Music

07 Apr 2023

Kelly Clarkson Is Way Better Than Good on Powerhouse Preview of ‘Chemistry’ Track ‘Me’

Kelly Clarkson‘s upcoming Chemistry album is shaping up to be a divorce LP for the ages. After previously dropping a preview of the upcoming collection’s first single, “Mine,” Clarkson offered up another tantalizing breadcrumb on Friday (April 7) with a 30-second clip of the emotional ballad “Me.”

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The a cappella sneak peek is classic Kelly, her powerhouse voice unadorned as she opens up about taking care of business on her own, thank you very much. “I don’t need somebody to hold me/ Don’t need somebody to love me/ Don’t need somebody to pick these pieces up,” she wails.

“I put together my broken/ Let go of the pain I’ve been holdin’/ Don’t need to need somebody,” she declares forcefully, dragging out the second syllable of the final word before adding the ice-cold self-reliance coda, “When I got me.”

“Mine” is due out on April 14, while the release date for Chemistry has not yet been revealed. The upcoming collection will be Clarkson’s first original studio album of non-holiday music since 2017’s Meaning of Life; during that time she also released her second holiday song collection, 2021’s When Christmas Comes Again… and a 2022 Kellyoke EP.

“I’ve been working on this project for close to three years now. I wasn’t sure I was going to release it, but I am,” she said announcing the new album on her socials in late March. “This album is definitely the arc of an entire relationship. That whole relationship shouldn’t be brought down to one thing. There’s the good, the bad and the ugly kind of thing going on. Chemistry can be a really amazing, sexy, cool, fun thing, but it can also be very bad for you. So that’s why I named it Chemistry.”

Check out Clarkson’s tweet below.

07 Apr 2023

BLACKPINK Is Joining James Corden for One of the Last Ever Carpool Karaokes on ‘Late Late Show’

BLACKPINK is set to be one of the final three acts for The Late Late Show With James Corden‘s popular “Carpool Karaoke” segment ahead of the end of the show’s run, CBS announced on Friday (April 7).

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The piece will air in one of the late-night show’s final 12 episodes, which will conclude April 27. The other two musical guests rounding out the trio of “Carpool Karaoke” farewells have not yet been announced, but other confirmed segments include a “Take a Break” segment featuring the Kardashian family and a “Crosswalk the Musical” performance.

The K-pop girl group has previously appeared on Corden’s show over the course of its eight years on CBS. In 2019, Jennie, Jisoo, Lisa and Rosé performed their 2019 single “Kill This Love” and partook in a game of “Flinch,” all four of them good sports as the late-night host shot exploding fruit at their faces.

Also booked to make appearances on The Late Late Show‘s remaining episodes are Ben Affleck, Bryan Cranston, Tom Cruise, Josh Gad, Jennifer Garner, Brett Goldstein, Kate Hudson, Mila Kunis, Seth Meyers, Billy Porter and Sharon Stone. Plus, Allison Janney will celebrate having the most guest appearances on the program, with 15 prior visits.

Corden first announced his plans to leave the show last year, admitting in a monologue that it was the “hardest decision” he’d ever had to make.

“When I started this journey, it was always going to be just that. It was going to be a journey, an adventure,” he said at the time. “I never saw it as my final destination, you know? And I never want this show to overstay its welcome in any way. I always want to love making it. And I really think in a year from now that will be a good time to move on and see what else might be out there.”

The Late Late Show With James Corden airs weeknights at 12:37 a.m. ET/PT on CBS.

07 Apr 2023

Miley Cyrus’ ‘Flowers’ Scores Rare Triple Triumph on Pop, Adult Airplay Charts

Miley Cyrus’ “Flowers” has grown into a rare concurrent multi-format No. 1 on Billboard’s pop and adult airplay charts, as it crowns the Pop Airplay, Adult Pop Airplay and Adult Contemporary surveys dated April 15.

The song, released on Smiley Miley/Columbia Records, tops the mainstream top 40-based Pop Airplay chart for an eighth week, the adult top 40-fueled Adult Pop Airplay ranking for a seventh frame and AC for the first time. It became Cyrus’ third No. 1 on Pop Airplay and her first on Adult Pop Airplay, and now marks her second leader on AC, after “The Climb” reigned for 15 weeks in 2009.

“Flowers” becomes just the seventh song to have led Pop Airplay, Adult Pop Airplay and AC concurrently in the 27 years that the three charts have coexisted. (AC launched in July 1961; Pop Airplay in October 1992; and Adult Pop Airplay in March 1996.)

