Music

New Year, New Stars: 12 Chinese Artists Reflect on 2022 & Look Ahead to 2023

“The past is a prologue, something to treasure on the long road of life.”

Although life slowed down for many people in China in 2022, the country witnessed many heartwarming stage performances, artist breakthroughs, an emerging new generation of young musicians and the growing role that technology is playing in music.

To bid farewell to 2022 and usher in 2023, Billboard China spent an evening with 12 musicians from different generations and musical styles. They shared their achievements in 2022, their thoughts on the past year, and expressed their expectations for the future.

Keep Singing and Exploring

Even though Zheng Jun, Zhang Yuan and Su Xing (Allen Su) are industry veterans, 2022 was a brand-new experience for them.

Zheng Jun, a Chinese rock legend, was among the cast of contestants when Call Me by Fire (Season 2) premiered in August. In an interview, he said that his friends were afraid that his participation in the show would “make him lose his integrity in his later years,” but he responded that, “In my later years, I intend to break new personal ground, not preserve the old.”

In trailers for the show, Zheng stunned audiences with his casual demeanor. Far from seeming “called by fire,” he instead practiced meditation, ate barbecue and applied facial masks. When it came time to hit the stage, he instantly took audiences back to the golden age of rock and roll with his floral shirts and classic swagger. Zheng has claimed that “all I’ve ever dreamed of is true love and freedom,” and this sentiment shines through in his stage performances.

People have commented how Zheng seems to have remained the same, something all-too-rare in these ever-changing times. For Zheng, his reverence for his songs, his passion for music and his dedication to creating the best art possible has never changed.

In other ways, however, Zheng has changed. He is now more relaxed, happier and more optimistic. For him, the show feels like an adventure with friends both old and new. Before the competition got underway, Zheng sent a message to his friend Faye Wong saying that his only goal was to “have fun.”

In contrast, Zhang Yuan and Su Xing (Allen Su) brought about an upswing for themselves in 2022. 0713, the down-and-out men’s team, finally saw things turn around after an unexpected resurgence in popularity after their appearance on Welcome to the Mushroom House.

Reflecting on 2022, Zhang Yuan says he is pleased that he participated in as many music variety shows as he did. He is also happy that he managed to secure many different stages to show what he was capable of, and that he got to participate in some original soundtracks. Su also joked about having such a heavy workload on the show that it was enough to make him “happy for more than half a year.”

From Super Boy (Happy Boy) to Welcome to the Mushroom House, and then onto even bigger and better stages down the line, 0713 owe their success to their persistence. Zhang Yuan continued to innovate with his music, and found that music and the stage still held the highest allure for him, even after having been in the industry for many years.

Su cast an even wider net. He participated in talk shows, tried his hand at being a sports blogger and dabbled in content planning for variety shows.

They may be pursuing different goals, but they are taking a similar path. Personal milestones and progress will come naturally when you love what you do and keep an open and inquisitive heart and mind.

Zheng Jun, the oldest member, along with Zhang Yuan and Su Xing (Allen Su), come from the first generation of talent shows. Throughout the years, their admiration and love for music has never faded, and they have ceaselessly explored the infinite possibilities that music affords them. Overcoming all obstacles that lay ahead of them, they always walk their own path.

New Styles and Tasks

Some musicians focus on their styles and areas of expertise, while others turn to new tasks and directions, enjoying the occasional detour in their musical journey.

From Morning Bound for Midnight to The Direction of Light, music fans have become familiar with Zhang Bichen’s work over the past few years. Somewhat unusually for someone with such a commanding stage presence, Zhang openly admits that she has maintained the habit of ”thinking and summarizing” ever since her debut. In her creative process both on and off the stage, she has carefully analyzed her own experiences, and jumps at any opportunity she gets to compare and contrast them with other musicians.

This constant loop of dissection and communication led her to make some interesting creative choices in 2022. Wearing a spunky ponytail and a light and comfortable denim jacket, Zhang walked out into the auditorium with a completely revamped image, jumping up and down as she sang “Select C.” This was the first time that Zhang, a singer with extensive stage experience, had participated in a show where she could interact with the audience more directly. This experience has made her look forward to dipping her toes into other music styles and discovering more aspects of herself in 2023 while she prepares her new album.

Both Pan Yunqi and Wang Yinuo started as trainees of the 2022 season of Sing! China, and they now have officially embarked on the road of becoming professional musicians. For these two fresh faces, the world is their oyster.

Although Pan is very young, she is often praised for her assertive stage presence. Possessing a maturity beyond her years, she excels at heartwarming narrative-based songs, but also tried her hand at “My Good Luck,” which is more of a traditional ballad. While she may be new, this college student is clearly not afraid of trying new things.

