Music

Here Are the Lyrics to Coi Leray’s ‘Players’

Coi Leray notched her fourth entry on the Billboard Hot 100 songs chart with “Players,” her TikTok-viral hit that’s currently sitting at No. 12 as of March 25, 2023.

When asked when she knew she made it, Leray told Billboard at Rolling Loud California, “When I found out I was on the top 10 U.K. charts, and then the top 20 pop charts and then the top 20 Billboard [Hot 100]. That was a big stepping stone for me because my dream was to cross over. Of course, I love Billboard. I look up to you guys. You guys are watching me grow, so I can’t wait to show you how much more I have for you.”

If you need a guide to follow along with Coi Leray’s “Players,” find the lyrics below:

Yeah
‘Cause girls is players too, uh
Yeah, yeah
‘Cause girls is players too (keep it player, baby)
‘Cause girls is players too
Bi–hes gettin’ money all around the world
‘Cause girls is players too

What you know ’bout livin’ on the top
Penthouse suites, lookin’ down on the opps?
Took him for a test drive, left him on the lot
Time is money so I spent it on a watch, hol’ on
Lil’ ti–ies showin’ through the white tee
You can see the thong bussin’ out my tight jeans (okay)
Rocks on my fingers like a n—a wifed me
Got another shorty? She ain’t nothin’ like me (yeah)

‘Bout to catch another flight (yeah)
The apple bottom make ’em wanna bite (yeah)
I just wanna have a good night
I just wanna have a good night (hold up)
If you don’t know now you know
If he broke then you gotta let him go
You could have anybody, eeny, miny, moe
‘Cause when you a boss, you could do what you want

Yeah
‘Cause girls is players too, uh
Yeah, yeah
‘Cause girls is players too (keep it player, baby)
‘Cause girls is players too
Bi–hes gettin’ money all around the world
‘Cause girls is players too

I go, on and on and on again
He blowin’ up my phone but I’m ignorin’ him
He thinkin’ he the one, I got like four of him
Yeah, I’m sittin’ first class like Valedictorian, uh
Came a long way from rag to riches
Five-star bi–h, yeah, I taste so delicious
Let him lick the plate, yeah, I make him do the dishes
Now he on news talk ’cause a bi–h went missin’, sheesh

‘Bout to catch another flight (yeah)
The apple bottom make ’em wanna bite (yeah)
I just wanna have a good night
I just wanna have a good night (hold up)
If you don’t know now you know
If he broke then you gotta let him go
You could have anybody, eeny, miny, moe
‘Cause when you a boss, you could do what you want

Yeah
‘Cause girls is players too, uh
(And it’s time that we let ’em know that)
‘Cause girls is players too (keep it player, baby)
‘Cause girls is players too
Bi–hes gettin’ money all around the world
‘Cause girls is players too

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC

Written by: Akil C. King, Clifton Nathaniel Chase, Coi Leray Collins, Edward G. Fletcher, Felicia Ferraro, Melvin Glover, Sylvia Robinson, Yonatan Goldstein

Here Are the Lyrics to The Weeknd & Ariana Grande’s ‘Die For You (Remix)’

The song reigns was originally released on The Weeknd’s album Starboy in 2016, before it was revived thanks in part to TikTok, which helped spark new promotion to radio and streaming services.

The collaboration marks each artist’s seventh Hot 100 No. 1 – and their second together, after “Save Your Tears” led in 2021 for two weeks.

If you need a guide to follow along with The Weeknd and Ariana Grande’s “Die For You (Remix),” find the lyrics below.

I’m findin’ ways to articulate the feelin’ I’m goin’ through
I just can’t say I don’t love you, yeah
‘Cause I love you, yeah
It’s hard for me to communicate the thoughts that I hold
But tonight, I’m gon’ let you know
Let me tell the truth
Baby, let me tell the truth, yeah

You know what I’m thinkin’, see it in your eyes
You hate that you want me, hate it when you cry
You’re scared to be lonely, ‘specially in the night
I’m scared that I’ll miss you, happens every time
I don’t want this feelin’, I can’t afford love
I try to find reason to pull us apart
It ain’t workin’, ’cause you’re perfect
And I know that you’re worth it
I can’t walk away, oh

Even though we’re goin’ through it
(Ah) and it makes you feel alone
Just know that I would die for you
(Ooh) baby, I would die for you, yeah
The distance and the time between us (the distance and the time)
It’ll never change my mind
‘Cause baby, I would die for you (I would die for you)
Baby, I would die for you, yeah

I’m findin’ ways to stay concentrated on what I gotta do
But baby boy, it’s so hard ’round you
And yes, I’m blamin’ you
And you know I can’t fake it, now or never
And you insinuating that you think we might be better
Better me and you
Yeah, I know you do

