Music
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Taylor Swift and Travis Kelce were spectators at the men’s final of the U.S. Open tennis championships on Sunday (Sept. 8) in New York City, where the two were photographed attending several social events together over the weekend.
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Swift and Kelce were spotted going on a pizza date in Brooklyn on Friday, and celebrating Karen Elson and Lee Foster’s wedding at Electric Lady Studios in Manhattan on Saturday, before making it to the tennis match at Arthur Ashe Stadium in Queens on Sunday. If this is some kind of whirlwind tour around the city, only two boroughs remain in their welcome to New York this week: the Bronx and Staten Island.
The U.S. Open account on Instagram shared various videos of the pop star and football player on site Sunday afternoon, with Swift seen in a classic red gingham sundress (Reformation, $248) and Kelce in a white shorts-polo-cardigan ensemble topped with a bucket hat (all Gucci).
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The couple watched the match in a suite with Kelce’s teammate Patrick Mahomes and his wife Brittany.
At one point, Swift and Kelce were filmed in the middle of an animated sing-along to “I Believe in a Thing Called Love” by The Darkness playing over the stadium’s loudspeaker.
The Instagram account also jogged memories with a post referencing Swift’s earliest known appearance at the U.S. Open: 2002, around this time of year.
The then-aspiring singer — just 12 years old in 2002 — got the opportunity to sing “America the Beautiful” at Arthur Ashe Stadium at the USTA Billie Jean King National Tennis Center, the complex where the U.S. Open is held.
Wearing a black, sleeveless dress and her long hair blow-dried straight, a young Swift — found in a clip that’s somewhat buried in a fan compilation video uploaded to YouTube over a decade ago — seemed aware of the art of commanding a crowd at what must have been one of her earliest stadium gigs. Even in her middle-school years, she didn’t shy away from taking a look around, or making eye contact with people watching from the stands.
At 12, with the slightest twang in her tone, Swift leaned on her early country influence for “America the Beautiful.” Her vocals have matured into something that’s all her own in her 30s, but that almost-teen’s performance is still unmistakably Swift.
“America, America, God shed his grace on thee,” she’s heard singing in the pre-fame clip.
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Little did she know how many stadiums her name would headline, sell out and generate total ticket hysteria for within the next couple decades.
For September, and until Oct. 18, Swift’s on break from The Eras Tour, which will see a December finale. For now there’s no new Eras concert clips to pore over or ever-changing acoustic sets to anticipate.
Over the past several days the mind behind The Tortured Poets Department has been quite publicly out and about, which means fans have gotten a glimpse into her social calendar. Thursday night she showed up to support Kelce and the Chiefs at their Thursday game at Kansas City’s Arrowhead Stadium before the couple headed to New York to hang out for the weekend.
Their public appearances this week come after an alleged media plan leak from Kelce’s team earlier in the week — an outline of a supposed strategy in the event of the tight end’s breakup with Swift, whom he’s been linked to for the past year. Kelce’s public relations team, Full Scope, whose logo was put on the papers circulating online, stated the document was “entirely false and fabricated.” A spokesperson for the company said it was “not created, issued, or authorized by this agency” and Full Scope has “engaged our legal team to initiate proceedings against the individuals or entities responsible for the unlawful and injurious forgery of documents.” Swift’s reps did not issue a comment.
JC Chasez is ready to delve into the world of musical theater. The *NSYNC superstar revealed exclusively via Billboard on Sunday (Sept. 8) that he’s teaming up with Golden Globe-winning songwriter and composer Jimmy Harry for a musical theater concept album called Playing With Fire. The 16-track project is inspired by Mary Shelly’s seminal 1818 […]
The Oscars have been televised every year since 1953, but only four times has the show received a Primetime Emmy as the year’s best variety program. It first happened in 1979, and again in 1988, 1991 and 2024. The name of category has changed over the years, but the intent has not — to honor […]
Megan Thee Stallion and RM‘s “Neva Play” has topped this week’s new music poll that features artists in various genres of music. Music fans voted in a poll published Friday (Sept. 6) on Billboard, choosing the Houston rapper and BTS star’s team-up as their favorite new music release of the past week. “Neva Play” brought […]
In its second edition on Saturday (Sept. 7), the Arre Festival transformed the Curva 4 Autódromo Hermanos Rodríguez, typically a race track, into a sprawling venue where legendary regional Mexican music groups like Los Tigres del Norte and Los Cardenales de Nuevo León captivated both young audiences and solo artists such as Xavi and Carolina Ross, among others. The event gathered 54,300 attendees on its first day, according to the promoter Ocesa.