Here’s a look at the select seven songs popular enough across all three formats at the same time to rank at No. 1 on the three charts simultaneously. “Flowers” is the first since Adele’s “Easy on Me” last year, and the second in a row on Columbia, which has promoted four of the seven such hits, including three by Adele.

  • “Flowers,” Miley Cyrus, one week (to-date), 2023
  • “Easy on Me,” Adele, three weeks, 2022
  • “Thinking Out Loud,” Ed Sheeran, one week, 2015
  • “Hello,” Adele, four weeks, 2015
  • “Stay With Me,” Sam Smith, one week, 2014
  • “Rolling in the Deep,” Adele, two weeks, 2011
  • “Because You Loved Me,” Celine Dion, five weeks, 1996

“Flowers” is from Cyrus’ new album, Endless Summer Vacation, which debuted at its No. 3 best on the Billboard 200 albums chart dated March 25, marking her 14th top 10. The set’s newest radio hit, “River,” rises to No. 19 on Adult Pop Airplay and No. 20 on Pop Airplay.

All charts dated April 15 will update on Billboard.com Tuesday, April 11.

07 Apr 2023

Gordo Spent $100K to Build a School in His Native Guatemala: ‘I Feel Lucky to Be Able to Give Back to the Countries That Raised Me’

Gordo‘s tour schedule makes him a citizen of the world, but his roots are in Guatemala.

The producer’s mother and grandmother were undocumented immigrants who came to the U.S. from the Central American country before he was born. The pair were detained and separated at the Texan border before making their way to Washington, D.C., where Gordo was born Diamanté Blackmon in 1991. The trio soon thereafter returned to Guatemala, where Blackmon spent most of his childhood.

Now the producer is giving kids in the country a jump on life by funding an elementary school near Guatemala City. This school, Edificio Taraka, is the third he’s helped build in Central America, with the first two in Nicaragua. The project was completed in collaboration with Seeds Of Learning, a Nicaragua-based non-profit launched in the late ’80s after the Nicaraguan civil war, and with whom Blackmon has had a decade-long partnership.

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Edificio Taraka


Edificio Taraka

Courtesy of Edificio Taraka

“As someone who considers himself to have lived the American dream,” Blackmon tells Billboard, “I really do not take anything for granted, and want to give back more than take in. My grandmother risked everything to get to this country and I just try to make her proud.” (Blackmon’s grandmother now resides in a house in Hawaii he bought for her, and where he also lives while not on tour.)

His $100,000 donation to Edificio Taraka has covered the cost of construction, staffing and learning materials. But, he says, these efforts are just the beginning of his work with the school, and that together, the Taraka team is working on an athletic program, a stage for school recitals, a meal program and naturally, music classes, “even,” he says, “if it’s a basic piano lesson.” The school will also teach English, a particularly meaningful lesson plan for Blackmon.

Edificio Taraka

Edificio Taraka

Courtesy of Edificio Taraka

“English is my second language and adapting to the United States school system was very difficult for me,” he says. “Personally I love that these kids in Guatemala will have the chance to learn English.”

As the producer has recently transitioned out of the longstanding Carnage project that made him an electronic world star into his house- and techno-focused project Gordo, so, too, is he also intending to expand “my time and money across education, immigration and music.” 

“Most people don’t know this side of me,” he says, “but I am looking forward to shedding light on a variety of philanthropic initiatives this year.”

On the music front, Gordo also announced on Friday (April 7) his new Las Vegas residency across the Strip’s Tao Group properties, Hakkasan, Marquee and Tao Beach. This seven-date residency launches on April 30 and extends through October.

Edificio Taraka

Edificio Taraka

Courtesy of Edificio Taraka

07 Apr 2023

New Music Latin: Listen to Releases From Yahritza y Su Esencia & Grupo Frontera, Peso Pluma & Blessd and More

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.

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Yahritza y Su Esencia & Grupo Frontera, “Frágil” (Lumbre Music/Columbia Records)

In a first collaborative effort, Yahritza y Su Esencia and Grupo Frontera release “Frágil,” a captivating norteño track charged with unanswered questions, soul, and emotion. “Sorry, I don’t know the reason and I put my heart where I shouldn’t have/ I didn’t see the sign,” Yahritza starts off, backed by weeping guitars. “It was I who got their hopes up and though it didn’t work out, I gave you my life,” responds Payo in the first 28 seconds.