Wang’s timid outwardly appearance belies the robustness of his singing voice. A quote from one of his songs: “Just look forward, don’t look at money/ At least your heart will not loosen when you look forward.” Offstage, he is a down-to-earth and sensible person who stresses the importance of healthy eating and sleeping habits.

After singing a series of popular OSTs, Ye Xuanqing began to delve into more original works as well as production. She said that learning about different artistic processes could help improve her ability to appreciate art, facilitate her own ability to create, and further clarify where she stood amongst all of this.

Hu Shih, a Chinese litterateur once said, “Why be afraid of the infinity of truth? Joy resides in every step of growth.” Newcomers and veterans in the music industry always face new tasks. So long as they dare to think, do, and try, they can unlock the infinite potential that resides within them.

Find the Right Positioning and Expand the Boundaries

For the young musicians who are on the rise, 2022 was undoubtedly an important moment for them to mature as artists. Some of them released their first EPs, and some had their first concerts.

In an industry where newcomers are always emerging en masse, young musicians often regard finding where they fit in and answering the question of “Who am I?” as the most important task every new year.

Chen Zhuoxuan was nothing if not blunt. “The pressure of this competition is through the roof,” Chen Zhuoxuan says bluntly. Her solution to deal with the pressure? Determine the musical style and direction that best suits her and try her utmost to stand out as an artist. In her spare moments, she practices her songs and has been learning the cello, guitar, and ukulele. She has also been studying arrangement and other music-related skills.

For Wu Xuanyi, it’s all about passion. To be given an opportunity to stand in the spotlight and express herself is the greatest reward her musical journey has given her so far. She prefers using her passion in pursuit of personal satisfaction and growth. Wu firmly believes that the most basic elements are the most important ones, so she always trains her basic skills and vocalization to ensure that they can always be called upon when needed.

Relative newcomer He Luoluo says in the interview that making plans wasn’t his strong suit — he just wants to experience the here and now. But he remains remarkably serious when it comes to his music and performing on stage. After an initial period where he lacked direction, he eventually entered the entertainment industry when he was 18 years old. Now in his twenties, he has his feet firmly planted on the ground.

Yang Haoming hopes to pursue music and acting simultaneously, as he “can’t stand the idea of having any regrets.” Yang has been acting in film and television dramas since his debut as a music artist. He released a new EP immediately after having a difficult time with his acting agent. Yang felt that his heart was telling him to push himself to expand his boundaries.

New Technologies

On Dec. 12, TME announced the debut of Lucy, the company’s first hyper-realistic virtual idol, creating another hot topic for Chinese music circles in 2022.

After the release of her first single, “Superposition State Girl,” many music fans wondered if Lucy’s voice was real. In fact, her voice is generated by feeding her mass amounts of data pertaining to the singing and timbres of specific targets. Her proficient singing abilities allow her voice to span multiple octaves with ease as well as pull off transposition, trills and portamentos.

As an AI idol, Lucy also has her own independent personality and preferences. Being intensely curious about daily life, she likes to observe and collect the sounds and sights of the world around her. Subway announcements on a busy line in the early morning, the sound of coffee beans being ground in the afternoon, the ticking sound of the traffic lights counting down in the evening…they are all enough to light a creative spark within Lucy.

The virtual idol must face the challenge of breaking through walls between virtual and real world in order to truly communicate with audiences and other musicians. Wandering in different dimensions is also a constant source of inspiration for Lucy. Achieving cross-dimensional cooperation with human musicians is one of her goals in 2023.

Lucy is more than an AI idol who produces AI music. In the future, a new open-source sound based on Lucy’s voice will facilitate music creation in other application scenarios. Music creators will be able to make use of Lucy’s voice clips or open-source sounds to achieve technology-driven creative music co-creation.

Jam Hsiao Ching-Teng

Jam Hsiao Ching-Teng

Courtesy of Billboard China

35 Albums on the Billboard 200 Chart Gain in Wake of 2023 Grammy Awards

On the Billboard 200 chart (dated Feb. 18), 35 albums post unit gains thanks to either performances, presentations or on-air wins during the CBS-TV broadcast of the 2023 Grammy Awards (Feb. 5).

Leading the way at the top of the chart is presenter SZA, whose SOS album reclaims the No. 1 slot with 100,000 equivalent album units earned in the U.S. in the week ending Feb. 9 (up less than 1%), according to Luminate. SZA presented the best música urbana album category during the ceremony, which was won by Bad Bunny’s Un Verano Sin Ti (8-7 with 45,000 units; up 16%). Bad Bunny also opened the show with a medley of two songs from the album.