You know what I’m thinkin’, see it in your eyes
You hate that you want me, hate it when you cry
It ain’t workin’, ’cause you’re perfect
And I know you deserve it
I can’t walk away

Even though we’re goin’ through it (even though)
And it makes you feel alone
Just know that I would die for you (I would die for you)
Baby, I would die for you, yeah
The distance and the time between us
It’ll never change my mind
‘Cause baby, I would die for you, uh (I would die for you)
Yeah, baby, I would die for you (I would die for you), yeah

I would die for you, I would lie for you
Keep it real with you, I would kill for you, my baby
I’m just sayin’, yeah
I would die for you, I would lie for you
Keep it real with you, I would kill for you, my baby
Na-na, na-na-na, na-na

Even though we’re goin’ through it
And it makes you feel alone
Just know that I would die for you (yeah)
Baby, I would die for you, yeah
The distance and the time between us
It’ll never change my mind
‘Cause baby, I would die for you
Baby, I would die for you
(Oh) yeah, babe

Lyrics licensed & provided by LyricFind

Lyrics © Kobalt Music Publishing Ltd.

Written by: Abel Tesfaye, Ariana Grande, William Thomas Walsh, Dylan Wiggins, Henry Russell Walter, Magnus August Hoiberg, Martin Daniel McKinney, Mejdi Rhars

Here Are the Lyrics to Morgan Wallen’s ‘Last Night’

The song is from his new 36-track album, One Thing at a Time. Released March 3, the set launches as Wallen’s second No. 1 on the Billboard 200 chart, with the largest streaming week ever for a country album, as well as the biggest week by equivalent album units for any album, among all genres, in 2023.

If you need a guide to follow along with Morgan Wallen’s “Last Night,” find the lyrics below.

Last night we let the liquor talk
I can’t remember everything we said but we said it all
You told me that you wish I was somebody you never met
But baby, baby, somethin’s tellin’ me this ain’t over yet
No way it was our last night

I kiss your lips
Make you grip the sheets with your fingertips
Last bottle of Jack, we split a fifth
Just talkin’ ’bout life goin’ sip for sip
Yeah, you, you know you love to fight
And I say shit I don’t mean
But I’m still gon’ wake up wantin’ you and me

I know that last night we let the liquor talk
I can’t remember everything we said but we said it all
You told me that you wish I was somebody you never met
But baby, baby somethin’s tellin’ me this ain’t over yet
No way it was our last night (last night)
No way it was our last night (last night)

No way it was the last night that we break up
I see your tail lights in the dust
You call your mama, I call your bluff
In the middle of the night, pull it right back up
Yeah, my, my friends say let her go
Your friends say what the hell
I wouldn’t trade your kind of love for nothin’ else

Oh baby, last night we let the liquor talk
I can’t remember everything we said but we said it all
You told me that you wish I was somebody you never met
But baby, baby, somethin’s tellin’ me this ain’t over yet

No way it was our last night, we said we’d had enough
I can’t remember everything we said but we said too much
I know you packed your shit and slammed the door right before you left
But baby, baby, somethin’s tellin’ me this ain’t over yet
No way it was our last night (last night)
No way it was our last night (last night)

I know you said this time you really weren’t coming back again
But baby, baby, somethin’s tellin’ me this ain’t over yet
No way it was our last night (last night)
No way it was our last night (last night)

Lyrics licensed & provided by LyricFind

Lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.

Written by: Ashley Gorley, Jacob Kasher, John Byron, Ryan Vojtesak

Coco Jones Says It’s ‘Such a Compliment’ to Get Mistaken for Jennifer Hudson

Fans were seeing double while watching the Jennifer Hudson Show on Wednesday (March 22), when Coco Jones joined the American Idol alum on the couch as a guest.

“Do we look alike to y’all?” Hudson asked the audience, who broke out in cheers in agreement.

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When asked if she gets mistaken for Hudson a lot, Jones replied, “I get that so often that honestly at this point I just play into it.” She then began jokingly singing the opening lines to Hudson’s incredible rendition of the Dreamgirls track “And I Am Telling You I’m Not Going.”

The talk show host then agreed that she too gets the resemblance comments. “People say, ‘Who would you want to play you?’ And I see your name keep popping up,” she said, before the “ICU” singer replied, “Stop playing with me. I’m ready at this point.”

Jones continued, “I take it as such a compliment, because you know you have been so impactful in my life. Just watching you, another beautiful dark-skinned woman, killing it. That’s my motivation.”