The track then transitions into a hard-hitting norteño and cumbia fusion — a sound that’s become signature to Frontera but new for the siblings’ group that’s known for their sad sierreño style. Notably are the heartfelt lyrics about having a fragile heart and not knowing how to handle a breakup. “Why don’t I have a heart like that?/ Like the one they gave you because the one I have is fragile, that’s why you easily broke it,” chants the 16-year-old singer-songwriter. “Frágil” comes with a simple yet special music video featuring both acts. — JESSICA ROIZ

Cazzu & Young Miko, “Brinca” (Rimas Entertainment)

Cazzu’s “Brinca” immerses onlookers into the abstract world of Nena Trampa, her Latin drill-driven odyssey. Brimming with equal parts danger and seduction, the Argentine femme fatal teams with Puerto Rican rapper Young Miko, and the incendiary pair presume to unleash their inner beast. They trade verses, play with gender roles, and boast of their malignant side with plenty of intrigue: “Furious, fugitive, bad girl, possessive/ I dedicated “Diva” to her so she can live it alone/ A gangster nena, she’s always screwing with thugs/ She knows it doesn’t suit her and now she likes singers,” spits Cazzu against the ravenous trap beat of Argentine beatmaker Nico Cotton. Meanwhile, Young Miko never lets her guard down as she displays her sly and flirtatious banter, making “Brinca” a highly provocative song for a night out of debauchery. — ISABELA RAYGOZA

Peso Pluma & Blessd, “Las Morras” (Prajina Records/Worms Music/Warner Music Colombia)

For his first venture into the regional Mexican world, Blessd has teamed up with rising corridos star Peso Pluma. The unprecedented collab, “Las Morras,” which loosely translates to “the girls,” is a raw and blunt acoustic-led corrido, essentially about being on top of the world. Adapting his vocals to a deeper-than-usual tone, Blessd matches Peso Pluma’s swaggy attitude not only in the lyrics but in the over-the-top music video — where, clearly, both live a lavish lifestyle.

The new song is a testament to Peso Pluma’s efforts to continue globalizing the genre. Blessd is the second urban artist from Colombia who joins him on a corrido. Ovy on the Drums was the first colombiano to collab with the Mexican artist. “I feel like Mexican Music has come close to really going international, but it hasn’t fully happened yet,” Peso Pluma previously told Billboard. “The regional Mexican artist is emerging — we’re growing within the industry, you can’t deny that anymore.” — GRISELDA FLORES

Pablo Milanés & Juanes, “Día de Luz” (Universal Music Spain)

“Día de Luz” is the first single from the posthumous album by renowned singer-songwriter Pablo Milanés, who passed away in November 2022, a few months after celebrating his 80th birthday and launching this project. The album, which will be released on May 26 under the Universal Music Spain label, is called “Amor y Salsa – 80 Aniversario” and will have collaborations with various Latin artists as a tribute to the legacy of the Cuban troubadour.

For this first song, Milanés joins the unmistakable voice of Juanes to create a pleasant traditional Cuban Son that speaks of a lover’s desire to safeguard the harmony of their relationship in the face of the uncertainty of what may be in the outside world. Juanes’ airy voice creates a refreshing contrast to the Milanés maestro’s age-old tone, as they are harmoniously interrupted by a trumpet that carries its melody as a third voice throughout the song. “May the night envelop you, and may you sleep peacefully. I will watch over your dreams while waiting, perhaps, for another cruel and uncertain day” they express in unison. — LUISA CALLE

JENCARLOS & Yotuel feat. Arturo Sandoval, “Sueño” (Alkatraks Music Group)

JENCARLOS and Yotuel join Arturo Sandoval to sing for the freedom of their homeland of Cuba. “I know that we’re about to meet again/ And build what we have dreamed of/ Wait for me in the same place/ Wait for me that there is little left to hug each other,” go part of the lyrics in Spanish, which also includes the line “Patria y Vida” from Yotuel’s Latin Grammy-winning song of the same name. The moving track comes with a music video that combines images of the artists and others clad in white embracing on the beach. “Dream, that’s my dream/ A dream that is our dream/ A dream of freedom,” the song ends. — SIGAL RATNER-ARIAS

Below, stream Billboard’s New Music Latin playlist, also featuring other recent releases in Latin.

07 Apr 2023

Jessie J Has a Feeling Haters Peeked at Her Arty Pregnancy Pics Before Calling them ‘Inappropriate’

Jessie J had a pointed message for any of the looky-loos who checked out her recent baby bump pics before deeming them too racy. “I just want to remember this feeling forever,” wrote the singer who revealed that she’s expecting her first child in a January post.

