Music

Yng Lvcas’ ‘Six Jewels 23’ Debuts in Top 10 on Top Latin Albums Chart

Yng Lvcas captures his second top 10 on Billboard’s Top Latin Albums chart as his latest EP, Six Jewels 23, arrives at No. 5 on the June 10-dated ranking. The set includes six tracks or “jewels”, as he named them, while “23” is a nod to his age.

Yng Lvcas launched his career in his native Guadalajara, Mexico by blending 21st century reggaetón and trap with hints of regional Mexican music such as electro cumbia. The top 10 debut of Six Jewels follows an international burst with the remix of “La Bebe,” with Peso Pluma, which placed both acts at No. 2 on Billboard global charts (Global Excl. U.S. on April 22 and Global 200 on June 22-dated lists).

On a national level, “La Bebe’s” remix reached No. 11 on the all-genre Billboard Hot 100 (chart dated May 6) and at No. 2 on the multi-metric Hot Latin Songs (April 15-dated survey).

The original version of “La Bebe” is the final track of his No. 3-peaking album debut LPM on Top Latin Albums (April 29-dated chart), his first entry on any Billboard albums chart.

Six Jewels 23, which also debuts at No. 3 on Latin Rhythm Albums, starts with 11,000 equivalent album units earned during the May 26-June 1 tracking week, according to Luminate. As has become the norm with new artists, the bulk of the album’s opening sum derives from streaming equivalent album units which equates to 16.9 million on-demand official streams in the U.S. for the songs on the album.

On the multi-metric Top Latin Albums chart, each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

Six Jewels was released May 25 via Warner Latina. It’s the third regional Mexican album to launch in the top five on Top Latin Albums in 2023 so far, following Fuerza Regida’s Pa Que Hablen: I, also a No. 5 start in January, and Eslabon Armado’s Desvelado, a No. 1 debut on the May 3-dated list.

Six Jewels concurrently grants Yng Lvcas a higher start on the overall Billboard 200, at No. 92, besting the No. 142 start of LPM, which peaked at No. 57 four week after its debut (chart dated April 29).

Born Daniel Oswaldo Donlucas Martinez, the 23-year-old songwriter picked up the moniker Yng Lvcas in 2021 before releasing the eight-track EP Wup? Mixtape1 comprising all corridos (the set has not entered any Billboard chart).

GloRilla & Drake Lead 2023 BET Awards Nominations

On Thursday (June 8), BET announced the nominees for the 23rd annual BET Awards, with Drake and GloRilla leading the pack.

The “Search & Rescue” rapper clocks in at seven nominations, including best male hip-hop artist, best male R&B/pop artist, best group with 21 Savage and album of the year for Her Loss with 21 Savage. Like Drake, GloRilla’s nominations are split pretty evenly between solo and collaborative efforts, including best female hip hop artist, best new artist, album of the year for Anyways, Life’s Great, video of the year for “Tomorrow 2” with Cardi B, and two nominations for best collaboration (“F.N.F. Let’s Go” and “Tomorrow 2”).

Last year, GloRilla took home best breakthrough hip hop artist of the year award at the BET Hip Hop Awards. 

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Following GloRilla and Drake, 21 Savage and Lizzo boast the third-highest number of nominations, with five each, and are followed by Beyoncé, Burna Boy, Chris Brown, Ice Spice and SZA, with four nominations each.

Voting for the Viewer’s Choice categories will commence on June 8 and end the day of the show, June 25, at 6:30 PM PT. 

See the full list below:

Album of the Year
Anyways, Life’s Great, GloRillaBreezy, Chris BrownGod Did, DJ KhaledHer Loss, Drake & 21 Savage Mr. Morale & The Big Steppers, Kendrick LamarRenaissance, BeyoncéSOS, SZA

Best Female R&B/Pop Artist
Ari LennoxBeyoncéCoco JonesH.E.R.LizzoSZATems

Best Male R&B/Pop Artist
BlxstBrent FaiyazBurna BoyChris BrownDrakeThe WeekndUsher

Best Group
City GirlsDrake & 21 SavageDvsnFLOMaverick City Music & Kirk FranklinQuavo & TakeoffWanmor

