Music

Henry Lau Duets With Yuna, Wonders If ‘Real Love Still Exists’: Listen to R&B-Pop Track

2023 will mark five years since Henry Lau went independent after his contract completion with Korean super-label SM Entertainment, and his latest music shows him still pushing toward his goal of boundary-less music.

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Henry’s new single “Real Love Still Exists” brings the singer-songwriter and Malaysian breakout superstar Yuna together for a languishing R&B-pop duet perfect for both their tender voices. Canada-raised Lau opens the track with sparse acoustic guitar backing a melancholy melody reminiscent of the No. 1 Beatles classic “Something.” Yuna hops in halfway through the song as the second verse incorporates heavier percussion beats accompanying the songbird’s sweetly somber delivery. The two harmonize on the chorus together, dreamily duetting and pleading: “Give me just a chance/ One chance/ Take you to the other side/ Where ignorance is bliss/ Where real love still exists.”

For the accompanying music video, Henry headed to the City of Light for the lovelorn song’s visual. The star plays guitar on the Paris streets amid couples kissing, one getting down on one knee for a proposal, as Henry flashbacks to his own relationship. By the end of the visual, the sun has set on Paris, and Henry finds himself face-to-face with his lost love again.

“Real Love Still Exists” is the second new track from Henry in 2023 after January’s funky, folky pop single “Moonlight,” marking the former Super Junior member’s first new collection of singles since his Journey album in late 2020. Both releases come through Lau’s Monster Entertainment Group, which he told Billboard in 2019 was envisioned for him to “make my own brand, to have my own color” and make label-less music in any language he feels. The multilingual star has recently been active with music, television, acting, and his YouTube channel featuring viral violin and vocal covers of Hot 100 hits like Miley Cyrus‘ “Flowers,” SZA‘s “Kill Bill” and more.

Check out if “Real Love Still Exists” with Henry below:

Ukraine’s Eurovision Winner Kalush Orchestra Returns To Tour U.S., Raises Money For War Effort

Kalush Orchestra, the Ukrainian act that captured the world’s attention last year when it won the Eurovision Song Contest as its country was being torn apart by war, wraps up a second North American tour on March 16 with a performance at SXSW in Austin.

The seven-member group’s song “Stefania” won Eurovision in Turin, Italy, with a record-setting 438 points from the public, reflecting the widespread pro-Ukraine sentiment at least year’s event three months after Russia launched its unprovoked invasion.

After the competition, Kalush Orchestra did an 18-show promotional tour, with performances in Poland, Spain, Italy, Germany, France and at Glastonbury Festival in the U.K., before embarking on a 13-city North American tour. The shows helped raise funds for the Ukrainian armed forces. The group also sold its Eurovision trophy for $900,000, with the proceeds earmarked for the purchase of combat drones for Ukraine’s military. (The band raised $1.6 million overall.)

The current five-city U.S. jog cements the group as one of the few Eurovision winners to turn a victory at the pan-European competition into global success, following in the footsteps of ABBA, which won with “Waterloo” in 1974, and Måneskin, which triumphed with “Zitti e Buoni” in 2021. Billboard talked to the Kalush Orchestra’s founder and leader, rapper Oleh Psiuk, via Zoom about returning to the U.S., the impact of Eurovision on the band’s career and the ongoing war with Russia, which is now in its second year.

BB: Who came up with the idea for this new tour?

First, we were invited to the big showcase festival SXSW in Austin. We considered it to be a very cool opportunity, so we decided we should show our creativity, our works and of course we decided that then we could visit several cities which we’ve never been to in the U.S. before. That’s how our new tour was born, even though the previous one was just five months ago.

What was that first tour like and what would you like to see this time?

We had 18 concerts during the previous tour, and they were daily, so unfortunately, we saw only airports and the venues where we had those concerts. But still, we had a little bit of time to see sunny Los Angeles. L.A. is my favorite because I’ve always been listening to the music and to the performers from that area. And this time I do hope we’ll have more time to see and enjoy your country.

What performers from the West Coast are your favorites?

I love the performers from the so-called Golden Era. Like N.W.A, Tupac Shakur, Snoop Dogg, Ice Cube and Dr. Dre. I listen to lots of music from the West Coast.

Last time you met Arnold Schwarzenegger, and he appeared in your video for ‘Generous Evening’ and spoke in Ukrainian. Are there any plans this time to meet any celebrities or government figures?

We don’t have any plans now, but honestly speaking we didn’t have any plans then as well. We wrote to Arnold that very day when we met and that was a lucky coincidence. So we do hope that this time we’ll also have such a day when we write to someone famous and we’ll have an opportunity to meet.