“And anyone who has commented ‘inappropriate’ on this post. I bet you zoomed before you commented ?,” she added. The snaps that appeared to offend included one in which the singer sat naked in a bathtub — her hand covering her breasts — in a selfie in which her baby bump is on prominent display in a reflection in the shower valve.

A second shot came from the other angle, with Jessie again showing off her bump and legs in the tub, followed by a video chronicling the baby moving around in her belly and a final snap providing a mirror selfie in which the singer smiles in a sports bra and leggings.

Jessie also got some love in addition to the haterade, including from one commenter who wrote, “they are not photos, they are works of art,” with fellow British singer Paloma Faith adding, “Amazing pics… Welcome to superhero territory.”

Last month J shared a sweet message for her unborn son in a U.K. Mother’s Day post. “Thank you for coming to me. Thank you for trusting me that my body can keep you safe. Thank you for gifting me with the most special experience already so far and with the most important role I will ever play in my entire life,” she captioned an image of her ultrasound in which the unborn baby appeared to be smiling.

“I love you so hard it blows my mind this is real. I’m yours forever my son. I cannot wait to meet you. And see this smile in real life,” she added. She also gave props to her baby boy’s father, basketball player Chanan Safir Colman. “I love your Daddy so much, you wouldn’t be on your way without him,” she wrote. “He is the most patient, calm and good looking man. You are going to LOVE him when you meet him.”

Jessie shared the baby news more than a year after she revealed that she’d suffered a pregnancy loss in November 2021.

Check out Jessie’s pics below.

07 Apr 2023

Paul Cattermole of S Club 7 Dies at 46

S Club 7‘s Paul Cattermole died at his home in Dorset, England, on Thursday (April 6). He was 46 years old.

The singer’s bandmates announced the news on Friday (April 7) via the official S Club 7 social media channels. “We are truly devastated by the passing of our brother Paul,” the other six members wrote alongside a smiling black-and-white photo of Cattermole. “There are no words to describe the deep sadness and loss we all feel. We were so lucky to have had him in our lives and are thankful for the amazing memories we have. He will be so deeply missed by each and every one of us. We ask that you respect the privacy of his family and of the band at this time.”

Cattermole’s death is a devastating loss for the British pop act — whose members also included Rachel Stevens, Hannah Spearritt, Tina Barrett, Jon Lee, Jo O’Meara and Bradley McIntosh — who had just announced in February they’d be reuniting for a 25th anniversary tour of the U.K. and Ireland this fall, including three already sold-out performances at London’s O2 Arena. As of press time, there’s no word on how the singer’s death might affect those plans.

While S Club 7 earned only a single Top 10 hit on the Billboard Hot 100 over the course of their teen pop heyday with 2000’s “Never Had a Dream Come True,” their success was exponentially larger in their native U.K., scoring three top three albums on the Official Albums chart. Additionally, all 13 of their singles peaked within the top five on the U.K.’s Official Singles chart, including four No. 1 hits.

Over the course of the group’s first three studio sets, Cattermole provided lead vocals on fan-favorite album cuts such as “Love Train,” “Good Times” and “Summertime Feeling.” He also dated bandmate Hannah Spearritt — once in 2001 and again briefly in 2015 — with their relationship being written into the band’s TV series Hollywood 7.

Cattermole left the band in 2002 to start the short-lived nu-metal band Skua, while his former bandmates dropped the “7” from their name and continued on for another year as simply S Club before disbanding in June 2003.

For much of the next two decades, Cattermole continued dabbling in his pop roots, joining O’Meara, McIntosh and, eventually, Barrett to form the spinoff group known as S Club 3. In late 2014, he and the other six members officially reunited for their first reunion tour, Bring It All Back 2015. The pop star also struggled financially in the 2010s, even publicly auctioning off two of his BRIT Awards on eBay to keep himself afloat.

Read S Club 7’s tribute to Cattermole below.

07 Apr 2023

Peso Pluma Scores First Global Chart Top 10 With Yng Lvcas Collab ‘La Bebe’

While Miley Cyrus’ “Flowers” continues its rule atop the Billboard Global 200 and Billboard Global Excl. U.S. charts – it’s now up to 10 weeks at No. 1 on each tally – activity throughout the surveys shows a variety of artists making impacts. One of those is Peso Pluma, who blasts into the top 10 of both April 8-dated rankings for the first time.