It was a multi-generational party that honored sounds such as the popular corridos tumbados, norteño music, mariachi, sierreño, banda sinaloense, Tex-Mex, duraguense, corridos alterados and other regional Mexican music variations. They were all delivered by acts such as Banda Cuisillos, El Fantasma, Guardianes del Amor, El Komander, Tito Double P, Adriel Favela, Joss Favela, EME Malafe and Los Esquivel. Curva 4 became a huge dance floor, where up to three generations gathered to enjoy the music that has been around for over a century.
Birthday celebrations, surprise shows, tributes to the greats and the passing of the baton to the younger generations of musicians were some of the most significant moments that took place during the first day of the festival.
On day two, taking place on Sunday (Sept. 8), Junior H, La Única Internacional Sonora Santanera, Gerardo Ortiz, Banda Los Recoditos, Los Invasores de Nuevo Leon, K.Paz de la Sierra and the popular electronic duo from the border city of Tijuana, Nortec: Bostich + Fussible, and more, are expected to perform.
Here are five of our favorite performances from the first day of Arre Festival.
The Roar of Los Tigres del Norte
Sabrina Carpenter’s Short n’ Sweet stays steady atop the Billboard 200 (dated Sept. 14) for a second week, after opening at No. 1 a week ago. In its second frame, the album earned 159,000 equivalent album units in the U.S. in the week ending Sept. 5 (down 56%), according to Luminate.
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That 159,000-unit sum is substantial for an album’s second week in recent times. In the last 12 months, only three other albums have logged a second week as big as Short n’ Sweet’s. Taylor Swift’s The Tortured Poets Department tallied 439,000 units in its second week (chart dated May 11; down from its 2.61 million-unit debut), Swift’s 1989 (Taylor’s Version) earned 245,000 in its second week (Nov. 18, 2023; down from 1.653 million), and Drake’s For All the Dogs earned 164,000 in its second week (Oct. 28, 2023; down from 402,000).
Notably, Republic Records is the distributing label of all four albums. Short n’ Sweet was released via Island/Republic, For All the Dogs was issued via OVO Sound/Republic, and Swift’s two albums are straight Republic titles.
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Also in the top 10 of the new Billboard 200, LE SSERAFIM captures it third top 10-charting effort with the No. 7 arrival of CRAZY, while Destroy Lonely achieves his first top 10 as Love Lasts Forever enters at No. 10.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 14, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Sept. 10). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Short n’ Sweet’s 159,000 equivalent album units earned in its second week, SEA units comprise 126,000 (down 28%, equaling 168.45 million on-demand official streams of the album’s 12 songs; it holds at No. 1 on the Top Streaming Albums chart, as well), album sales comprise 32,000 (down 83%) and TEA units comprise 1,000 (down 38%).
Post Malone’s former leader F-1 Trillion (released via Mercury/Republic) rises one rung to No. 2 with 86,000 equivalent album units earned (down 23%), Chappell Roan’s The Rise and Fall of a Midwest Princess (KRA/Amusement/Island/Republic) is up a spot to No. 3 with 64,000 (down 10%), Morgan Wallen’s chart-topping One Thing at a Time (Big Loud/Mercury/Republic) steps 5-4 with 55,000 (down 5%) and Swift’s former No. 1 The Tortured Poets Department climbs 6-5 with 54,000 (down 6%).
