Music
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The devastation left behind by the horrific wildfires in Los Angeles has drawn an outpouring of support, especially from the music community. Between the FireAid concerts at Inglewood, California’s Intuit Dome and Kia Forum (Jan. 30) — featuring a rainbow of stars from Billie Eilish to Stevie Wonder — and the Grammy telecast (Feb. 2), more than $100 million in relief funds has been raised.
Just as important, however, are the boots-on-the-ground efforts like that of local rap legend The Game, who recently visited Altadena, California, as Billboard News tagged along. Ravaged by the Hurst Fire that burned more than 500 acres, the generational community boasts a rich Black cultural legacy given that Altadena was one of the first L.A. areas that openly welcomed Black home ownership. Billboard News was there when The Game, a native of Compton, California, headed to Altadena to talk — and dole out hugs — to first responders, local high school coaches, federal credit union members and more about their survival stories.
“This is some serious … It’s serious business, man,” The Game says to a pair of firefighters while visiting their station house. “After this experience, now, when I hear a fire truck coming down the street, I’m pulling over and I’m not annoyed because usually it’s like ‘argh, I got to pull over.’ My hat’s on, but it’s off to you guys, man.”
The Game also spoke with coaches from several high schools — Maranatha, South Pasadena, Pasadena and John Muir — who shared moving stories about losses they suffered, as well as their students, while encouraging residents to rebuild and not leave. “This was a predominantly African-American neighborhood,” DeAnthony Langston tells The Game. “Just to see this is terrible, man; you coming out says a lot.”
Watch “Community Stories With The Game,” and to donate to Altadena’s wildfire relief fund, visit here.
Los Angeles Celtic punk band Flogging Molly have been forced to cancel all of their 2025 tour dates due to health issues faced by frontman Dave King.
The band shared the news on social media, alerting fans that Flogging Molly will be unable to headline their own Salty Dog Cruise, which launches on Feb. 17 as a five-night trip from Port of Miami to Grand Cayman and Ocho Rios, Jamaica.
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“Our fearless leader, the inimitable Dave King, is currently battling a very serious health condition,” the group wrote. “Dave and Bridget ask everyone to respect their privacy at this time, we will share as we can. Any good thoughts or prayers you can send Dave’s way, he and we would appreciate it.
“Unfortunately Flogging Molly will be unable to perform shows in 2025. With the Salty Dog Cruise 12 days away, the boat will sail as planned with 18 bands, and members of Flogging Molly, on board to celebrate the cruise, the community and our captain, Dave King.”
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Currently no further details in regard to King’s condition have been made available. Flogging Molly’s 2025 tour itinerary was expected to kick off in earnest on Feb. 24 following their cruise, with dates in the U.S. scheduled across February and March, and shows throughout Europe and Canada planned across June, July, and August.
The Irish-born King formed Flogging Molly in 1994 after years spent as a musician in the U.K. Rising to fame as the vocalist for Fastway alongside ex-Motörhead guitarist “Fast” Eddie Clarke, King briefly performed with former Krokus guitarist Mandy Meyer in Katmandu before navigating his way out of a record contract with Epic Records to found Flogging Molly in Los Angeles.
The band released their first album in 2000, with 2008’s Float becoming their most successful to date – peaking at No. 4 on the Billboard 200. The most recent studio album, Anthem, was released in 2022 and became the first in their career not chart.
Irv Gotti — who co-founded the hitmaking Murder Inc. Records label and helped make early 2000s superstars out of Ja Rule and Ashanti — has died after suffering a stroke, The Hollywood Reporter confirmed. He was 54 years old. Alongside brother Chris, Irv Gotti (born Domingo Lorenzo Jr.) launched Murder Inc. in 1998 as an […]
Imagine Dragons fans will be on top of the world March 26 and 29 when Imagine Dragons: Live From the Hollywood Bowl (with the LA Film Orchestra) comes to theaters around the globe through Trafalgar Releasing. Filmed in October 2024, the nearly two-hour concert film captures the final night of the Grammy-winning rock group’s four-night […]
Cam’ron and LiAngelo Ball are still going at it.
The rapper-turned-sports commentator recently shot back at the basketball player-turned-rapper after Ball told Complex‘s Speedy Morman that he’s a better rapper and basketball player than Cam’ron.
“I think I rap colder than him. Basketball? Colder than them n—as,” Ball boasted. “I’m not over here like, ‘Dang, he said I can’t do this.’ I knew this sh– was coming. I just be keeping it cool.”
He then tried to soften the slight, saying, “Other people gonna [disagree], that’s their legend. I’m not disrespecting him. … I’m feeling like I’m up there with my music.”