Also in the top 10 is Harry Styles’ Harry’s House, which took home a pair of awards on the CBS broadcast (pop vocal album, album of the year). It jumps 13-9 with 38,000 equivalent album units (up 51%). Styles also performed the album’s lead single “As It Was” on the show.

Other notables among the 35 Grammy-boosted titles on the Billboard 200 include: Beyoncé’s Renaissance (climbing 24-11 with 37,000 equivalent album units; up 109%), Steve Lacy’s Gemini Rights (70-46 with 14,000; up 16%), Lizzo’s Special (194-89 with 11,000; up 52%), Adele’s 30 (134-93 with 11,000; up 25%) and Samara Joy’s Linger Awhile (a debut at No. 158 with 8,000; up 319%). On the CBS broadcast, Renaissance won best dance/electronic album, Lacy performed the Gemini Rights hit (and nominated track) “Bad Habit,” Lizzo won record of the year for the Special single “About Damn Time” and performed a medley of “About” and the album’s title track, Adele won best pop solo performance for the 30 single “Easy On Me” and Samara Joy won best new artist.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 18, 2023-dated chart will be posted in full on Billboard‘s website on Feb. 14. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Here are the rest of the Grammy gainers on the Billboard 200:

Performer Lil Baby’s It’s Only Me (12-13 with 27,000 equivalent album units; up 1%) and My Turn (22-21 with 19,000; up 6%); performer Luke Combs’ Growin’ Up (19-19 with 20,000; up 6%), This One’s for You (36-34 with 16,000; up 5%) and What You See Is What You Get (44-38 with 15,000; up 4%); SZA’s Ctrl (20-22 with 19,000; up 1%), presenter Olivia Rodrigo’s Sour (23-23 with 18,000; up 2%), winner Kendrick Lamar’s good kid, m.A.A.d city (27-24 with 18,000; up 6%), DAMN. (42-30 with 16,000; up 11%), Mr. Morale & The Big Steppers (59-39 with 15,000; up 20%) and To Pimp a Butterfly (a re-entry at No. 168 with 8,000; up 26%). Mr. Morale won best rap album during the CBS broadcast, and Lamar was on-hand to accept the trophy.

Mick Fleetwood took part in the CBS broadcast, performing Fleetwood Mac’s “Songbird” in tribute to its late songwriter, his former Fleetwood Mac bandmate Christine McVie. (He joined Sheryl Crow and Bonnie Raitt in the performance.) Fleetwood Mac sees its Rumours album (which includes the original version of “Songbird”) rise 29-26 (17,000 equivalent album units earned; up 4%) and Greatest Hits climb 198-189 (8,000; up 5%).

Performer Chris Stapleton’s Traveller (66-61 with 12,000; up 4%) and Starting Over (113-100 with 11,000; up 7%); Styles’ Fine Line (68-48 with 14,000; up 15%) and his self-titled debut (190-161 with 8,000; up 11%); Bad Bunny’s YHLQMDLG (98-73 with 12,000; up 11%) and El Ultimo Tour del Mundo (a re-entry at No. 187 with 8,000; up 8%); performer Lil Uzi Vert’s Luv Is Rage 2 (94-87 with 11,000; up 4%) and Eternal Atake (126-124 with 10,000; up 2%) and Quavo and Takeoff’s Only Built for Infinity Links (103-109 with 10,000; up less than 1%). Quavo performed during the In Memoriam segment in tribute to the late Takeoff.

Rounding out the Grammy gainers on the Billboard 200 are winner Adele’s 21 (162-141 with 9,000 equivalent album units; up 10%) and 25 (192-156 with 8,000; up 14%), winner Dr. Dre’s Dr. Dre – 2001 (149-142 with 9,000; up 4%), performer Lil Wayne’s Tha Carter III (163-151 with 9,000; up 8%) and performer and winner Sam Smith’s In the Lonely Hour (164-157 with 8,000; up 5%).

Samara Joy’s ‘Linger Awhile’ Hits No. 1 on Multiple Billboard Charts After Best New Artist Grammy Win

Samara Joy shakes up Billboard’s charts, as the Grammy Award winner for best new artist hits No. 1 on Jazz Albums, Traditional Jazz Albums and Heatseekers Albums for the first time (all on the lists dated Feb. 18) with Linger Awhile. The set, which was released last September, also reaches the top 10 of the Top Album Sales and Top Current Album Sales charts, while additionally debuting on the Billboard 200.

All charts dated Feb. 18 will be posted to Billboard.com on Tuesday, Feb. 14.