Republic Records holds the entire top five titles — a feat that it’s achieved four times. Republic remains the only label to claim the entire top five since the Billboard 200 combined its previously separate mono and stereo album charts into one all-encompassing chart in August 1963. Republic previously controlled the top five on the Jan. 13 and 20, 2024, charts, and on the Dec. 9, 2023-dated list.
Billie Eilish’s Hit Me Hard and Soft rises one rung to No. 6 on the latest Billboard 200, earning 49,000 equivalent album units (down 7%).
LE SSERAFIM’s CRAZY debuts at No. 7 with 47,000 equivalent album units earned, landing the Korean pop ensemble its third top 10-charting effort — and largest week by units earned. Of its starting sum, album sales comprise 38,000 (it’s No. 1 on the Top Album Sales chart), SEA units comprise 9,000 (equaling 12.08 million on-demand official streams of the set’s five songs; with over half of that sum driven by the title track) and TEA units comprise a negligible sum. CRAZY’s first-week was bolstered by its availability across more than 20 CD variants, all containing collectible branded paper ephemera such as photocards, postcards, stickers, and posters.
Noah Kahan’s Stick Season rises 10-8 on the latest Billboard 200, with 40,000 equivalent album units earned (up 7%) in the week ending Sept. 5. The set’s gain is concurrent with the Aug. 30 arrival of Kahan’s new album, Live From Fenway Park.
Zach Bryan’s The Great American Bar Scene is a non-mover at No. 9 on the new Billboard 200 with 39,000 equivalent album units earned (down 6%).
Rapper Destroy Lonely lands his first top 10-charting set on the Billboard 200 as his second studio album, Love Lasts Forever, bows at No. 10 with 37,500 equivalent album units earned — his best week by units. Of its starting sum, album sales comprise 19,000, SEA units comprise 18,500 (equaling 25.19 million on-demand official streams of the album’s songs) and TEA units comprise a negligible sum. The album’s first week was bolstered by its availability in a signed CD edition and two digital download album variants — all exclusive to the artist’s webstore. The latter two were each sold for $5 and each included five additional bonus songs (five different songs per variant).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Bass guitarist Herbie Flowers, who played with David Bowie, Elton John, Lou Reed and other music legends in a decades-long career, has died at 86.
The musician’s family confirmed his death on Facebook Saturday (Sept. 7).
“While we knew and loved him as Uncle Herbie, his musical contributions have likely touched your lives as well,” the husband of Flowers’ niece wrote. “He played bass on many of the songs from the golden age of rock,” the post reads.
A cause of death was not provided.
Flowers was a founding member of the pop group Blue Mink, who later joined the rock band T Rex. He won acclaim for his work with many of the biggest names in U.K. music in the 1970s, giving Reed’s “Walk on the Wild Side,” from the 1972 Transformer album, its recognizable twinned bassline.
He also played bass for Bowie’s “Space Oddity,” Bryan Ferry’s “The Bride Stripped Bare,” and Paul McCartney’s “Give My Regards to Broad Street,” and featured in two of John’s early ’70s albums, among many others.
In a tribute, Bowie’s estate wrote on the social media platform X (formerly Twitter), “his work with Bowie and associates over the years is too long to list here.”
“Aside from his incredible musicianship over many decades, he was a beautiful soul and a very funny man. He will be sorely missed,” it said. “Our thoughts are with his family and friends.”
Tim Burgess, lead singer for The Charlatans singer, wrote X that Flowers “made the greats sound greater.”
Flowers also founded the instrumental rock band Sky in the late 1970s, releasing seven albums.
Kendrick Lamar is heading to the Super Bowl — and fans certainly have something to say about it.
On Sunday (Sept. 8), the superstar Compton rapper was announced as the headliner for the 2025 Apple Music Super Bowl LIX Halftime Show, set for Feb. 9, 2025 in New Orleans. This marks the second time K. Dot will grace the stage at the NFL’s main event, after he was a special guest alongside Dr. Dre’s West Coast hip-hop showcase in 2022.
“You know there’s only one opportunity to win a championship,” Lamar says in a promotional clip on Instagram for his performance at the big game. “No round two’s.”