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“I’ve never seen a basketball player-slash-rapper whatever with CTE,” Cam’ron said on his sports show It Is What It Is. When asked by his co-host Ma$e to “elaborate,” Cam answered, “There’s no other way to explain his comments. I’ve never seen it before. I thought it was a boxing or football thing, but obviously rappers-slash-basketball players can get it too.”
Cam continued to reference Ball’s sitdown with Morman as he tried to explain that he and Ma$e never mentioned anything about his rapping ability when talking about his professional basketball career during an earlier episode around the time his song “Tweaker” was going viral.
“In the interview he said, ‘N—as be talking about me’ — I guess he’s referring to us. He was like, ‘I knew I had this coming down the pipeline,” Killa began to clarify. “First of all, We didn’t know you rapped like that. Whatever. Why do n—as keep moving the goalpost? We said you’re not a professional basketball player. I don’t understand how n—as keep switching. I never said he couldn’t rap. I didn’t even know he did rap. And we can tell how quickly he switched his occupation.”
He then brought up Gelo saying that he’s a better basketball player than Cam, who played varsity ball in high school alongside Ma$e at Manhattan Center back in the early ’90s. “N—as be forgetting how old [we are],” he said. “I look good, I’m in shape, I’m fly [but] I’m older than Tim Duncan, I’m older than Kevin Garnett. This is how old I am. I just look good, man. F— I look like running a full?”
Adding, “Now, if you want me to put some money up on some n—a that I think could beat you that didn’t even go to college, I got a bunch of them n—as. N—as talking ’bout, ‘Killa, take the one-on-one with Gelo.’ N—a, I’m 48 years old! What the f— do I look like playing a n—a one-one-one?”
You can watch the clip below.
As Kelsea Ballerini stepped into her new role as a coach on The Voice for its new season on Feb. 3, she got a sweet note of encouragement from the previous artist to fill that seat on The Voice–her fellow country artist Reba McEntire. Explore See latest videos, charts and news See latest videos, charts […]
Following the release of Lady Gaga‘s new single “Abracadabra,” stars such as Halsey, Doja Cat and more have taken to social media to share their love of the track. Via Instagram Stories on Wednesday (Feb. 5), Halsey shared a snippet from Mother Monster’s dance-filled “Abracadabra” music video — which premiered three days prior, during the […]
DJ Khaled‘s album rollout appears to have hit a bit of a snag. On Tuesday afternoon (Feb. 4), the Miami producer took to social media to drop a seven-minute action flick starring Mark Wahlberg and Anthony Ramos. In the caption, he mentions that Drake is back to work and that the Toronto rapper contributed two […]
On the one-year anniversary of the death of Country Music Hall of Famer Toby Keith, his daughter Krystal Keith is paying tribute to her late father. “It feels like yesterday we said goodbye and yet it somehow has also been the longest year without him,” Keith wrote on her Instagram page, captioning a carousel of […]
Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip.
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This week: The Grammys make big winners on streaming out of both long-established legends and rising stars, while Fetty Wap scores his biggest hit in a decade with a song from a decade ago and Severance dips its toes into big rock synchs.
Biggest Grammys Gainers: ‘Cowboy Carter,’ ‘Von Dutch’ and All Things Doechii
The 67th Annual Grammy Awards ended with history being made: Beyoncé at long last won the album of the year award, as her country crossover Cowboy Carter finally earned the most Grammy-nominated and Grammy-winning artist in history the top prize of the ceremony. The magnitude of that victory is still being put into context days later, but one thing was for certain: Cowboy Carter was going to see a major uptick in streaming activity immediately after the Grammys, with unfamiliar viewers perusing the album and longtime fans revisiting it nearly a year after its release.
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On Jan. 26, the Monday before the Grammys, Cowboy Carter earned 1.07 million U.S. on-demand audio streams, according to Luminate. On the Monday after the Grammys (Feb. 3), however, that daily total shot to 7.50 million — a 595% increase. As for the rest of the Big Four, Kendrick Lamar’s “Not Like Us” was up 74% in daily streams (from 1.37 million on Jan. 26 to 2.4 million on Feb. 3) following its wins for record of the year and song of the year, while Chappell Roan’s catalog rose 50% (from 5.96 million streams on Jan. 26 to 8.99 million streams on Feb. 3) thanks in part to her best new artist victory.