In the U.S., Eurovision is not that well known, though the Will Ferrell film (Eurovision Song Contest: The Story of Fire Saga) has helped increase awareness. How did American audiences find you on your first tour?

The bigger part of our audience was still Ukrainians who are living in the U.S. But there were other people who were coming to our concerts. The people who knew Eurovision, what it is, or people who just saw some announcement or billboard in the city and they decided to see us. They were just curious to get to know who we are, but after the concert, all kinds of people came up to us because they really loved it.

What are the main goals you want to accomplish for both the band and Ukraine?

First, we would like to show our music, for it to be known both in the U.S. and in Europe. Whatever city we visit, we’d like to perform and disseminate Ukrainian culture, for it to be well known anywhere. And, of course, we are raising money using the QR codes and the auctions. Last year, we raised 60 million hryvnia ($1.6 million) and we do hope to raise even more this time.

What does the money you raise support? 

We send this money to some of the well-known foundations like United24 and the Sergey Prytula Foundation. And we buy armored vests and helmets and other important things for our war servicemen and military.

Kalush Orchestra

Kalush Orchestra

Katrin Oleynik

How do you feel when you’re out of your country? Does the trauma of the war continue?

Honestly speaking, it does not affect me. It does not influence me whether I’m in Ukraine or not, because there are lots of relatives and my parents and close friends, my good acquaintances who are now in Ukraine and I would say that I worry for them more than for myself. Because I don’t worry about myself that much. Obviously, I carry this burden with me everywhere and this kind of anxiety for them.

Let’s talk about what American audiences can expect on this current tour. Will you play new songs?

Yes. We have prepared a program which includes some of the new songs and some of the ones which have just been issued. For instance, we just issued a very new song which has the title “Changes.” It’s a very cool song with a cool video, which reflects all the changes which we are waiting for.  We have a program which unites something authentic with some new styles.

Will an album be coming out soon?

So far, we plan to release singles. If we speak about the album coming out, it is planned closer to the end of the current year or maybe in the beginning of the next year. So far, we are issuing singles with cool videos in English.

It’s been not quite a year since you won Eurovision. How has your life changed, and the career trajectory of the band changed since?

We can now play a bigger role. We can have more impact on the bigger and vaster audience. We can disseminate our concert abroad and we can cover a broader audience with that. We can tell more about Ukrainian culture abroad.

That must have been an important reason for participating in Eurovision in the first place.

Yes, there were many reasons. Not only this one, but it was so important for us to win at this Eurovision, because victory is so important for Ukraine in every aspect. We made lots of people happy with this victory and we do hope it will go on like this.

Ukraine first won Eurovision in 2004 when Ruslana triumphed with “Wild Dances.” Where were you that year when she won? What did her victory mean to you and Ukraine?

I was only 10 years old then, so I don’t remember that much. But I do remember that it was a big noise, a big event in Ukraine. It had a huge resonance as an event. It was because Eurovision for Ukraine was always a very important competition.

What is next for the band after the American tour? Will there be any more touring in other countries?

Sure. We would like to get to as many of various festivals as possible to show our music and culture to the maximum. We would like to have as productive a year as the previous one was, to raise as much money and to disseminate information about us, about Ukraine.

The Kalush Orchestra’s 2023 U.S. tour dates:

March 9 — Cleveland, OH @ Cleveland Masonic

March 10 — Orlando, FL @ The Beacham

March 11 — Detroit, MI @ The Magic Stick

March 12 — Atlanta, GA @ District Atlanta

March 16 — Austin, TX @ SXSW

Anitta Joins ‘Elite’ Cast For Season 7: Here’s the First Look

Anitta is one to wear many hats: she’s a trilingual singer, a great performer, a savvy businesswoman and, now, an aspiring actress. 

On Thursday (March 9), a collaborative Instagram post between the Brazilian artist and Élite Netflix revealed that she will be joining the Élite cast in its upcoming seventh season. “A girl from Rio you may already know… is about to make an entrance at Las Encinas. @Anitta is joining the #Élite7 cast,” read the post, referring to the Spanish series’ fictional elite high school. 

The caption is accompanied by photos of the artist in her new role showing a pensive yet potent look in her eyes and wearing a cropped grey sweater, red bra, and braids. 

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On October 25, 2022, Netflix confirmed the renewal of Élite, created by Carlos Montero and Darío Madrona, for a seventh season, with the return of original star Omar Ayuso. 