Best Collaboration
“Big Energy (Remix),” Latto & Mariah Carey Feat. Dj Khaled
“Boy’s A Liar Pt. 2,” Pinkpantheress & Ice Spice
“Call Me Every Day,” Chris Brown Feat. Wizkid
“Can’t Stop Won’t Stop,” King Combs Feat. Kodak Black
“Creepin’,” Metro Boomin, The Weeknd & 21 Savage
“F.N.F. (Let’s Go),” Hitkidd & GloRilla
“Tomorrow 2,” GloRilla & Cardi B
“Wait For U,” Future Feat. Drake & Tems

Best Female Hip Hop Artist   
Cardi B
Coi Leray
GloRilla
Ice Spice
Latto
Megan Thee Stallion
Nicki Minaj

Best Male Hip Hop Artist
21 Savage
Drake
Future
J. Cole
Jack Harlow
Kendrick Lamar
Lil Baby

Video of the Year
“We (Warm Embrace),” Chris Brown
“2 Million Up,” Peezy, Jeezy & Real Boston Richey feat. Rob49
“About Damn Time,” Lizzo
“Bad Habit,” Steve Lacy
“First Class,” Harlow
“Kill Bill,” SZA
“Tomorrow 2,” GloRilla & Cardi B

Video Director of the Year
A$AP Rocky for AWGEBenny BoomBurna BoyCole BennettDave Free & Kendrick LamarDirector XTeyana “Spike Tey” Taylor

Best New Artist
Ambré
Coco Jones
Doechii
FLO
GloRilla
Ice Spice
Lola Brooke

Dr. Bobby Jones Best Gospel/Inspirational Award
“Bless Me,” Maverick City Music & Kirk Franklin“Finished (Live),” Tamela Mann“I’ve Got Joy,” CeCe Winans“Kingdom,” Maverick City Music & Kirk Franklin Feat. Naomi Raine & Chandler Moore“New,” Tye Tribbett“One Moment From Glory,” Yolanda Adams“The Better Benediction (Pt.2),” PJ Morton feat. Lisa Knowles-Smith, Le’andria Johnson, Keke Wyatt, Kierra Sheard & Tasha Cobbs Leonard

Viewer’s Choice Award
“About Damn Time,” Lizzo
“Break My Soul,” Beyoncé
“First Class,” Jack Harlow
“Jimmy Cooks,” Drake Feat 21 Savage
“Kill Bill,” SZA
“Last Last,” Burna Boy
“Super Freaky Girl,” Nicki Minaj
“Wait For U,” Future Feat. Drake & Tems

Best International Act
Aya Nakamura (France)
Ayra Starr (Nigeria)
Burna Boy (Nigeria)
Central Cee (UK)
Ella Mai (UK)
Ko (South Africa)
L7nnon (Brazil)
Stormzy (UK)
Tiakola (France)
Uncle Waffles (Swaziland)

Viewer’s Choice: Best New International Act
Asake (Nigeria)
Camidoh (Ghana)
Flo (UK)
Libianca (Cameroon)
Maureen (France)
MC Ryan SP (Brazil)
Pabi Cooper (South Africa)
Raye (UK)
Werenoi (France)

BET Her
“About Damn Time,” Lizzo
“Boy’s A Liar Pt. 2,” Pinkpantheress & Ice Spice
“Break My Soul,” Beyoncé
“Her,” Megan Thee Stallion
“Lift Me Up,” Black Panther: Wakanda Forever – Music From And Inspired By – Rihanna & Ludwig Göransson
“Players,” Coi Leray
“Special,” Lizzo

Best Movie
Black Panther: Wakanda Forever
Creed 3
Emancipation
Nope
The Woman King
Till
Whitney Houston: I Wanna Dance With Somebody

Best Actor
Amin Joseph
Brian Tyree Henry
Damson Idris
Daniel Kaluuya
Demetrius ‘Lil Meech’ Flenory Jr.
Donald Glover
Michael B. Jordan

Best Actress
Angela Bassett
Coco Jones
Janelle James
Janelle Monáe
Keke Palmer
Viola Davis
Zendaya