Naturally, fans lit up social media shortly after the announcement, with many commenting on Lamar’s high-profile rap beef with Drake and others expressing disappointment over New Orleans native Lil Wayne not being chosen to represent his hometown at the Super Bowl. Others shared their excitement over Lamar possibly bringing his anthemic Drizzy diss “Not Like Us” to millions of viewers around the world.
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“The Compton kid has completely cracked the code,” one fan commented under Kendrick’s Super Bowl announcement on Instagram. Another user wrote on X (formerly Twitter), “HE IS ON TOP OF THE WORLD.” That sentiment was echoed in another X comment. “OMG!!!!!!!!! THIS IS KENDRICK LAMAR’S YEAR!!!!!!,” a fan wrote.
“I don’t usually watch the Super Bowl, but I’ll absolutely be watching for the Kendrick concert,” another added on X.
As expected, countless fans on social media also took the opportunity to bring Drake into the conversation, with dozens of onlookers referencing K. Dot’s back-and-forth diss tracks with the Toronto MC earlier this year. The beef culminated with Lamar’s “Not Like Us,” which became a monster hit, topping the Billboard Hot 100 chart for two nonconsecutive weeks in May.
“Love this! Can’t wait to hear not like us on the world stage. Drake finna cry in the corner,” someone commented on the NFL’s X account, while another added that the 6 God’s fans are “in shambles” following the news. “They just gave bro the opportunity to diss tf outta drake on super bowl,” a user wrote on Lamar’s Instagram page. “drake drops 100 gigs of throwaway bs. kendrick drops a SUPER BOWL ANNOUNCEMENT,” another wrote on X, referencing Drake’s recent drop of content.
Some also speculated the possibility of Kendrick squashing his beef with Drake by inviting him onstage during the halftime show. “Special guest, drake?” an X fan questioned. Another person on Lamar’s Instagram joked, “Scenes when he brings out drake and they squash the beef and make out with each other.”
Lil Wayne’s name became a trending topic on X following K. Dot’s Super Bowl Halftime Show announcement, as numerous Weezy fans found it disrespectful to overlook the veteran rapper, who hails from the Louisiana city.
“Not having Lil Wayne headline is a slap to the face,” a person commented under Lamar’s announcement on Instagram. “Lil Wayne def should’ve been picked to perform at the superbowl. He’s literally from New Orleans and a rap legend…,” another wrote on X. Another Instagram commenter suggested that inviting Wayne onstage as a special guest would be “next level.”
Other social media comments ranged from which other special guests Lamar might invite to join him on stage — including the possibility of Eminem and Beyonce — while others hope that K. Dot’s Super Bowl gig will also bring an announcement of a new album. Lamar’s last studio release, Mr. Morale & The Big Steppers, debuted at No. 1 on the Billboard 200 in May 2022.
The Super Bowl Halftime Show will be shown live on Fox from the Caesars Superdome in New Orleans on Feb. 9. It will also be the sixth year that the show will be programmed by Roc Nation, which is executive producing the show alongside Jesse Collins, produced by DPS and directed by Hamish Hamilton. Creative direction for Lamar’s performance will be provided by pgLang, the creative imprint co-founded by the rapper.
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The NFL season just kicked off and Kendrick Lamar is surely going to enjoy the season. On Sunday (September 8), the NFL announced that K. Dot will be headlining the 2025 Super Bowl’s halftime show.
And right on cue, social media began to clown the Compton rapper’s nemesis, Drake, because pettiness is indeed part of Hip-Hop. Argue with your auntie.
The NFL, Roc Nation and Apple Music made the announcement and Lamar’s own pgLang will be handling the creative direction of the show. “Kendrick Lamar is truly a once-in-a-generation artist and performer,” said Jay-Z, who has a hand in picking the halftime talent, in a statement. “His deep love for hip-hop and culture informs his artistic vision. He has an unparalleled ability to define and influence culture globally. Kendrick’s work transcends music, and his impact will be felt for years to come.”
