Music

5 Highlights From the 2023 Latin American Music Awards Rehearsals

The Latin AMAs are set to take place live on Thursday, April 20, from the MGM Grand Garden Arena in Las Vegas, airing on the Univision Network for the first time since its debut in 2015, on Telemundo.

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Nominations for this year’s awards — based on streaming, sales, radio airplay, tours and even social media interactions data provided by Billboard and Luminate during the eligibility period (Feb. 12, 2022, through Feb. 4, 2023) — are led by Bad Bunny with 11 nominations. He’s followed by Becky G and Daddy Yankee, each with nine nominations.

On Wednesday (April 19), Billboard caught up with some of the confirmed acts during the rehearsals. Below, check out some highlights. 

A David Bisbal Takeover

During rehearsals, Billboard exclusively spent the day with David Bisbal as he prepared for his big night. The Spanish crooner will receive the inaugural Pioneer Award, celebrating his 20-year trajectory. Joining the celebration are Puerto Rican merengue artist Olga Tañon and Regional Mexican songstress Angela Aguilar, who will sing a medley of Bisbal’s biggest hits. Watch a snippet of their performance below: 

Yahritza y Su Esencia Manifest Collaborations 

After notching collaborations with Ivan Cornejo (“Inseparables”) and Grupo Frontera (“Fragil”), Yahritza y Su Esencia expressed the hope to one day collaborate with Peso Pluma and Natanael Cano (on the Música Mexicana side), as well as with Karol G and Becky G (on the urban-pop side). “We love to listen to corrido music and we’re always jamming to Karol G in the car,” lead vocalist Yahritza Martinez tells Billboard during rehearsals. The sierreño act is nominated for three awards at the 2023 Latin AMAs including the coveted best new artist category. 

Pepe Aguilar Makes Latin AMAs Debut

Pepe Aguilar, who will be recognized as a 2023 Latin AMAs Legacy honoree alongside Carlos Vives, is also making his Latin American Music Awards debut. “This is the first time I’m invited to these awards and it’s an honor to receive this [special] award,” the Mexican artist notes. Backstage, Aguilar was joined by his adorable pug “El Gordo Aguilar” and told the press that he actually found his doggy on a red carpet. Additionally, he revealed his excitement that his grand hit “Por Mujeres Como Tú” will turn 25 years old this year. 

Tips By Noel Schajris

Noel Schajris is making his debut at the Latin AMAs as a presenter. To share his excitement, the Argentine-Mexican pop artist revealed some of his best tips for first-time presenters at an awards show. “First thing’s first, you have to get on stage with a big smile and a great attitude,” he notes, admitting that perhaps he’s not the best person to offer tips. Watch the silly clip below: 

The Talk of the Town: Peso Pluma and Grupo Frontera

At rehearsals, many artists could not hold back about two of the “it” artists in Regional Mexican: Peso Pluma and Grupo Frontera. The former will be performing the Becky G-assisted “Chanel” and the latter is an eight-time nominee. Artists such as Pepe Aguilar expressed how he respects what the new generation is doing for the genre and Mexican actress Galilea Montijo said she was looking forward to seeing them shine at the 2023 Latin AMAs.

‘I Lost a Lot Of Confidence’: Rita Ora On Emerging From a ‘Low’ Period With Renewed Strength, New Music — And a Husband

Powerhouse multi-hyphenate Rita Ora recently dropped into the Billboard News studio to discuss her career, her marriage and the intersection of the two.

During the chat, the singer/songwriter/actress and entrepreneur talks about losing confidence in her career and how the experience inspired both her romantic relationship and through that, her new music.  

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“I spent such a long time fighting to be heard over the course of my experience being in the industry, that I guess I lost a lot of confidence and a lot of hope, fell really low,” Ora says. “And I guess when you’re at your lowest point, you can make a choice. You either kind of get back up and keep going, or you just let it consume you. And I did that. I got up. I flew to Australia to do The Voice over there, and I met somebody who changed me forever.”

That “somebody” is actor and filmmaker Taika Waititi, who Ora met in 2021 and married last year.

“Meeting Taika, who is my husband, I definitely never felt that before,” Ora says, “and so I just wrote it all down and I thought, ‘Okay, I think it’s time to make some music again.’ And here we are.”  

Out today (April 19) Ora’s latest single is “Praising You,” a collaboration with legendary producer Fatboy Slim and a take on his 1998 classic “Praise You.” The track is the second single from Ora’s forthcoming album You & I, set for release on July 14 via BMG.

Released this past January, the album’s lead single, “You Only Love Me” includes cameos from Ora’s IRL friends including Lindsay Lohan and Kristen Stewart, along with an appearance from Sharon Stone.