The 23-year-old Joy was presented the best new artist trophy during the CBS-TV broadcast of the main ceremony of the Grammy Awards on Feb. 5, while she also won another Grammy that day, for best jazz vocal album for Linger Awhile. (That award was presented during the non-televised Premiere Ceremony that streamed live on the Grammy.com website.)

Linger Awhile earned 8,500 equivalent album units in the U.S. in the week ending Feb. 9 (up 319%), according to Luminate. Of that sum, traditional album sales comprise 6,500 (up 316%). Linger Awhile tallies the largest week, by both units and album sales, for any non-holiday non-reissue jazz album in over a year – since Tony Bennett and Lady Gaga’s Love for Sale earned 12,000 units (of which nearly all were album sales) on the chart dated Jan. 1, 2022.

Linger Awhile jumps 3-1 on Jazz Albums, 2-1 on Traditional Jazz Albums and 35-1 on Heatseekers Albums. On the Billboard 200, the title debuts at No. 158. On Top Album Sales, Linger Awhile vaults 87-5, while on Top Current Album Sales it bolts 42-5.

Meanwhile, Joy’s self-titled debut effort, released in 2021, debuts on Jazz Albums and Traditional Jazz Albums at No. 7 (1,500 equivalent album units earned; up 362%). With Linger Awhile and the self-titled album concurrently in the top 10 on both charts, Joy is the first woman with two concurrent top 10 albums on both lists since the Jan. 8, 2022-dated list, when Ella Fitzgerald held a pair in each top 10.

Jazz Albums, Traditional Jazz Albums and Heatseekers Albums rank the week’s most popular jazz albums, traditional jazz albums and new and developing artists’ albums by equivalent album units, respectively. The Billboard 200 is an all-genre chart, ranking the week’s most popular albums by units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. Top Album Sales and Top Current Album Sales rank the week’s top-selling overall albums (both current and older, catalog titles) and current albums, by traditional album sales.

Who Is U2’s Fill-In Drummer, Bram van den Berg?

U2 is gearing up to bring a special series of shows to a new venue in Las Vegas with one caveat — the band’s founding drummer Larry Mullen Jr. will be absent, marking the first the Rock and Roll Hall of Famers will perform without him, the Irish rockers announced on Sunday (Feb. 12).

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The band will touch down in Las Vegas this fall for U2:UV Achtung Baby Live at the Sphere, a series of shows at the new MSG Sphere at the Venetian that will celebrate their 1991 album Achtung Baby. U2 will be the first act to perform at the venue and as Mullen Jr., 61, continues to recover from undisclosed surgery, Krezip drummer Bram van den Berg, 40, will fill in during the concert run. Though unlike his world-famous new bandmates, not much is known about van den Berg.

“It’s going to take all we’ve got to approach the Sphere without our bandmate in the drum seat, but Larry has joined us in welcoming Bram van den Berg who is a force in his own right,” the band said in its statement about inviting the obscure-to-most Dutch musician into the fold. “The Sphere show has been in the works for a long time. We don’t want to let people down, least of all our audience… the truth is we miss them as much as they appear to miss us… our audience was always the fifth member of the band. Bottom line, U2 hasn’t played live since December 2019 and we need to get back on stage and see the faces of our fans again.”

“VERY excited about this opportunity to join Bono, The Edge and Adam on stage in Las Vegas. It’s big shoes to fill but Larry and the band have been so supportive, I can’t wait!!” van der Berg said via Instagram following the announcement.

Here are a few things to know about van der Berg before he takes the stage with U2.

He’s a Longtime Fan of U2

Following the announcement of van der Berg’s big break with the rock band, his fellow Krezip members wished him a farewell on the official band Instagram page. “We are incredibly proud of him!! The fact that a legendary band like U2, and also one of Bram’s favorite bands, has now come his way is unbelievable! And again, because of course we’ve known for a long time how good he is..!” the band captioned a black and white group photo.

He’s Only Leaving Krezip Temporarily

van der Berg will not be in both bands simultaneously — Krezip’s post stated that the drummer will be unable to juggle his time between both bands. “He [van der Berg] will not be able to combine his drumwork for U2 with Krezip. We’re going to miss him terribly in the near future,” the Instagram post stated.

He Calls Netherlands Home

Krezip was formed as a cover band in 1997 in Tilburg, Netherlands and consisted of members Jacqueline Govaert (vocals), Anne Govaert and Annelies Kuijsters (guitar) and Joost van Haaren (bass). Thijs Romeijn served as the band’s drummer though 2004; a year later van der Berg joined the band in 2005 and he recorded a total of three albums with the group — What Are You Waiting For?, Plug It In and Sweet High. The band broke up in 2009, but reunited in 2019 and their sixth album, Any Day Now, is due out in April.