“What the deal everybody? My name is Kendrick Lamar, and I’ll performing at Super Bowl 59,” says Kendrick in a video clip share on his social channel. “Will you be pulling up? I hope so. You know there’s only one opportunity to win a championship—no round two’s, let’s get it.”
Kendrick Lamar saying “no round two’s” was a clear shot at Drizzy (who’s probably none too happy Jay-Z help book the rapper) considering the 6 God recently said he was readying a round 2 in his “battle” with the Compton rapper. Good look with that, respectfully.
Also worth noting, the Grammys are scheduled for a week before, and Kendrick most certainly will be winning a trophy for his “Not Like Us” single. That man is nefarious.
But don’t take our word for it, peep the reactions in the gallery.
Super Bowl 59 goes down on February 9, 2025 in New Orleans.
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Dierks Bentley held court at Nashville’s Bridgestone Arena, calling the 20,000-seat venue “the biggest honky tonk on Lower Broadway.” He should know—he’s played many of Nashville’s tiny clubs early in his career, perhaps most notably the iconic bluegrass room The Station Inn, cultivating his mix of country, rock and bluegrass-tinged music, before breaking through with his 2003 debut single “What Was I Thinkin’.”
His comparison with Lower Broadway’s ever-growing slate of honky-tonks (including his own Whiskey Row, which opened in 2018) was apt, as the evening was filled with many of the hallmarks of any number of club-sized venues dotting downtown Nashville, including guest artists dropping by, ‘90s cover songs aplenty and even some karaoke moments.
Two decades into his career, Bentley has earned 18 Billboard Country Airplay No. 1s and 15 Grammy nominations. Veering along country music’s sonic sweep of sounds, encompassing rock, ‘90s and 2000s country and rock, and bluegrass, Bentley offered hits including “I Hold On,” “A Lot of Leavin’ Left to Do,” “5150,” “What Was I Thinkin’,” “Black,” and “Livin’.”
“My hope for the show is that you find a moment where you feel like you’re living,” Bentley told the crowd.
He’s also forged a concert style that blends hits, a genuine onstage ebullience that easily outpaces many of today’s newcomers, and intentional audience engagement (such as bringing one fan onstage for a beer-chugging challenge and offering another fan a karaoke moment). Bentley’s crack band, including Charlie Worsham, Ben Helson, Tim Sergent, Steve Misamore, and Cassady Feasby, provide a perfect foil for Bentley, not only musically, but they easily match his often goofball humor, such as their humorous, hockey-themed band intro video and when Bentley repeatedly jumped in front of bandmate Worsham during Worsham’s take on Garth Brooks’ “Callin’ Baton Rouge.”
The wide range of music in Bentley’s show–gobs of ’90s country covers, Bentley’s own two decades of 2000s hits and music from many of today’s buzziest newcomers–chronicled the evolution of country music’s soundscape.
Opening for Bentley was Bluegrass/Americana newcomer Bella White, who offered up songs from her album Among Other Things, including songs about fizzled relationships (“Break My Heart”) and dirtbag men (“Marilyn”), as well as a sterling version of Lucinda Williams’ “Concrete and Barbed Wire.,” which drew devoted applause from the concert’s early arrivals.
Meanwhile, fellow opener Chase Rice offered up a set filled with personal meaning for the singer-songwriter. The acoustic guitar he played was one his father had given him when Rice first started learning music. Noting that his father died two years after he was given the guitar, he honored his father’s memory by performing one of the first songs he played for his dad, John Denver’s “Take Me Home, Country Roads.” Rice was first known as a songwriter, contributing to the Florida Georgia Line’s “Cruise,” before he notched his own pop-country hits including “Ready Set Roll” and “Eyes on You.” He included all of those in his Bridgestone set, but best highlighting his talents were his newer songs, such as “Haw River,” that will be on his new album Goin’ Down Singin’ (out Sept. 20), showcasing his more roots-leaning, rawer sound and matured songwriting.
In his own set, Bentley welcomed The Red Clay Strays lead singer Brandon Coleman, as well as country singer-songwriter Zach Top.
Here, we look at 5 top moments:
Dierks Bentley’s Decade-Old Hit Still Resonates