“That was a crazy one for me,” Ora says of having the legendary actress in the video. “I met her at an event, and we just clicked. And she was really wise, and she actually was so, so welcoming and warm. I don’t know – I guess I just asked her. I just thought ‘What’s she’s just going to do? She’s just going to say no; let’s go for it.’ And I said, ‘Do you want to play my sort of fairy godmother who saves the day and brings me the dress.’ And she was like, ‘Yes! 100 percent.’

Watch the complete interview above.

Houston Stadium Renamed in Honor of Taylor Swift’s The Eras Tour

Taylor Swift‘s The Eras tour is taking over NRG Stadium in Houston, Texas, this weekend and to celebrate, Harris County Judge Lina Hidalgo gave the venue a Swiftie-themed rebrand.

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Hidalgo announced on Wednesday (April 19) that the stadium will be renamed “NRG Stadium (Taylor’s Version)” throughout the weekend in honor of the pop superstar. To add to the fun, banners with the temporary name will be hung at the stadium’s north and south entrances, according to Chron.

“We know all too well that other areas have done huge things,” Hidalgo said in a video message shared to Twitter, referencing a number of Swift’s songs. “They’ve lit up the town; they’ve renamed streets, they’ve even made you mayor for a day. But we’re going to something even better. I know if I did any of that, folks would say that I am the man.” 

“With the name change, I know it’ll never go out of style,” she continued. “Plus, it’s not only the young that enjoy your music. I hope your stay is beyond your wildest dreams, and for everyone in Harris County, let’s get ready for it!” 

Swift will perform at NRG Stadium (Taylor’s Version) for three nights, beginning on Friday (April 21) and then continuing on Saturday (April 22) and Sunday (April 23). Beabadoobee and Gracie Abrams are lined up as the openers.

One fan who will hopefully be at the show is a Texas legal-service provider named Karen Vladeck, who wrote a pun-filled letter to her first-grade daughter’s teacher asking for her to be excused from school to attend The Eras tour in Houston. According to Vladeck, the teacher simply responded in all caps, “THIS MADE MY ENTIRE DAY.”

Suki Waterhouse Calls Herself a ‘Real Swiftie,’ Names Favorite Taylor Swift Songs

Showing her Swiftie card! Suki Waterhouse opened up in a new interview about her deep love for Taylor Swift‘s music.

“Right now I’m really in a ‘Karma’ moment,” the Daisy Jones & The Six star told E! News’ The Rundown when asked at Coachella’s Revolve Fest to choose her favorite song by the superstar. “‘Blank Space’ is an incredible song. Like, I was actually looking at her talking about it the other day, it was funny, she said it started as, like, a joke song about what someone would write about the perception of her, or something. And then that ended up being such a massive, amazing song.”

When it comes to albums, the actress/model couldn’t choose between a couple of Swift’s most recent bodies of work. “I love everything on Evermore, Folklore,” she stated of the 2020 twin albums with a sigh, adding, “I’m a real Swiftie.”

Most recently, Waterhouse starred in Prime Video’s small-screen adaptation of Daisy Jones & The Six. Based on Taylor Jenkins Reid’s hit novel of the same name, the series featured the Pop & Suki co-founder as the fictional Karen Sirko opposite Riley Keough, Sam Claflin, Camila Morrone, Timothy Olyphant and more.

Meanwhile, Swift is currently in the midst of her sold-out Eras Tour, which stops this weekend for three shows at Houston’s NRG Stadium with openers Beabadoobee and Gracie Abrams. In honor of the concerts, the local Humane Society is lowering fees for cat adoption to a Taylor-specific $13.

Watch Waterhouse rave about her favorite Taylor songs and albums below.

Which Taylor Swift Song Is the Most Heartbreaking After Joe Alwyn Breakup? Vote!

Taylor Swift has been a love song pro her whole career, capturing every stage of a relationship — from the innocent crush to the falling in love to the devastating heartbreak. But the cuts feel a little deeper now, after reports emerged that Swift and her longtime boyfriend Joe Alwyn have split after six years of dating.

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“The relationship had just run its course. It’s why [Alwyn] hasn’t been spotted at any shows,” a source told ET earlier this month. Billboard has since reached out to representatives for Swift and Alwyn, but had not received a response. The couple has yet to publicly reveal the status of their relationship.

We are equally as heartbroken as the Swifties here at Billboard, which is why we compiled 13 of the most heartbreaking Taylor Swift songs to revisit post-Alwyn.

We want to know which song from this list tugs at your heartstrings a little extra given recent news. Let us know by voting below.

Otis Redding III, Who Followed Father Into Music, Dies at 59

Singer and guitarist Otis Redding III, the son and namesake of the legendary 1960s soul singer, has died from cancer at age 59, his family said Wednesday.

Redding was just 3 years old when his father, Otis Redding, perished along with several band members in a plane crash on Dec. 10, 1967. More than a decade later, the younger Redding and his brother, Dexter, formed the funk band The Reddings, which recorded six albums in the 1980s.