“La Bebe,” by Yng Lvcas and Peso Pluma, climbs to No. 6 on Global Excl. U.S. and No. 7 on the Global 200. In the week ending March 30, the reggaetón track drew 61 million streams, up 90%, according to Luminate. It’s the first global chart entry for YNG Lvcas. For the latter, it builds upon many months of momentum.

Peso Pluma first reached the global charts with “Siempre Pendientes,” a collaboration with Luis R Conriquez. That song spent three weeks on both lists last September, peaking at No. 155 on Global Excl. U.S. and No. 174 on the Global 200.

The track dropped off both charts seven months ago, but Peso Pluma now counts six songs on each April 8-dated global ranking, none lower than No. 60. And while that haul started just two-and-a-half months ago with the debut of “AMG” with Gabito Ballesteros and Natanel Cano, the best could be yet to come.

Just last week, “Ella Baila Sola” with Eslabon Armando debuted in the top 20 of both charts; it jumps to No. 11 on this week’s Global 200 and No. 12 on Global Excl. U.S. One spot away from becoming his second top 10 in two weeks, rising into either charts’ upper echelon would mark the first time a Mexican act would double-up in the same week.

Further, “El Azul,” Peso Pluma’s collaboration with American producer Junior H, zooms to No. 53 on Global Excl. U.S. and No. 59 on the Global 200. Rising 39 positions on the former chart and 42 on the latter, the song nears each list’s top 40, on track to become Peso Pluma’s sixth title to reach the region.

Peso Pluma has buffed up his global portfolio in 2023 with a wide range of collaborations, but his solo prowess shouldn’t be underestimated. “Por Las Noches” is his first solo chart hit, holding in the top 40 of the Global 200. And even his top 10 duet with Yng Lvcas shows evidence of his contribution to the song’s high rank: “La Bebe” originated as a solo Yng Lvcas track, released in 2021. Picking up momentum at the top of the year, the song hit both global charts, climbing among the lower half of each list last month. The remix featuring Peso Pluma arrived March 17, propelling the song from No. 103 to No. 21, and now to No. 7 on the Global 200, and similarly from No. 74 to No. 6 across two weeks on Global Excl. U.S.

Peso Pluma’s wide-ranging global success can, in part, be attributed to his musical flexibility. Most of his globally charting hits fit the mold of regional Mexican tradition, while “La Bebe,” his first top 10, aligns with reggaetón. Both have become increasingly popular, both globally and in the U.S., where he counts five songs on this week’s domestic-based Billboard Hot 100.

And while reggaetón might first appear to be the more U.S.-friendly genre with its production sharing elements with American pop and hip-hop, it’s one of Peso Pluma’s regional Mexican tracks that leads the way on the Hot 100. “Ella Baila Sola” hangs at No. 31, over “La Bebe” at No. 34. This week, All of his regional Mexican songs skew 27-28% of their worldwide streams from the U.S. and 72-73% international, while “La Bebe” splits 22% U.S. and 78% beyond.

As for Peso Pluma’s global standings, all five of his charting regional Mexican songs rank among the top 10 of Billboard’s Mexico Songs chart, logically enough, but don’t appear on any other Hits of the World tallies. “La Bebe,” however, with its top 10 placement on both global charts, finds itself on rankings for Bolivia, Chile, Colombia, Ecuador and Peru, in addition to its No. 1 status on Mexico Songs.

07 Apr 2023

Labrinth Shares How Mutual Fandom With Billie Eilish Led to Their New Song ‘Never Felt So Alone’

It took more than a year for Labrinth to finally release “Never Felt So Alone,” one of his Euphoria season two standouts originally left off the show’s soundtrack — but it was well worth the wait. That’s because none other than Billie Eilish joined him for the song’s official release, a collaboration the 34-year-old producer revealed has been a long time in the making.

“I’ve been a fan of Billie for a long time,” Lab told Eddie Francis on Apple Music 1’s New Music Daily show in an interview that aired Friday (April 7). “I think she’s an amazing artist. I remember Noah [Cyrus] was doing some of the same shows Billie was in that time, and everybody kept on coming back talking about this Billie Eilish girl.”

“Then I think the first time I heard her on a record was ‘Bury a Friend,” he continued, noting he’d also met Finneas, Eilish’s brother and producer, years beforehand. “And I was just like, ‘This is a sick record.’”