Before her inevitable role in a Hudson biopic, Jones is currently starring in the Peacock original series, Bel-Air, which was recently renewed for a season three. Watch the full Jennifer Hudson Show interview below.

Kacey Musgraves & Reese Witherspoon Talk Genre-Expanding New Music Competition ‘My Kind of Country’

A conversation between six-time Grammy winner Kacey Musgraves and Academy Award-winning actress/entrepreneur Reese Witherspoon led to the globally focused country music competition series My Kind of Country, which premieres Friday (March 24) via Apple TV+, in partnership with the Witherspoon-founded media company Hello Sunshine.

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“We were talking about, ‘Why is country music so closed off? Why are there not more global influences and people who have a different perspective?’” Nashville native Witherspoon told Billboard via phone. “Kacey really illuminated it for me — it’s been a closed-door business for a long time. So this idea [is] to start a country music competition series and make it very international, because the reach of Apple is global. An important piece of this is highlighting voices that have not been heard. At Hello Sunshine, we have a spotlight that we would like to shine on people who have not had the opportunity to have their work highlighted.”

Witherspoon and Musgraves serve as executive producers on the eight-part series, which airs a new episode each Friday. Also serving as executive producers are Hello Sunshine’s Sara Rea and Lauren Newstadter, and Sandbox Entertainment’s Jason Owen (Musgraves is a Sandbox client), Izzie Pick Ibarra and Done+Dusted’s Katy Mullan.

The series’ dozen contestants hail from across the globe, including five artists from South Africa, two from India, one from Mexico and four from the United States.

“It’s been really cool for me to be part of this because since day one it’s been really important for me to keep reaching out globally, to try to find the people that connect with my music across the world,” said Musgraves, who is one of the few country artists to have toured Japan. “The easier thing to do would be to stay in America and play shows, but I want to build audiences around the world. I have been so moved and floored by being able to tour in places so far away from my home and see that my stories have connected with people there. Being part of this show is another angle of that for me. It just shows that no matter where you come from, when it’s brought back to the heart of the matter in the songs, we have the same emotions and the same human connection.”

Indeed, the show is intent on highlighting diversity and inclusion — not just with the contestants, but through the three artists who serve as scouts, mentors and judges: Jimmie Allen is a Grammy nominee and a 2021 CMA new artist of the year winner with three No. 1 Billboard Country Airplay chart hits; Mickey Guyton, who broke through with songs “Black Like Me” and “What Are You Gonna Tell Her?” and was the first Black female solo artist to earn a Grammy nomination in a country category; and Orville Peck is a gay country artist who has collaborated with Shania Twain and is known for his fringed masks and retro-tinged brand of country music. Each handpicked four contestants to become part of their teams.

“It was cool to hear country music during different parts of the world, sometimes in different languages,” Allen told Billboard via Zoom, “and being part of choosing artists. I remember being on Zoom with show producers and going through and listening to so many artists that were really good.”

The dozen selected contestants traveled to Nashville, and throughout the eight episodes, viewers watch as they hone their skills and confidence, as the scouts narrow down the competition via weekly eliminations, culminating in a finale performance in front of Musgraves, Witherspoon and the mentors/scouts, with one ultimate winner.

Allen’s artists are Ale Aguirre, who hails from Chihuahua, Mexico, and blends bilingual lyrics with elements of Norteño and banda. Dhruv Visvanath, from New Delhi, wrote the score to two independent films. North Carolina’s Camille Parker launched her career in R&B and pop music before pursuing a career in country music. Johannesburg’s Justin Serrao blends elements of alternative rock and country.

Guyton’s artists are two singer/songwriters from Nashville: Ashlie Amber and Chuck Adams, as well as South African sibling duo The Betsies (Zel and Landi Degenaar) and South African singer/songwriter Wandile.

Peck’s artists are Cape Town’s The Congo Cowboys (Julie Sigauque, Simon Attwell and Chris Bakalanga), who perform in both English and Lingala, the official language of the Democratic Republic of Congo; nonbinary bluegrass-influenced singer/songwriter Ismay Hellman of Petaluma, Calif.; Alisha Pais of Goa, India, and former South Africa Idols contestant Micaela Kleinsmith of Cape Town.

For all three scouts, their contestants have already moved them musically and emotionally.

“I feel like we’re all very nurturing people and to be around these amazing, incredible artists, it’s such a fulfilling thing to get to do,” Guyton told Billboard via Zoom. “The coolest part is you’re seeing how many people love country music globally.”

“Camille’s first performance, she sang ‘Space Cowboy’ by Kacey Musgraves, but the way she performed it, her vocal tone and delivery, it just hit me and she made the song her own,” Allen said.