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“It is with heavy hearts that the family of Otis Redding III confirms that he lost his battle with cancer last evening,” said his sister, Karla Redding-Andrews, in a statement posted on the Facebook page of the Otis Redding Foundation, the family’s charity in Macon.

Though singles “Remote Control” and “Call The Law” by The Reddings made appearances on the Billboard music charts, the Redding brothers never matched their father’s success. Redding continued playing and performing after the band recorded its final album in 1988.

He was once hired for a European tour as guitarist for soul singer Eddie Floyd, under whose guidance the younger Redding became comfortable performing “(Sittin’ On) the Dock of the Bay” and other songs of his famous father.

“He said, `You can play guitar with me, but you’re going to have to sing a few of your dad’s songs,‘” Redding recalled in a 2018 interview with WCSH-TV in Portland, Maine. “I was like, `Huh? I don’t sing,’ you know. And he was like, `Well, you’re going to sing “Dock of the Bay” with me tonight.’”

Redding worked with his family’s foundation to organize summer camps that teach children to play music, and served as board president for the local chapter of Meals on Wheels.

He continued to perform his father’s songs for audiences large and small, according to his website, from appearing onstage at Carnegie Hall for a 2018 Otis Redding tribute concert to singing at weddings and private parties. Redding said he was grateful for the enduring legacy even if it overshadowed efforts to make music of his own.

“No matter how hard I try to do my own thing, you know, it’s like … ‘sing one of your daddy’s songs,’” he told the Maine TV station. “So I go ahead and do what people want, and I live with it. But I’m not under any pressure and I don’t put myself mentally under any pressure to go begging for record deals.”

Frank Ocean Drops Out of Coachella Weekend 2

Frank Ocean will no longer be performing at Coachella’s second weekend. The singer was scheduled to take the stage for the headlining slot on Sunday (April 23), but will reportedly be replaced by Blink-182, who reunited as their original trio during Weekend 1 of the festival, according to Variety.

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Billboard has reached out to Blink-182’s reps for confirmation.

In a statement provided to Billboard, Ocean’s reps shared, “After suffering an injury to his leg on festival grounds in the week leading up to weekend 1, Frank Ocean was unable to perform the intended show but was still intent on performing, and in 72 hours, the show was reworked out of necessity. On doctor’s advice, Frank is not able to perform weekend 2 due to two fractures and a sprain in his left leg.”

The elusive singer himself also added in the statement, “It was chaotic. There is some beauty in chaos. It isn’t what I intended to show but I did enjoy being out there and I’ll see you soon.”

As previously reported, Ocean’s ankle injury led to last-minute production changes during Sunday night’s (April 16) performance, including the use of an ice rink, which was built specifically for the set.

When the 35-year-old star appeared onstage nearly an hour later than scheduled, he performed 20 songs total, including completely reworked versions of some of his hit tracks like “Pink + White,” “Solo,” “Chanel,” “Wiseman” and more. Ocean closed out his much-awaited set with his cover of Aaliyah‘s 1994 track “At Your Best (You Are Love)” that was featured on his 2016 visual album Endless. See Billboard‘s full recap here.

Aaron Carter’s Ex-Fiancée Says Autopsy Results Are ‘Not Closure’ for Her

Aaron Carter‘s ex-fiancée spoke out Wednesday (April 19) after details of the late star’s autopsy report were made public for the first time.

“The results of the autopsy are not closure for me,” Melanie Martin said in a statement to TMZ. “It claims death is by drowning but also adds he was wearing a t-shirt and necklace in the bathtub which doesn’t make sense, why would he be in a bathtub with clothes on? I am still in shock and still miss Aaron every day. I don’t understand the chain of events and this report only has us asking more questions.”

Released by the Los Angeles County Medical Examiner-Coroner, Carter’s autopsy stated that he died as a result of accidental drowning after ingesting a lethal combination of difluoroethane, the gas typically used in cans of compressed air and alprazolam, the generic form of Xanax. According to the report, huffing the gas mixed with taking the pills resulted in the “Aaron’s Party (Come Get It)” rapper falling unconscious; his body was later found in the bathtub at his Lancaster, Calif., home.

Martin and Carter shared son Prince, who was just weeks away from turning one year old at the time of his dad’s passing. On the baby’s birthday, Martin paid tribute to Carter’s memory with an emotional social media post, writing, “Happy birthday to my baby boy Prince Lyric Carter. Today is going to be a tough one for me but I know your daddy is playing birthday songs for you up in heaven I love you baby boy!!!”

Houston Animal Shelter Honors Taylor Swift Eras Tour Stop by Reducing Cat Adoption Fee to $13

Taylor Swift‘s The Eras Tour is touching down in Houston this weekend, and to celebrate, one animal shelter in the city has reduced the fees for cat adoption all week to a Taylor-specific $13.