Miley Cyrus’ ‘Flowers’ Leads Hot 100 for Fourth Week, Morgan Wallen, Beyonce Blasts to Top 10

Miley Cyrus’ “Flowers” tops the Billboard Hot 100 for a fourth week, encompassing its entire run on the chart so far, dating to its debut at No. 1. As it extends its reign, it passes the three-week command of her prior leader, “Wrecking Ball,” in 2013.

Plus, Morgan Wallen’s “Last Night” surges from No. 27 to No. 3 on the Hot 100 following its first full week of tracking, becoming his fifth top 10 and highest-charting hit; Beyoncé’s “Cuff It” bounds 15-6 for a new high, powered by a host of new remixes; and The Weeknd claims the top two titles on the Radio Songs chart, as they continue in the Hot 100’s top 10: his own “Die for You” and “Creepin’,” with Metro Boomin and 21 Savage.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated Feb. 18, 2023) will update on Billboard.com tomorrow (Feb. 14). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

“Flowers,” released on Smiley Miley/Columbia Records, drew 74.5 million radio airplay audience impressions (up 32%) and 38.7 million streams (down 19%) and sold 26,000 (down 29%) Feb. 3-9, according to Luminate.

The single spends a fourth week at No. 1 on the Streaming Songs chart; dips to No. 2 on Digital Song Sales after three weeks at the summit; and pushes 6-4 on Radio Songs, where it ties “Wrecking Ball” for Cyrus’ top-charting hit. It wins top Airplay Gainer honors on the Hot 100 for a second straight week, as it also lifts 7-5 on the Pop Airplay chart, 8-5 on Adult Pop Airplay and 9-8 on Adult Contemporary, among other ascents.

SZA‘s “Kill Bill” ranks at its No. 2 Hot 100 best for a fifth week, with 57.1 million in radio reach (up 17%), 32.9 million streams (up 1%) and 2,000 sold (up 8%). It tops Hot R&B/Hip-Hop Songs and Hot R&B Songs, which use the same methodology as the Hot 100, for a ninth week each.

Morgan Wallen’s “Last Night” leaps 27-3 on the Hot 100 following its first full week of tracking, with 29.7 million streams, 285,000 in airplay audience and 14,000 sold Feb. 3-9 (following its Jan. 31 release).

Wallen adds his fifth Hot 100 top 10 and highest-charting hit with the track from his album One Thing at a Time, due March 3, following “7 Summers” (No. 6 peak, August 2020), “Wasted on You” (No. 9, January 2021), “Don’t Think Jesus” (No. 7, April 2022) and “You Proof” (No. 5, October 2022). Meanwhile, his three most recent top 10s are all on One Thing at a Time – as the set becomes the first country album with as many as three top 10s since Taylor Swift’s Red spun off four in 2012-13. (Country albums are defined as those that have hit or are eligible for Billboard’s Top Country Albums chart.)

“Last Night” concurrently becomes Wallen’s seventh No. 1 on the multi-metric Hot Country Songs chart (and his fourth from One Thing at a Time, after “Proof,” “Jesus” and “Thought You Should Know”). Notably, it’s the 16th No. 1 on the survey that has hit the Hot 100’s top 10 since Hot Country Songs adopted the Hot 100’s methodology in October 2012; it’s the fifth by Wallen, the most of any act in that span:

  • “Last Night,” Morgan Wallen, No. 3 Hot 100 peak to-date, 2023
  • “Something in the Orange,” Zach Bryan, No. 10, 2023
  • “You Proof,” Morgan Wallen, No. 5, 2022
  • “The Kind of Love We Make,” Luke Combs, No. 8, 2022
  • “Don’t Think Jesus,” Morgan Wallen, No. 7, 2022
  • “All Too Well (Taylor’s Version),” Taylor Swift, No. 1 (one week), 2021
  • “Fancy Like,” Walker Hayes, No. 3, 2021
  • “Wasted on You,” Morgan Wallen, No. 9, 2021
  • “I Hope,” Gabby Barrett feat. Charlie Puth, No. 3, 2020
  • “Forever After All,” Luke Combs, No. 2, 2020
  • “7 Summers,” Morgan Wallen, No. 6, 2020
  • “10,000 Hours,” Dan + Shay & Justin Bieber, No. 4, 2019
  • “Meant To Be,” Bebe Rexha & Florida Georgia Line, No. 2, 2018
  • “Body Like a Back Road,” Sam Hunt, No. 6, 2017
  • “Cruise,” Florida Georgia Line feat. Nelly, No. 4, 2013
  • “We Are Never Ever Getting Back Together,” Taylor Swift, No. 1 (three weeks), 2012

Just 21% of all Hot Country Songs No. 1s (16 of 77) since October 2012 have hit the Hot 100’s top 10 – although the success rate is 48% (11 of 23) since 2020. Plus, of the songs listed above, all five since the start of 2022 have hit the Hot 100’s top 10 largely from strong streaming and varied degrees of country radio airplay – but not crossover formats, having not appeared on any of Billboard’s pop or adult airplay charts; of the previous 11, all except one (“Forever After All”) scaled pop/adult airplay rankings.