Peck, who also hails from South Africa, noted watching fellow South Africa artist Kleinsmith progress in confidence was heartening.

“Coming into the competition, she was insecure about many things and had imposter syndrome,” Peck told Billboard via Zoom. “She is so incredibly talented and just getting to watch someone find themselves and their confidence in such a short amount of time that we did this show was really special for me to watch.”

Guyton recalled witnessing Adams’ vulnerability on the show.

“You never get to hear artists go through mental health struggles, but Chuck was very vocal about those things and it was beautifully honest,” she said. “Then he performed and you hear the pain and angst and this beautiful person. You just don’t often get to see that vulnerable side of people, especially on a show like this.”

“We cried a lot,” Allen added, sharing how he related to Adams’s story. “With Chuck, you know, I got diagnosed with bipolar [disorder] when I was 13, and I’ve had my moments where for two or three months I wanted to die, but I fought and stayed alive. So when you have those moments of him being open and then hearing his song, I knew if it was hitting me and inspiring me, all the people that see it are going to be inspired.”

Musgraves sees My Kind of Country as another essential step in the evolving progress of opening country music’s doors to a more diverse range of life stories and perspectives.

“Progress is progress, but there’s a long way to go,” Musgraves says. “Country music is woven with so many different stories and styles. And it’s not just about inclusivity in terms of color or gender. I want to see inclusivity when it comes to song matter and production style—that the songs that are able to be popular on country radio aren’t sung by the same kind of person about the same kind of thing. There are a lot of factors that could still be improved on.”

Witherspoon anticipates additional seasons of My Kind of Country, saying, “I sure hope so, because I do think country music is due for a disruption. We need to talk about why it’s been a closed-door business for so long. I think it’s the voice of the working people, whether that means you live in India, Africa, China, Japan…I think storytelling is storytelling, and we are here to promote great storytellers.”

Lea Michele’s Son Hospitalized for ‘Scary Health Issue’

Lea Michele shared a vulnerable update with fans on Wednesday (March 22) after her son Leo was checked into the hospital for an undisclosed health matter.

“I’m so sorry but unfortunately I will be out of @FunnyGirlBwy today. We are at the hospital with our son dealing with a scary health issue that I need to be here for,” the actor wrote on her Instagram Stories, revealing she’d be calling out of her starring role in Broadway’s Funny Girl for the evening. “I’m so sorry. Please send us some love and strength.” She also shared a photo of her hand wrapped over the 2-year-old’s from his hospital bed.

Michele didn’t share what exactly sent her son with husband Zandy Reich to the hospital, but Funny Girl announced earlier this month that it will close this coming fall. After its final performance on Sept. 3, the show will hit the road for its very first North American tour.

Ahead of the news of its pending final curtain, the Michele-led revival of the 1964 musical starring Barbra Streisand — which originally featured Beanie Feldstein in the role of Fanny Brice — had been breaking box office records. In the week leading up to Christmas, the show raked in more than $2 million across eight shows, setting a new high water mark for the August Wilson Theatre.

In February, Michele opened up once again about the claims that have gone viral in recent years about her bullying others on the set of Glee, and how the backlash affected her perspective going into Funny Girl. “What I told myself stepping into Funny Girl was, ‘If I can’t take my role as a leader offstage as important as my role as a leader onstage, then I shouldn’t do this show,’” she told playwright Jeremy O. Harris for Interview Magazine.

Watch Michele’s Instagram Story before it disappears here.

Hailee Steinfeld to Release New Single ‘Sun Kissing’: Here’s When It Arrives

A new Hailee Steinfeld era is incoming. The singer/actress shared a teaser photo to her Instagram on Wednesday (March 22) of what fans can expect from her new music, and spoiler: It feels very beachy.

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The post in question features a yellow saturated photo of the 26-year-old staring straight into the camera, hair, eyebrows and both sides of her face falling into a dreamy soft focus, with the word “Sun Kissing” — the song title — positioned directly underneath her face.

Fans thankfully won’t have to wait too long for the track to be released, as she shared the details regarding its arrival in the caption: “TOMORROW (March 23) 9 PST,” she wrote, along with several flaming heart emojis.

“Sun Kissing” will serve as the follow-up to Steinfeld’s 2022 track “Coast,” which features Silk Sonic’s Anderson .Paak.

Speaking with Grammy.com, the singer explained that her forthcoming music was the first time she “was able to create this whole universe, which I’ve never been able to do with my music. In a way, with the music working so well simultaneously to my acting, I’ve had these singles that have come out over time. This is really the first time I’ve been able to build a proper world that I cannot wait for. Everybody’s getting a little taste of it with “Coast,” but there’s so much more where that came from.”