Youngstars Award
Akira Akbar
Alaya High
Demi Singleton
Genesis Denise
Marsai Martin
Thaddeus J. Mixson   
Young Dylan   

Sportswoman of the Year Award
Alexis Morris
Allyson Felix   
Angel Reese
Candace Parker
Naomi Osaka  
Serena Williams
Sha’carri Richardson

Sportsman of the Year Award
Aaron Judge   
Bubba Wallace
Gervonta Davis
Jalen Hurts
Lebron James
Patrick Mahomes
Stephen Curry

2023 Tony Awards to Feature Performances From ‘Funny Girl,’ Neil Diamond Musical Plus Nominated Musicals & Revivals

The 2023 Tony Awards will feature several musical numbers in addition to performances from all of the nominees for best musical and best revival of a musical – long a Tony tradition.

The Neil Diamond musical A Beautiful Noise didn’t receive a single nomination, but will still get a featured slot on the show. Will Swenson stars in the jukebox musical built around the hits of the durable star. The 2022 revival of Funny Girl fared just a little better with Tony voters – it received one nomination for Jared Grimes as best featured actor in a musical. Lea Michele replaced Beanie Feldstein, the original star of the revival, but, as a replacement, Michele wasn’t eligible for a Tony nomination. That show will also be featured on this year’s show (which it wasn’t last year).

In addition, the show will feature a performance by Joaquina Kalukango, last year’s Tony winner for best performance by a leading actress in a musical for Paradise Square. The performance of two songs from the score, “Paradise Square” and “Let It Burn,” was a highlight of last year’s show. Even so, an encore booking is highly unusual.

The show will also feature special performances to honor Joel Grey and John Kander, 2023 recipients of special Tony awards for lifetime achievement in the theatre.

The 76th Annual Tony Awards will of course feature performances from the casts of the five Tony nominees for best musical (& Juliet, Kimberly Akimbo, New York, New York, Shucked and Some Like It Hot) and the four nominees for best revival of a musical (Camelot, Into the Woods, Parade and Sweeney Todd: the Demon Barber of Fleet Street).

The 76th Annual Tony Awards, hosted by Oscar winner and Tony nominee Ariana DeBose, will air live from the historic United Palace in New York City’s Washington Heights, Sunday, June 11 from 8:00-11:00 p.m. ET/5:00-8:00 p.m. PT on the CBS Television Network, and streaming live and on demand on Paramount+.

Julianne Hough and Skylar Astin will co-host The Tony Awards: Act One, a live pre-show on Pluto TV from 6:30-8:00 p.m. ET/3:30-5:00 p.m. PT. Viewers can access The Tony Awards: Act One on their smart TV, streaming device, mobile app or online by going to Pluto TV and clicking on the “Pluto TV Celebrity” channel (no payment, registration or sign-in required).

The Tony Awards is produced in collaboration with Tony Award Productions, a joint venture of the Broadway League and the American Theatre Wing, and White Cherry Entertainment. Ricky Kirshner and Glenn Weiss are executive producers for White Cherry Entertainment. Weiss will serve as director.

The Tony Awards has been broadcast nationally since 1967 and has been on CBS since 1978.

Blake Shelton Didn’t Congratulate Niall Horan on ‘The Voice’ Win: Here’s What He Said Instead

Blake Shelton might have been a little bit of a sore loser after Niall Horan‘s team won this season of The Voice — but to be fair, it was the country crooner’s final turn behind the red button before retirement, so one last victory would’ve been sweet.

Regardless, Shelton apparently left the former One Direction star without a single word of congratulations following the Voice newcomer’s win with contestant Gina Miles, according to Horan.

“When we left the seat, they announced the winner and I stood up, and then he came for a big hug,” Horan told People of the moments following his triumph. “I gave him a big hug, and he said, ‘I taught you everything you know.’ That’s all he said, not congratulations or anything.”

Shelton and Horan have had a jokey friendship from the very beginning of their first and last season together, a dynamic the “Slow Hands” singer confesses he’ll miss going forward.