It wasn’t until Lab sent “Never Felt So Alone” to Eilish that he discovered that she’d been a fan of his for just as long as he’d been following her. “Once I started piecing the song together, I was just like, “Do you know what? I think this is the moment where I think Billie would be a sick addition,’” the “Mount Everest” musician said.

“When we spoke, she was like, ‘Lab, I’ve been listening to your music for years.” I was like, ‘What?’ It was like, ‘Billie? What? You?’ She was like, ‘Yeah, been a fan.’ She was like, ‘I love this song as well, so I would love to do it with you.’”

The two artists first started teasing their team-up in the weeks leading up to its Friday release, with Eilish leaving comments on Labrinth’s promotional Instagram posts about the track. A figure that resembled her then appeared in a trippy teaser video for the project.

The clues extend even farther back, though, as the two performed the song together during Labrinth’s guest appearance at Eilish’s December hometown shows at the Kia Forum in Inglewood, Calif.

“That was big for me because I felt like we both get each other musically,” he added of the new collaboration. “It didn’t feel foreign to me, and I love what she’s done on the record.”

Lab also explained why it took so long for “Never Felt So Alone” to be released alongside its fellow soundtrack songs: It had actually been intended for his upcoming album, which he’d sent to Euphoria creator Sam Levinson. “I sent him my album alongside composing music for the show, and they ended up using it on the show,” he recalled. “But I always planned in the future to make it into a song, and I just always loved that hook.”

“Then when it showed up in Euphoria, it just seemed like everybody felt the same way I did, but I always planned to make that into a song,” he added. “I just loved it so much. And I was like, ‘I’m going to turn this thing into something.’ And this was the moment I was just like, ‘I feel like I’m ready to do it.’”

Listen to “Never Felt So Alone” featuring Billie Eilish below:

07 Apr 2023

Illenium & Nina Nesbitt’s Big ‘Little’ Hit Goes to No. 1 on Dance/Mix Show Airplay Chart

Illenium and Nina Nesbitt surge to No. 1 from No. 4 on Billboard’s Dance/Mix Show Airplay chart (dated April 8) with “Luv Me a Little.”

Up 45% in plays March 24-30, as the survey’s Greatest Gainer, the track is drawing core-dance airplay on SiriusXM’s BPM, Music Choice’s Dance/EDM channel and iHeartRadio’s Evolution network, among other outlets, according to Luminate.

The track turns somber source material into a hit. Says Illenium, “This song’s about one-sided relationships and overinvesting in people who don’t give you that love back.”

Illenium, originally from Illinois, notches his fourth Dance/Mix Show Airplay No. 1. Nesbitt, from Scotland, leads the list for the first time.

Illenium’s three previous No. 1s, for a week each, on the chart: “Takeaway,” with The Chainsmokers and featuring Lennon Stella (November 2019); “Nightlight” (November 2020); and “Hearts on Fire,” with Dabin and LIGHTS (April 2021).

“Little” previews Illenium’s self-titled album, due April 28.

Other Hits To ‘Go Dancing’ To

As Illenium and Nesbitt’s “Love” crowns Dance/Mix Show Airplay, four other songs reach the top 10.

Frank Walker and Ella Henderson’s “I Go Dancing” bounds 11-4, marking the acts’ third and fourth top 10 each.

Taylor Swift’s “Lavender Haze” leaps 13-7, becoming her 10th top 10. “Anti-Hero,” the prior single from her latest album, Midnights, hit No. 3 in January, making the set her first with multiple top 10s since 1989, from 2014, generated five.

“Nothing in Common” becomes MOTi’s first Dance/Mix Show Airplay top 10, and featured artist’s Raphi second, jumping 19-9.

Plus, Icona Pop and Galantis up their top 10 counts to five and nine, respectively, as “I Want You” soars 25-10.

‘54’ From Bizarrap’s Studio

Meanwhile on Billboard’s streaming-, airplay- and sales-driven Hot Dance/Electronic Songs chart, Bizarrap and Arcangel’s “Bzrp Music Sessions, Vol. 54” flies 15-8, marking the former’s third top 10 and the latter’s first. In its first full tracking week, the collaboration drew 3.2 million official U.S. streams.

Bizarrap’s “Bzrp Music Sessions, Vol. 53,” with Shakira, spends a 10th week at its No. 2 best on Hot Dance/Electronic Songs. The series’ “Vol. 52,” with Quevedo, hit No. 4 last August.

“Vol. 54” concurrently starts on Hot Latin Songs at No. 34. “Vol. 53” ruled the chart for five weeks beginning in January, after “Vol. 52” hit No. 9 in November.