The Houston Humane Society announced a weeklong “Lucky $13” event in honor of Swift’s trio of concerts at the NRG Stadium, reducing the fee for people seeking to adopt a cat that has lived in the shelter for 30 days or more.

“Adopt your new LOVER this weekend, and know ALL TOO WELL how much joy & happiness they’ll bring to your life! HHS is BEJEWELED to announce our Lucky $13 Cat Adoption event to HONOR The Eras Tour Houston dates this weekend!” the organization wrote in its announcement. “April 17th-April 23rd cats that have been in our shelter for 30+ days will be available for adoption with a $13 adoption fee!”

Swift is a documented cat lover — she owns two Scottish folds named Meredith Grey and Olivia Benson and a Ragdoll named Benjamin Button. In 2019, the pop star assumed the role of Bombalurina in the movie adaptation of the Cats musical, and more recently, she shouted out the feline species in the Midnights track “Karma,” in which she sings, “Karma is a cat/ Purring in my lap ’cause it loves me/ Flexing like a goddamn acrobat/ Me and karma vibe like that.”

Swift’s lucky number is also the famously unlucky 13, explaining in an interview: “I was born on the 13th, I turned 13 on Friday the 13th, my first album went gold in 13 weeks.”

The Eras Tour will hit Houston from April 21-23. Beabadoobee and Gracie Abrams will be opening for Swift during the shows.

Fans looking to adopt a cat for $13 can do so at the Houston Humane Society now through April 23. The organization is located at 14700 Almeda Road in Houston.

The Fake Drake AI Song Earned Millions of Streams – But Will Anyone Get Paid?

Over the weekend, a track called “Heart on My Sleeve,” allegedly created with artificial intelligence to sound like it was by Drake and The Weeknd, became the hottest thing in music. By Monday evening, it was all but gone after most streaming platforms pulled it. But in that short time online, it earned thousands of dollars.

“Fake Drake” has a nice ring to it, but the music industry was less than charmed by the fact that a TikToker with just 131,000 followers (as of Tuesday evening) operating under the name Ghostwriter could rack up millions of streams with such a track in only a few days. Even though the legal issues around these kinds of AI-generated soundalikes are still murky, streaming services quickly pulled the track, largely without explanation. Universal Music Group, which reps both Drake and The Weeknd, issued a statement Monday in response, claiming these kinds of songs violate both copyright law its agreements with the streaming services and “demonstrate why platforms have a fundamental legal and ethical responsibility to prevent the use of their services in ways that harm artists.” While a spokesperson would not say whether the company had sent formal takedown requests over the song, a rep for YouTube said on Tuesday that the platform “removed the video in question after receiving a valid takedown notice,” noting that the track was pulled because it used a copyrighted music sample. As of Wednesday, the song had also been removed from TikTok.

What sets “Heart on My Sleeve” apart from other AI-generated deepfakes — including one that had Drake covering Ice Spice‘s “Munch,” which the rapper himself called “the last straw” on Instagram — is that it was actually uploaded to streaming services, rather than just living on social media like so many others. It also was a hit — or could have been one — as the track drew rave reviews online. Once the song caught fire, daily U.S. streams increased exponentially, from about 2,000 on Friday to 362,000 on Saturday to 407,000 on Sunday and 652,000 on Monday before it was taken down, according to Luminate. Globally, the song started taking off too, racking up 1,140,000 streams worldwide on Monday alone.

Those streams are worth real money, too. And since streaming royalties are distributed on a pro-rata basis — meaning an overall revenue pool is divided based on the total popularity of tracks — the royalties earned by “Heart on My Sleeve” is revenue that is then not going to other artists. That’s how streaming works for any song— or sleep sound — but in this case it’s an AI-generated song pulling potential revenue from actual living beings creating music.

Aside from the rights issues at play, that money underlines one of rights holders’ key concerns around AI-generated music: That It threatens to take money away from them. For “Heart on My Sleeve,” the 1,423,000 U.S. streams it received over four days were worth about $7,500, Billboard estimates, while the 2,125,000 total global streams were worth closer to $9,400.

However, streaming royalties are typically paid out on a monthly basis, which allows time for platforms to detect copyright infringement and other attempts to game the system. In a case such as “Heart on My Sleeve,” a source at a streaming company says that might mean Ghostwriter’s royalties will be withheld.

“Heart on My Sleeve” was a wake-up call to the music business and music fans alike, who until now may not have taken the threat, or promise, of AI-generated music seriously. But as this technology becomes increasingly accessible — coupled with the ease of music distribution in the streaming era — concern around the issue is growing quickly. As Ghostwriter — who did not respond to a request for comment — promises on his TiKTok profile, “I’m just getting started.”