See the cover art for Steinfeld’s forthcoming new single “Sun Kissing” in the photo below.

Cardi B’s ‘Knee Already Broke’ Thinking of Re-Creating This Iconic Michael & Janet Jackson Music Video

Sure, Cardi B shows off her impressive dance moves and twerking skills in music videos like “Up,” but she admits that her talents do have some limitations.

The rapper took to Twitter on Wednesday (March 22) to respond to a fan who suggested that she and her husband Offset recreate the high-energy dance breakdown in Michael and Janet Jackson’s 1995 hit, “Scream.”

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“Offset YES…..Me? …..my knee already broke,” Cardi jokingly replied, retweeting the video.

It’s been an exciting year for Cardi, who recently released a personalized Valentine’s-ready McDonald’s meal with the Migos rapper, featuring Quarter Pounder with cheese, a cheeseburger, side of BBQ sauce, a large fry and apple pie to share, and two large drinks.

Along with the McDonald’s meal, Cardi and Offset also released a full merch collection filled with T-shirts, hoodies, booty shorts and beanies emblazoned with plenty of puns (“nice buns”), signature catchphrases (Cardi’s famous “ok uu rr rr rr”) and more.

In February, Cardi surprised an ecstatic crowd as a special guest at GloRilla’s New York City concert, where the pair teamed up to perform their hit collab “Tomorrow 2,” just weeks after the former and her husband dazzled with a pre-Super Bowl set in Arizona attended by Serena Williams, Tiffany Haddish and more.

Offset Previews New Song With Posthumous Takeoff Verse

Migos fans should be pleased to know that Offset has a new record with Icewear Vezzo and his late bandmate/cousin Takeoff potentially on the way.

Earlier this week, Set teased the trunk-rattling track on his Instagram Stories, which drew elation from fans on social media. The 56-second snippet finds Vezzo and Takeoff exchanging bars before Offset bursts through the song with fiery lines of his own.

The path to Set’s sophomore album has been arduous. Last August, he sued his former label Quality Control to reclaim ownership of his solo material. Then, in November, he lost his cousin Takeoff, who was shot and killed in Houston, further delaying the album. He was also involved in a fistful of skirmishes, including a verbal spat online with J. Prince and allegedly feuding with his Migos bandmate Quavo at this year’s Grammy Awards. 

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Musically, Offset has released several one-off singles to keep fans intrigued. Last August, he released “5 4 3 2 1” before following up with “CODE” featuring MoneyBagg Yo. Offset’s 2019 debut album Father of 4 netted a top-five entry on the Billboard 200 with 89,000 album-equivalent units. The offering also spawned his triple-platinum single “Clout” featuring his wife, Cardi B.

On the posthumous side, this is the latest offering from Takeoff after fans first heard The Last Rocket MC on Metro Boomin’s Heroes and Villians standout “Feel the Fiyaaaah” featuring him and A$AP Rocky.

Listen to the snippet featuring Offset, Takeoff and Vezzo below. 

Wet Leg Leads Nominations for 2023 Libera Awards

A2IM (The American Association of Independent Music, Inc.) announced the nominees for the 2023 Libera Awards on Wednesday (March 22), and Wet Leg leads the pack with six nominations.

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The British indie rock group, led by founders Rhian Teasdale and Hester Chambers, is fresh off their first two Grammy wins, taking home the awards for best alternative music performance and best alternative music album at the 2023 ceremony.

Sudan Archives, Allison Russell, Fontaines D.C. and Soul Glo all have three nominations each at the Libera Awards, which will take place at the historic Town Hall in New York City on June 15. The A2IM is a not-for-profit trade association that represents independent music recording owners and advocates for music owners on a policy level to ensure fair compensation for their work.

“Huge congratulations to all our talented and accomplished nominees for the 12th annual A2IM Libera Awards,” Dr. Richard James Burgess, president and CEO of A2IM, said in a press statement. “The A2IM Libera Awards is the world’s largest award show for the diverse universe of independent music and this year’s event will be the biggest and best to date.”

See the full list of nominations below, and buy tickets to the ceremony here.

Record of the Year

Alvvays – Blue Rev (Polyvinyl Record Co.)
Dry Cleaning – Stumpwork (4AD)
Plains – I Walked With You A Ways (ANTI-)
Soul Glo – Diaspora Problems (Epitaph)
The Smile – A Light for Attracting Attention (XL Recordings)
Wet Leg – Wet Leg (Domino Recording Co.)