“I’m going to miss him,” he told the publication. “He is not one of those famous friends, in my eyes. I think if I had met him outside of The Voice, I would have probably been friends with him anyway,” Horan said. “Weirdly enough, we’ve got a lot in common, we’re quite similar people. Though not in dress sense.”

And while season 23 was Shelton’s last, his wife will be returning to The Voice in his place. After taking a break from the the show this past season, Gwen Stefani is set to coach alongside Horan, John Legend and Reba McEntire for Season 24.

“I’m going to miss [Blake], but I get to work with the other half of that marriage,” Horan said of returning for next season. “I met Gwen at the afterparty for this season’s Voice. She came and surprised Blake on the last night, and she was so funny and so cool, so I’m excited.”

Which Latin LGBTQ Artist Do You Have on Repeat this Pride Month? Vote!

With Pride Month in full swing, Billboard is asking its readers to vote for which Latin LGBTQ artist they currently have on repeat. The fan-based poll consists of the 11 artists that were included in our “LGBTQ Artists We’re Obsessed With” list published on June 1st. 

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At the top of the poll is Anitta, the Brazilian LGBTQ icon who openly discussed her bisexual identity in an interview with the Los Angeles Times. “I kissed a girl before I kissed a guy. I only told my mom after I kissed a guy, because … I didn’t know how to feel. I thought there was something wrong with me for wanting to kiss a guy and a girl. But my mom just said, ’So what?’” she said. 

Grupo Firme’s Jhonny Caz, who’s openly gay and proposed to his boyfriend onstage at one of the band’s concerts in 2021, previously told Billboard: “You can go to one of our concerts and see rainbow flags, trans flags — something you’ve never seen at any other regional Mexican concerts. It’s a message to the industry that no matter how you want to live your life and how you express yourself, we all enjoy music the same way.”

Also on the list is Puerto Rican rapper Villano Antillano, a leading voice in the Latin queer and trans artists movement, who previously told Billboard, that there’s still work to do to create respect for queer artists in Latin music.

Additionally, the poll includes a new generation of trailblazers such as Ptazeta, Raymix, Nicole Zignago, and Young Miko, to name a few. 

Which artist do you have on repeat? Vote below!

Blur Returns to Alternative Airplay Chart After 20-Year Break

After 20 years away, Blur is back on Billboard’s Alternative Airplay chart.

“The Narcissist,” the lead single from the Damon Albarn-led band’s upcoming album The Ballad of Darren, debuts at No. 37 on the list dated June 10.

The band last made the chart in 2003, when “Crazy Beat” peaked at No. 22 that April. The song was last on the chart dated May 24, 2003.

The 20-year, two-week break between Alternative Airplay chart appearances for Blur marks the longest for any band in the tally’s nearly 35-year history. It surpasses the 13 years, five months and three weeks between visits by Sublime (“Doin’ Time” in December 1997 and “Panic,” credited to Sublime With Rome, in May 2011).

The all-time longest respite between charted songs on Alternative Airplay belongs to Debbie Harry, whose “Kiss It Better” wrapped its run in January 1990, followed by the Blondie frontwoman’s featured credit on Just Loud’s “Soul Train” in December 2018 – nearly 29 years later.

As Harry’s record ties into a featured credit, the longest break for an act credited as the lead artist on both bookending songs is Kate Bush, who went over 28 years between January 1994 (“Rubberband Girl”) and “Running Up That Hill (A Deal With God)” in June 2022, the latter due to its resurgence sparked by its synch in Netflix’s Stranger Things.

Back to Blur, “The Narcissist” is the band’s sixth appearance on the ranking. Three have reached the top 10, led by “Girls & Boys” at No. 4 in July 1994.

In between 2003’s Think Tank, on which “Crazy Beat” is included, and this year’s The Ballad of Darren, Blur released one album: 2015’s The Magic Whip, which hit No. 2 on the Top Alternative Albums chart.

Albarn has made Alternative Airplay eight times in the meantime as part of Gorillaz. In fact, Albarn appears on the latest list twice, as Gorillaz’s “New Gold,” featuring Tame Impala and Bootie Brown, ranks at No. 15.

Concurrently, “The Narcissist” bows at No. 29 on Adult Alternative Airplay, marking Blur’s first appearance on the tally, which began in 1996.