Roan’s “Pink Pony Club” — which received a brightly colored, rodeo clown-filled performance showcase — naturally earned an even bigger bump, rising 109% (851,000 daily streams to 1.77 million) during that span. Other notable gainers thanks to performances included Charli XCX’s “Von Dutch,” which zoomed from 183,000 daily streams to 423,000 (up 130%) following her raucous performance to close out the ceremony; Raye’s “Oscar Winning Tears,” which jumped from 216,000 daily streams to 334,000 (up 54%) thanks to the British artist’s vocal pyrotechnics, and Doechii’s eye-popping medley, which constituted the best performance of the ceremony, helped “Catfish” leap from 210,000 daily streams to 658,000 (up 213%) and “Denial is a River” move from 1.08 million daily streams to 2.08 million (up 93%).
In addition to her performance, Doechii also delivered a moving acceptance speech following her win for best rap album with Alligator Bites Never Heal — a breakthrough moment, which helped her entire catalog soar from 2.84 million daily streams to 8.01 million (up 182%). – JASON LIPSHUTZ
Fetty Wap Is Hot ‘Again’ Thanks to Slightly Confusing Viral Trend
10 years after the New Jersey rapper took the world by storm with hits like “Trap Queen,” “My Way” and “679,” Fetty Wap is hot again – and the conversation is all around his aptly titled 2015 Billboard Hot 100 top 40 hit “Again” (No. 33).
Centered around the phrase “blasting Fetty Wap on the JBL speaker,” the joke of the meme is playing he rapper’s songs at particularly inappropriate moments via the JBL. At the top of the new year (Jan. 9), one user used “Again” in a video captioned “How do you think the pilgrims would react if I pulled up to the Mayflower with my JBL speaker and introduced them to Fetty Wap?”; that post currently has over 3.6 million views and a reply from the official History Channel TikTok account. More history–minded posts followed, and near the end of the month (Jan. 24), the trend evolved past historical settings. One user used the official “Again” sound to make a World War III quip, while another used it to make a joke about blasting the track at a friend’s funeral.
According to Luminate, “Again” earned over 4.77 million official on-demand U.S. streams last week (Jan. 24-30). That’s a 265% increase in streaming activity from the 1.3 millin streams it pulled the week prior (Jan. 17-23). Last weekend (Jan. 24-27), the song posted a 387% jump to 6.69 million streams versus the 1.37 million it logged the weekend prior (Jan. 31-Feb. 3). Currently, the official “Again” sound boasts over 250,000 posts. Fetty Wap may unfortunately still be incarcerated, but clearly a comeback isn’t entirely out of the question. — KYLE DENIS
The Who and Stone Roses Jams Get ‘Severance’ Bump
The first season and a quarter of Apple TV’s sci-fi workplace drama Severance has been relatively light on high-profile synchs – but thank Kier, the show is starting to break out the big guns midway through its second season. The third episode of Season Two, “Who Is Alive?,” is bookended with a pair of songs used in big spots: The Stone Roses’ mid-’90s alt-rock hit “Love Spreads” soundtracks a road journey for the (maybe?) villainous Ms. Cobel (Patricia Arquette) to start the show, while the ep ends with The Who’s early-’80s AOR staple “Eminence Front” punctuating a breakthrough moment for protagonist Mark S (Adam Scott).
The synchs haven’t resulted in Stranger Things-sized gains yet for the songs in question, but both saw big bumps following their S2E03 appearance in the hit show. “Love Spreads” racked up a combined 33,000 U.S. on-demand audio streams over the first four days of this tracking week – with the episode premiering on the first day, Friday (Feb. 20) – a gain of 78% over the same period the week prior, according to Luminate. “Eminence Front” was also up 27% to 326,000 over the same time span, while the two songs combined to sell nearly 400 copies after selling under 100 the week before. If Severance keeps up with the inspired synch choices, maybe it’ll be producing legitimately viral hits by the time Mark completes the Cold Harbor project. – ANDREW UNTERBERGER
Yung Bredda Heats Up the Winter with Soca Smash
Between Machel Monatano’s historic NPR Tiny desk set and Yung Bredda’s infectious new hit, soca is having a beautiful start to 2025. Trinidadian soca star Yung Bredda’s “The Greatest Bend Over” — a sweet ode to the woman with “di wickedest bend over” — arrived late last year on Full Blown’s “Big Links” riddim (Dec. 2). The song has quickly become one of the most dominant current hits across the Caribbean with carnival season still to come. Soca is a bit more of a nice genre in the U.S., but “The Greatest Bend Over” is still finding some traction.
During the period of Dec. 13-19, Yung Bredda’s track earned just over 35,000 official on-demand U.S. streams. A little over a month later (Jan. 24-30), the song’s streaming exploded by a whopping 940% to over 367,000 streams. On TikTok, the song’s official sound plays in over 34,400 posts – a number that’s sure to grow as the song continues to enchant different parts of the globe.
Vybz Kartel’s comeback may be giving dancehall all the airtime, but pay attention to the soca scene too! — KD