendes debuted at No. 24 with his fifth studio album, Shawn. The Canadian hitmaker, who previously claimed the No. 1 spot in 2018 with Shawn Mendes and reached No. 2 with 2020’s Wonder, remains a force to be reckoned with on the ARIA charts.
In a posthumous triumph, U.K. hip-hop icon MF Doom makes his first-ever ARIA Albums Chart appearance. The 20th-anniversary edition of his classic MM.. Food enters at No. 29, proving the late legend’s music continues to resonate with fans old and new.
On the ARIA Singles Chart, Gracie Abrams is ruling the airwaves, holding steady at No. 1 for a second week with her track That’s So True.
She joins the ranks of powerhouse female artists like Mariah Carey, Taylor Swift, and Billie Eilish who have dominated the top spot this year, with female artists claiming the No. 1 position for 25 weeks in 2024, including an unbroken streak of 16 weeks.
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With the long-awaited film adaptation of the Broadway finally in theaters, which songs manage to defy gravity, and which ones just aren’t as popular?
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