On the all-rock-format, audience-based Rock & Alternative Airplay chart, “The Narcissist” premieres at No. 39 with 711,000 equivalent album units earned, according to Luminate.

Blur’s The Ballad of Darren is set for release July 21.

Bebe Rexha Now Boasts Longevity Records Atop Dance/Electronic & Country Charts

Bebe Rexha has now claimed a pair of records reflecting her success in both the dance/electronic and country genres on Billboard’s charts.

Rexha’s EDM collab with David Guetta, “I’m Good (Blue),” rules Billboard’s multimetric Hot Dance/Electronic Songs chart for a 37th week, granting her the longest leading No. 1 by a woman dating to the survey’s 2013 inception, as it passes Elton John and Dua Lipa’s “Cold Heart (Pnau Remix)” (36 weeks at No. 1, 2021-22). Overall, it now trails only Marshmello and Bastille’s “Happier” for the most weeks on top (69, 2018-20).

Rexha already achieved the longest leading No. 1 among all acts on the Hot Country Songs chart (since the list became an-encompassing genre ranking in 1958), as her Florida Georgia Line duet “Meant to Be” dominated there for 50 weeks in 2017-18.

Rexha also sports songwriting credit on both songs. Along with original composition “Meant to Be,” “I’m Good” is a reimagination of Eiffel 65’s early 2000s classic “Blue (Da Ba Dee).”

“Songwriting is my passion, no matter the style of music,” Rexha tells Billboard. “I’ve been blessed to have hit songs in different genres throughout my career. Finding this kind of success within both the dance/electronic and country charts is something I’m really proud of! To have my music resonate with so many people and top charts across multiple genres is amazing and means a lot to me, as I’ve never wanted to be put in a box.”

Select other artists have received warm welcomes in both dance/electronic and country, including Maren Morris, whose collab with Zedd and Grey, “The Middle,” logged 33 weeks atop Hot Dance/Electronic Songs in 2018. She also ruled Hot Country Songs for 19 weeks in 2020 with “The Bones.”

Florida Georgia Line, meanwhile, has notched six No. 1s on Hot Country Songs and hit a No. 2 high in 2018 on Hot Dance/Electronic Songs as featured, with Watt, on Hailee Steinfeld and Alesso’s “Let Me Go.”

Such core country stars as Dolly Parton, LeAnn Rimes and Wynonna Judd have also scaled both country and dance/electronic charts — with Rexha’s new album, Bebe, released in April, including a duet with Parton, “Seasons.”

“I’m Good” drew 39.2 million radio airplay audience impressions and 7.4 million official streams and sold 2,000 downloads in the United States May 26-June 1, according to Luminate.

The track adds a 33rd week at No. 1 on the Dance/Electronic Streaming Songs chart, also passing John and Lipa’s “Cold Heart” for the most weeks at the summit for a song by a woman. On the Dance/Electronic Digital Song Sales survey, “I’m Good” rebounds for a 28th week at No. 1.

Regional Mexican Music Is Having a Record Year: Breaking Down the Numbers

While superstar musicians from Puerto Rico, Colombia and across the Americas have raised the profile — and bottom line — of Latin music in recent years, 2023 is turning out to be a breakout year for a particular kind of Latin music.

Regional Mexican music consumption in the United States jumped 42.1% year to date through May 25, according to Luminate. The genre — comprised of banda, corridos, norteño, sierreño, mariachi and more subgenres — had 5.81 million equivalent album units [EAUs] in the first 21 weeks of 2023 compared to 4.09 million EAUs in the prior-year period. EAUs combine album sales in addition to track sales and streams converted into album units.

That outpaces gains in the Latin genre overall (+23.1%), as well as country (+21.7%), dance/electronic (+15.5%), rock (+12.4%) and pop (+10.3%), as well as the overall market (+13.4%). Only K-pop — up 49.4% year to date as Korean music companies partner with U.S. labels to further penetrate the U.S. market — has performed better than regional Mexican.