Label of the Year (5 or fewer employees)

Don Giovanni Records
Fire Talk
Innovative Leisure
Oh Boy Records
Topshelf Records

Label of the Year (6-14 employees)

Captured Tracks
City Slang
Daptone Records
Glassnote Records
Saddle Creek
Yep Roc Records

Label of the Year (15 or more employees)

ATO Records
Hopeless Records
Merge Records
New West Records
Ninja Tune
Partisan Records
Sub Pop Records
Third Man Records
Warp Records

A2IM Humanitarian Award

Allison Russell
Björk
Hopeless Records
Killer Mike
Margo Price
Tegan and Sara

Independent Champion

Aaron Axelsen
Bandcamp
FUGA
Redeye
Secretly Distribution
TuneCore

Video of the Year presented by YouTube Music

Amanda Shires – Hawk For The Dove (ATO Records)
Fontaines D.C. – Jackie Down The Line (Partisan Records)
JayWood – Thank You (Captured Tracks)
NoSo – Parasites (Partisan Records)
Wet Leg – Ur Mum (Domino Recording Co.)
Yeah Yeah Yeahs – Spitting Off the Edge of the World (Secretly Canadian)

Breakthrough Artist/Release

Allison Russell (Fantasy Records)
Charlotte Sands (CS Records/Lakeside)
Soul Glo (Epitaph)
Sudan Archives (Stones Throw Records)
The Linda Lindas (Epitaph)

Best Alternative Rock Record

Alvvays – Blue Rev (Polyvinyl Record Co.)
Dry Cleaning – Stumpwork (4AD)
Mitski – Laurel Hell (Dead Oceans)
Nilüfer Yanya – Painless (ATO Records)
Wet Leg – Wet Leg (Domino Recording Co.)

Best American Roots Record

49 Winchester – Fortune Favors the Bold (New West Records)
Angel Olsen – Big Time (Jagjaguwar)
Calexico – El Mirador (ANTI-)
Charley Crockett – The Man From Waco (Son of Davy/Thirty Tigers)
Kevin Morby – This Is A Photograph (Dead Oceans)
Nikki Lane – Denim & Diamonds (New West Records)

Best Blues Record

Ben Harper – Bloodline Maintenance (Chrysalis)
Delbert McClinton – Outdated Emotion (Hot Shot Records/Thirty Tigers)
North Mississippi Allstars – Set Sail (New West Records)
Shemekia Copeland – Done Come Too Far (Alligator Records)
G. Love – Philadelphia Mississippi (Philadelphonic Records/Thirty Tigers)
John Mayall – The Sun Is Shining Down (Forty Below Records)

Best Classical Record

Dawn Richard & Spencer Zahn – Pigments (Merge Records)
Deru – We Will Live On (Friends of Friends)
doeke – memorie (Nettwerk Music Group)
James Heather – Invisible Forces (Ahead Of Our Time)
Jonas Colstrup – At the Crest (!7K Records)
Sean Shibe – Lost & Found (Pentatone)

Best Country Record

Colter Wall – Cypress Hills and the Big Country (La Honda Records/Thirty Tigers)
Dolly Parton – Run, Rose, Run (Butterfly Records)
Joshua Hedley – Neon Blue (New West Records)
Lavender Country – Blackberry Rose (Don Giovanni Records)
Margo Price – Change of Heart (Loma Vista Recordings)
Plains – I Walked With You A Ways (ANTI-)
Steve Earle and The Dukes – JERRY JEFF (New West Records)

Best Dance Record

Bicep – Water (Ninja Tune)
Jungle – GOOD TIMES / PROBLEMZ (AWAL)
Kelela – Happy Ending (Warp Records)
Logic1000 – Can’t Stop Thinking About (Therapy/Because Music)
Romy feat. Fred Again… – Strong (Young)
Theo Parrish – DJ-Kicks (!K7 Records)

Best Electronic Record presented by Ingrooves

Bonobo – Fragments (Ninja Tune)
Charlotte Adigéry & Bolis Pupul – Topical Dancer (DEEWEE/Because Music)
Jockstrap – I Love You Jennifer B (Rough Trade Records)
Kaitlyn Aurelia Smith – Let’s Turn It Into Sound (Ghostly International)
ODESZA – The Last Goodbye (Ninja Tune/Foreign Family Collective)
Shygirl – Nymph (Because Music)
Sylvan Esso – No Rules Sandy (Loma Vista Recordings)

Best Folk Record

Aoife O’Donovan – Age of Apathy (Yep Roc Records)
Big Thief – Dragon New Warm Mountain I Believe In You (4AD)
Christian Lee Hutson – Quitters (ANTI-)
Julia Jacklin – PRE PLEASURE (Polyvinyl Record Co.)
Skullcrusher – Quiet The Room (Secretly Canadian)