Sam Smith and Kim Petras‘ “Unholy” rises 5-4 on the Hot 100, after it ruled for a week in October. It sports a 16% gain to 17.9 million streams Feb. 3-9, after the pair performed the song and it won for best pop duo/group performance at the Grammy Awards on Feb. 5. The duet also hits No. 1 on Adult Pop Airplay, becoming Smith’s third leader – after “Stay With Me,” in 2014, and “Dancing With a Stranger,” with Normani, in 2019 – and Petras’ first. “Unholy” previously topped Pop Songs for six weeks and Radio Songs for five frames.

The Weeknd again tallies two songs in the Hot 100’s top 10, as “Creepin’,” with Metro Boomin and 21 Savage, retreats to No. 5 from its No. 3 high and his own “Die for You” slips to No. 8 from its No. 6 best. On Radio Songs, “Die for You” leads for a second week (84 million, down 1%) and “Creepin’ ” climbs 3-2 (81.6 million, up 6%). The Weeknd is the first act with the top two titles on Radio Songs in a lead role on both since Justin Bieber ranked at Nos. 1 and 2 with “Sorry” and “Love Yourself,” respectively, seven years ago this week (Feb. 20, 2016). Before that, The Weeknd had last achieved the feat with “The Hills” and “Can’t Feel My Face” (Oct. 10, 2015).

The only other acts with such a dominant double as leads on Radio Songs: Rihanna (two weeks, 2010-11); T.I. (five, 2008); Mariah Carey (three, 2005); Usher (four, 2004); OutKast (eight, 2003-04); Nelly (four, 2002); Carey (four, 1995 – she and The Weeknd are the only acts in this list with two distinct sets of songs each); and Boyz II Men (one, 1994). Noticeably, the host of R&B/hip-hop-centric acts that have earned the honor reflect the wide reach that hits can attain when scoring big at both pop and R&B/hip-hop radio.

Beyoncé’s “Cuff It” charges 15-6 for a new Hot 100 high, besting its prior No. 10 peak. It tallied 55.8 million in airplay audience (up less than 1%), 9.4 million streams (up 37%) and 78,000 sold (up 4,026%, good for the chart’s top Sales Gainer nod), fueled by a range of remixes released during the tracking week, joining its previously available original clean and explicit versions: its “Wetter” remix (clean and explicit) was put up for purchase on Beyoncé’s official webstore Feb. 3, followed by its a cappella (clean and explicit) and instrumental versions (Feb. 5), with all mixes released wide on streaming services and digital retailers by Feb. 8.

Also boosting Beyoncé’s buzzy profile, and the song’s, during the tracking week: with four more Grammy Awards Feb. 5, she upped her count to a record-breaking 32 wins, including best R&B song for “Cuff It.”

Elsewhere in the Hot 100’s top 10, Taylor Swift’s “Anti-Hero” descends 4-7, after a personal-best eight weeks at No. 1; David Guetta and Bebe Rexha’s “I’m Good (Blue)” drops 7-9, after reaching No. 4, as it tops the multi-metric Hot Dance/Electronic Songs chart for a 21st week; and Harry Styles’ “As It Was” retreats 9-10 on the Hot 100, following 15 weeks at No. 1 beginning last April, the fourth-longest rule in the chart’s history, as it gained by 21% to 12.4 million streams in the tracking week, sparked by the Grammy win Feb. 5 for album of the year for parent LP Harry’s House.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Feb. 18), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Feb. 14).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Damon Albarn Mourns Trugoy The Dove of De La Soul: ‘I Love You’

Damon Albarn is mourning his friend by doing what he does best: making music. To honor De La Soul‘s Trugoy The Dove, who passed away this week, the Gorillaz musician shared a piano tribute on Instagram.

Posted Monday morning (Feb. 13) — one day after it was announced that Trugoy, born David Jude Jolicoeur, had died at age 54 — Albarn’s video was filmed from the inside of his acoustic piano. As the Blur frontman taps out a sweet instrumental melody, you can see the wooden hammers for each key striking the notes internally.