The numbers are on track with Mexican music’s exponential and global growth — which Billboard has been reporting on — over the past few years. The legacy genre, which has been around for more than a century and a half, has experienced a newfound popularity, ushered in by a new generation of Mexican and Mexican-American artists who have subtly fused core traditional sounds with urbano/hip-hop styles appealing to a younger, digitally connected audience — mostly notably Eslabon Armado, Peso Pluma and Grupo Frontera.

About 99% of regional Mexican consumption comes from streaming. Through May 25, on-demand audio streaming from services such as Spotify and Apple Music accounted for about 90% of consumption of regional Mexican music. The remaining streaming consumption came from video streaming platforms such as YouTube and programmed streams from Pandora and other non-interactive radio services. Physical sales are not important for the genre — some artists are digital only — accounting for about 1% of total consumption.

Collaborations have driven success for regional Mexican artists, with Elsabon Armado and Pluma’s hit single, “Ella Baila Sola,” and Grupo Frontera’s collab with Bad Bunny both reaching the top 5 of the Billboard Hot 100 in May. Both songs are currently part of a handful of regional Mexican songs that are surging on the Billboard Global 200 chart, where representation of the genre went from notably absent to now comprising nearly 10% of the entire ranking. Sixteen regional Mexican songs have debuted on the Hot 100 as of June 2; the chart dated May 6 set a record, with 14 positions occupied by regional Mexican tracks and another held down by a remix of Latin urban artist Ynvg Lvcas’s “La Bebe” featuring Pluma.

Latin music has soared in recent years with the help of artists such as Puerto Rico’s Bad Bunny and Colombia’s Karol G. In 2022, Latin music consumption grew 28.2% and was the No. 5 genre in the U.S. behind R&B/hip hop, rock, pop and country. Bad Bunny alone accounted for 6.7% of Latin consumption in 2022 when his album Un Verano Sin Ti finished the year as the top album in the United States and put 24 tracks into the Hot 100 chart.

Regional Mexican represented 18.2% of Latin consumption in 2022, about the same as the prior two years (19% and 18.7%). But through May 25, a handful of standout successes helped regional Mexican increase its share of Latin consumption to 20.1%.

Eslabon Armado is the leading regional Mexican act thus far in 2023. The four-piece group from California’s central valley accounted for about 8% of regional Mexican consumption through May 25 and boasted the second-highest consumption of any Latin artist behind Bad Bunny. That’s translated into chart success, including reaching No. 4 on the Hot 100 with “Ella Baile Sola” and reaching No. 6 on the Billboard 200 albums chart with Desvelado on DEL Records. The second- and third-leading regional Mexican artists, Ivan Cornejo and Junior H, both rank amongst the 11 most popular Latin artists in terms of EAUs — behind Colombian superstar Shakira and ahead of American-born Puerto Rican rapper Eladio Carrion.

This year, the top regional Mexican albums are dominated by artists, not compilations. Sony Music Latin’s Fuerza Regida has both the top album, Pa Que Hablan, and the No. 4 album, Sigan Hablando. Last year’s top albums, Modo Despecho and Cantina Mega Mix, rank at No. 6 and No. 7, respectively. In the same period in 2022, nine of the top 10 regional Mexican albums were compilations such as Universal Music Group’s Modo Despecho, Cantina Mega Mix and Cumbias de Microbusera. Corta Venas by DEL Records’ Eslabon Armado was the lone artist album in last year’s top 25 regional Mexican albums.

Collaborations have added to regional Mexican artists’ success in 2023. Eslabon Armado’s share of the subgenre increases from about 8% to 9.6% when collaborations with Cornejo, Junior H, Grupo Frontera, Fuerza Regida and Luis R. Conriquez are counted. Fuerza Regida’s standalone recordings and collaborations with Grupo Frontera, Natanael Cano, Peso Pluma, Juanpa Salazar, Marca Registrada, Cornejo, Becky G and others in the top 200 regional Mexican artists give the group a 9.2% share of regional Mexican consumption.