The news comes shortly after the pop star — who had a breakout in 2022 with the success of her tri-lingual album Versions of Me, a No. 1 track on the Billboard Global Ex. U.S. chart with “Envolver” and performances at Coachella and the Latin Grammy Awards — lashed out at Warner Music on Twitter, saying she regrets signing with the label and wants to be let out of her contract. 

When one fan said he wished she could be free of her contract, she responded that “if there was a fine to pay, I would have already auctioned off my organs, no matter how expensive it was to get out. But unfortunately, there isn’t. When you’re young and still don’t know a lot, you need to pay close attention to the things you sign… if you don’t, you could spend a lifetime paying for the mistake.”

In response, fans have organized a #FreeAnitta movement on Twitter.

Emilia, Big One & Callejero Fino’s ‘En La Intimidad’ Holds at No. 1 on Billboard Argentina Hot 100 Chart

Emilia, Big One and Callejero Fino hold at No. 1 on the Billboard Argentina Hot 100 for a second frame as “En La Intimidad” rules the March 4-dated chart. The song, released Feb. 1 through Fifty One, debuted at No. 9 and landed at the summit in its third week (chart dated Feb. 25).

Karol G and Shakira score their career-high debut as “TQG” arrives at No. 2. The song, which becomes the Hot Shot Debut of the week, is the fifth single from Karol G’s latest album Mañana Será Bonito, which debuted at No. 1 on the overall Billboard 200 chart, Top Latin Albums and Latin Rhythm Albums charts (dated March 11). The track concurrently debuted at No. 1 on Hot Latin Songs in the same period.

Further, TINI’s “Cupido” moves up the ranking with a 6-3 climb. It’s the closest she’s been to the top since “La Triple T” reached No. 1 in its second frame, where it remained for five weeks starting on the May 14-dated tally.

Back to Shakira, her Bizarrap collab “Bzrp Music Sessions, Vol. 53” dips 2-4 after its four-week run at No. 1 (Jan. 21-Feb. 11). Meanwhile, BM’s “M. A (Mejores Amigos)” holds steady at No. 5 for a third week.

Elsewhere, 16-year-old Camilo Villaruel, known by his stage name Milo J, has the Greatest Gainer of the week as “Rara Vez” rallies 61-17, a 44-position trek. It’s the closest the Argentinian rapper has gotten to the top as his “Milagrosa” rises to its new No. 61 peak also on the current chart. “Rara” propels to the top 20 mainly supported by its popularity on TikTok, where the song has generated more than 31,000 videos.

Further, Miranda! and Emilia each add a new chart entry with their collab “Uno Los Dos,” at No. 28.

The week brings four other debuts, starting with The Weeknd and Ariana Grande’s “Die for You” at No. 63, followed by Sebastian Yatra’s “Una Noche Sin Pensar” at No. 70, Sech’s “29 de June” at No 87, and Camilo and Camila Cabello’s “Ambulancia” at No. 88.

FKA Twigs Debuts Boyfriend Jordan Hemingway After ‘Taking Control’ of Online Speculation

FKA Twigs has had enough of the gossip and is taking matters into her own hands. The star took to Instagram on Wednesday (March 8) to share details on her new relationship after seeing an article questioning who her “mystery man” is.

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“The whole of my career i’ve been hunted for who i am dating. so this time i’m pipping you to the post and taking control of the situation,” she captioned a screenshot from Daily Mail, asking for emails with information on FKA Twigs’ new love interest.

She also shared a series of photos posing with her new boyfriend, director and photographer Jordan Hemingway, whom she called “a beautiful artist whose heart has restored my faith in love,” before adding, “Pap pics will always be rough so swipe for the hot pics. and now i’d like to go back to my nice private life with the dogs.”

The “Cellophane” singer was previously engaged to Robert Pattinson before the duo split in 2017. She has also been romantically linked to The 1975 frontman Matty Healy and Shia LaBeouf, the latter of which she claimed to have verbally and physically abused her.

In December 2020, she filed a lawsuit against LaBeouf, which included claims of sexual battery, assault and emotional distress. LeBeouf has since denied all allegations, but he responded at that time, in part, “I have been abusive to myself and everyone around me for years. I have a history of hurting the people closest to me. I’m ashamed of that history and am sorry to those I hurt. There is nothing else I can really say.”

Twigs later told Gayle King of those words, “I think it reminds me of some of the gaslighting I experienced when I was with him — the taking some of the blame, but not all of it and then denying it.”

GloRilla Concert Stampede Claims 3rd Victim

A third person has died after being injured in a stampede after a weekend concert by the rapper GloRilla in western New York, police said Thursday (March 9).

Aisha Stephens, 35, of Syracuse was the only person who remained hospitalized following a Sunday evening performance by the Memphis, Tennessee, rap star and Finesse2tymes at the Rochester Main Street Armory. She died Wednesday night.