Best Global Record presented by Redeye Worldwide

Dungen – En Är För Mycket och Tusen Aldrig Nog (Mexican Summer)
Ibibio Sound Machine – Electricity (Merge Records)
Los Bitchos – Let the Festivities Begin! (City Slang)
Mdou Moctar – Afrique Refait (Matador Records)
Rodrigo y Gabriela – Weird Fishes/Arpeggi (ATO Records)
Tinariwen – Kel Tinariwen (Wedge)
Vieux Farka Touré et Khruangbin – Ali (Dead Oceans)

Best Heavy Record

Bad Omens – The Death of Peace of Mind (Sumerian Records)
Beartooth – Riptide (Red Bull Records)
black midi – Hellfire (Rough Trade Records)
Russian Circles – Gnosis (Sargent House)
Show Me The Body – Trouble The Water (Loma Vista Recordings)
Soul Glo – Diaspora Problems (Epitaph)

Best Hip-Hop/Rap Record presented by Virgin Music

Danger Mouse & Black Thought – Cheat Codes (BMG)
Denzel Curry – Melt My Eyez See My Future (Loma Vista Recordings)
Kenny Beats – LOUIE (XL Recordings)
Run The Jewels – RTJ CU4TRO (BMG)
Saba – Few Good Things (Pivot Gang LLC)
Sampa The Great – As Above, So Below (Loma Vista Recordings)

Best Jazz Record

Ezra Collective – Where I’m Meant To Be (Partisan Records)
Kamasi Washington – The Garden Path (Young)
Leland Whitty – Anyhow (Innovative Leisure)
Sun Ra Arkestra – Living Sky (Omni Sound)
Terri Lyne Carrington, Kris Davis, Linda May Han Oh, Nicholas Payton, Matthew Stevens – new STANDARDS Vol. 1 (Candid Records)

Best Latin Record

Adrian Quesada – Boleros Psicodélicos (ATO Records)
Combo Chimbita – IRE (ANTI-)
Eliane Elias – Quietude (Candid Records)
Flora Purim – If You Will (STRUT Records)
Helado Negro – Ya No Astoy Aquí (4AD)
Sessa – Estrela Acesa (Mexican Summer)
Silvana Estrada – Marchita (Glassnote Records)

Best Live/Livestream Act

Bartees Strange – Live at the Getty (4AD)
Black Pumas – Colors Live at Abbey Road Studios (ATO Records)
IDLES – Live on ‘From The Basement’ (Partisan Records)
King Gizzard & the Lizard Wizard – King Gizzard & the Lizard Wizard at Red Rocks (KGLW)
Low – Live (Sub Pop Records)
Phoebe Bridgers – Glastonbury 2022 (Dead Oceans)
Wet Leg – US 2022 tour (Domino Recording Co.)

Best Outlier Record

Animal Collective – Time Skiffs (Domino Recording Co.)
Matisyahu – Matisyahu (Fallen Sparks Records/Thirty Tigers)
Moor Mother – Jazz Codes (ANTI-)
Nick Hakim – COMETA (ATO Records)
NNAMDÏ – Please Have A Seat (Secretly Canadian/Sooper Records)
yeule – Glitch Princess (Bayonet Records)

Best Pop Record

Björk – Fossora (One Little Independent/MRI)
Let’s Eat Grandma – Two Ribbons (Transgressive Records)
Lucius – Second Nature (Mom + Pop Music)
MUNA – MUNA (Saddest Factory Records)
NoSo – Stay Proud of Me (Partisan Records)
Rina Sawayama – Hold The Girl (Dirty Hit)
Tegan and Sara – Crybaby (Mom + Pop Music)

Best Punk Record

Big Joanie – Back Home (Kill Rock Stars)
Special Interest – Endure (Rough Trade Records)
The Linda Lindas – Growing Up (Epitaph)
The Wonder Years – The Hum Goes On Forever (Hopeless Records)
Wu-Lu – LOGGERHEAD (Warp Records)

Best R&B Record

Bettye LaVette – Let Me Down Easy: Bettye LaVette In Memphis Sun Records 70th / Remastered 2022 (Sun Label Group, LLC)
Khruangbin & Leon Bridges – Texas Moon (Dead Oceans)
Sudan Archives – Natural Brown Prom Queen (Stones Throw Records)
Thee Sacred Souls – Thee Sacred Souls (Daptone Records)
Yaya Bey – Remember Your North Star (Big Dada/Ninja Tune)