NBC News Chronicles ’50 Years Fly: The Rise, Fall and Revolution of Hip-Hop Fashion’: Watch the Trailer

Baby Phat CEO and creative director Kimora Lee Simmons, designer Dapper Dan, FUBU CEO Daymond John and Karl Kani CEO Karl Kani are among the pioneers and experts who will be detailing hip-hop’s seismic impact in the fashion world on 50 Years Fly: The Rise, Fall and Revolution of Hip-Hop Fashion.

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Coinciding with the double celebration of Black Music Month and hip-hop’s 50th anniversary, the upcoming digital documentary from NBC News will premiere June 15.

Among the additional fashion industry executives, designers and experts featured in the documentary are Walker Wear CEO April Walker, The Cut editor-in-chief Lindsay Peoples, DTLR vp and divisional merchandise manager of apparel Antonio Gray, author Vikki Tobak (Contact High: A Visual History of Hip-HopIce Cold: A Hip-Hop Jewelry History) and Tommy Hilfiger founder Tommy Hilfiger. 

Here’s an advance look at the trailer for 50 Years Fly: The Rise, Fall and Revolution of Hip-Hop Fashion:

Shalini Sharma, executive editor of NBC News Digital Productions, tells Billboard, “As hip-hop celebrates its 50th anniversary, the NBC News Digital Docs team and I wanted to highlight the innovative designers who revolutionized fashion — inspired by hip-hop music and culture — while also bringing to light the struggles they surpassed.”

50 Years Fly: The Rise, Fall and Revolution of Hip-Hop Fashion debuts June 15 on NBC’s Peacock and will stream on NBC News NOW at 10:30 p.m. ET. NBC News Digital Docs, whose team includes executive producer Rachael Morehouse, has produced previous documentaries such as A Marriage on Trial: Johnny Depp, Amber Heard, and the Truth in the Age of Social Media, Dear Noah: Pages from a Family Diary, #FillerNation and Boiling Point: A City’s Fight for Clean Water.

The 1975’s Matty Healy Opens For His Own Band, Responds to Noel Gallagher Diss With Even Spicier Shot

Matty Healy can do it all. In the span of one show in Dublin on Wednesday night (June 7) at St. Anne’s Park, the lead singer of The 1975 managed to play two sets in the same night, take a wild swing at a musical hero while also expressing his love for him and he capped it off with a subtle humble brag about nice gifts he got from two of the world’s biggest rock stars.

Let’s start with the diss, though. As you might recall, while promoting his band’s new album, Council Skies recently, High Flying Birds leader and former Oasis co-founder Noel Gallagher was asked about Healy’s comments earlier this year begging for a Gallagher brothers reunion. As with all talk of an Oasis rapprochement, this angered Noel, who referred to Matty as a “f–king slack-jawed f–kwit.”

So, after opening for his own band with a solo “Matty” set after Caroline Polachek unexpectedly pulled out of the Dublin show due to reported vocal issues with a set of stripped-down 1975 songs and a cover of former Men At Work singer Colin Hay’s “I Just Don’t Think I’ll Ever Get Over You,” Healy got to work.

Matty addressed the crowd by casually noting that he recently got some very nice gifts from U2 singer Bono and Coldplay’s Chris Martin. “Today — honestly, this is not a namedrop, this is a celebration of them as people — Chris Martin and Bono have sent us the most beautiful messages, packages, kind of good wishes,” he said, without explaining why his fellow frontmen had reached out. “In honestly such a genuine way and it made us feel so beautiful.”

The singer — who reportedly recently split with short-term girlfriend Taylor Swift after a brief dalliance — then turned his attention to the Gallaghers and gave the battling brothers a taste of their own acid-drenched medicine. “Noel Gallagher called me a ‘slack-jawed f–kwit’… I love Noel Gallagher,” Healy said, before he began turning the knife and dragging former Oasis singer Liam Gallagher into the muck as we;;. “We asked Liam to open up and he said he would have done it but he was busy.”

And then it got real.

“But I love Noel Gallagher… He’s just getting on,” Healy snarked. “The difference between me and Noel is that I do a series of interviews to promote an album, whereas he does an album to promote a series of interviews.”

And in the final twist of the knife, Healy tripled down on his call for a long-desired Oasis reunion, adding, “But we love you, Noel. Get Oasis back together!”

Check out a fan video of the Healy moment below.