Two other women, Rhondesia Belton, 33, of Buffalo and Brandy Miller, 35, of Rochester, also died and several people were injured after being caught up in a crush of concertgoers who surged toward the exits after the show.

Police said the stampede may have been triggered by unfounded fears of gunfire.

The city refused to renew the venue’s entertainment license on Wednesday, effectively shutting it down while criminal and regulatory investigations are underway, said Patrick Beath, the city’s deputy corporation counsel. In addition to a police investigation, he said fire and code enforcement authorities are inspecting the building and reviewing photos and video from the concert to determine if there were any violations.

The armory’s owner has not responded to numerous emailed requests for comment.

The main arena in the fortress-like armory has a capacity of about 5,000 people, city officials said.

As the concert ended Sunday, people exiting the venue just after 11 p.m. began to surge dangerously after hearing what they believed to be gunshots, city officials have said. Police found no evidence of gunfire.

Crowd surges at large events have turned deadly before, including one at 2021’s Astroworld concert by rapper Travis Scott in which 10 people died.

St. Vincent Gets an Assist From The Roots for Sensual Portishead ‘Glory Box’ Cover on ‘Tonight Show’

St. Vincent put her own spin on a classic from Portishead‘s catalog for the Wednesday episode of The Tonight Show Starring Jimmy Fallon, receiving some assistance from The Roots on the electronic band’s 1994 track “Glory Box.”

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In addition to being joined by The Roots, several violinists also appeared onstage to provide further depth to the track. Vincent took center stage wearing an all-black leather ensemble, red lipstick and shimmering eyeshadow.

“I’m so tired of playing/ Playing with this bow and arrow/ Gonna give my heart away/ Leave it to the other girls to play/ For I’ve been a temptress too long/ Just…/ Give me a reason to love you/ Give me a reason to be a woman/ I just wanna be a woman,” she passionately sang on her rendition of the track.

“Glory Box” was released as the third single from Portishead’s debut studio album, Dummy. Though the track did not chart — the album’s second single, “Sour Times,” peaked on the Billboard Hot 100 at No. 53 in February 1995 — the LP became the electronic band’s first entry on the Billboard 200, peaking at No. 79.

Up next for St. Vincent is an appearance at the seventh annual Love Rocks NYC event on Thursday (March 9); James Taylor, Sheryl Crow, Pat Benatar and more will also perform at the event.

Watch St. Vincent and The Roots’ cover of the track in the video above.

What Should Win Best Original Song at the 2023 Oscars? Vote!

The 2023 Academy Awards are just days away, and songs by some of today’s biggest artists are up for the best original song Oscar.

Lady Gaga is nominated for “Hold My Hand” (Top Gun: Maverick) and Rihanna is up for “Lift Me Up (Black Panther: Wakanda Forever). This is Rihanna’s first and Gaga’s fourth Oscar nomination, and Gaga previously won for co-writing “Shallow” from A Star Is Born. Diane Warren also received her 14th Oscar nom for “Applause” (Tell It Like a Woman). David Byrne, Sox Lux founder Ryan Lott and Mitski are also Oscar nominees in the best original song category thanks to “This Is A Life” from Everything Everywhere All At Once, which is the most-nominated film this year with 11 nods.

Ahead of the Oscars, we at Billboard want to know which song you think should win the trophy. Let us know by voting in our poll below.

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Feid vs. Ferxxo: His Alter Ego & Ultra-Colombian Slang Explained 

Before Feid was called Feid, he was known locally in Colombia as Rayo — his first artistic name. 

Meaning thunderbolt, the artist born Salomón Villada Hoyos was eager to start his music career with this name when he was just a teenager; in fact, the first few singles he released independently were under Rayo. But it wasn’t until people began confusing him and his music for the already-established San Andres-based Colombian duo Rayo y Toby that he decided to look for a second option.  

“All my school friends thought they heard my song on the radio and one day while listening to the radio I realized that it was [Rayo y Toby’s] song and not mine. That’s when I thought ‘music isn’t for me and this is going to be a problem,’” he told Billboard during the interview for his new cover story. “My parents were the ones to tell me that this wasn’t going to be the first obstacle I was going to face, and that’s when I changed my name to Feid.” 

But even then, the Medellin-born artist changed it to “Faith” before ultimately landing on the play-on-word Feid (whose moniker sounds like “faith” when spoken in Spanish). 

“It was because the first interview I ever had in my life the reporter who was interviewing me kept calling me ‘fa-heed’ and I didn’t want to keep having that problem because it was very uncomfortable to tell people how to pronounce my name,” he explains.