Best Re-Issue

Bon Iver – Bon Iver, 10th Anniversary Edition (Jagjaguwar)
Fela Kuti – Fela with Ginger Baker Live! (Partisan Records)
Karen Dalton – In My Own Time, 50th Anniversary Edition (Light In The Attic Records)
Lou Reed – Words & Music, May 1965, Deluxe Edition (Light In The Attic Records)
Nancy Sinatra – Nancy & Lee (Light In The Attic Records)
Neko Case – Wild Creatures (ANTI-)
Ray Charles – A Message From The People (Tangerine Records)

Best Remix

ACRAZE + Tiësto – Do It To It (Tiësto Mix) (Thrive Music)
Bartees Strange – Wretched (keiyaA Remix) (4AD)
Charlotte Adigéry & Bolis Pupul – Cliché (Soulwax Remix) (DEEWEE/Because Music)
Clipping – Nothing Is Safe (remx) (Sub Pop Records)
Hiatus Kaiyote – Get Sun (Georgia Anne Muldrow Remix) (Brainfeeder/Ninja Tune)
Nilüfer Yanya – Midnight Sun (Sampha remix) (ATO Records)
Wet Leg – Too Late Now (Soulwax Remix) (Domino Recording Co.)

Best Rock Record

Built to Spill – When The Wind Forgets Your Name (Sub Pop Records)
Fontaines D.C. – Skinty Fia (Partisan Records)
Jack White – Fear of the Dawn (Third Man Records)
Soccer Mommy – Sometimes, Forever (Loma Vista Recordings)
Spoon – Lucifer On The Sofa (Matador Records)

Best Short-Form Video

Belle And Sebastian – Scooter (Matador Records)
Black Midi – Hellfire TikTok promotion (Rough Trade Records)
Boy Harsher – The Runner (City Slang)
Cigarettes After Sex – Pistol (Partisan Records)
Kenny Beats – LOUIE 001 Instagram vignette series (XL Recordings)
Toro y Moi – MAHAL TikTok series (Dead Oceans)

Best Singer-Songwriter Record

Aldous Harding – Warm Chris (4AD)
Allison Russell Feat. Brandi Carlile – You’re Not Alone (Fantasy Records)
Beth Orton – Weather Alive (Partisan Records)
MJ Lenderman – Boat Songs (Dear Life Records)
Weyes Blood – And in the Darkness, Hearts Aglow (Sub Pop Records)

Best Soul/Funk Record

Lee Fields – Sentimental Fool (Daptone Records)
Ray Charles – Live In Stockholm 1972 (Tangerine Records)
SERATONES – Love & Algorhythms (New West Records)
St. Paul & The Broken Bones – The Alien Coast (ATO Records)
Swamp Dogg – I Need A Job…So I Can Buy More Auto-Tune (Don Giovanni)

Best Spiritual Record

Brent Cobb – And Now, Let’s Turn to Page… (Ol’ Buddy Records/Thirty Tigers)
Israel & New Breed – Worship Anywhere: Live from Camp NewBreed (District 11 Entertainment)
Lecrae – Church Clothes 4 (Reach Records)
Montell Fish – JAMIE (Lord’s Child)
The Harlem Gospel Travelers – Look Up! (Colemine Records)

Self-Released Record of the Year

Echosmith – Cool Kids (our version) (Echosmith)
Jessie Baylin – Jersey Girl (Missing Piece Record/The Orchard)
Rita Wilson – Rita Wilson Now & Forever: Duets (Sing it Loud)
Sarah Davachi – Two Sisters (Late Music)
Totally Enormous Extinct Dinosaurs – When the Lights Go (Nice Age)

Best Sync Usage

Angel Olsen – Go Home, Empire of Light Trailer (Jagjaguwar)
Fela Kuti – Water No Get Enemy, Airbnb (Partisan Records)
Lawrence – Don’t Lose Sight, Microsoft (Beautiful Mind / Lakeside)
Sinéad O’Connor – Drink Before the War, Euphoria (Chrysalis Records)
Stereolab – A Flower Called Nowhere, Atlanta (Warp Records)

Creative Packaging

Black Country, New Road – Ants From Up There, Deluxe (Ninja Tune)
Jack White – 2022 Collectors’ Set (Third Man Records)
Lou Reed – Words & Music, May 1965, Deluxe Edition (Light In The Attic Records)
Mitski – Laurel Hell (Dead Oceans)
My Morning Jacket – Circuital, Deluxe Edition (ATO Records)
Sleep – Dopesmoker, Weedian High-Fi Edition (Third Man Records)

Marketing Genius

Fontaines D.C. – Skinty Fia (Partisan Records)
Ghost – IMPERA (Loma Vista Recordings)
Sudan Archives – Natural Brown Prom Queen (Stones Throw Records)
Wet Leg – Wet Leg (Domino Recording Co.)
Yeah Yeah Yeahs – Cool It Down (Secretly Canadian)