“A loop for Dave,” Albarn captioned the video. “I love you ? ⚓️ ❤️”

Jolicoeur’s cause of death was not revealed when his reps confirmed his passing to All Hip Hop on Sunday, but he was known to have struggled with health issues related to congestive heart failure. He formed De La Soul in 1988 with Kelvin Mercer (Posdnuos) and Vincent Mason (Maseo), and the hip-hop trio released several albums together over the course of three decades together, the most recent of which was 2016’s And the Anonymous Nobody…

In 2005, the Gorillaz and De La Soul collaborated on “Feel Good Inc.,” which peaked at No. 14 on the Billboard Hot 100 and earned best pop collaboration at the 2006 Grammys.

The sad news about Jolicoeur comes just a couple months after Albarn lost another one of his friends, The Specials frontman Terry Hall. He posted a video of him playing Hall’s “Friday Night, Saturday Morning” on Twitter at the time in honor of the legendary second wave ska singer, writing, “Terry, you meant the world to me. I love you.”

Watch Damon Albarn’s sweet tribute to De La Soul’s Trugoy The Dove below:

Evolution Festival to Feature Brandi Carlile, Black Keys, Black Crowes, Ben Harper, Ice Cube & More

The inaugural Evolution Festival in St. Louis, Missouri will bring rock, hip-hop, blues and country sounds to town on August 26-27 with headliners Brandi Carlile, the Black Keys, the Black Crowes, Brittany Howard and Ben Harper & the Innocent Criminals. The festival from producers Contemporary Presentations and the Just Listen Company — along with co-executive producers Steven Schankman and Joe Litvag — will feature more than a dozen performers taking the stage in Forest Park under the banner: “This is our town. This is our time. This is our EVOLUTION!”

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Among the other acts on the bill are: Ice Cube, Morgan Wade, Cautious Clay, Michigander, Modern English, Nikki Lane, The Sugarhill Gang, The Nude Party, Smidley, Carriers, The Knuckles, Yard Eagle and Punk Lady Apple. The festival will take place in Forest Park at Langenberg Field and the Boathouse, located between the Muny (St. Louis Municipal Opera Theatre) and the Dwight Davis Tennis Center.

“St. Louis is home. My partner Joe and I are both born and raised here, and we’ve both always worked hard to create unforgettable live entertainment experiences here for our hometown community,” said co-exec producer Schankman. “We both agreed that there is something missing here, an event that will welcome everyone from our great city to come together to celebrate our diversity, inclusion, and to offer a renewed focus on our musical culture and the arts. Evolution Festival does just that, and this event will not only create long-lasting memories, but it will be a strong economic driver for the city, the region, and the state for years to come, as well.” 

The fest will also focus on bourbon and BBQ, with pit masters “Phil the Grill” Johnson and James “Boatright’s BBQ” on hand for the weekend that will also feature award-winning BBQ from a number of national, regional and local chefs. A portion of proceeds will benefit Forest Park Forever, a non-profit conservancy helping to maintain and sustain Forest Park; the festival will also work with St. Jude’s Children’s Research Hospital through Music Gives to raise money and awareness for the fight against childhood cancer and other life-threatening diseases.

Tickets for Evolution will go on sale on Friday (Feb. 17) at 10 a.m. CST here.

See the full concert poster below.

Evolution Festival

Courtesy Photo

Bruce Springsteen Plays Stripped Back Set After Two E Street Band Members Test Positive For COVID

Bruce Springsteen was forced to perform without three of his E Street bandmates over the weekend after they had to bow out of the group’s Dallas, Texas show on Friday.

According to The Boss, both guitarist Steven Van Zandt and violinist/singer Soozie Tyrel tested positive for COVID-19 ahead of their tour stop at the American Airlines Center, while Springsteen’s wife singer/guitarist Patti Scialfa was also absent from the stage for undisclosed reasons.

“We got a few members missing tonight – Stevie Van Zandt – COVID, Soozie Tyrell – COVID, Patti Scialfa… But goddammit, we’re gonna give Dallas the best show they’ve ever seen,” the rocker told the crowd at the top of the show before promptly jumping into 1980’s “Out in the Street.”

For his part, Van Zandt took to Twitter to assure fans he was already on the mend, tweeting, “Thank you all for your best wishes and positive vibes. I’ve got a very mild case and hope to be back for Houston or Austin at the latest.” He soon followed his tweet up with another informing his followers he had received both the COVID-19 vaccine and a booster. “That’s why it’s a mild case. No real danger or damage,” he wrote.