In 2010, he officially launched his career as Feid and it wasn’t until 2020 — around the time he finally found his artistic identity — that he introduced his new alter ego El Ferxxo (pronounced Fercho).

“I decided to take an arepa with cheese in my hand and say that I was paisa,” he proudly states, referring to the local word for someone from Medellín. “I began to be more faithful to who I am and my Colombian roots. At that moment, I opened the coolest door that I’ve ever opened, which was finding my identity and introducing El Ferxxo. It took me a long time to realize that this was what I had to do to really, really connect with people.” 

Putting his new alter ego to the test, Ferxxo began incorporating local Medallo slang into his lyrics, like mor (love), que chimba (how cool) and parchar (hanging out) and replacing letters in his titles with X’s to pique curiosity. It worked. The Latin Grammys nominated 2020’s Ferxxo (Vol. 1: M.O.R.) and its Justin Quiles-featuring single “Porfa” for best urban music album and best reggaetón performance, respectively. 

Below, the “Porfa” singer explains the meaning behind some of the slang words heard in his songs. 

NEA: “It’s a word that can mean many things. It can be a friend, a person that dresses a certain way, a nea is someone from the barrio. Period.”

CHORRO: “It’s the drink. It can be whiskey, tequila or anything. Chorro is alcohol.” 

CHIMBITA: “Is a beautiful woman.” 

CHIMBIAR: “Is someone who’s annoying or can also mean to mess around with someone.”

CHIMBO: “Is the man’s private part.” 

PARCHE: “It’s like an invitation. It can be a moment, a situation, or describe someone who’s a cool person.” 

FARREAR: “Going out to party and giving it all at the club”

LA PINTA: “It’s the outfit. We don’t use the word outfit in Medellin.” 

Read the full Billboard cover story here

First-Ever People’s Choice Country Awards Coming to NBC & Peacock This Year

 

The People’s Choice Awards is expanding with the announcement of the first-ever People’s Choice Country Awards airing in September across NBC and Peacock, live from the Grand Ole Opry stage in Nashville.  

The two-hour telecast will give NBC a country awards show to compete with the CMA Awards, which have aired on ABC since 2006; the CMT Music Awards, which have aired on CBS since 2022; and the  ACM Awards, which have streamed on Prime Video since 2022.

NBC aired the CMA Awards from 1968-71 and the ACM Awards from 1979-97 but hasn’t been in the country awards game for years.

“We’re excited to partner with the Grand Ole Opry to bring the year’s biggest celebration in country music to Nashville,” Cassandra Tryon, senior vice president, live events, NBCUniversal Television & Streaming, said in a statement. “Country fans are passionate about their music and there’s no better place to host this event than from country music’s biggest stage.”  

As the show’s name implies, the winners will be chosen entirely by the fans, though several honorary awards will also be bestowed.

The People’s Choice Country Awards will extend to social platforms with All-Access Live bringing fans at home behind the scenes as well as interactively connecting country’s most popular stars with their biggest fans.  

The telecast will be produced by Den of Thieves with Jesse Ignjatovic, Evan Prager and Barb Bialkowski serving as executive producers 

The People’s Choice Awards aired on CBS from 1975-2017 and was highly rated for many years. E! acquired the show in 2017; it aired on that channel for the first time in 2018. NBC joined E! in airing the show in 2021.

The People’s Choice Awards has long included country categories and performances. At the most recent People’s Choice Awards, which aired Dec. 6, 2022, Shania Twain performed a four-song hit medley. Carrie Underwood was voted the country artist of 2022, beating Kelsea Ballerini, Kane Brown, Luke Combs, Miranda Lambert, Maren Morris, Thomas Rhett and Morgan Wallen.

The 2022 People’s Choice Awards bucked industry trends with year-over-year ratings growth on the broadcast network, and delivered 173 million total engagements across linear, digital and social platforms, according to an NBC statement.  

This new project is an example of collaboration resulting from NBCUniversal’s equity investment in Opry Entertainment Group alongside Atairos, which was finalized last year.  

The upcoming awards show is the latest in a series of moves from Ryman Hospitality Properties and Opry Entertainment Group. This week, OEG revealed a minority investment in country music lifestyle brand Whiskey Riff. In 2022, Ryman Hospitality Properties closed on its purchase of Block 21, a property that includes ACL Live at Moody Theater, the home venue of the television program Austin City Limits. 2020 saw the launch of Circle Network, a joint venture between OEG and Gray Television that featured Grand Ole Opry performances and more.

Jessica Nicholson assisted in preparing this story