Billboard has reached out to Springsteen and the E Street Band’s rep for comment on whether the next planned tour stop, on Tuesday (Feb. 14) in Houston, Texas, will feature the full band. Meanwhile, the band is continuing their international tour with a planned stop in Austin on Thursday (Feb. 16), before heading to Kansas City, Tulsa, Portland, Seattle, Denver and more. The U.S. leg of the trek will conclude on April 14 with a hometown show in Newark, New Jersey before the band jets off to Europe.

Check out fan-captured video of Springsteen explaining his bandmates’ absence as well as Van Zandt’s string of tweets below.

Karol G Flips Out About Meeting Rihanna At 2023 Super Bowl, Teaching Her Colombian Slang

Karol G has finally met her idol, Rihanna, after the latter performed at the 2023 Super Bowl Halftime Show at the State Farm Arena in Glendale, Arizona on Sunday night (Feb. 12).

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“As a Fan, I have to say that this was the HIGHLIGHT of my entire life!!!,” the Colombian singer captioned an Instagram post. “I hope that when you guys meet your idols, they will be as amazing as she was with me. I LOVE YOU @badgalriri.”

The post shows three photos of the two artists smiling and hugging tight backstage, plus a short video of Karol teaching Riri some Colombian slang. “Hey Riri, how was everything?” Karol asks the Barbadian singer, to which she responds, “fue una chimba!” (“it was amazing!”)

The sweet moment between the two artists happened after Rihanna performed a nearly 15-minute set at SBLVII. Dressed in a curve-hugging red outfit, Riri not only treated viewers to a medley of some of her biggest hits (including “Bitch Better Have My Money,” “Umbrella,” “Diamonds,” and “Only Girl (In the World)”) but also revealed she was pregnant with her second baby. The artist and her partner, A$AP Rocky welcomed their first child in May of 2022.

For Karol, the backstage meetup was a dream come true.

In 2018, she got a tattoo on her arm in honor of her three favorite singers and biggest inspirations: Rihanna, Selena Quintanilla and herself, and on multiple occasions she’s expressed that Rihanna is her dream collaborator. In 2020, Karol manifested meeting RihRih in person when she shared a black-and-white fan art of the two. “Haters will say it’s photoshopped,” she captioned the pic.

See Karol and Rihanna at the 2023 Super Bowl below:

Billy Strings Sets 2023 Summer Headlining Tour

Billy Strings has added a hot streak of summer 2023 tour dates to his schedule, beginning July 13 with a three-night run at Koka Booth Amphitheatre in Cary, North Carolina. The tour is currently slated to wrap up on August 26 at The Orion Amphitheater in Huntsville, Alabama.

Headlining arena tours is rare for a bluegrass act, but Strings is doing just that. Prior to his summer run, Strings is taking his show on a cross-country tour this spring, featuring several arena shows, including three sold-out nights at Nashville, Tennessee’s Bridgestone Arena later this month.

Last year, Strings released the project Me/And/Dad, featuring renditions of classic bluegrass and country tracks recorded alongside his father, Terry Barber. The album was spearheaded by the songs “Life to Go” and “Long Journey Home.” The project followed his 2021 album, Renewal, and his Grammy-winning album Home, which picked up the golden gramophone for best bluegrass album.

Among Strings’ other recent accolades are being named artist of the year at the 2022 Americana Music Honors & Awards, and winning song of the year (“Red Daisy”) at last year’s International Bluegrass Music Awards.

See the full list of new 2023 tour dates below:

July 13 — Cary, NC @ Koka Booth Amphitheatre

July 14 — Cary, NC @ Koka Booth Amphitheatre

July 15 — Cary, NC @ Koka Booth Amphitheatre

July 19 — Norfolk, VA @ Chartway Arena

July 21 — Bridgeport, CT @ Hartford HealthCare Amphitheater

July 22 — Essex Junction, VT @ Midway Lawn at Champlain Valley Expo

July 23 — Essex Junction, VT @ Midway Lawn at Champlain Valley Expo

July 25 — Boston, MA @ Leader Bank Pavilion

July 26 — Boston, MA @ Leader Bank Pavilion

July 28 — Portland, ME @ Thompson’s Point

July 29 — Portland, ME @ Thompson’s Point

July 30 — Newport, RI @ Newport Folk Festival (sold out)

August 7 — Frankfurt, Germany @ Batschkapp

August 8 — Berlin, Germany @ Huxleys

August 9 — Hamburg, Germany @ Grobe Freiheit 36

August 24 — Knoxville, TN @ Knoxville Civic Coliseum

August 25 — Huntsville, AL @ The Orion Amphitheater

August 26 — Huntsville, AL @ The Orion Amphitheatre